Blu-ray/DVD Reviews


Currently showing posts tagged 1980

  • Wolf Lake (1980) Blu-ray Review

    Wolf Lake (1980)

    Director: Burt Kennedy

    Starring: Rod Steiger, David Huffman, Robin Mattson, Jerry Hardin, Richard Herd & Paul Mantee

    Released by: Kino Lorber Studio Classics

    Reviewed by Mike Kenny

    From Writer/Director Burt Kennedy (The Train Robbers), Wolf Lake centers on decorated WWII veteran Charlie (Rob Steiger, In the Heat of the Night), along with his war buddies, who travel to a Canadian lakeside for a weekend of hunting.  Shortly after meeting caretaker David (David Huffman, Blood Beach) and his girlfriend, tension rises once his recent past as a war deserter is revealed.  Short on tolerance, Charlie engages in a crazed hunt for the couple, invoking David’s own ruthless survival instincts.  Robin Mattson (Santa Barbra), Jerry Hardin (Cujo), Richard Herd (Planes, Trains & Automobiles) and Paul Mantee (Framed) costar.

    Surprisingly filmed in Mexico, Wolf Lake is a rarely seen yet, masterfully achieved effort that examines the contrasting viewpoints amongst soldiers, divided by generations and unique experiences.  Delivering a powerhouse performance, Rod Steiger conveys unwavering patriotism, vulnerability, anger and madness in his role as lead hunter and WWII vet Charlie whose crackpot remarks towards reserved caretaker David ignite a war of differences between the two former soldiers.  Learning of David’s wartime desertion while coping with the death of his own son killed in Vietnam, Charlie’s emotions run rampant with desires to make David pay for his cowardice ways.  When a belligerent evening of drinking brings harm to David’s girlfriend, a new war is claimed between the two parties.  Methodically tracking the couple with rifles, Charlie and his cohorts find an admirable opponent in David who is merely trying to stay alive.  Featuring a shrieking score from Composer Ken Thorne (Superman II) and nail biting suspense throughout, Wolf Lake is a vastly underrated chapter in the annals of Vietnam War centered pictures with Steiger’s phenomenal performance ranking among one of his best and unfortunately overlooked.  

    Kino Lorber Studio Classics presents Wolf Lake with a 1080p transfer, sporting a 1.78:1 aspect ratio.  While image stability is slightly uneven at times with scratches and scruffs making occasional notices, skin tones are accurate and well-defined while, the isolated scenic locations retain their natural splendor.  Furthermore, speckling is not uncommon in lower lit sequences with the overall condition of its elements satisfying otherwise.  Equipped with a DTS-HD Master Audio 2.0 mix, cracks and pops make seldom statements while, dialogue is audibly relayed with outdoorsy ambiance including, howling winds and chirping birds sounding clear while, Thorne’s musical queues make passable strides in effectiveness.  

    Special features include, Jerry Hardin and Richard Herdon on Wolf Lake (10:17).  In this brief featurette, the elderly actors recall the bond formed between the cast at the film’s isolated location with mentions of Burt Kennedy’s own decorated war history and his respected talent.  In addition, Lance Hool on Wolf Lake (11:21) finds the producer recollecting on his unique upbringing in Mexico that earned him parts in Howard Hawks films and other features before transitioning to producing.  Hool discusses the casting of Steiger and his unbelievable audition, the film’s controversial themes that caused physical fights during test screenings and its slow distribution death resulting in Hool turning down future Vietnam related pictures such as First Blood and Platoon.  Furthermore, a Trailer Gallery consisting of Avenging Force (1:18), Malone (2:00), Assassination (1:57), Steele Justice (1:36) and Hero and the Terror (1:26) are included with Alternate Artwork concluding the supplemental package.

    Emotionally charged and unnervingly thrilling, Wolf Lake stands as one of Steiger’s most passionate performances that has remained largely unseen due to the film’s hot-button themes released in the wake of the controversial Vietnam war.  Although not taking place on the frontline of battle, Writer/Director Burt Kennedy’s character-driven opus, surrounding the expectations of a soldier and the damaging effects of war on those involved, is a powerful showcase of different opinions turned deadly.  Worthy of praise for rescuing such a rediscovered gem, Kino Lorber Studio Classics welcomes the film to HD with expected quality and insightful interviews regarding the film’s unique making and unfortunate release history.

    RATING: 4.5/5

    Available now from Kino Lorber Studio Classics, Wolf Lake can be purchased via, and other fine retailers.

  • Assault on New Releases #11 - Halloween Edition: Count Dracula's Great Love (1973), Child's Play (1988) Collector's Edition, Burial Ground (1980), Waxwork (1988) / Waxwork II: Lost in Time (1991) & Lady in White (1988) Blu-ray Reviews

    Count Dracula’s Great Love (1973)

    Director: Javier Aguirre

    Starring: Paul Naschy, Rosanna Yanni, Haydée Politoff, Mirta Miller, Ingrid Garbo, Álvaro de Luna de Luma & José Manuel Martin

    Released by: Vinegar Syndrome

    Reviewed by Mike Kenny

    Starring Spain’s premiere horror star Paul Naschy (Night of the Werewolf), Count Dracula’s Great Love finds a carriage of travelers derailed and kindly taken in by the handsome Dr. Marlow (Naschy).  Secretly harboring his true identity as the Prince of Darkness, Marlow stalks and seduces his way to the necks of his gorgeous guests, transforming them into bloodthirsty slaves while, shy virginal Karen (Haydée Politoff, Queens of Evil) becomes the apple of his eye and essential to his much grander plan.  Boasting gothic ambiance, full moons and eroticism, Javier Aguirre (Hunchback of the Morgue) directs with elegance in this atmospheric tale that presents a memorable interpretation of Dracula who is quick to whip and axe his victims as commonly as sink his fangs into them.  Weaving a narrative of originality and rich complexity, Count Dracula’s Great Love remains effective for Naschy’s understated performance and the film’s blood ritual used to resurrect Dracula’s deceased daughter, concluding in lovesick tragedy.

    Beautifully scanned and restored in 2K from the 35mm internegative, Vinegar Syndrome presents Count Dracula’s Great Love with a 1080p transfer, sporting a 1.85:1 aspect ratio.  While minor intrusions from scratches and cigarette burns are evident, the Spanish feature has never looked better.  Bringing vibrant life to skin tones and the colorful costume choices of its actresses, detail is crisp preserving the fog-entranced tone while, black levels seen in Count Dracula’s cape, casket and dark dwellings are exceptionally inky.  Equipped with a DTS-HD Master Audio 2.0 mix, the film’s English dub track may register t’s and s sounds too sharply but, overwhelmingly exudes clean and audible dialogue levels while, cracks and pop are minimal and of little to no notice.  Presenting both its uncut U.S. edition and its original Spanish language version, viewers are informed that the latter, lacking proper elements from its licensor (and missing shots due to content that are only found in its English counterpart), is presented from lesser quality video sources and a Dolby Digital 2.0 mix in order to appreciatively appease fans yearning for both cuts.  Meanwhile, special features include, a never before released Audio Commentary with Director Javier Aguirre & Actor Paul Naschy featuring optional subtitles in both English and Spanish plus, a newly captured Video Interview with Actress Mirta Miller (8:22) with optional English subtitles.  Furthermore, the U.S. Theatrical Trailer (3:04), a Still Gallery (2:16) and a 6-page booklet featuring an informative essay from Mirek Lipinski are also included alongside a DVD edition of the release and Reversible Cover Art.  Fans of horror’s more gothic and erotic outings will take pleasure sinking their fangs into this significant Spanish offering, splendidly brought to high-definition by Vinegar Syndrome for the first time ever!

    RATING: 4/5

    Available now from Vinegar Syndrome, Count Dracula’s Great Love can be purchased via, and other fine retailers.

    Child’s Play (1988)

    Director: Tom Holland

    Starring: Catherine Hicks, Chris Sarandon, Alex Vincent & Brad Dourif

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Instilling a new titan for modern horror and ushering in a frightening franchise of sequels each varying in quality, the original Child’s Play still reigns as the most effective and chilling of Chucky’s many chapters.  When innocent six-year-old Andy Barclay (Alex Vincent, Wait Until Spring, Bandini) is presented with a Good Guy doll on his birthday, strange occurrences and the death of his babysitter raise questions of responsibility in their wake.  Unsuccessfully convincing his single mother and a homicide detective that his doll is alive and behind the recent string of murders, Andy finds himself pursued by the tiny terror in order to take over his soul.  Before the bodycount pictures its later entries would become with the foul-mouthed killer serving as their marketing mascot, Child’s Play’s less is more approach keeps viewers questioning the validity of Andy’s claims more so than blindly assuming his doll is truly possessed.  Wrapped in mystery and edge of your seat suspense with an oftentimes forgotten voodoo subplot, Child’s Play holds up strongly with a believable blend of special effects wizardry, an urban Chicago setting and top-notch performances with Dourif’s shrieking voice as the crazed Chucky leaving an indelible mark on the nightmares of viewers for years to come.

    Newly scanned in 2K from the interpositive, Scream Factory presents Child’s Play with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Casting a darker yet, more natural appearance during nighttime sequences, skin tones are accurate and nicely detailed while, colors found in Chucky’s red-striped and denim attire along with the neon-lit signage of the toy store in the film’s opening pop well.  Scuffs and other blemishes appear to be absent while, softness during daytime exteriors and inside the Barclay’s apartment look similar to its previous release.  Admittedly modest in its improvements, Scream Factory’s latest stab at Child’s Play unquestionably ranks as its best looking.  Equipped with a DTS-HD Master Audio 5.1 mix that projects solid dialogue and booming displays of authority during thunderstorms and Joe Renzetti’s (Poltergeist III) creepy score, sound quality is superior.  In addition, an optional DTS-HD Master Audio 2.0 mix has also been included.  Impressively packed with new and old offerings, Disc 1 features a new Audio Commentary with Director Tom Holland plus, a repurposed Audio Commentary with Actors Alex Vincent, Catherine Hicks & “Chucky” Designer Kevin Yagher.  Furthermore, another vintage Audio Commentary with Producer David Kirschner & Screenwriter Don Mancini along with hilarious Chucky Commentaries on select scenes are also included.

    Kicking off Disc 2, Behind-the-Scenes Special Effects Footage (1:00:08), Howard Berger: Your Special Effects Friend ‘Till the End (40:53) and Life Behind the Mask: Being Chucky with Ed Gale (40:02) comprise the release’s newest and highly fascinating featurettes while, Evil Comes in Small Packages (24:49), Chucky: Building a Nightmare (10:05), A Monster Convention (5:26), Introducing Chucky: The Making of Child’s Play (6:15) and a Vintage Featurette (4:54) from MGM’s previous release are ported over.  In addition, a TV Spot (0:17), Theatrical Trailer (2:02), a Behind-the-Scenes Photo Gallery (37 in total), a Posters & Lobby Cards Photo Gallery (20 in total) and Reversible Cover Art featuring the original 1-sheet poster conclude the all encompassing slate of extras.  A frightening sophomore followup from Director Tom Holland (Fright Night), Child’s Play maintains its reputation as one of the better supernatural slashers of the 80s while, Scream Factory’s Collector’s Edition, sprawling with bounds of extras, is nothing short of a gift from the mighty Damballa himself.

    RATING: 4.5/5

    Available now from Scream Factory, Child’s Play can be purchased via, and other fine retailers.

    Burial Ground (1980)

    Director: Andrea Bianchi

    Starring: Mariangela Giordano, Karin Well, Gianluigi Chirizzi, Peter Bark & Roberto Caporali

    Released by: Severin Films

    Reviewed by Mike Kenny

    Presented under its alternate The Nights of Terror title, Burial Ground hosts a smorgasbord of guts and bloody depravity when a country getaway for several couples quickly turns into a fight for their lives against reanimated corpses.  Preoccupied with their own sexual appetite when a scientist’s tinkering with evil forces unleashes hell’s hungriest zombies, the couples struggle to defend themselves while keeping the rotting forces from gaining entry into the mansion.  A wall-to-wall bonkers example of Italian exploitation at its finest, Burial Ground’s plot may be paper thin but, graciously overcompensates with gallons of gore and some of the genre’s most memorable zombie designs befit with gaping facial holes, horrific skeletal features and squirming maggots oozing from their pores.  Weaponizing themselves with pickaxes, scythes and other garden tools, the ravenous undead decapitate the help and repeatedly feast on the torn out organs of their prey.  Perhaps even more memorable than the zombie’s persistent attacks, Burial Ground’s bizarro meter soars when Michael (Peter Bark, Arrivano i gatti), the peculiar-looking son of Karen, grows oddly attracted to his mother and makes an incestuous pass at her in the heat of zombiepalooza.  With options running low and escape unlikely, nothing can prepare viewers for Burial Ground’s absurd mouthful of a finale that draws its line in the sand as one of the great “what the…” moments of splatter cinema.

    Gorgeously restored in 2K from pristine elements, Severin Films presents Burial Ground with a 1080p transfer, sporting a 1.66:1 aspect ratio.  True to its description, this newly struck scan is leaps and bounds superior to past releases with a blemish-free appearance, strong facial tones and impressive detail bringing out the intricacies of the many zombie makeup designs and their intendedly heinous features.  Furthermore, the film’s plethora of blood pops loudly while, black levels, even during the film’s more dimly lit sequences, are effectively inky, allowing viewers to fully appreciate all that is occurring.  Definitive as can be, Severin Films deserves the utmost praise for their esteemed handling of this Italian gorefest.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is perfectly audible throughout without any static or pops detected.  In addition, a separate Dolby Digital 2.0 Italian mix is included with optional English subtitles.  Bonus offerings include, Villa Parisi - Legacy of Terror (15:47) where Movie Historian Fabio Melelli revisits the filming locations that date back to the 17th century and have been utilized by Italian film productions beginning in the 1960s through the present.  Meanwhile, Peter Still Lives: Festival Q&A with Actor Peter Bark (7:35), Just for the Money: Interview with Actor Simone Mattioli (8:57) and The Smell of Death: Interviews with Producer Gabriele Crisanti & Actress Mariangela Giordano (9:20) are joined by Deleted/Extended Scenes/Shots (10:24), the Theatrical Trailer (3:31) and Reversible Cover Art.  Lastly, limited to the first 3,000 units, an exclusive slipcover featuring new artwork by Wes Benscoter is also included.  Riding high on a profoundly successful 2016, Severin Films continues to spoil exploitation enthusiasts with their treatment of Burial Ground, so definitive that the opening of hell’s gates can be the only justification for quality of this caliber.

    RATING: 4/5

    Available now from Severin Films, Burial Ground can be purchased via, and other fine retailers.

    Waxwork (1988) / Waxwork II: Lost in Time (1991)

    Director: Anthony Hickox

    Starring: Zach Galligan, Deborah Foreman, Michelle Johnson, Dana Ashbrook, Michah Grant, Eric Brown, Clare Carey, Patrick Macnee & David Warner / Zach Galligan, Monkia Schnarre, Alexander Godunov, Martin Kemp & Bruce Campbell 

    Released by: Lionsgate

    Reviewed by Mike Kenny

    Melding the humorously wacky with the horrific, Waxwork finds a group of collegiate friends who stumble upon a mysterious wax museum displaying the most vile monsters, madmen and psychos albeit without victims.  Before long, their innocent tour lures them into its dark magic to become permanent members of the establishments morbid offerings.  Starring Zach Galligan (Gremlins) and Deborah Foreman (Valley Girl) with appearances from distinguished Englishmen and talented thespians Patrick Macnee (The Avengers) and David Warner (Tron) as the villainous museum owner, Waxwork’s greatest strength lies in its animated displays that honor the classic monsters of yesteryear and submerging would-be victims into their appropriately themed worlds.  Transforming into mini films within a film, the high maintenance China (Michelle Johnson, Death Becomes Her) finds herself immersed within Count Dracula’s gothic castle and forced to duel against his bloodthirsty brides while, the chain-smoking Tony (Dana Ashbrook, Twin Peaks) stumbles into the full moon lit backwoods where the beastly Wolfman (John-Rhys Davies, Raiders of the Lost Ark) hunts.  While the rather busy narrative throws touches of black magic, evil trinkets, freakish butlers and interdimensional realms to the forefront that occasionally scatterbrains the proceedings, Waxwork’s free-for-all conclusion pitting the likes of Marquis de Sade and zombies against the privileged Mark (Galligan) and his wheelchair-bound godfather right the ship in this clever sendup of classic chills under the guise of 80s video age eye-candy.

    Surviving the fiery events of the original film, Mark and Sarah (replaced by Monkia Schnarre, The Peacekeeper) return in Waxwork II: Lost in Time when a resilient zombie hand from the wax museum murders Sarah’s stepfather, pinning the blame on her.  Determined to prove her innocence, the two recover a magical compass enabling them to time travel through dimensions in order to gather the proper evidence to clear Sarah’s name.  Far more fantasy based than its predecessor with the characters winding up in medieval times to combat a black magic wielding sorcerer, Waxwork II: Lost in Time, using Lewis Carrol’s Through the Looking-Glass as a loose template, makes greater use of hilariously parodying genre films than properly traveling through historical events.  Making stops at Victor Frankenstein’s laboratory and the streets of London during Jack the Ripper’s reign of terror, Alien, The Haunting and Godzilla among other films all find their way cheekily homaged in this more refined sequel.  Graced with brief roles from B-movie legends Bruce Campbell (Evil Dead) and David Carradine (Death Race 2000), Waxwork II: Lost in Time widens its universe even more so, delivering a followup with more comedic oomph that surprisingly exceeds its originator by a narrow margin.

    Digitally restored, Lionsgate, under their Vestron Video Collector’s Series imprint, presents both Waxwork and Waxwork II: Lost in Time with 1080p transfers, sporting 1.85:1 aspect ratios.  Bearing generally clean appearances with scant scratches and slight speckling during darker sequences, colors pop effectively with skin tones reading nicely although, softness is not wholly uncommon or overly unpleasant.  Furthermore, its sequel noticeably improves during its extended black and white sequences mocking The Haunting that shine more sharply than the first film.  Respectable upgrades on both features will leave the overwhelming majority of fans more than pleased with the results.  Equipped with DTS-HD Master Audio 2.0 mixes, dialogue is admirably conveyed while occasional moments during the first film find character lines at odds with other dominating sound factors.  Otherwise making solid use of their respective musical scores, both tracks strongly live up to expectations.  

    Providing each film on their own Blu-ray disc, special features on Waxwork’s Disc 1 include, an Audio Commentary with Director Anthony Hickox & Actor Zach Galligan and an Isolated Score & Audio Interview with Composer Roger Bellon.  Additionally, The Waxwork Chronicles (1:22:17), another first-rate Red Shirt Pictures production divided into six parts, explores the development and making of both films with newly captured interviews from Writer/Director Anthony Hickox, Editor Christopher Cibelli, Producer Staffon Ahrenberg, Special Make-Up Effects Supervisor Bob Keen, Actors Zach Galligan, Monika Schnarre and many others covering everything Waxwork related fans would ever want to know.  Also included, a vintage The Making of Waxwork (24:06) featurette, the Theatrical Trailer (2:02) and a Still Gallery (7:55) conclude the disc’s helpings.  Next up, Waxwork II: Lost in Time’s Disc 2 opens with another Audio Commentary with Director Anthony Hickox & Actor Zach Galligan, an Isolated Score & Audio Interview with Composer Steve Schiff, a Music Video (3:50), Theatrical Trailer (3:03), Still Gallery (7:17) and a Reversible Cover Art capping off the double feature’s supplemental package.  Nostalgia will surely ring loudly for viewers raised on both Waxwork features during the heyday of video rental.  A clever and unique injection of horror and comedy during the slasher prominent decade, both films, with its 1991 sequel having a slight advantage, are enjoyable excursions into silliness that have been passionately peppered with ample bonus features to continue making the legacy of Vestron Pictures proud.

    RATING: 3.5/5

    Available now from Lionsgate, Waxwork / Waxwork II: Lost in Time can be purchased via, and other fine retailers.

    Lady in White (1988)

    Director: Frank LaLoggia

    Starring: Lukas Haas, Len Cariou, Alex Rocco & Katherine Helmond

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Set in the wholesome suburb of Willowpoint Falls circa 1962, Lady in White centers on monster kid Frankie Scarlatti (Lukas Haas, Mars Attacks!) who narrowly escapes death at the hands of a mysterious child murderer.  Aided by the first victim’s ghost, Frankie vows to bring the elusive killer to justice who may be closer than he knows.  Capturing the virtually lost magic of small-town Americana and shot on location in the picturesque region of Upstate New York, Lady in White weaves its atmospheric tale of local legends, ghosts and cold-blooded murder with expert direction and grounded performances that shine with pure naturalism.  Following Frankie’s supernatural encounter, the neighborhood myth of the lady in white searching for her fallen child ties into the picture’s larger story with the very real threat of her assailant still at large injecting a genuine undercurrent of thrills.  Reminiscent of Stephen King’s best coming of age fables, Lady in White’s acute capturing of simpler times while, injecting deeply rooted themes of family, facing fears and discrimination come from a creative voice of passion and experience that Writer/Director Frank LaLoggia (Fear No Evil) conveys in earnest.  An underrated masterwork with an innate connection to the heart and mystery of childhood, Lady in White remains as riveting as ever, eclipsing its reputation as one of the finest ghost stories of its kind.

    Debuting on high-definition with 2 Discs featuring the Director’s Cut (1:57:49, Disc 1), Theatrical Version (1:53:34, Disc 2) and the preferred Extended Director’s Cut (2:06:52, Disc 2), Scream Factory presents Lady in White with 1080p transfers, sporting 1.85:1 aspect ratios.  Utilizing the film’s interpositive and an archived film print to assemble the never-before-released lengthier director’s cut, the inherently soft photography is perfectly maintained while, fall leaves and seasonally appropriate greenery are lively looking.  Seamlessly blending its two elements for a first-rate restoration, the director’s intended cut looks excellent whereas the film’s alternate versions are of equal merit.  Equipped with a DTS-HD Master Audio 5.1 mix that forewarns hiss and pops that are hardly noticeable on its extended version, dialogue is never inaudible with the subtle ambiance of howling winds and crashing waves complimenting the proceedings nicely while, the film’s beautiful music selections, handled also by its Writer/Director, perform most effectively.  In addition an optional DTS-HD Master Audio 2.0 mix has also been included.  However unfortunate that no new supplements were produced for the release, vintage bonus features found entirely on Disc 1 include, an Introduction with Frank LaLoggia (0:46), an Audio Commentary with Writer/Director Frank LaLoggia (Director’s Cut only), Behind-the-Scenes Footage with Introduction by Frank LaLoggia (16:21) and optional commentary from its creator.  Furthermore, Deleted Scenes with Introduction by Frank LaLoggia (36:13) and optional commentary, a Promotional Short Film (7:18), the Theatrical Trailer (1:57), Alternate Trailers (7:10), TV Spots (1:34), Radio Spots (2:21), a Behind-the-Scenes Photo Montage (28 in total) and an Extended Photo Gallery (21 in total) wrap up the on-disc extras while, a Reversible Cover Art is also included.  An evocative coming of age chiller ripe for rediscovery and annual viewing, Lady in White is a prime ghostly offering for the Halloween season that stands out for its relatable themes and haunting narrative worthy of the deepest respect.  

    RATING: 4.5/5

    Available now from Scream Factory, Lady in White can be purchased via, and other fine retailers.


  • My Bodyguard (1980) Blu-ray Review

    My Bodyguard (1980)

    Director: Tony Bill

    Starring: Chris Makepeace, Ruth Gordon, Matt Dillon, John Houseman, Craig David Nelson, Kathryn Grody, Adam Baldwin & Martin Mull

    Released by: Kino Lorber Studio Classics

    Reviewed by Mike Kenny

    After being hassled by high school bullies and extorted for lunch money, My Bodyguard finds polite teen Clifford Peach (Chris Makepeace, Meatballs) enlisting the services of towering mute Ricky Linderman (Adam Baldwin, Cohen and Tate) to protect him.  As their business arrangement morphs into a budding friendship, the two unlikely pals learn to stand tall against their enemies and depend on one another.  Ruth Gordon (Rosemary’s Baby), Matt Dillon (Little Darlings), John Houseman (The Paper Chase), Craig David Nelson (A Small Circle of Friends) and Martin Mull (Roseanne) co-star.

    A time capsule of adolescent bullying dilemmas and a sincere encapsulation of what it means to not fit in, My Bodyguard takes its cheekily designated title and exceeds the expectations of its jokier marketing campaign to deliver a coming-of-age dramedy with a much deeper substance and potent performances from its young cast.  Marking the directorial debut of Tony Bill (Untamed Heart), mild-mannered teen Clifford Peach finds his new start at a public high school under fire when bad boy Melvin Moody (Dillon) and his cronies target the newbie with daily demands for his pocket money or else.  Reluctant to bow to their demands, Clifford’s harassment reaches a boiling point prompting the clever sophomore to seek assistance from the most intimidating presence in the entire school.  Rumored to have raped a teacher and killed a police officer, oversized mute Ricky Linderman is courted to be Clifford’s personal protection system.  After rejecting the offer, the introverted misfit saves his would-be employer from a painful beating prompting an unexpected friendship between the two.  Harboring a dark past unrelated to schoolyard rumors, Ricky opens up to his new friend as the pair scour junkyards for motorcycle parts and enjoy fine dining with Clifford’s childlike grandmother (Gordon) at a ritzy Chicago hotel managed by his father (Mull).  More trouble arises when Moody hires his own muscular bodyguard to even the odds resulting in a last stand where Clifford and Ricky choose not to walk away from their problems but, defends themselves together.

    Interestingly scripted by Alan Ormsby (Cat People, Porky’s II: The Next Day), My Bodyguard is a charming staple released during the dawn of the teen film that packs enough heart and soul to be celebrated in the same vein as other commonly hailed underdog efforts.  Hot off the success of Meatballs, Star Chris Makepeace is perfectly cast as the shy, scrawny sophomore whose smarts far outweigh his fighting abilities while, Adam Baldwin makes a cunning film debut with his emotionally rattled performance as Ricky.  In addition, Matt Dillon makes hating him an absolute joy with his slicked back hair and occasionally unhinged attitude the driving force of his memorably tormenting character.  Featuring brief glimpses of Joan Cusack (Toy Story 2) as a friendly classmate and George Wendt (Cheers) as a blink and you’ll miss him maintenance man, My Bodyguard may seem superficially silly yet, upon further inspection the low-budget favorite makes important statements on the value of friendship and weaves a much more endearing narrative than one might expect.

    Kino Lorber Studio Classics presents My Bodyguard with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Bearing no severe age-related imperfections and retaining a filmic touch, the small scale production casts a softer focus while, skin tones are respectably presented and bolder colors spotted in the film’s ice blue title sequence pop nicely.  Set in the overcast city of Chicago, gloomy exteriors are not uncommon with black levels appearing decently and containing only slight speckling during skyline overviews.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is reasonably relayed with occasional moments suffering from lower levels or echoes off bathroom walls.  Absent of any cracks or pops, Composer Dave Grusin’s (Tootsie) score, best observed during the opening and closing sequences, are also warmly conveyed on the mix.  Special features include, an Audio Commentary with Director Tony Bill & Film Programmer Jim Healy.  Lively and informative, the two participants explore a variety of topics regarding the film’s making including, the script changes to make the lead character a teen instead of a child, many of the cast members being plucked from Chicago’s respected Second City and the impressive careers so many of the first time performers went on to obtain.  In addition, five TV Spots (2:39) and the Original Theatrical Trailer (2:19) are also included.

    Ranked as one of the 50 Best High School Movies by Entertainment Weekly, My Bodyguard takes careful consideration in building a teenage tale that both relates and entertains.  Heartfelt yet, never preachy, the young cast of up and comers sell the film with conviction that allows it to make the notion of high school bodyguards as plausible as the worst of bullies.  Making its high-definition debut, Kino Lorber Studio Classics ushers the film with a soft but, true to its source presentation that is most acceptable.  Accompanied with an engaging audio commentary track, My Bodyguard is an essential slice of teen cinema worthy of your lunch money.

    RATING: 3/5

    Available September 6th from Kino Lorber Studio Classics, My Bodyguard can be purchased via and other fine retailers.

  • Doctor Butcher M.D. (1980) Blu-ray Review

    Doctor Butcher M.D. (1980)

    Director: Frank Martin

    Starring: Ian McCulloch, Alexandra Delli Colli, Sherry Buchanan, Peter O’Neal & Donald O’Brien

    Released by: Severin Films

    Reviewed by Mike Kenny

    Fully restored from their original vault materials, Severin Films proudly presents both versions of the infamous grindhouse classic Doctor Butcher M.D.!  After a hospital orderly is discovered feasting on deceased bodies, anthropologist Lori (Alexandra Delli Colli, The New York Ripper) and Dr. Peter Chandler (Ian McCulloch, Zombie) make a connection to the cannibals exotic home island and chart an expedition to further investigate.  Assisted by the local Doctor Obrero (Donald O’Brien, Emmanuelle and the Last Cannibals), the unsuspecting team find themselves hunted by a cannibalistic tribe and reanimated zombies, shockingly developed by the unhinged Obrero.

    As goretastically eyeball-plucking as promoted, Doctor Butcher M.D. continues the flesh devouring exploits of other Italian gutbucket efforts of the era that would, thanks solely to its American distributor, make 42nd Street history with its genius marketing campaign and exceptionally exploitative re-titling.  After a series of bizarre human consuming episodes occur at several hospitals, smart and sexy anthropologist Lori and the noted Dr. Peter Chandler discover all the assailants hail from a territory of Asian islands that surely will reveal more answers to the stumped scholars after journeying there.  Joined by Chandler’s assistant George (Peter O’Neal) and his journalist girlfriend Susan (Sherry Buchanan, Tentacles), the team are warmly welcomed by Doctor Obrero and his loyal guides.  Before long, the unwelcome visitors are targeted by the cannibalistic tribesman using makeshift bamboo traps to puncture the nosy outlanders with fatal precision.  Armed with firearms do little good as the crew are largely outnumbered and fall victim to having their intestines revealed and their eyeballs gouged for vile consumption.  While the film remains narratively similar to other foreign travel pictures gone horrifyingly south, Doctor Butcher M.D. remains graphically entertaining with its over the top, bloodthirsty excess and zombie corpses who, although visually striking, interestingly enough don’t indulge in the eating of its victims.  As the deranged Doctor Obrero’s twisted experimentations are revealed to the good doctor Chandler, the tribe’s abduction of Lori goes haywire when her godly nude bodice sporting painted rose pedals prompts the cannibals to rebel and dine on their former puppet master instead.        

    Tightly trimming several sequences and tagging on a brief opening from an unfinished Roy Frumkes (Street Trash) horror opus, Doctor Butcher M.D. is the epitome of exploitation mayhem that would excitedly rouse the Deuce’s red light district where junkies, prostitutes and gorehounds all got their rocks off.  Further supported by a window dropping suicide, throat slashings and nauseating brain operations, Director Marino Girolami's (Nude Odeon) (working under the pseudonym Frank Martin) sadistically fun people eater feature can’t be praised for being wholly original but, takes mammoth sized bites with its flesh-tearing gore output and its one of a kind title that depraved viewers can’t help but love.

    Severin Films presents Doctor Butcher M.D. (and its original Zombie Holocaust cut) with 1080p transfers, sporting a 1.85:1 aspect ratio.  Bearing battle scars from its grindhouse cinema days, scratches, scuffs (most commonly during the Frumkes shot opening scene) and occasional vertical lines are not uncommon during viewing yet, never deter from one’s enjoyment.  Excellently overseen, Severin Films’ new scans easily trump past international releases of the film with a much more naturalistic color scheme and warmer skin tones that rectify the unpleasant faded quality of previous versions.  Equipped with a DTS-HD Master Audio 2.0 mix, the English track is well-handled with easy to follow dialogue levels while, its Zombie Holocaust counterpart features an equally pleasing DTS-HD Master Audio 2.0 English dubbed Mono mix along with an Italian LPCM 2.0 track san subtitles.  

    In addition to including both the Doctor Butcher M.D. (1:21:46) and Zombie Holocaust (1:28:57) cuts of the film, special features found on Disc 1 include, Butchery & Ballyhoo: An Interview with Aquarius Releasing's Terry Levine (31:36) which serves as the release’s finest inclusion hosts Levine as he charts his career in the film business, the many different releases he acquired throughout the years and their unique promotions, and the unfortunate demise of the 42nd Street of yesteryear.  Next up, Down on the Deuce: Nostalgic Tour of 42nd Street with Filmmaker Roy Frumkes & Temple of Schlock’s Chris Pogialli (21:55) is an excellent journey through the tourist trap of today’s Times Square as Frumkes and Pogialli detail what stood before the McDonalds and Starbucks of the block took over.  Also included, Roy Frumkes' Segment of Unfinished Anthology Film Tales That Will Tear Your Heart Out (8:07), The Butcher Mobile: A Conversation with Gore Gazette’s Rick Sullivan (12:33), Cutting Doctor Butcher: An Interview with Editor Jim Markovic (10:12) plus, Trailers for the film’s Theatrical (2:44) and Video (1:14) / (0:56) releases.  Finally, the towering first serving of supplements concludes with Gary Hertz’s Essay: “Experiments with a Male Caucasian Brain (…and other memories of 42nd Street)”.

    Hosting the Zombie Holocaust edit, special features continue on Disc 2 with Voodoo Man: Interview with Star Ian McCulloch (8:14), Blood of the Zombies: Interview with FX Master Rosario Prestopino (23:03), Enzo on Marino: Enzo Castellari Recalls his Father Marino Girolami (7:46), Sherry Holocaust: Interview with Actress Sherry Buchanan (24:04) and Neurosurgery Italian Style: Interview with FX Artist Maurizio Trani (4:36).  In addition, New York Filming Locations: Then VS. Now (3:03), Ian McCulloch Sings “Down By the River” (2:40) recorded in 1964 and a Theatrical Trailer (4:16) joined by a German Trailer (3:17) is also included.  Finally, the release tops itself off with a Reversible Cover Art featuring the equally eye-catching Zombie Holocaust 1-sheet artwork while, an Official Barf Bag (limited to the first 5,000 units) is packaged inside for more squeamish audiences.

    Choke full of face-chewing craziness and blood splattering cannibals, Doctor Butcher M.D. remains a grindhouse heavyweight that turned its roadside marketing into a theatrical spectacle, worthy of disapproving riots.  Continuing to assault new generations of exploitation junkies through VHS discovery and enduring word of mouth, Severin Films has delivered the definitive house call in the film’s long running infamous history.  Presenting both versions newly restored, sadistically uncut and barf bag full of phenomenal bonus features, Doctor Butcher M.D. is an essential cut for gore and guts connoisseurs while, Severin Films’ finger lickin’ good release ranks as one of the year’s best!

    RATING: 4.5/5

    Available July 26th from Severin Films, Doctor Butcher M.D. can be purchased via, and other fine retailers.

  • Serial (1980) Blu-ray Review

    Serial (1980)

    Director: Bill Persky

    Starring: Martin Mull, Tuesday Weld, Sally Hellerman, Christopher Lee, Bill Macy, Peter Bonerz & Tom Smothers

    Released by: Olive Films

    Reviewed by Mike Kenny

    Based on the novel by Cyra McFadden, Serial takes a satirical look at the lives of California couples during the late 1970s.  Uptight and increasingly annoyed Harvey Holroyd (Martin Mull, Roseanne) becomes overwhelmed by his wife Kate’s (Tuesday Weld, Thief) new age personality while, their friends’ liberal behavior and stances on feminism, free love and other trendy traits creates a hilarious melting pot of absurdity for the simple-minded Harvey.  Sally Hellerman (Back to School), Christopher Lee (The Lord of the Rings trilogy), Bill Macy (Maude), Peter Bonerz (The Bob Newhart Show) and Tom Smothers (My Brother the Angel) co-star.

    Boasting a respectable ensemble cast and marking the feature film debut of television veteran Bill Persky (Who’s the Boss?, Kate & Allie), Serial is a comical sendup of the progressive culture sweeping the nation during the late 70s.  Undersexed and overwhelmed by his liberal-minded wife and equally ridiculous neighborhood friends, Harvey Holroyd (Mull) seeks a better paying position while, his marriage takes a plummeting turn resulting in both parties shacking up with other partners.  Attempting to fall in with the crowd, Harvey agrees to attending an orgy with his newly appointed secretary and awkwardly ends up in the sexual graces of 19-year-old cashier Marlene (Stacey Nelkin, Halloween III: Season of the Witch).  In addition to losing their daughter to a carnation selling cult, Harvey fails to relate to his new freedom while, Kate’s own flirtatious attraction ends up in disaster after realizing her pet-grooming stud is bisexual.  Poking fun at societies dependence on therapy and quaaludes plus, the gossip-obsessed nosy-bodies of every community, Serial makes pit stops for Harvey to hilariously bemoan Kate’s eco-friendly insistence on denying him to drive a car.  Congregating at a wedding while the groom accepts his role as an asshole, Harvey notably comments “these are exciting times, aren’t they?  Gas is over a dollar a gallon and it’s okay to be an asshole”, summing up the film’s sarcastic stance perfectly.  Aided by a leather-clad gang of gay bikers led by the mysterious Skull (Lee), Harvey and Kate rescue their daughter from the cooky-minded cult and set aside their differences to start anew without organic foods and therapeutic jargon getting in the way.  Although, modern audiences may find little to relate to in this comic time capsule, Mull’s sensibilities and utter distaste for those surrounding him make for the film’s funniest moments while, the narrative has fun taking jabs at the occasionally outdated examples of liberals before the rise of Reganomics.

    Olive Films presents Serial with a 1080p transfer, sporting a 1.78:1 aspect ratio.  Possessing only fleeting instances of speckles, damage is practically nonexistent with the transfer supporting a pleasing filmic appearance.  Skin tones are natural while, colors are generally strong with only occasional moments of softness rearing its head.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is reasonably delivered with no hiss or pops detected.  Although audible, some moments appear hollow-sounding, capturing a slight echoey pitch.  With music relegated to its opening/closing credits and the use of Steppenwolf’s “Born to Be Wild” during the climax, their appearances are not wildly impactful.  Meanwhile, no special features have been included.

    RATING: 3/5

    Available now from Olive Films, Serial can be purchased via, and other fine retailers. 

  • How to Beat the High Cost of Living (1980) Blu-ray Review

    How to Beat the High Cost of Living (1980)

    Director: Robert Scheerer

    Starring: Susan Saint James, Jane Curtain, Jessica Lange & Richard Benjamin

    Released by: Olive Films

    Reviewed by Mike Kenny

    Starring Susan Saint James (Love at First Bite), Jane Curtain (Saturday Night Live) and Jessica Lange (American Horror Story), How to Beat the High Cost of Living centers on three high school girlfriends, all grown and realizing their marriages and suburban lifestyles are less than idyllic.  Down on their luck and each desperately in need of money, the trio hatch a scheme to steal a stash of prize money from their local mall resulting in a series of hilarious mishaps.  Richard Benjamin (Westworld), Dabney Coleman (WarGames), Eddie Albert (Green Acres), Cathryn Damon (Webster) and Fred Willard (Best in Show) co-star.

    Gestating for nearly a decade, Screenwriter Robert Kaufman (Nothing Personal) would finally see his project come to fruition under Samuel Z. Arkoff’s American International Pictures after being purchased by Filmways Pictures.  Having originally shown interest from all the major studios and aiming for top-tier talent including, Shirley MacLaine, Faye Dunaway and Sally Field, all of whom, although interested, refused to share the spotlight with two other leading women.  Following Kaufman’s most recent success with 1979’s Love at First Bite, American International Pictures agreed to fund the film with a cast of up and comers, lending the film its greatest assets.  Divorced and attempting to raise her children while, juggling a new boyfriend, Jane (Saint James), is nearly broke after learning she’s pregnant.  Meanwhile, Jane’s best friends are in no better shape with Elaine (Curtain in her film debut), being left by her husband for a younger woman and with no money to pay their mortgage while, Louise (Lange) suffers a devastating blow when her unprofitable antique shop is confronted with a lawsuit by her loving husband (Benjamin) to wipe away the increasing debt.  Left with little money and their undying friendship, the unlikely trio vow to get their finances back in order by cleverly stealing a giveaway prize of cash at the local mall.  Proving they can carry out the scheme just as well as any man, the women find themselves stealing items from a hardware store while, Jane’s children wait in the car and utilizing a bright yellow canoe as their getaway vehicle.  When their once solid plans begin to unravel, Elaine even subjects herself to a hilarious striptease in front of the entire mall in order to recoup the money.

    Earning a slim profit at the time of its release, How to Beat the High Cost of Living stands as a strong female driven comedy long before it was commonplace.  While its humor may, at times, feel dated, its delivery and comedic timing from the film’s lovely trio still extract the necessary laughs from its viewers.  In addition, Richard Benjamin, playing Lange’s hilariously horny veterinarian husband, is a scene stealer, providing excellent chemistry with his onscreen wife while, Jane Curtain’s Saturday Night Live co-star, Garrett Morris, makes a welcome cameo appearance in one of the film’s funnier moments.  Plus, the sultry Sybil Danning (Battle Beyond the Stars) appears as Benjamin’s head turning secretary.  Demonstrating the ever-changing economic times and a woman’s desire to be more than a housewife, How to Beat the High Cost of Living paints its characters in a realistic light while, injecting ample humor into one of the more underrated female-starring gems of the 1980s.

    Olive Films presents How to Beat the High Cost of Living with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Exhibiting bold colors in its animated opening title sequence, light instances of insignificant flakes and speckles arise throughout the transfer.  Skin tones are warm and natural with excellent detail to be appreciated in close-ups of its three leading ladies.  In addition, occasional moments of mild softness occur mostly in wide, establishing shots with black levels relaying respectable visibility and only scant instances of debris.  Filmic and generally lively looking, How to Beat the High Cost of Living checks out nicely.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is always audible and crisp in this talky-driven picture with no hiss or distortion to mention.  Arriving with a single special feature, Olive Films accompanies the film with the Theatrical Trailer (2:55).  

    Centering on a trio of friends confronted with personal dilemmas and financial woes due to inflation, How to Beat the High Cost of Living is not only genuinely comical but, eerily reminiscent of ongoing issues today.  Although, the casting of unknown talent may have been for economic reasons, it generated an unexpected formula of hilarity that would reunite Saint James and Curtin for their successful sitcom, Kate & Allie.  Marking its Blu-ray debut, Olive Films rewards fans of this 35 year-old comedy with a delightful transfer that shines in high-definition.  Cleverly crafted and carrying the torch for a future of female-driven comedies, How to Beat the High Cost of Living is a laugh-fest waiting to be rediscovered.

    RATING: 4/5

    Available now from Olive Films, How to Beat the High Cost of Living can be purchased via, and other fine retailers. 

  • New Year's Evil (1980) Blu-ray Review

    New Year’s Evil (1980)

    Director: Emmett Alston

    Starring: Roz Kelly, Kip Niven, Grant Cramer, Louisa Moritz & Teri Copley

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Taking place on the hardest partying evening of the year, New Year’s Evil focuses on Diane “Blaze” Sullivan (Roz Kelly, Happy Days), the host of a televised punk/new wave show, who’s receiving eerie phone calls from a mysterious killer.  As the night lingers, murders are committed as each time zone in America brings in the new year, with the killer inching closer to Diane.  Kip Niven (Magnum Force), Grant Cramer (Killer Klowns from Outer Space), Louisa Moritz (The Last American Virgin), Taaffe O’Connell (Galaxy of Terror) and Teri Copley (Transylvania Twist) co-star.

    Marking one of the earliest efforts for Menahem Golan and Yoram Globus‘ The Cannon Group, New Year’s Evil continues the holiday-themed slasher trend kickstarted by John Carpenter’s Halloween.  Set amongst the punk music scene of Hollywood, New Year’s Evil attempts to turn the formula of a masked killer on its head by showcasing its culprit early on.  As sexy music emcee, Diane “Blaze” Sullivan, hosts her own televised new year’s event, a mysterious caller promising to off victims as each time zone strikes midnight, leaves Diane chilled.  Using a voice modulator and adorning several different costumes, the killer’s unknown, albeit relatively obvious, connection to Diane is the driving force of the film.  Conflicted with fear and all but oblivious to her withdrawn son (Cramer) who suffers from severe headaches, Diane agrees to go on with the show in hopes of luring the maniac out in the open.  A bonafide time capsule of 1980, New Year’s Evil makes great use of its rock show setting with youthful punks and live music from Shadow, who perform the constantly recycled title track.  While, light on its body count, New Year’s Evil offers enjoyable performances from its main cast and a series of notable locations our killer stalks including, a drive-in movie theater hosting an all-night horrothon and a mental sanitarium.  

    Far from perfect and almost always predictable, New Year’s Evil still offers a charming energy that plays to its nostalgic time period and holiday cash-in title.  An unabashed favorite that attempts to differ from its fellow slashers, New Year’s Evil entertains, both intentionally and unintentionally, with its punk sensibilities and campy, neon-lit, atmosphere.  Featuring notable cult stars and a bitchin‘ retro soundtrack, New Year’s Evil serves well as a prime candidate for fun, late-night slasher consumption.

    Previously released on DVD-R as part of MGM’s Limited Edition MOD program, Scream Factory presents New Year’s Evil with a 1080p transfer, sporting a 1.78:1 aspect ratio.  With the exception of minor, barely noticeable aging artifacts, the transfer impresses with a clean appearance, natural skin tones and remarkable detail in close-ups.  In addition, colors pop nicely from Diane’s glittering dress to the neon lights shining on the live rock bands.  Black levels are handled well with appreciable visibility that improves over its previous release.  Equipped with a DTS-HD Master Audio 2.0 Mono mix, New Year’s Evil offers crisp dialogue levels with no distorting interference.  While, not overly impressive, music packs a noticeable punch with more climatic sequences offering an additional edge within its limited constraints.  Special features include an Audio Commentary with Director Emmett Alston, moderated by Bill Olsen of Code Red DVD.  Although, plagued with its fair share of dry spells, Alston offers notable anecdotes from the making of the film including, its tight budget and speedy 18 day shooting schedule.  In addition, Aine Leicht (Ginger Snaps, Without Warning) once again provides slasher enthusiasts with another detailed retrospective featurette with Call Me Eeevil...  The Making of New Year’s Evil (37:16).  This lengthy look back includes new interviews with Actors Kip Naven, Grant Cramer, Taaffee O’Connell and Director of Photography Thomas Ackerman discussing their unique involvements with the film.  Finally, a Theatrical Trailer (1:46) and reversible cover art round out the supplemental offerings.

    Joining the ranks of other calendar dated slashers including, Halloween and Friday the 13th, New Year’s Evil may fall below the iconic status of its originators but, still casts an identifiable charm for fans with a penchant for its heavy 80s tone.  Littered with punk rockers, gaudy new wave makeup and cheesy tunes, New Year’s Evil offers plenty of slasher staples to keep fans satisfied while, also injecting its own subtle twists for good measure.  Sandwiched between the release of fellow Cannon Film Group slashers, 1980’s Schizoid and 1981‘s Hospital Massacre, New Year’s Evil is an entertaining romp that although, doesn’t pack an overwhelming body count, makes up for in its unrelenting retro atmosphere and willingness to be unique on its limited budget.  Scream Factory’s high-definition treatment is a treasure, offering the film in its best presentation to date with an overly generous supply of bonus content for likeminded fans.  A personal favorite and a proud member of the unofficial holiday slashers collection, New Year’s Evil delights with its campiness and will most assuredly, award viewers with an affection for its bygone decade.

    RATING: 4/5

    Available now from Scream Factory, New Year’s Evil can be purchased via, and other fine retailers. 

  • Roadie (1980) Blu-ray Review

    Roadie (1980)
    Director: Alan Rudolph
    Starring: Meat Loaf, Kaki Hunter, Art Carney, Deborah Harry & Alice Cooper
    Released by: Shout! Factory

    Reviewed by Mike Kenny

    Since raiding the vaults of MGM’s vast film library, Shout! Factory has released some true gems on the Blu-ray format.  Electra Glide in Blue, Rolling Thunder, Futureworld and Joshua Tree are just a few that spring to mind while their popular Scream Factory division has single-handedly given deluxe treatments to The Fog, Lifeforce and From Beyond with many more on the way.  Shout! Factory clearly decided it was time fans should bite down on a little Meat Loaf…  not that kind of meat loaf.  Roadie marks legendary rock-star and part-time actor Meat Loaf’s first starring role in a motion picture.  Under the direction of Alan Rudolph (Trouble in Mind, also available on DVD from Shout! Factory), Roadie takes inspiration from James “Big Boy” Medlin’s experiences as a roadie in the music scene while crafting a rock n’ roll road movie with appearances from popular artists like Blondie, Roy Orbison, Hank Williams Jr., Asleep At The Wheel and Alice Cooper.  With talent like that attached, it’s time to turn up your amp, tune your guitar and give Roadie a sound check…

    Roadie focuses on Travis Redfish (Meat Loaf), a beer truck driver who by unusual circumstances ends up becoming the “greatest roadie ever”.  As Travis gets accustomed to his new lifestyle it becomes clear that in this life, bands make it rock and roadies make it roll!  Teaming up with a young groupie (played by Kaki Hunter of Porky’s fame), the pair travel city to city while brushing shoulders with top acts like Blondie, Roy Orbison and Alice Cooper.  Chaos and hilarity follow them on a journey that will go down in rock n’ roll history.

    It’s always surprising to me that an iconic musician of Meat Loaf’s caliber has been able to craft a successful acting career simultaneously.  The likelihood of accomplishing such a feat is rare in the entertainment industry, but Meat Loaf can die a Grammy winner and an actor who’s talents can be found in truly classic films (The Rocky Horror Picture Show and Fight Club).  That’s a legacy I sure wouldn’t mind having.  In 1980, a few short years after The Rocky Horror Picture Show became a cult classic, Meat Loaf was given his shot as the lead in a little flick called “Roadie”.  Without ever experiencing the film before, I came to it with a love for “rock n‘ cult” movies (yes, I just coined that term) such as Rock ‘n‘ Roll High School (one of my favorite films) and Get Crazy.  But, as the film progressed, it became clear that this was not the same kind of rock n‘ roll film as the others.  The best way to sum up Roadie is that it’s a road movie with rock n‘ roll elements to it… and there’s absolutely nothing wrong with that!  The film is packed with so much odd hilarity which gels nicely with the wonderful, albeit less than expected, musical performances.  Meat Loaf is really hamming it up in this role and he carries the film like a champ, I truly could not get enough of him here.  In addition, he’s accompanied by veteran actor Art Carney (The Honeymooners) who plays his eccentric elderly father along with Don Cornelius (Soul Train) and Joe Spano (The Incredible Shrinking Woman).  The whacky set design of the Redfish home is true eye candy as it looks like Pee-Wee’s Playhouse redesigned by a Texas beer truck driver.  The location utilized for filming was the same house that appeared in 1974’s The Texas Chainsaw Massacre.  The film packed plenty of laughs along with cool time capsule shots of New York City at the time and Los Angeles outside of the historic Whisky A Go Go.  If there was any complaints to be had, it was the lack of musical performances.  Sure, there are some iconic acts in this film don’t get me wrong, but with the exception of Blondie’s cover of Johnny Cash’s "Ring of Fire", most were forgettable.  Even Alice Cooper’s minor musical performance wasn’t as appealing as watching his humorous scenes With Meat Loaf and Hunter.  Minor gripe aside, Roadie is a hysterical road flick that also throws some choice rock music at you.  Meat Loaf, along with the rest of the cast, did a solid job keeping me entertained and laughing which is what you really want from a flick like this.  Rock on, roadies!
    RATING: 4/5

    Roadie is presented in a 1080p transfer in 1:78:1.  The film appears soft at times with minor cases of scratches but nothing that takes away from the viewing.  Skin tones all appear natural but it isn’t until close-ups of the actors appear that make you appreciate the detail.  The stained appearance of Meat Loaf’s teeth and the sweat culminating off of Alice Cooper’s make-up pop magnificently.  Grain looks quite natural leaving me with little to whine about.
    RATING: 4/5

    The film has a DTS-HD Master 2.0 mix and an advertised DTS-HD Master Audio 5.1 mix that actually isn’t on the disc.  A drag but judging the 2.0 mix, dialogue comes across clear as can be and the musical performances definitely do their job rocking the audio.  That said, while the music sounded fine and certainly loud, I still felt it could have been a pinch louder.
    RATING: 3.5/5


    - Audio Commentary from Writers James “Big Boy” Medlin and Michael Ventura: This is a very lively and informative commentary that touch on a variety of topics including the inspiration of the film being Medlin’s roadie days touring with such acts as The Allman Brothers Band and The Grateful Dead.  The commentary never drags and offers great insight into the making of this entertaining flick.

    - Theatrical Trailer

    RATING: 3/5

    Shout! Factory’s Blu-ray release of Roadie is a hilarious road movie that sits handsomely next to other “rock n’ cult” flicks like Rock ‘n’ Roll High School and Get Crazy.  While the sound quality is more than adequate, I feel like it could have been a pinch louder especially during the musical numbers.  The extra features are a nice touch although it would have been nifty to see interviews with Alice Cooper or even Meat Loaf on their memories from the film.  Not so much a complaint but more of a desire since I just found myself loving the film.  The quality of the flick itself and the filmic video representation are more than enough to add this rockin’ movie to your collection.  Rock on!
    RATING: 4/5