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  • We Are the Flesh (2016) Blu-ray Review

    We Are the Flesh (2016)

    Director: Emiliano Rocha Minter

    Starring: Noé Hernández, María Evoli & Diego Gamaliel

    Released by: Arrow Video

    Reviewed by Mike Kenny

    Set in an impoverished underworld of solitude, We Are the Flesh finds wandering brother and sister Fauna (María Evoli, Extraño pero verdadero) and Lucio (Diego Gamaliel) taking refuge in the peculiar dwelling of off kilter hermit Mariano (Noé Hernández, La Hermandad) where carnal desires and nightmares reign free.  A disorientating and visually grim experience that thrives on shocking and sexually perverse imagery, We Are the Flesh offers little insight into its intentions other than to rattle the senses of audiences who reside in a world of rules and morales, to which it unfailingly succeeds.  Unfortunately, Emiliano Rocha Minter’s experimental directorial debut, befit with a psychedelic presence and a certifiably Manson-like performance from the magnetic Noé Hernández, feels too dense in its delivery to appear as anything more than a flashy exploitation of scandalous imagery for shock’s sake.  

    Tasked with building a cavernous interior made of cardboard in exchange for shelter, Fauna and Lucio quickly find themselves at the mercy and under the spell of Mariano’s depraved fantasies, igniting an incestuous love affair between the two virgin siblings.  Performing vivid acts of fellatio on her brother and seductively dripping menstrual blood into his mouth, Mariano meets his untimely fate after climaxing to the sight of the teenagers fornicating in a dizzying display of abstractness meant to represent the dark underbelly of Mexico.  Returning to existence following a slimy rebirth from the cave’s womb-like crevices, Mariano’s resurrection calls for a cannibalistic feast where the throat-slitting of a captured soldier and an orgy of consumption and penetration takes place.  Concluding with an unexpected revelation of what we believe is a post-apocalyptic world, We Are the Flesh, unquestionably showcasing the artistic individuality of its maker, is a scarring and equally confounding experience unlikely to lure many to its cave of madness for long.

    Arrow Video presents We Are the Flesh with a 1080p transfer, preserving its 1.85:1 aspect ratio.  An intentionally bleak-looking picture, the cool grays and overall washed out appearance of the setting maintain strong detail while, the dirty complexions of the actors and their bare bodies spattered with sweat and blood are competently presented.  Furthermore, black levels are overwhelmingly healthy with only scant appearances of crushing on display.  Meanwhile, the few bursts of red and blue lighting cues along with infrared photography during an intimate sequence between the siblings offer the transfer’s boldest shades that nicely contrast the film’s otherwise somber color scheme.  Equipped with a DTS-HD Master Audio 5.1 mix, the minimal Spanish dialogue (accompanied by optional English subtitles) is effectively handled while, the few areas of dreary ambiance serve the track and the effectiveness on the visuals admirably.  An optional LPCM 2.0 has also been included for your listening pleasure.  

    Bonus features include, Minter’s two earlier short films for Dentro (12:39) and Videohome (10:55), the expertly enlightening Virginie Salévy on We Are the Flesh (36:21) video essay, Interviews with Emiliano Rocha Minter (18:20), Noé Hernández (20:20), María Evoli (13:09) and Diego Gamaliel (13:30) plus, the film’s Theatrical Trailer (1:29).  Additionally, a Behind-the-Scenes Still Gallery (30 in total), a 22-page booklet accompanied with an insightful essay by Anton Bitel that better explores the film’s themes and intentions with Reversible Cover Art concluding the disc’s supplementary inclusions.  As bizarrely perverse as they come, We Are the Flesh will attract the curiously daring with only few destined to take more away from its proceedings than its seedy visuals have to offer.  Graced with a respectable home video treatment north of its border, Arrow Video maintains its expected high quality of care with scholarly supplements that although unlikely to alter the opinions of many, appreciatively reveals more of the film’s kooky inner workings.

    RATING: 2.5/5

    Available now from Arrow Video, We Are the Flesh can be purchased via ArrowVideo.com,

    Amazon.com and other fine retailers.

  • The Sentinel (1977) Blu-ray Review

    The Sentinel (1977)

    Director: Michael Winner

    Starring: Chris Sarandon, Cristina Raines, Ava Gardner, Burgess Meredith & John Carradine

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Following the death of her father and an urgent desire for independence, beautiful model Alison Parker (Cristina Raines, The Duellists) moves into a spacious New York brownstone unaware of the danger that awaits her.  Haunted by nightmarish memories and riddled by her peculiar neighbors, Alison learns her once desirable new residence is a gateway to hell.  Chris Sarandon (Child’s Play), Ava Gardner (The Killers), John Carradine (House of Frankenstein), Burgess Meredith (Rocky), Beverly D’Angelo (National Lampoon’s Vacation), Jerry Orbach (Law & Order), Jeff Goldblum (Jurassic Park), Eli Wallach (The Magnificent Seven) and Christopher Walken (The Deer Hunter) co-star.

    Based on the novel by Jeffrey Konvitz, Director Michael Winner (Death Wish) returns to the city that never sleeps for his controversial religious shocker.  Shot on location in Brooklyn Heights, Alison Parker (Raines) moves into the ideal New York brownstone, inhabited by a blind reclusive priest on the building’s top floor.  Shortly after settling in, Alison develops a series of medical drawbacks while becoming acquainted with her eccentric new neighbors.  Unsettled by reoccurring dreams of her recently deceased father and her own previous suicide attempts, Alison’s sanity comes into question after learning she, along with Father Halliran (Carradine), are the only occupants of the apartment complex.  Aided by her boyfriend Michael Lerman (Sarandon), Alison discovers her new home is a gateway to hell that the Catholic Church assign guardians to protect.  While the ailing Father Halliran upholds his duty, Alison has been selected as the next Sentinel for a chance at redemption for her previous sins.  As the demons’ influence take greater hold, Alison’s faith and will to fight back are mankind’s only hope against the forces of darkness.

    Boasting one of the most eclectic casts in 70s horror, The Sentinel continues to tap the hot-button subgenre of religious terror during a time when satan gripped audiences attention.  Matched with underrated makeup effects by Dick Smith (The Exorcist) and bizarre imagery of ballet dancing lesbians fondling themselves, The Sentinel packs a visual identity not soon forgotten.  Considered wildly offensive during its original release for the casting of actors with real-life deformities, Director Michael Winner’s sole horror feature achieves an authentic level of eeriness separating itself from other Catholic based dives into the supernatural.  While generally viewed as a mediocre effort, The Sentinel has rightfully developed an increased appreciation over the decades.  Guided by worthy performances from Raines and Sarandon, along with a scene-stealing Meredith, The Sentinel has kept its hellish inferno burning for viewers to rediscover its chilling charm.

    Scream Factory presents The Sentinel with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Boasting a noticeably filmic appearance, skin tones are generally natural looking with colors of the apartment’s greenery and the film’s bloodier moments popping nicely.  Aside from inherent age-related issues of mild scratches and scuffs, detail remains strikingly stable with Dick Smith’s frightening effects better appreciated while, black levels reveal no glaring crushing issues.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is always audible and free of any intruding distortion.  Meanwhile, sound effects and Gil Melle’s (Blood Beach) moody tunes come across effectively.  Special features include, an Audio Commentary with Writer/Producer Jeffrey Konvitz, Audio Commentary with Writer/Producer/Director Michael Winner and Audio Commentary with Actress Cristina Raines.  In addition, Working with Winner: The Making of The Sentinel (23:56) finds Second Assistant Director Ralph S. Singleton discussing his early starts in the industry and his working relationship with the often tough but respected Winner in this engaging featurette.  Furthermore, a Theatrical Trailer (2:35), TV Spots (1:39), Movie Stills (2:47), B&W Press Photos (2:30) and Lobby Cards and Posters (2:34) Photo Galleries round out the supplements.

    Nicely complimenting Scream Factory’s other resurrected religious frightener The Legacy, The Sentinel packs an impressively diverse cast with enough disturbing imagery to cement itself in horror lovers’ subconscious.  Graduating to high-definition with noticeably improved technical merits and a generous supply of bonus content for such an unsung feature, Scream Factory lures you to the hellish underworld with The Sentinel as your ideal host.

    RATING: 4/5

    Available September 22nd from Scream Factory, The Sentinel can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.