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Currently showing posts tagged 1973

  • Assault on New Releases #11 - Halloween Edition: Count Dracula's Great Love (1973), Child's Play (1988) Collector's Edition, Burial Ground (1980), Waxwork (1988) / Waxwork II: Lost in Time (1991) & Lady in White (1988) Blu-ray Reviews

    Count Dracula’s Great Love (1973)

    Director: Javier Aguirre

    Starring: Paul Naschy, Rosanna Yanni, Haydée Politoff, Mirta Miller, Ingrid Garbo, Álvaro de Luna de Luma & José Manuel Martin

    Released by: Vinegar Syndrome

    Reviewed by Mike Kenny

    Starring Spain’s premiere horror star Paul Naschy (Night of the Werewolf), Count Dracula’s Great Love finds a carriage of travelers derailed and kindly taken in by the handsome Dr. Marlow (Naschy).  Secretly harboring his true identity as the Prince of Darkness, Marlow stalks and seduces his way to the necks of his gorgeous guests, transforming them into bloodthirsty slaves while, shy virginal Karen (Haydée Politoff, Queens of Evil) becomes the apple of his eye and essential to his much grander plan.  Boasting gothic ambiance, full moons and eroticism, Javier Aguirre (Hunchback of the Morgue) directs with elegance in this atmospheric tale that presents a memorable interpretation of Dracula who is quick to whip and axe his victims as commonly as sink his fangs into them.  Weaving a narrative of originality and rich complexity, Count Dracula’s Great Love remains effective for Naschy’s understated performance and the film’s blood ritual used to resurrect Dracula’s deceased daughter, concluding in lovesick tragedy.

    Beautifully scanned and restored in 2K from the 35mm internegative, Vinegar Syndrome presents Count Dracula’s Great Love with a 1080p transfer, sporting a 1.85:1 aspect ratio.  While minor intrusions from scratches and cigarette burns are evident, the Spanish feature has never looked better.  Bringing vibrant life to skin tones and the colorful costume choices of its actresses, detail is crisp preserving the fog-entranced tone while, black levels seen in Count Dracula’s cape, casket and dark dwellings are exceptionally inky.  Equipped with a DTS-HD Master Audio 2.0 mix, the film’s English dub track may register t’s and s sounds too sharply but, overwhelmingly exudes clean and audible dialogue levels while, cracks and pop are minimal and of little to no notice.  Presenting both its uncut U.S. edition and its original Spanish language version, viewers are informed that the latter, lacking proper elements from its licensor (and missing shots due to content that are only found in its English counterpart), is presented from lesser quality video sources and a Dolby Digital 2.0 mix in order to appreciatively appease fans yearning for both cuts.  Meanwhile, special features include, a never before released Audio Commentary with Director Javier Aguirre & Actor Paul Naschy featuring optional subtitles in both English and Spanish plus, a newly captured Video Interview with Actress Mirta Miller (8:22) with optional English subtitles.  Furthermore, the U.S. Theatrical Trailer (3:04), a Still Gallery (2:16) and a 6-page booklet featuring an informative essay from Mirek Lipinski are also included alongside a DVD edition of the release and Reversible Cover Art.  Fans of horror’s more gothic and erotic outings will take pleasure sinking their fangs into this significant Spanish offering, splendidly brought to high-definition by Vinegar Syndrome for the first time ever!

    RATING: 4/5

    Available now from Vinegar Syndrome, Count Dracula’s Great Love can be purchased via VinegarSyndrome.com, Amazon.com and other fine retailers.

    Child’s Play (1988)

    Director: Tom Holland

    Starring: Catherine Hicks, Chris Sarandon, Alex Vincent & Brad Dourif

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Instilling a new titan for modern horror and ushering in a frightening franchise of sequels each varying in quality, the original Child’s Play still reigns as the most effective and chilling of Chucky’s many chapters.  When innocent six-year-old Andy Barclay (Alex Vincent, Wait Until Spring, Bandini) is presented with a Good Guy doll on his birthday, strange occurrences and the death of his babysitter raise questions of responsibility in their wake.  Unsuccessfully convincing his single mother and a homicide detective that his doll is alive and behind the recent string of murders, Andy finds himself pursued by the tiny terror in order to take over his soul.  Before the bodycount pictures its later entries would become with the foul-mouthed killer serving as their marketing mascot, Child’s Play’s less is more approach keeps viewers questioning the validity of Andy’s claims more so than blindly assuming his doll is truly possessed.  Wrapped in mystery and edge of your seat suspense with an oftentimes forgotten voodoo subplot, Child’s Play holds up strongly with a believable blend of special effects wizardry, an urban Chicago setting and top-notch performances with Dourif’s shrieking voice as the crazed Chucky leaving an indelible mark on the nightmares of viewers for years to come.

    Newly scanned in 2K from the interpositive, Scream Factory presents Child’s Play with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Casting a darker yet, more natural appearance during nighttime sequences, skin tones are accurate and nicely detailed while, colors found in Chucky’s red-striped and denim attire along with the neon-lit signage of the toy store in the film’s opening pop well.  Scuffs and other blemishes appear to be absent while, softness during daytime exteriors and inside the Barclay’s apartment look similar to its previous release.  Admittedly modest in its improvements, Scream Factory’s latest stab at Child’s Play unquestionably ranks as its best looking.  Equipped with a DTS-HD Master Audio 5.1 mix that projects solid dialogue and booming displays of authority during thunderstorms and Joe Renzetti’s (Poltergeist III) creepy score, sound quality is superior.  In addition, an optional DTS-HD Master Audio 2.0 mix has also been included.  Impressively packed with new and old offerings, Disc 1 features a new Audio Commentary with Director Tom Holland plus, a repurposed Audio Commentary with Actors Alex Vincent, Catherine Hicks & “Chucky” Designer Kevin Yagher.  Furthermore, another vintage Audio Commentary with Producer David Kirschner & Screenwriter Don Mancini along with hilarious Chucky Commentaries on select scenes are also included.

    Kicking off Disc 2, Behind-the-Scenes Special Effects Footage (1:00:08), Howard Berger: Your Special Effects Friend ‘Till the End (40:53) and Life Behind the Mask: Being Chucky with Ed Gale (40:02) comprise the release’s newest and highly fascinating featurettes while, Evil Comes in Small Packages (24:49), Chucky: Building a Nightmare (10:05), A Monster Convention (5:26), Introducing Chucky: The Making of Child’s Play (6:15) and a Vintage Featurette (4:54) from MGM’s previous release are ported over.  In addition, a TV Spot (0:17), Theatrical Trailer (2:02), a Behind-the-Scenes Photo Gallery (37 in total), a Posters & Lobby Cards Photo Gallery (20 in total) and Reversible Cover Art featuring the original 1-sheet poster conclude the all encompassing slate of extras.  A frightening sophomore followup from Director Tom Holland (Fright Night), Child’s Play maintains its reputation as one of the better supernatural slashers of the 80s while, Scream Factory’s Collector’s Edition, sprawling with bounds of extras, is nothing short of a gift from the mighty Damballa himself.

    RATING: 4.5/5

    Available now from Scream Factory, Child’s Play can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

    Burial Ground (1980)

    Director: Andrea Bianchi

    Starring: Mariangela Giordano, Karin Well, Gianluigi Chirizzi, Peter Bark & Roberto Caporali

    Released by: Severin Films

    Reviewed by Mike Kenny

    Presented under its alternate The Nights of Terror title, Burial Ground hosts a smorgasbord of guts and bloody depravity when a country getaway for several couples quickly turns into a fight for their lives against reanimated corpses.  Preoccupied with their own sexual appetite when a scientist’s tinkering with evil forces unleashes hell’s hungriest zombies, the couples struggle to defend themselves while keeping the rotting forces from gaining entry into the mansion.  A wall-to-wall bonkers example of Italian exploitation at its finest, Burial Ground’s plot may be paper thin but, graciously overcompensates with gallons of gore and some of the genre’s most memorable zombie designs befit with gaping facial holes, horrific skeletal features and squirming maggots oozing from their pores.  Weaponizing themselves with pickaxes, scythes and other garden tools, the ravenous undead decapitate the help and repeatedly feast on the torn out organs of their prey.  Perhaps even more memorable than the zombie’s persistent attacks, Burial Ground’s bizarro meter soars when Michael (Peter Bark, Arrivano i gatti), the peculiar-looking son of Karen, grows oddly attracted to his mother and makes an incestuous pass at her in the heat of zombiepalooza.  With options running low and escape unlikely, nothing can prepare viewers for Burial Ground’s absurd mouthful of a finale that draws its line in the sand as one of the great “what the…” moments of splatter cinema.

    Gorgeously restored in 2K from pristine elements, Severin Films presents Burial Ground with a 1080p transfer, sporting a 1.66:1 aspect ratio.  True to its description, this newly struck scan is leaps and bounds superior to past releases with a blemish-free appearance, strong facial tones and impressive detail bringing out the intricacies of the many zombie makeup designs and their intendedly heinous features.  Furthermore, the film’s plethora of blood pops loudly while, black levels, even during the film’s more dimly lit sequences, are effectively inky, allowing viewers to fully appreciate all that is occurring.  Definitive as can be, Severin Films deserves the utmost praise for their esteemed handling of this Italian gorefest.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is perfectly audible throughout without any static or pops detected.  In addition, a separate Dolby Digital 2.0 Italian mix is included with optional English subtitles.  Bonus offerings include, Villa Parisi - Legacy of Terror (15:47) where Movie Historian Fabio Melelli revisits the filming locations that date back to the 17th century and have been utilized by Italian film productions beginning in the 1960s through the present.  Meanwhile, Peter Still Lives: Festival Q&A with Actor Peter Bark (7:35), Just for the Money: Interview with Actor Simone Mattioli (8:57) and The Smell of Death: Interviews with Producer Gabriele Crisanti & Actress Mariangela Giordano (9:20) are joined by Deleted/Extended Scenes/Shots (10:24), the Theatrical Trailer (3:31) and Reversible Cover Art.  Lastly, limited to the first 3,000 units, an exclusive slipcover featuring new artwork by Wes Benscoter is also included.  Riding high on a profoundly successful 2016, Severin Films continues to spoil exploitation enthusiasts with their treatment of Burial Ground, so definitive that the opening of hell’s gates can be the only justification for quality of this caliber.

    RATING: 4/5

    Available now from Severin Films, Burial Ground can be purchased via Severin-Films.com, Amazon.com and other fine retailers.

    Waxwork (1988) / Waxwork II: Lost in Time (1991)

    Director: Anthony Hickox

    Starring: Zach Galligan, Deborah Foreman, Michelle Johnson, Dana Ashbrook, Michah Grant, Eric Brown, Clare Carey, Patrick Macnee & David Warner / Zach Galligan, Monkia Schnarre, Alexander Godunov, Martin Kemp & Bruce Campbell 

    Released by: Lionsgate

    Reviewed by Mike Kenny

    Melding the humorously wacky with the horrific, Waxwork finds a group of collegiate friends who stumble upon a mysterious wax museum displaying the most vile monsters, madmen and psychos albeit without victims.  Before long, their innocent tour lures them into its dark magic to become permanent members of the establishments morbid offerings.  Starring Zach Galligan (Gremlins) and Deborah Foreman (Valley Girl) with appearances from distinguished Englishmen and talented thespians Patrick Macnee (The Avengers) and David Warner (Tron) as the villainous museum owner, Waxwork’s greatest strength lies in its animated displays that honor the classic monsters of yesteryear and submerging would-be victims into their appropriately themed worlds.  Transforming into mini films within a film, the high maintenance China (Michelle Johnson, Death Becomes Her) finds herself immersed within Count Dracula’s gothic castle and forced to duel against his bloodthirsty brides while, the chain-smoking Tony (Dana Ashbrook, Twin Peaks) stumbles into the full moon lit backwoods where the beastly Wolfman (John-Rhys Davies, Raiders of the Lost Ark) hunts.  While the rather busy narrative throws touches of black magic, evil trinkets, freakish butlers and interdimensional realms to the forefront that occasionally scatterbrains the proceedings, Waxwork’s free-for-all conclusion pitting the likes of Marquis de Sade and zombies against the privileged Mark (Galligan) and his wheelchair-bound godfather right the ship in this clever sendup of classic chills under the guise of 80s video age eye-candy.

    Surviving the fiery events of the original film, Mark and Sarah (replaced by Monkia Schnarre, The Peacekeeper) return in Waxwork II: Lost in Time when a resilient zombie hand from the wax museum murders Sarah’s stepfather, pinning the blame on her.  Determined to prove her innocence, the two recover a magical compass enabling them to time travel through dimensions in order to gather the proper evidence to clear Sarah’s name.  Far more fantasy based than its predecessor with the characters winding up in medieval times to combat a black magic wielding sorcerer, Waxwork II: Lost in Time, using Lewis Carrol’s Through the Looking-Glass as a loose template, makes greater use of hilariously parodying genre films than properly traveling through historical events.  Making stops at Victor Frankenstein’s laboratory and the streets of London during Jack the Ripper’s reign of terror, Alien, The Haunting and Godzilla among other films all find their way cheekily homaged in this more refined sequel.  Graced with brief roles from B-movie legends Bruce Campbell (Evil Dead) and David Carradine (Death Race 2000), Waxwork II: Lost in Time widens its universe even more so, delivering a followup with more comedic oomph that surprisingly exceeds its originator by a narrow margin.

    Digitally restored, Lionsgate, under their Vestron Video Collector’s Series imprint, presents both Waxwork and Waxwork II: Lost in Time with 1080p transfers, sporting 1.85:1 aspect ratios.  Bearing generally clean appearances with scant scratches and slight speckling during darker sequences, colors pop effectively with skin tones reading nicely although, softness is not wholly uncommon or overly unpleasant.  Furthermore, its sequel noticeably improves during its extended black and white sequences mocking The Haunting that shine more sharply than the first film.  Respectable upgrades on both features will leave the overwhelming majority of fans more than pleased with the results.  Equipped with DTS-HD Master Audio 2.0 mixes, dialogue is admirably conveyed while occasional moments during the first film find character lines at odds with other dominating sound factors.  Otherwise making solid use of their respective musical scores, both tracks strongly live up to expectations.  

    Providing each film on their own Blu-ray disc, special features on Waxwork’s Disc 1 include, an Audio Commentary with Director Anthony Hickox & Actor Zach Galligan and an Isolated Score & Audio Interview with Composer Roger Bellon.  Additionally, The Waxwork Chronicles (1:22:17), another first-rate Red Shirt Pictures production divided into six parts, explores the development and making of both films with newly captured interviews from Writer/Director Anthony Hickox, Editor Christopher Cibelli, Producer Staffon Ahrenberg, Special Make-Up Effects Supervisor Bob Keen, Actors Zach Galligan, Monika Schnarre and many others covering everything Waxwork related fans would ever want to know.  Also included, a vintage The Making of Waxwork (24:06) featurette, the Theatrical Trailer (2:02) and a Still Gallery (7:55) conclude the disc’s helpings.  Next up, Waxwork II: Lost in Time’s Disc 2 opens with another Audio Commentary with Director Anthony Hickox & Actor Zach Galligan, an Isolated Score & Audio Interview with Composer Steve Schiff, a Music Video (3:50), Theatrical Trailer (3:03), Still Gallery (7:17) and a Reversible Cover Art capping off the double feature’s supplemental package.  Nostalgia will surely ring loudly for viewers raised on both Waxwork features during the heyday of video rental.  A clever and unique injection of horror and comedy during the slasher prominent decade, both films, with its 1991 sequel having a slight advantage, are enjoyable excursions into silliness that have been passionately peppered with ample bonus features to continue making the legacy of Vestron Pictures proud.

    RATING: 3.5/5

    Available now from Lionsgate, Waxwork / Waxwork II: Lost in Time can be purchased via LionsgateShop.com, Amazon.com and other fine retailers.

    Lady in White (1988)

    Director: Frank LaLoggia

    Starring: Lukas Haas, Len Cariou, Alex Rocco & Katherine Helmond

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Set in the wholesome suburb of Willowpoint Falls circa 1962, Lady in White centers on monster kid Frankie Scarlatti (Lukas Haas, Mars Attacks!) who narrowly escapes death at the hands of a mysterious child murderer.  Aided by the first victim’s ghost, Frankie vows to bring the elusive killer to justice who may be closer than he knows.  Capturing the virtually lost magic of small-town Americana and shot on location in the picturesque region of Upstate New York, Lady in White weaves its atmospheric tale of local legends, ghosts and cold-blooded murder with expert direction and grounded performances that shine with pure naturalism.  Following Frankie’s supernatural encounter, the neighborhood myth of the lady in white searching for her fallen child ties into the picture’s larger story with the very real threat of her assailant still at large injecting a genuine undercurrent of thrills.  Reminiscent of Stephen King’s best coming of age fables, Lady in White’s acute capturing of simpler times while, injecting deeply rooted themes of family, facing fears and discrimination come from a creative voice of passion and experience that Writer/Director Frank LaLoggia (Fear No Evil) conveys in earnest.  An underrated masterwork with an innate connection to the heart and mystery of childhood, Lady in White remains as riveting as ever, eclipsing its reputation as one of the finest ghost stories of its kind.

    Debuting on high-definition with 2 Discs featuring the Director’s Cut (1:57:49, Disc 1), Theatrical Version (1:53:34, Disc 2) and the preferred Extended Director’s Cut (2:06:52, Disc 2), Scream Factory presents Lady in White with 1080p transfers, sporting 1.85:1 aspect ratios.  Utilizing the film’s interpositive and an archived film print to assemble the never-before-released lengthier director’s cut, the inherently soft photography is perfectly maintained while, fall leaves and seasonally appropriate greenery are lively looking.  Seamlessly blending its two elements for a first-rate restoration, the director’s intended cut looks excellent whereas the film’s alternate versions are of equal merit.  Equipped with a DTS-HD Master Audio 5.1 mix that forewarns hiss and pops that are hardly noticeable on its extended version, dialogue is never inaudible with the subtle ambiance of howling winds and crashing waves complimenting the proceedings nicely while, the film’s beautiful music selections, handled also by its Writer/Director, perform most effectively.  In addition an optional DTS-HD Master Audio 2.0 mix has also been included.  However unfortunate that no new supplements were produced for the release, vintage bonus features found entirely on Disc 1 include, an Introduction with Frank LaLoggia (0:46), an Audio Commentary with Writer/Director Frank LaLoggia (Director’s Cut only), Behind-the-Scenes Footage with Introduction by Frank LaLoggia (16:21) and optional commentary from its creator.  Furthermore, Deleted Scenes with Introduction by Frank LaLoggia (36:13) and optional commentary, a Promotional Short Film (7:18), the Theatrical Trailer (1:57), Alternate Trailers (7:10), TV Spots (1:34), Radio Spots (2:21), a Behind-the-Scenes Photo Montage (28 in total) and an Extended Photo Gallery (21 in total) wrap up the on-disc extras while, a Reversible Cover Art is also included.  An evocative coming of age chiller ripe for rediscovery and annual viewing, Lady in White is a prime ghostly offering for the Halloween season that stands out for its relatable themes and haunting narrative worthy of the deepest respect.  

    RATING: 4.5/5

    Available now from Scream Factory, Lady in White can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

     

  • Pigs (1973) Blu-ray Review

    Pigs (1973)

    Director: Marc Lawrence

    Starring: Marc Lawrence, Toni Lawrence & Jesse Vint

    Released by: Vinegar Syndrome

    Reviewed by Mike Kenny

    Presented in its original director’s cut for the first time on home video, Pigs centers on beautiful drifter Lynn Webster (Toni Lawrence, Beyond Reason) who descends on a sleepy California town while harboring a dark secret.  Gaining employment at a local cafe, her boss and former circus performer Zambrini (Marc Lawrence, The Man with the Golden Gun) cares for a pen of 12 hungry pigs with a penchant for human flesh.  Turning to the local population for his personal pig chow, Sheriff Dan Cole (Jesse Vint, Forbidden World) grows suspicious of the recent activity as he nears closer to the frightening truth.

    Billed under one of its many titles as The 13th Pig, Actor/Director Marc Lawrence’s indie budgeted opus paints itself as exploitation fodder that would weigh in its favor playing the drive-in circuit although, its artistic aspirations, however ambiguous, exceed its chase for the almighty dollar.  Starring his own daughter Toni as a woman with a skeleton in her closet, the out of town and relatively quiet Lynn starts anew as a waitress at the local looney Zambrini’s (elder Lawrence) cafe.  As elderly nosy bodies inform the local sheriff that Zambrini’s pen of pigs run freely in the evening and shockingly devour people, a previously ridiculous notion grows more believable in time.  A sight for sore eyes in a male dominated town, Lynn finds herself picked up by a fellow horndog whose passes ignite a razor-sharp reflex of Lynn’s located only in nightmares.  When a mutual understanding between the two outsiders form, the true state of Lynn’s mental health and Zambrini’s dedication to fatten up his piggies grows while risking further suspicion from Sheriff Dan whose own attraction to Lynn becomes harder to conceal.  Although containing horrific moments of murder, Pigs would be hard pressed to be strictly labeled horror with a stronger emphasis placed on the psychological construction of its peculiar leads and their unhinged yet, sympathetic allegiance to one another.  Containing freakish imagery of squealing pigs fighting over limbs and Zambrini in ghoulish clown make-up with the dark cloud of Lynn’s broken childhood revealed near its conclusion, Pigs establishes a peculiar atmosphere where a mental breakdown, loneliness and homicidal tendencies all converge during a most unusual odyssey, leaving viewers equally perplexed and captivated.

    Scanned and restored in 2K from the 35mm interpositive, Vinegar Syndrome presents Pigs with a 1080p transfer, sporting a 1.85:1 aspect ratio.  With select footage sourced from lesser quality theatrical prints, presentation is understandably uneven at times with less handsome footage showcasing murkier black levels and red hues in its photography.  Although ideal elements have long since been destroyed for said moments, the assembled final product looks overwhelmingly strong with properly lit sequences giving way to detailed facial features and bold colors seen in the blood spewed during Lynn’s razor assault popping most effectively.  While occasional scuffs and scratches are also on hand, Vinegar Syndrome’s painstaking dedication, with assistance from several other parties, to provide viewers with the film’s definitive version sinks any of its imperfections.  Equipped with a DTS-HD Master Audio 1.0 mix, dialogue is cleanly captured with high-pitched pig squeals making sharp strides on the track while, Composer Charles Bernstein’s (A Nightmare on Elm Street) hauntingly harmonious score makes a most effective mark.  Well stocked, bonus features include, Toni Lawrence: Back on the Menu (14:15) where the film’s lead actress sits down to discuss her father’s career and her own development as an actor.  In addition, Somewhere Down the Road with Charles Bernstein (13:35) interviews the famed composer on one of his earliest compositions and his unique payment for his services, an Audio Interview with Cinematographer Glenn Roland (1:20:42) and a Promotional Artwork Gallery (4:29) can also be found.  Finally, an Alternate Exorcism Opening (3:17), an Alternate Daddy’s Girl Opening (5:49), an Alternate Daddy’s Girl Ending (5:15), the Pigs Theatrical Trailer (1:41), the Love Exorcist Trailer (2:13) plus, a DVD edition of the release and Reversible Cover Art featuring work by Chris Garofalo rounds out the supplemental package.

    A truly unusual slice of indie cinema expression, Pigs remains a bizzaro examination of two lost souls whose unbalanced personalities connect over their shared killer instincts.  With the markings and promotional pull of a horrific exploitation opus, character actor Marc Lawrence’s final directorial effort is outside the perimeters of normalcy which makes it such an intriguing watch.  In their latest acquisition from the Troma vaults, Vinegar Syndrome have gone above and beyond to deliver Lawrence’s feature the way it was intended with fabulous results.  Further underscored by an insightful spread of bonus features, Pigs makes a strong case for rolling around in the mud of such weirdness.

    RATING: 3.5/5

    Available now from Vinegar Syndrome, Pigs can be purchased via VinegarSyndrome.com, Amazon.com and other fine retailers.

  • Black Mama, White Mama (1973) Blu-ray Review

    Black Mama, White Mama (1973)

    Director: Eddie Romero

    Starring: Margaret Markov, Pam Grier, Sid Haig, Lynn Borden, Zaldy Zshornack & Laurie Burton

    Released by: Arrow Video

    Reviewed by Mike Kenny

    From American International Pictures’ exploitation factory, Black Mama, White Mama centers on badass prostitute Lee (Pam Grier, Coffy) and local liberator Karen (Margaret Markov, Pretty Maids All in a Row) whose personalities immediately clash after being admitted to a dingy women’s prison.  Chained together, a violent ambush ensues allowing the ladies to escape into the jungles where danger awaits at every turn.  While Lee intends to reclaim stolen cash before her true escape, Karen vows to rejoin her fellow revolutionaries making survival for the two all the more complicated.  Sid Haig (House of 1,000 Corpses), Lynn Borden (Hazel), Zaldy Zshornack (The Hot Box) and Laurie Burton (Perfect) co-star.

    With a story notably influenced by 1958’s The Defiant Ones and crafted by Corman hopefuls Joseph Viola (Angels Hard as They Come) and Jonathan Demme (The Silence of the Lambs), Black Mama, White Mama appears at first glance strikingly familiar to previous chicks in chains flicks.  From its seedy barred location to a wicked lesbian warden who pleasures herself to the sight of bathing inmates, Director Eddie Romero’s (The Twilight People) prison break effort switches gears abruptly when the uncomfortably paired whore with a bad attitude (Grier) and blonde freedom fighter (Markov) take off into the heated jungles, shot in the inexpensively had locations of the Philippines.  Far from friends and each with their own agendas, Lee and Karen must mask the chain that binds them together while evading the authorities, a redneck bounty hunter (Haig) and Lee’s drug-pushing pimp (exploitation treasure Vic Diaz, Equalizer 2000) who wants her head for stealing a hefty $40,000 sum.  Disguising themselves as nuns and fending off potential rapists, the contrasting chicks develop mutual respect for one another before Karen’s troops rescue them on the heels of mini war exploding before their eyes.  Littered with tantalizing nudity and topless flashes from its sexy leads, Black Mama, White Mama pushes the WIP formula in new directions outside of its clichéd location with an appetizing cast and a bevy of firepower and bloodshed sprayed across the Filipino jungles.  Memorably topped off with the scar-faced Haig forcing an army captain and his superior to compare man part sizes and an underwear wrestling match with his associates' two daughters, Black Mama, White Mama is a solid link in the chain of great women in prison sexplosions.  

    Arrow Video ushers in Black Mama, White Mama with a 1080p transfer, presented in its original 1.85:1 aspect ratio.  Debuting slightly soft under the sunny exterior jungle foliage, quality immediately perks up with naturally realized flesh tones and crisp detail allowing for the most delicate of facial sweat droplets to be observed.  In addition, colors ranging from the immense greenery and the prisoners’ bright yellow uniforms pop nicely.  Appreciatively filmic looking and lacking any severe anomalies, Arrow Video treats this prisoner gorgeously.  Accompanied with an LPCM 1.0 mix, dialogue is decently handled but occasionally suffers from lower pitches, most likely attributed to less than perfect on-set sound recording.  Commonly packed with assorted extra offerings, supplements here include, an Audio Commentary with Filmmaker & Filipino Film Historian Andrew Leavold, White Mama Unchained with Margaret Markov (14:01), a top-notch, newly produced sit-down with the film’s lead as she traces her early desires to be an actress and her many memorable roles, Sid Haig’s Filipino Adventures (15:51) captures the AIP hall of famer as he reminisces on his many Filipino lensed productions and his loving working relationship with Pam Grier.  In addition, Andrew Leavold’s vintage featurette, The Mad Director of Blood Island!: An Interview with Eddie Romero (14:38) is also included serving as a welcome time capsule of the late director reflecting on his work.  Finally, the film’s Trailer (1:54), a Still Gallery (25 in total), an 18-page booklet featuring a nicely written essay by Chris Poggiali, Reversible Cover Art featuring the original 1-sheet design and a DVD edition of the release round the release’s bonus content.

    Colorful characters, hot bods and machine gun warfare permeate the jungle bound fun of Black Mama, White Mama.  Perfecting the elements of the popular WIP features that came before, American International Pictures’ Filipino lensed sizzler is over-the-top entertainment.  Boasting excellent A/V specs and predictably solid supplements, courtesy of the combined efforts from Edwin Samuelson, Andrew Leavold, Chris Poggiali and Sean Phillips’ beautifully designed new artwork, Arrow Video breaks the chains on yet another exploitation keeper.

    RATING: 4/5

    Available now from Arrow Video, Black Mama, White Mama can be purchased via ArrowFilms.co.uk, Amazon.com and other fine retailers.