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Currently showing posts tagged Kent Jones

  • 23 Paces to Baker Street (1956) Blu-ray Review

    23 Paces to Baker Street (1956)

    Director: Henry Hathaway

    Starring: Van Johnson, Vera Miles, Cecil Parker & Patricia Laffan

    Released by: Kino Lorber Studio Classics

    Reviewed by Mike Kenny

    Based on Philip MacDonald’s novel and invoking an unmistakably Hitchcockian tone that stumbles only slightly in its execution, 23 Paces to Baker Street offers thrills and intrigue when American playwright Philip Hannon (Van Johnson, Battleground), blind and now residing in London, overhears a potentially criminally-minded conversation involving kidnapping and extortion.  Reporting his findings to the local authorities with little evidence to act on other than his instincts, Hannon, with assistance from his loyal butler (Cecil Parker, The Ladykillers) and ex-fiancée (Vera Miles, Psycho), takes matters into his own hands.  Filmed on location in England and the Fox studio lot, Henry Hathaway (Niagara, True Grit) directs with precision while, Milton Krasner’s (All About Eve) cinematography brings a warm vibrancy to Philip’s tidy flat and dreary mood to the fog-entrenched streets of London.  While striking similarities to Hitchcock’s own Rear Window including, protagonists both restrained by physical debilities and consumed by mysterious plots may hinder its overall effectiveness and a finale riddled with unanswered questions regarding the shrouded child-napping culprit, 23 Paces to Baker Street stands tall as a moderately effective whodunit worthy of more eyes spotting it.

    Beautifully restored in 4K, KL Studio Classics welcomes 23 Paces to Baker Street with a 1080p transfer, preserving its 2.55:1 aspect ratio.  Shot in colorful CinemaScope, the mystery-thriller arrives with little to no source damage while, details shine most effectively in Philip’s London flat with textures in costume attire reading nicely.  Skin tones are warm and natural-looking with black levels looking respectably inky with occasional variances in lieu of intentional fogginess understandably clouding some moments.  Although slightly imperfect, KL Studio Classics’ restoration marks the film’s finest home video outing to date.  Joined by an exceedingly strong DTS-HD Master Audio 2.0 mix, dialogue is sharply relayed while, sound effects from gun shots to pinball machine racket all offer distinct exchanges.  Furthermore, Leigh Harline’s (Pinocchio) score of dramatic cues and romantic melodies are sonically pleasing, making for the grandest statements on the track.  Special features include, an expert Audio Commentary with Film Historian Kent Jones and Trailers for 23 Paces to Baker Street (2:15), Cast a Giant Shadow (3:38), Foreign Intrigue (1:55), The File of the Golden Goose (2:37) and When Eight Bells Toll (2:49).  Lastly, a Reversible Cover Art is also included.  Familiar territory to The Master of Suspense’s work, 23 Paces to Baker Street instills gorgeous photography and a generally curious plot of its own to make its investigation a recommendable one to viewers.  Appreciatively restored to its finest state yet, KL Studio Classics’ 4K presentation is a filmic sight to the beholder sure to please without fail.  

    RATING: 3.5/5

    Available now from KL Studio Classics, 23 Paces to Baker Street can be purchased via KinoLorber.com, Amazon.com and other fine retailers.

  • Cat People (1942) Blu-ray Review

    Cat People (1942)

    Director: Jacques Tourneur

    Starring: Simone Simon, Kent Smith, Tom Conway, Jane Randolph & Jack Holt

    Released by: The Criterion Collection

    Reviewed by Mike Kenny

    Produced by famed auteur Val Lewton (I Walked with a Zombie), Cat People centers on Serbian immigrant Irena Dubrovna (Simone Simon, Johnny Doesn’t Live Here Anymore) whose marriage to American architect Oliver Reed (Kent Smith, The Spiral Staircase) is put in peril when her homeland fears of transforming into a savage feline during intimacy are suggested.  Tom Conway (101 Dalmatians), Jane Randolph (Abbott and Costello Meet Frankenstein) and Jack Holt (They Were Expendable) co-star.

    Stylish and mysteriously evocative, Producer Val Lewton’s debut effort and his first for RKO Pictures accentuates what haunts viewers in the shadows and rises above its genre label to deliver a gem of psychological madness and tragic love.  Gorgeously shot by Nicholas Musuraca (Out of the Past) and under the refined direction of Jacques Tourneur (Curse of the Demon), Cat People, unlike the prominently displayed Universal Monsters from the same era, uses calculated suspense and an increasingly dreadful tone to suggest more onscreen horror than what is showcased.  After a chance encounter at the city zoo prompts a love at first sight romance, gorgeous Serbian artist Irena is overwhelmed with her feelings for the handsome Oliver only to have childhood myths cloud her happiness.  Terrified that a mere kiss from her new husband will transform her into a cat-like person with wicked intentions, Irena’s mental state comes into question, forcing Oliver to second-guess his own feelings for the foreign beauty.  Coupled with a scandalous love triangle that surges Irena’s jealously while maintaining the very real possibility that her darkest fears of an ancient curse are true, Cat People, realized on a shoestring budget and utilizing recycled sets, delivers a frightening tale of marital woes and forbidden sexual desires under the subtext of witchcraft that strikingly stands out from other horror-billed efforts of the 1940s.  Strongly performed and leaving audiences to imaginatively paint their own dark pictures where the fog resides, Cat People purrs with consummate atmosphere, leaving an indelible impact on those looking into its poetic cage of horror.

    The Criterion Collection presents Cat People with a 1080p transfer, sporting a 1.37:1 aspect ratio.  Exceptionally restored in 2K, the monochrome photography arrives with gorgeous detail and a remarkable emphasis on black levels giving the film’s shadowy presence new dimensionality.  In addition, age-related scratches and scuffs are all but vanished making the viewing experience all the greater.  Bearing black bars on either sides of the frame to preserve its intended format, Cat People has never looked more splendid.  Equipped with an LPCM 1.0 mix, dialogue is strongly carried with even Simon’s thick accent never falling on strained ears while, Composer Roy Webb’s (Notorious) classy score is effectively laid.  Special features include, a 2005 recorded Audio Commentary with Film Historian Gregory Mank, Val Lewton: The Man in the Shadows (1:16:40), the accomplished 2008 documentary by Kent Jones (Hitchcock/Truffaut) that delves into Lewton’s short-lived yet, revered career with narration from Director Martin Scorsese.  Furthermore, Ciné Regards (26:37) presents a vintage 1977 interview with Director Jacques Tourneur on his career, the newly-crafted John Bailey (16:36) catches up with the director of photography of 1982’s Cat People and As Good As It Gets to discuss Musuraca’s mesmerizing approaches to the original feature while, the film’s Trailer (1:04) and an Essay entitled Darkness Betrayed by Critic Geoffrey O’Brien featuring a reversible poster rounds out the impressive supplemental offerings that could have only been made perfect by the inclusion of the 1944 sequel The Curse of the Cat People.

    Far more restrained than most genre efforts of the decade but arguably more effective, Cat People uses subtlety and psychological intrigue to lure audiences into its shadowy realm of a troubled marriage and catastrophic curses.  Just in time for the Halloween season, The Criterion Collection celebrates one of Lewton’s finest efforts and a towering achievement of elegant frights with its definitive presentation and a wonderful assortment of extras to claw into.

    RATING: 4.5/5

    Available September 20th from The Criterion Collection, Cat People can be purchased via Criterion.com, Amazon.com and other fine retailers.