Blu-ray/DVD Reviews


Currently showing posts tagged John Friedrich

  • The Wanderers (1979) Blu-ray Review

    The Wanderers (1979)

    Director: Philip Kaufman

    Starring: Ken Wahl, John Friedrich, Karen Allen & Toni Kalem

    Released by: Kino Lorber Studio Classics

    Reviewed by Mike Kenny

    Based on Richard Price’s novel, The Wanderers centers on a Bronx gang of teens whose experiences growing up in the mid 60s provide a rich canvas for youthful decadence and eventual maturity against an ever-changing world.  Philip Kaufman (Invasion of the Body Snatchers, The Right Stuff) directs this coming-of-age wonder.

    Depicting a time and place in New York City all but lost to time, The Wanderers fascinating depiction of universal themes plaguing directionless street dwellers during the final stretch of their teen years rings with pure sincerity nearly four decades later.  Set in the radically changing year of 1963, high school gang, The Wanderers, spend their days less worrying about their futures than defending their turf against rival hoods and chasing tail.  Sporting identical jackets bearing their squad name and greased up hairdos, the Italian teens find themselves embroiled in a racially tense standoff against the black Del Bombers while losing a fellow member to leather-bound baddies the Fordham Baldies.  Leaning on his girlfriend’s mafioso father for assistance, Wanderers leader Richie (Ken Wahl, Wiseguy) simultaneously falls for new girl on the block Nina (Karen Allen, Raiders of the Lost Ark) in a controversial move that puts him on the outs with best friend Joey (John Friedrich, The Final Terror) and the rest of his gang.  Upholding their tough guy personas through violent brawls and chauvinism, The Wanderers manages to break through these shell casings as friendships are tested, hearts are broken and unexpected responsibilities are sprung upon them.  As the nation reacts and changes following the assassination of JFK, a high stakes football game against their African-American foes spirals into an all out war, finding the once divided units battling a shared enemy.  Beautifully aided by a soundtrack of doo wop hits and other golden oldies, The Wanderers is the perfect bridge between other youth centered pictures like American Graffiti and The Warriors.  While its setting may be a thing of the past, The Wanderers speaks a language firmly rooted in the tender years of youth that is as unforgettably beautiful and painful as our own memories.

    Newly restored in 2K, KL Studio Classics proudly presents The Wanderers with a 1080p transfer, preserving its original 1.85:1 (1:78:1 for its included Preview Cut edition) aspect ratio.  Sporting a wonderfully cleaned up appearance free of unsightly scratches or tears, skin tones are warmly inviting while, filmic quality is as organic as can be.  Furthermore, the dingy city alleyways and storefronts are excellently presented with colors and textures found in the wide variety of gang jackets and the Del Bombers’ loud football uniforms popping nicely.  Equipped with a DTS-HD Master Audio 2.0 mix that does a fine job relaying dialogue recorded on busy New York streets, the film’s period soundtrack cuts make for the strongest enforcements on the otherwise healthy track.  

    Divided over two discs featuring both its Theatrical Cut (1:57:09) and rare Preview Cut (2:03:50), Disc 1’s special features kicks off with a Director’s Statement (1:56) followed by an Audio Commentary with Co-Writer/Director Philip Kaufman.  Also included, Back in the Bronx with Richard Price (35:18), The Wanderers Forever!: Live Q&A at NYC’s Film Forum with Karen Allen, Toni Kalem, Tony Ganias & Richard Price (16:35) and the Original Theatrical Trailer (1:52).  Meanwhile, Disc 2’s offerings feature an Introduction with Stars Karen Allen, Toni Kalem, Tony Ganias (0:40), an Audio Commentary with Columbia University Film Professor & Author of Philip Kaufman Annette Insdorf, The Wanderers Q&A at The Cinefamily with Philip Kaufman, Alan Rosenberg & Peter Kaufman (31:59), an Audio Q&A at NYC’s Film Forum with Philip Kaufman (19:46), an Audio Q&A at NYC’s Film Forum with Richard Price (16:41), the Re-Release Trailer (1:40) and a TV Spot (0:33).

    A continually growing cult classic and a high-water achievement in coming-of-age cinema, The Wanderers recalls the struggles and fears common in most teens attempting to make sense of the big world surrounding them with a palpable relatability few films capture.  In one of their standout efforts of the year, KL Studio Classics reinstates this golden oldie back into the public eye with a gorgeous 2K restoration, hefty supplements and dual cuts of the film that make joining up with this particular gang a splendid life choice.

    RATING: 4.5/5

    Available now from KL Studio Classics, The Wanderers can be purchased via, and other fine retailers.

  • The Final Terror (1983) Blu-ray Review

    The Final Terror (1983)
    Director: Andrew Davis
    Starring: John Friedrich, Adrian Zmed, Lewis Smith, Daryl Hannah & Joe Pantoliano
    Released by: Scream Factory

    Reviewed by Mike Kenny

    Continuing to feed the fire of their exciting Summer of Fear line-up, Scream Factory, the horror offshoot of Shout! Factory, proudly presents one of the most sought-after slashers from the 1980s.  Helmed by director Andrew Davis (The Fugitive) and produced by Joe Roth (Alice in Wonderland), The Final Terror is a frightening experiment in backwoods terror.

    The Final Terror centers on a group of forest rangers enjoying a fun weekend of camping.  Upon intruding on forbidden territory, a savage, camouflaged killer begins stalking the woods for fresh victims.  The few that remain have no choice but to defend themselves against the deranged murderer.  This long-lost slasher stars John Friedrich (Baretta), Adrian Zmed (Bachelor Party), Rachel Ward (Night School), Daryl Hannah (Splash), Ernest Harden Jr. (White Men Can’t Jump), Mark Metcalf (One Crazy Summer), Lewis Smith (Django Unchained) and Joe Pantoliano (Memento).

    Shot in 1981 but shelved for distribution issues, The Final Terror would finally be released in 1983 to capitalize on the stardom of Daryl Hannah and Adrian Zmed whose careers were blossoming from their appearances in Blade Runner and Grease 2.  Following in the wake of the slasher genres recent successes at the box-office, The Final Terror feels less Friday the 13th but more Just Before Dawn meets Rituals.  The film begins promisingly enough with a young couple enjoying a motorcycle ride before meeting a bloody demise courtesy of our backwoods killer.  Transitioning to a group of wilderness rangers on a weekend getaway, The Final Terror features one of the more diverse casts including African-American and English actors, both of whom were not as common in other slasher films at the time.  The group is full of unique personalities who all share a mutual dislike for Eggar (Joe Pantoliano), the redneck outcast who makes a living being rude to others.  When the group ignores Eggar’s warnings about intruding on forbidden territory in the woods, Eggar opts to travel by car and agrees to meet them at the end of their journey.  Once alone in the wilderness, the group begin getting picked off by a mysterious figure.  The backwoods setting and deserted group of would-be victims seems conventional enough, but luckily The Final Terror aims for more.  Instead, of the group ignorantly pretending nothing has gone astray, they immediately recognize their dilemma and fight for survival.  Combating the harsh conditions of the outdoors, The Final Terror feels as much as an escape films as it does a slasher.

    While, the film is a product of its genre, The Final Terror lacks the body count and promiscuity that runs rampant in its slasher counterparts.  In addition, following the opening death scene, the film takes half the runtime before anything as exciting occurs, making The Final Terror quite the slow burn.  The final act leads to a predictable outcome although, the reveal and eventual demise of the savage killer is a memorable one that incorporates the survivors putting teamwork and their survival skills to the test.  Ultimately, The Final Terror has its share of pacing issues and a slightly underwhelming amount of slasher tropes.  That said, the film has an entertaining cast that use their heads as opposed to being mere cattle for the killer.  As obscure and forgotten as the film is, The Final Terror still possesses enough enjoyment to proudly welcome into your slasher library.
    RATING: 3.5/5

    The Final Terror is presented with a 1080p high-definition anamorphic widescreen transfer (1.78:1).  Before the film kicks off, Scream Factory informs us that all materials including the OCN and inter-positive were lost.  The label went to great lengths securing six different film prints from private collectors in order to present the film in the best possible way.  Surprisingly, Scream Factory’s Frankenstein job is mostly successful.  The transfer appears generally clean of scratches and debris allowing the filmic grain layer to be better appreciated.  Colors appear mostly healthy although occasionally skin tones dip in quality.  In addition, dimly lit night sequences have always plagued this film and still remain murky at times but, are luckily far more visible than ever before.  Overall, for a film with no original elements to work with, Scream Factory accomplishes a satisfying transfer that should please fans waiting to relive the film after 31 years.
    RATING: 3.5/5

    Equipped with a DTS-HD Master Audio 2.0 mix, The Final Terror sports decent sound quality with dialogue picking up nicely.  Suspenseful sequences with loud screams are quite striking and help enhance the experience.  The mix is sufficient and works well for all the basic needs.
    RATING: 3.5/5


    - Audio Commentary with Director Andrew Davis

    - Post Terror: Finish the Final Terror: Post-production supervisor Allan Holzman sits down for over 20 minutes to discuss his contributions to the film as well as his early film training editing films for Roger Corman before directing Forbidden World.  Holzman’s wife, composer Susan Justin, also shares her approaches and styles when scoring the film.

    - The First Terror with Adrian Zmed & Lewis Smith: Actors Zmed and Smith, who appear as Marco and Boone respectively, sit down for a 15 minute series of interviews where the two discuss their first interest in acting, shooting in frigid temperatures, producer Joe Roth’s temper and director Andrew Davis‘ remarkable skills behind the camera.  

    - Theatrical Trailer

    - Behind the Scenes Still Gallery: 67 in total.

    - DVD Copy

    RATING: 4/5

    The Final Terror is a surprising treat for Scream Factory fans that never imagined this backwoods slasher receiving a second lease on life.  Released in the horror heyday of the early 80s, The Final Terror stars an incredibly likable and diverse cast that use their outdoor surroundings to survive the night.  A slow build and small body count hurts the film’s fun factor, but The Final Terror still manages to entertain and provide great camerawork from talent that would move onto such A-list projects as A Perfect Murder and Holes.  Scream Factory’s dedication to preserving sought after genre titles like The Final Terror makes fans eternally grateful for their efforts.  Combined with a healthy dose of special features, provided once again by Aine Leicht (Witchboard and Night of the Demons), Scream Factory’s release of The Final Terror is the definitive word on this forgotten slasher.
    RATING: 3.5/5