Blu-ray/DVD Reviews


Currently showing posts tagged Lionsgate

  • Power Rangers (2017) Blu-ray Review

    Power Rangers (2017)

    Director: Dean Israelite

    Starring: Dacre Montgomery, Naomi Scott, RJ Cycler, Becky G., Ludi Lin, Bill Hader, Bryan Cranston & Elizabeth Banks

    Released by: Lionsgate

    Reviewed by Mike Kenny

    Revitalizing the television phenomenon for the big-screen, Power Rangers centers on five ordinary teens, chosen by destiny, to form a superhuman team of defenders to save the world from the evil Rita Repulsa’s wrath.  Dean Israelite (Project Almanac) directs from a screenplay by John Gatins (Real Steel, Flight).

    Marking the famous franchise’s return to cinemas in two decades, Power Rangers uses the original and arguably, most popular iteration of the series as a springboard to reintroduce modern audiences and longtime fans back to an Angel Grove in desperate need of heroes.  Establishing an apocalyptic world where the Power Rangers, led by Red Ranger Zordon (Bryan Cranston, Breaking Bad), are losing the battle against their former friend and betrayer Rita Repulsa (Elizabeth Banks, The Hunger Games), the fading leader seeks to preserve the safety of the desired Zeo Crystal by hiding the coveted power coins in hopes of a new team one day emerging to protect Earth.  Juxtaposing to modern day Angel Grove, high school football star turned delinquent Jason Scott (Dacre Montgomery, A Few Less Men) pulls an unruly prank, landing him in detention for the rest of the school year.  Shortly after befriending bullied and autistic classmate Billy Cranston (RJ Cycler, Me and Early and the Dying Girl), Jason is convinced to join Billy at a mine site where an explosion and chance encounters with several other troubled teens including, Kimberly (Naomi Scott, The 33), a former popularity queen now ditched by her friends, Zach (Ludi Lin, Monster Hunt), a wild teen tasked with caring for his ailing mother and Trini (Becky G., Empire), a loner struggling with her own sexuality, converge in an experience that will change their lives.  Discovering the hidden power coins and the nerve center of Zordon, now constrained to its matrix system, and his faithful robot Alpha 5 (voiced by Bill Hader, Inside Out), the teens are appointed as new members of the Power Rangers and must prepare for the inevitable threat of their awakened nemesis, Rita Repulsa.  Learning to trust one another and believe in themselves prove difficult as the fate of Angel Grove and the world hang in the balance against the forces of evil.  

    Darker than its bubble gum pop series but never overly brooding, Power Rangers greatly impresses with its diverse up and coming cast that convey relatable teenage troubles with organic conviction.  Noticeably influenced by the works of John Hughes with so few modern day attempts at capturing youthful voices succeeding, Power Rangers is the rare feat that does so and genuinely makes audiences care through deep character development that, for better or worse, comes at the cost of more high-octane action.  While their self-doubts restrict them from morphing into their costumed counterparts for an extended period, the film’s final act finds the the heroes finally adorned in their eye-catching armored suits to do battle against the bolder-looking Putties and Rita’s visually disappointing henchman, Goldar.  Although a shameless product placement opportunity rears its head into the plot, Elizabeth Banks delivers an enjoyably over-the-top and occasionally frightening performance as lead baddie Rita while, the city-destructing climax of the Rangers facing off in the mighty Megazord is nothing audiences haven’t seen before.  Minor grievances aside for the film’s action set pieces which unfortunately seem to have caused the ballooning $100 million budget, Power Rangers is a surprisingly fresh and energetic effort that although, based on the nostalgically campy series of the same name, takes itself and its audience seriously while having a morphinominally fun time doing it.

    Lionsgate presents Power Rangers with a striking 1080p transfer, preserving its 2.40:1 aspect ratio.  Exceptional-looking from start to finish, skin tones are naturally pleasing and detailed while, black levels seen during nighttime sequences at the mine appear deep and inky.  Digital manifestations such as, Alpha 5 and the literal looking Goldar all dazzle with the bolder colors of the rangers suits and Rita’s shimmering green garb leaping off the screen.  Without a false note to report, Power Rangers morphs into action with the utmost clarity.  Equipped with an equally perfect Dolby TrueHD 7.1 mix, dialogue is crystal clear with action scenes from the rangers’ training montages to the film’s final zord battle filled with explosive action greatly impress with grand authority.  Furthermore, song selections including, a contemporary rendering of the infamous theme song, all make noticeable statements on the track that push speakers to work overtime.  

    Special features include, an Audio Commentary with Director Dean Israelite & Writer John Gatins, The Power of Present (2:20:12), a comprehensively morphin’ nine-part featurette that looks back at the franchise’s early years to this film’s culmination.  Insight from original series creator Haim Saban as well as the cast and crew are on-hand while, the development of the film’s costumes, the cast’s intensive training and music are all explored in this perfect companion piece to the feature.  Also included, Deleted/Alternate/Extended Scenes (33:39), Outtakes (3:41) and the Theatrical Trailer with Audio Commentary by Director Dean Israelite (2:21).  Lastly, an Also from Lionsgate (4:40) section offers trailers and promos for Power Rangers: Legacy Wars, The Hunger Games: Complete 4-Film Collection, Allegiant and Now You See Me 2.  Additionally, a DVD edition and Digital HD Code are also provided.

    Although struggling to be the massive moneymaker hoped for by the studio, Power Rangers may be the year’s biggest blockbuster surprise that balances the delicate line of respecting its franchise roots while injecting a youthful, harder-edged voice that lifelong fans will appreciate.  Planned for a whopping six-film story arc and teasing the arrival of a certain character of the green persuasion, Power Rangers is hopefully only the beginning in a great new series that deserves more installments.  Meanwhile, Lionsgate’s phenomenal high-definition release is a technical marvel with a staggering supply of bonus content ranger fans will eat up.

    RATING: 4.5/5

    Available now from Lionsgate, Power Rangers can be purchased via, and other fine retailers.

  • The Unholy (1988) Blu-ray Review

    The Unholy (1988)

    Director: Camilo Vila

    Starring: Ben Cross, Ned Beatty, William Russ, Jill Carroll, Hal Holbrook & Trevor Howard

    Released by: Lionsgate

    Reviewed by Mike Kenny

    Set in New Orleans where a dark underbelly of satanic worship resides, The Unholy centers on Father Michael (Ben Cross, Chariots of Fire), the newly appointed priest of St. Agnes Church.  Following the brutal and unsolved murders of the parishes previous pastors, an ungodly evil threatens the house of worship with Michael’s pure soul being its last hope of survival.  Ned Beatty (Toy Story 3), William Russ (Boy Meets World), Jill Carroll (Psycho II), Hal Holbrook (The Fog) and Trevor Howard (The Third Man) costar.

    Channeling the satanic allure of The Exorcist and The Omen having been originally scripted in their wake and revived more than a decade later, The Unholy injects more special-effects wizardry into its proceedings where demonic beasts and grisly deaths reign while struggling to remain narratively appealing.  Miraculously surviving a fall off a building, Father Michael is appointed to reopen the dormant St. Agnes Church in New Orleans following the tragic murder of his predecessor.  Considered to be “the chosen one” by his mentors, Father Michael is quickly haunted by nightmarish visions of a seductive temptress while investigating the unsolved murders plaguing his church.  Stumbling upon a black magic-worshipping nightclub in his research, Father Michael’s encounter with teenage runaway Millie (Carroll), who confided in the deceased Father Dennis, begins to reveal a frightening truth.  Skeptical of Millie’s insistence that demonic forces are at play, strange occurrences including, a dog slain at the church’s alter and threats made by Millie’s club-owning over protector Luke (Russ) persist.  Juxtaposing between more nightmare-fueled visions of the scantly clad vixen and a victim, intestines gruesomely hanging, displayed as an inverted cross, The Unholy pays off with gory sights and a faith vs. demonic monster showdown during its climax yet, fails to dig deeper into Father Michael’s psyche as the chosen one.  Furthermore, while potential reasons and accused culprits behind the sinister happenings are unnecessarily named, none prove conclusive and simply serve as a way to buffer the runtime and muddy the waters of an effort best blamed simply on the devil.  Mildly taxing for these reasons yet, redeeming in its showcase of visual effects, creature designs and the red stuff, The Unholy offers more in its style than its substance.

    Debuting as the tenth inclusion of the Vestron Video Collector’s Series, Lionsgate presents The Unholy with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Photographed during nighttime sequences or under dimly-lit circumstances, black levels are commendable while occasionally looking grainier than desired.  Furthermore, skin tones are natural with Millie’s 80s-centric makeup popping nicely.  Although the film’s few daytime sequences of sunshine understandably soften up the picture, this softness, although not wildly overwhelming, carries over throughout much of the film, appearing not as sharp as one would hope but also not an uncommon sight for lower-budgeted films from this era.  Meanwhile, moments of neck-torn gore and detail observed in the demonic creatures earn some of the transfer’s highest marks of clarity.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue never disappoints while, the film’s synth-heavy score by Roger Bellon (Waxwork) sounds excellent.  

    Exceptionally packed with content, special features include, an Audio Commentary with Director Camilo Vila, Isolated Score Selections and Audio Interview with Composer Roger Bellon, an Audio Interview with Production Designer & Co-Writer Fernando Fonseca, featuring Isolated Selections from his Unused Score.  Also included, Sins of the Father with Ben Cross (19:09) where the film’s star covers his adolescent fascination with the arts, attending drama school, early days rooming with the film’s director and praise for his costars.  Demons in the Flesh: The Monsters of The Unholy (22:26) catches up with Make-Up Effects Designer Jerry Macaluso who scored the job on the feature as a teenager in high school with additional insight into the film’s reworked ending from Art Director/Additional Special Effects Unit Steve Hardie and Effects Artist/Special Effects Unit Neil Gorton.  Prayer Offerings with Production Designer & Co-Writer Fernando Fonseca (18:35) and the Original Ending featuring Optional Audio Commentary with Production Designer & Co-Writer Fernando Fonseca (15:02) are also on-hand while, the Theatrical Trailer (1:17), TV Spots (2:15), Radio Spots (2:25), an Original Storyboard Gallery (18:40) and a Still Gallery (11:51) round out this five-star offering of supplements conducted by the tireless Red Shirt Pictures.

    An imperfect tale of satanic seduction that rightly has its dedicated fans, The Unholy certainly has its moments of fright-filled anarchy but has difficulty crafting characters that command our attention.  Worshippers of the black magic horror opus will be overjoyed by its inclusion in the Vestron Video Collector’s Series that blesses it with a respectable HD upgrade and an ungodly awesome stash of newly recorded bonus extras.  

    RATING: 4/5

    Available June 27th from Lionsgate, The Unholy can be purchased via, and other fine retailers.

  • The Gate (1987) Blu-ray Review

    The Gate (1987)

    Director: Tibor Takacs 

    Starring: Stephen Dorff, Louis Tripp & Christa Denton

    Released by: Lionsgate

    Reviewed by Mike Kenny

    After an innocent backyard excavation for crystal stones unearths something sinister, The Gate finds best friends Glen (Stephen Dorff, Somewhere) and Terry (Louis Tripp, Mama’s Going to Buy You a Mockingbird) forced to defend themselves against a siege of demons and determine a way to close the evil portal before it’s too late.

    Eliminating parents and other authority figures as rapidly as possible, The Gate pits unsupervised adolescents against the forces of darkness, using only their ingenuity and household items to defend themselves against the ghouls and goblins of the underworld.  Inadvertently opening a hellish backyard portal with the assistance of a satanic heavy metal album, best friends Glen and Terry are confronted with a series of nightmarish images of deceased parents back from the dead and the painful realities of a beloved pet’s passing to shake their youthful cores.  With no adults in sight and Glen’s older sister Al (Christa Denton, 8 Million Ways to Die) taking full advantage with a house party rampant with underage drinking and levitation attempts turned frighteningly real, the demonic forces grow stronger in their attempt to invade the teen’s quaint suburban existence.  Pursued by a pint-sized army of fiendish minions realized through a series of technical tricks ranging from costumed performers, stop-motion animation and forced perspective, Glen, Terry and Al must face their fears in order to definitively close the gate before time runs out.  Although slow-building with a genuine innocence captured in the chemistry between the young performers, The Gate stretches the boundaries of its PG-13 rating with macabre touches of a dead construction worker emerging from the walls, a punctured eyeball through a child’s hand and an overgrown demon flinging his young victims with no remorse to effectively chill preteen audiences.  With false senses of security at every turn and survival seemingly futile, the trio of teens rely on Barbie dolls, dad’s shotgun and model rockets to banish the demons in Director Tibor Takacs’ (I, Madman) effectively realized and certifiably scary devil-raising feature.

    Digitally restored, Lionsgate presents The Gate with a 1080p transfer, bearing a 1.85:1 aspect ratio.  The latest addition in their Vestron Video Collector’s Series, the film is a remarkable upgrade from its near decade old DVD release that honors filmic integrity, mildly soft but still natural-looking skin tones and a sharp color scheme present in the suburban greenery as well as Glen’s red space camp jacket and Al’s lime green sweater.  In addition, black levels are solid with detail largely admired in the creature designs while, only the slightest hint of speckling is observed in this otherwise picturesque presentation of the 80s cult classic.  Equipped with a perfectly adequate DTS-HD Master Audio 2.0 mix that handles dialogue with ease, heavy metal tunes, lightning storms and rocket blasts all offer solid emphases on the well-orchestrated track.

    Much like the demons bursting from the gate, the overflowing wealth of special features include, an Audio Commentary with Director Tibor Takacs, Writer Michael Nankin and Special Effects Designer & Supervisor Randall William Cook, a second Audio Commentary with Special Effects Designer & Supervisor Randall William Cook, Special Make-Up Effects Artist Craig Reardon, Special Effects Artist Frank Carere & Matte Photographer Bill Taylor plus, an Isolated Score and Audio Interview with Composers Michael Hoenig & J. Peter Robinson.  In addition, Red Shirt Pictures delivers several newly recorded featurettes that explore many of the low-budget effort’s technical achievements including, The Gate: Unlocked (27:54) where Takacs and Cook discuss the film’s making in-depth, Minion Maker with Craig Reardon (22:36), From Hell It Came with Andras Hamori (13:13), The Workman Speaks! with Carl Kraines (12:22) and the most interesting Made in Canada (28:28) that sits down with six local cast and crew members from the Canadian shoot as they recall their own unique experiences making the film.  Meanwhile, ported over from the 2009 release, From Hell: The Creatures & Demons of The Gate (14:53), The Gatekeepers with Tibor Takacs & Michael Nankin (15:46) and The Making of The Gate (22:55) are also on-hand with the Teaser Trailer (1:08), Theatrical Trailer (1:50), TV Spot (0:32), Storyboard Gallery (9:27) and a Behind-the-Scenes Still Gallery (10:20) rounding out the profound assortment of extras.

    A childhood staple that still stands up, The Gate is a fiendishly fun effort of teens going toe to toe with demonic beings with no one but themselves to rely on.  Incorporating the then timely black sheep of heavy metal into its vortex of fear, Tibor Takacs’ sharply constructed and gloriously effects-driven opus plays largely into the comforting confines of nostalgia where its discovery for many through video rental and repeat cable viewings made it a longstanding favorite.  Hoped for since its line’s formation, The Gate makes it high-definition debut with remarkable technical grades that far exceed its previous release and an overwhelming supply of bonus features earning it the highest praise as one of Vestron Video’s best offerings to date!

    RATING: 5/5

    Available February 28th from Lionsgate, The Gate can be purchased via, and other fine retailers.

  • Parents (1989) Blu-ray Review

    Parents (1989)

    Director: Bob Balaban

    Starring: Randy Quaid, Mary Beth Hurt & Sandy Dennis

    Released by: Lionsgate

    Reviewed by Mike Kenny

    Set in the suburban comfort of the 1950s, Parents centers on ten-year-old outcast Michael Laemle (Bryan Madorsky in his only film role) who suspects that his model mother and father (played by Mary Beth Hurt, The World According to Garp and Randy Quaid, Kingpin respectively) are up to more than meets the eye.  As Michael’s curiosity grows regarding the family’s limitless supply of leftovers, the nightmarish truth is revealed.  Academy Award winner Sandy Dennis (Who’s Afraid of Virginia Woolf?) costars in Bob Balaban’s (My Boyfriend’s Back) directorial debut.

    Painted with stark black comedy and horror undertones of cannibalism, Parents is a quirky slice of life from yesteryear demonstrating father (and mother) know best, especially when they’re eating you.  Relocating from Massachusetts during the picturesque 1950s, quiet and peculiar youngster Michael Laemle struggles to fit in his new surroundings while, experiencing a wrath of hellish nightmares that feel all too real.  Hauntingly awkward and an incorrigibly picky eater, Michael sticks out like a sore thumb next to his seemingly perfect All-American parents.  Looks prove deceiving as Nick and Lily Laemle demonstrate their own eccentricities and questionable behavior alerting their young son that all is not kosher at home.  Further troubled by increased nightmares and bloody hallucinations, Michael’s imagination runs wild when determining the origin of the family’s nightly supply of meat.  Sneakily following his father to his job at the local chemical lab where human cadavers are tested upon, Michael’s suspicion blossoms into full-blown fear when discovering the source of the Laemle’s personal meat market.  Developing a trust with the school psychologist (Dennis) while attempting to concretely prove what he already knows, Michael pits himself and the few close to him in finger-lickin’ danger with mommy and daddy.  Never hysterical nor the bodycount picture prevalent at the time, Parents never makes fully clear when we should cackle or wince in terror, making such uncertainty all part of its Rubik’s Cube of unconventional attraction.  Recreating the time with Rockwellian precision, Quaid and Hurt are inspired casting, if not slightly one note, making the entirety of the Laemle family appear rather and perhaps intentionally, subdued throughout the film.  Featuring a grossly underdeveloped friendship between Michael and a female classmate who insists she's an extraterrestrial from the moon, Parents is not immune to miscalculations while serving as an offbeat statement on yesterday’s rarely discussed domestic dilemmas that’s earned its place amongst cult circles.

    (image not representative of actual Blu-ray quality)

    Lionsgate, as part of their Vestron Video Collector’s Series, presents Parents with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Digitally restored and appearing appreciatively filmic throughout, the bright canvas of suburbia brings attention to the Laemle’s orderly household while, bolder colors found in Nick’s bright yellow sweater vest and the family’s turquoise Oldsmobile pop graciously.  Detail is also strongly admired in facial features and closeups on the cannibalistic parents carving into cooked meat with skin tones reading naturally.  Equipped with a DTS-HD Master Audio 2.0 mix that hones dialogue levels strongly for such a character-driven film, Michael’s nightmares provide suspenseful boosts that rattle the mix comparatively.  

    Graced with a winning serving of supplemental features, a newly recorded Audio Commentary with Director Bob Balaban & Producer Bonnie Palef is on hand with Isolated Score Selections and an Audio Interview with Composer Jonathan Elias also included.  Additionally, Leftovers to Be with Screenwriter Christopher Hawthorne (16:48) reveals that prolific producer Ray Stark (Steel Magnolias) was attached to the project before Vestron opted out citing Stark’s high fee as the cause.  Furthermore, Director Todd Solondz (Welcome to the Doll House) turned down the film before Balaban joined the production with the latter injecting much of his own childhood into the narrative.  Hawthorne also retells that the parallels between Quaid’s performance and his own father were so close, his parents refused to speak to him for a lengthy period of time.  Mother’s Day with Actress Mary Beth Hurt (14:29) finds the cannibalistic homemaker recalling Balaban offering her the role during a regular charades game that was frequented by the likes of Tim Robbins and Al Franken.  Hurt also expresses her love for the film’s time period and the prospect of its costumes being her major draws to the project.  Next up, Inside Out with Director of Photography Robin Vidgeon (13:58) finds that the cinematographer took over duties after original D.P. Ernie Day’s (Revenge of the Pink Panther) wife fell ill.  Shooting the majority of the film’s interior sequences, Vidgeon believes his work on Hellraiser landed him the job on Parents.  Lastly, Vintage Tastes with Decorative Consultant Yolanda Cuomo (9:26), the Theatrical Trailer (1:33), Radio Spots (1:42) and a Still Gallery (4:52) conclude the release’s extra features.

    (images not representative of actual Blu-ray quality)

    A satirical sendup of 50s family values with a taste for flesh, Parents uniquely portrays every child’s safeguards as the source of their nightmares in this cannibalistic comedy.  Served with a side order of limbs, Bob Balaban’s oddball feature arrives with a fittingly scatterbrained tone and an underlying statement on the romanticized notion of growing up in the wholesome decade.  A cooky concoction of cultish charisma, Parents joins the Vestron Video Collector’s Series with solid technical grades and a most revealing slate of extras sure to fill up the hungry horror fan.

    RATING: 3.5/5

    Available January 31st from Lionsgate, Parents can be purchased via, and other fine retailers.

  • The Lair of the White Worm (1988) Blu-ray Review

    The Lair of the White Worm (1988)

    Director: Ken Russell

    Starring: Amanda Donohoe, Hugh Grant, Catherine Oxenberg, Peter Capaldi, Sammi Davis & Stratford Johns

    Released by: Lionsgate

    Reviewed by Mike Kenny

    From noted auteur Ken Russell (The Devils), The Lair of the White Worm finds Lord James D’Ampton (Hugh Grant, Love Actually) returning to his English castle where the legendary folklore of his ancestor slaying a monstrous white worm with a taste for virgin flesh is literally dug up.  Discovering the skeletal remains of a large reptilian beast and other questionable finds, archaeology student Angus Flint (Peter Capaldi, Doctor Who) seeks to convince the Lord of the tale’s legitimacy when James’s girlfriend vanishes, leading the daring duo to uncover the worm’s lair and rid its evil.  

    Loosely based on Bram Stoker’s final novel, The Lair of the White Worm blends the gothically sinister with Russell’s innate taste for the erotic and darkly humorous ensuring a most unusually psychotronic trip of sexy serpents, religious blasphemy and acquired campiness.  Following the excavation of an abnormally huge snake-like skull, archaeology student Angus Flint believes his find roots directly to the local legend of John D’Ampton who bravely slain the dreaded White Worm in years past.  Solely occupying the family estate, James D’Ampton begins to find merit in his ancestor’s fantastical history when his girlfriend Eve Trent (Catherine Oxenberg, Dynasty) disappears shortly after searching for her own missing parents with sister Mary (Sammi Davis, The Rainbow).  Suspicious of nearby neighbor, the gorgeous Oscar Wilde quoting Lady Sylvia (Amanda Donohoe, Liar Liar) and incognito priestess to a pagan snake god, who uses her alluring lingerie and thigh-high leather boots to seductively slither victims into her grasp, Angus and James combine their efforts to locate the worm’s cavernous lair and save the Trent sisters.  A deranged assemblage part arthouse, part B-movie monsterpalooza, juxtaposed with bursts of extreme music video energy, The Lair of the White Worm is an uneasily definable genre mash that equally defies and baffles most viewer expectations.  Doused with tedious touches of complicated exposition in accordance with Stoker’s own work, The Lair of the White Worm works best as a visual opiate that shocks viewers senses with religious imagery depicting a crucified Christ and virgin nuns being raped at his feet.  In addition, Donohoe commandeers the picture with her magnetic charm and ssssinister handling of weak-minded men in hot tubs who are left squealing shy of one body part.  A cult curioso certain to divide audiences, The Lair of the White Worm will surely entrance those swayed by its peculiar blend of oddness while, the film, for better or worse, places style above substance.

    (images are not representative of actual Blu-ray quality)

    Digitally restored, Lionsgate presents The Lair of the White Worm with a 1080p transfer, sporting a 1.78:1 aspect ratio.  True to the gray overcast of the film’s setting, colors are sparse while skin tones remain natural-looking and nicely detailed.  In addition, black levels are respectable with only mild softness detected.  Furthermore, scratches or other age-related follies are washed away ensuring the film the most proper of HD debuts.  Equipped with a satisfactory DTS-HD Master Audio 2.0 mix that handles the heavy accents of its performers adequately, the sexy saxophone injections by Composer Stanislas Syrewicz (The Fantasist) provides the liveliest mentions on the otherwise unvaried mix.  Continuing the tradition of its fellow Vestron Video Collector’s Series titles, substantial supplements include, an Audio Commentary with Director Ken Russell and a second Audio Commentary with Lisi Russell, in conversation with Film Historian Matthew Melia.  Meanwhile, Red Shirt Pictures offers enthralling new featurettes with Worm Food: The Effects of The Lair of the White Worm (27:08) where Special Make-Up & Creature Effects Designer Geoff Portas, Special Make-Up & Creature Effects Modeler Neil Gorton and Special Make-Up & Creature Effects Technician Paul Jones share their unique experiences working with the eccentric Russell and their artistic approaches to the project.  Furthermore, Cutting for Ken with Editor Peter Davies (9:32) discusses his rather easy hiring on the job while, Trailers from Hell featuring the late Dan Ireland (2:45), Mary, Mary with Sammi Davis (15:42), the film’s Theatrical Trailer (2:11) and a Still Gallery (2:59) round out the bonus feature offerings.

    (images are not representative of actual Blu-ray quality)

    One of Vestron Pictures’ own original productions, The Lair of the White Worm remains an immensely split feature with a deliriously off-kilter tone befitting of Russell’s weird style.  Head-scratchingly bizarre and monstrously campy, the unique adaptation of Stoker’s panned final work is certainly not for all but, one worth digging up for its undefinable place in genre circles.  Making its Blu-ray debut as the sixth installment of the fan-favorite Collector’s Series, Lionsgate gives Russell’s phantasmagoric oddity a most respectable remastering and a generous touch of supplements viewers have quickly come to expect.

    RATING: 3.5/5

    Available January 31st from Lionsgate, The Lair of the White Worm can be purchased via, and other fine retailers.

  • 31 (2016) Blu-ray Review

    31 (2016)

    Director: Rob Zombie

    Starring: Sheri Moon Zombie, Jeff Daniel Phillips, Lawrence-Hilton Jacobs, Meg Foster, Kevin Jackson, Richard Brake, Lew Temple, Jane Carr, Judy Geeson & Malcom McDowell

    Released by: Lionsgate

    Reviewed by Mike Kenny

    When a group of carnival workers are abducted on Halloween night, 31 finds them imprisoned in a deranged compound and forced to partake in a sadistic game.  Tasked to stay alive for 12 hours against crazed clowns and other homicidal deviants, the unfortunate players must band together in hopes of seeing dawn.

    Impressively funded by a successful fan backed campaign, 31 returns horror maestro Rob Zombie to the 70s-style foundation of his earliest films with a morbid depravity and artistic freedom not seen since 2005’s The Devil’s Rejects.  Following the rapid abduction of five traveling carnival workers, 31 finds the unsuspecting quintet at the mercy of three aristocratic lunatics.  Forced to take part in their annual game at the labyrinth-esque compound known as Murderworld, the frightened friends must survive 12 grueling hours, relying only on their resourcefulness and willingness to live, to defend themselves against crazed Nazi midgets, chainsaw-wielding madmen and terrifying clowns determined to annihilate them before time’s up.  Headed by Sheri Moon Zombie in her most tenacious role since Baby Firefly, the tightly-budgeted bloodbath welcomes newcomers Lawrence-Hilton Jacobs (Welcome Back, Kotter), Kevin Jackson (Rosewood) and Jane Carr (Dear John) to Zombie’s latest carnival of madness while, other such former collaborators including, Jeff Daniel Phillips (The Lords of Salem), Meg Foster (They Live), Malcolm McDowell (Halloween) among others beef out the impressive company of victims and slayers.  While 31 arguably boasts Zombie’s goriest and most deranged set pieces to date, its screenplay, admittedly secondary to its onscreen carnage, suffers from unavoidably trashy stereotypes common to varying degrees in previous Zombie efforts.  In addition, although the vast majority of 31’s characters fail to leave lasting impressions, the House of 1,000 Corpses helmer does succeed in bringing to life another worthy antagonist in Doom-Head whose performance by Richard Brake (Batman Begins), performed with perversion, eloquence and blood splattered clown makeup, single handily steals the show.  Serving as horror’s unrestrained answer to The Running Man with a finale that excellently demonstrates Zombie’s melding of music selections to his imagery, 31 falls somewhere in between the best and more problematic of the fright maker’s modest filmography, valued best for its buckets of blood and live or die obstacles.

    Lionsgate presents 31 with a 1080p transfer, sporting a 2.40:1 aspect ratio.  With the exception of its sun-bleached daytime openings and closings, Zombie’s latest shrouds itself in overwhelming darkness and dimly lit sets in the various sections of Murderworld where black levels rank strongly.  While occasionally murky levels and scant digital noise obstruct detail in skin tones, quality is overwhelmingly positive with the film’s few bolder colors seen in bright red blood, Sheri Moon Zombie’s yellow-blonde hair and Doom-Head’s smudged face paint noticeably standing out for the better.  Equipped with a DTS-HD Master Audio 5.1 mix that projects dialogue clearly at all times, the track captures the echoey ambiance of Murderworld’s quieter nooks with swift precision while, screams, chainsaw clatter and suspenseful guitar riffs provide excellent oomph to the festivities.  Special features include, an Audio Commentary with Writer/Director Rob Zombie and In Hell Everybody Loves Popcorn: The Making of 31 (2:11:27), a five-part and rewardingly in-depth documentary common to most of Zombie’s other features that explores the film’s journey from pre-production through its speedy 20 day film shoot.  In addition, an Also from Lionsgate (9:27) section boasting trailers for Blair Witch, The Devil’s Rejects, Cell, Knock Knock and Cooties are included alongside a Digital HD Code.  While supplemental volume may seem scant, the comprehensiveness of the offerings are made up for in their top-tier quality.

    One strictly for the gorehounds, 31 does little to stretch the creative wings of Zombie but succeeds greatly in delivering a kill or be killed horror showdown, uncompromised by thoughtless executives or meddling studio brass.  Simplistically plotted and brutally carried out, Zombie’s newest feature may not rank amongst his finest but has earned slightly more appreciation through additional viewings.  Meanwhile, Lionsgate’s high-definition presentation is overwhelmingly solid while, the disc’s bonus offerings are exceptional crash courses in filmmaking with Zombie’s valued insight and fly on the wall footage of the film’s intense making guiding the way.

    RATING: 4/5

    Available now from Lionsgate, 31 can be purchased via, and other fine retailers.

  • C.H.U.D. II: Bud the Chud (1989) Blu-ray Review

    C.H.U.D. II: Bud the Chud (1989)

    Director: David Irving

    Starring: Brian Robbins, Bill Calvert, Tricia Leigh Fisher, Gerrit Graham & Robert Vaughn

    Released by: Lionsgate

    Reviewed by Mike Kenny

    When a corpse used for a high school science experiment goes missing, C.H.U.D. II: Bud the Chud finds three best friends fearing for their grades as they snatch a decomposing cadaver infected with a cannibalistic virus.  Shortly after being resurrected, the undead army experiment gone wrong goes on a killing spree, adding townspeople to his ravenous flock and leaving the young trio to save the community from themselves!  Brian Robbins (Head of the Class), Bill Calvert (Terror Squad), Tricia Leigh Fisher (Pretty Smart), Gerrit Graham (Phantom of the Paradise) and Robert Vaughn (The Man from U.N.C.L.E.) star.

    Loosely borrowing from its more horror centric predecessor, C.H.U.D. II: Bud the Chud makes a swift tonal change, relying on laughs and enhanced camp to bring life to the formally underground dwellers once more.  Scripted by Ed Naha (Troll, Dolls) (under the pseudonym M. Kane Jeeves), the misleading mutant populated artwork stretches the truth as the monsters are simpler, fang-toothed zombie types whose bite spreads their plague to other unsuspecting suburbanites.  Panicking after losing the intended corpse for their science experiment, Steve (Robbins) and Kevin (Calvert) don’t hesitate in stealing a thought to be dead replacement from the local Center for Disease Control to salvage their grade.  Roping fellow friend Katie (Fisher) into the mix, an accidental electrocution reanimates the corpse known as Bud (Graham) who’s wildly hungry for human flesh.  Infecting the small town one victim at a time with army officials attempting to quietly and unsuccessfully contain the situation, the three teenagers must put an end to the madness as Bud leads his hungry, hungry pack to the local Halloween dance.  Lacking the gritty grime of its New York based original, the quirky followup’s fresh-faced stars fully embrace the last gasps of the Gen X decade to the amusement of viewers while, Gerrit Graham’s gruntingly hilarious performance as the deathly infected Bud make his physicality and peculiar face movements a hoot to be seen.  Climaxing at a swimming pool where the bikini-donning Katie lures the C.H.U.D. infected citizens to their frozen farewell, C.H.U.D. II: Bud the Chud by no means upstages its originator but, possesses a contagiously fun energy largely overlooked by cult cinema watching humanoids.

    Lionsgate presents C.H.U.D. II: Bud the Chud with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Virtually free of scratches or other such anomalies, natural film grain is apparent while overall image quality reads mildly soft.  Skin tones are healthy with the film’s color scheme found in costumes, Bud’s simple make-up design and the teen’s favored burger joint popping nicely.  Discovered and predominately viewed during its VHS era, Bud devotees will be overly pleased with its new life on high-definition.  Supplied with a DTS-HD Master Audio 2.0 mix, dialogue is satisfyingly captured with ease while, Emmy Award winning Composer Nicholas Pike’s (Graveyard Shift, Critters 2) score of synth and rock queues see noticeable rises on the track.  

    Graced with rewarding supplements as part of the Vestron Video Collector’s Series, extras include, an Audio Commentary with Director David Irving, moderated by Michael Felsher of Red Shirt Pictures, Bud Speaks! with Gerrit Graham (16:18) where the actor reflects on how he never imagined his career to be so permeated by horror/cult credits, his improvisational background, the freedom of having no dialogue in the film and his embracement of the role’s physicality.  Furthermore, Katie’s Kalamity with Tricia Leigh Fisher (12:45) catches up with the actress today as she recalls many laughs shared onset with her costars Robbins and Calvert, praise for Graham’s campy performance and a humorous story during the shoot when a day trip to a local amusement park resulted in countless messages being left on her answering machine ordering her to the set.  Finally, This C.H.U.D.’s For You! with Allan Apone (14:44) hosts the special effects artist as he discusses the experimental freedom working on horror films in the 80s while, a Video Trailer (1:47) and Still Gallery (6:20) round out the bonus features.

    A comedic changeup that substitutes the humanoid monsters from New York for razor-toothed zombies with three science failing high schoolers tasked to clean up the mess, C.H.U.D. II: Bud the Chud is built for absurdity and generally wets the appetite of bad movie appreciators.  Making its high-definition debut alongside the timely release of its 1984 original, the Vestron Video Collector’s Series continues to spread the genre love high and low with its treatment of this bottom-dwelling sequel sure to make most stiffs wiggle with glee.

    RATING: 3.5/5

    Available November 22nd from Lionsgate, C.H.U.D. II: Bud the Chud can be purchased via, and other fine retailers.

  • Assault on New Releases #11 - Halloween Edition: Count Dracula's Great Love (1973), Child's Play (1988) Collector's Edition, Burial Ground (1980), Waxwork (1988) / Waxwork II: Lost in Time (1991) & Lady in White (1988) Blu-ray Reviews

    Count Dracula’s Great Love (1973)

    Director: Javier Aguirre

    Starring: Paul Naschy, Rosanna Yanni, Haydée Politoff, Mirta Miller, Ingrid Garbo, Álvaro de Luna de Luma & José Manuel Martin

    Released by: Vinegar Syndrome

    Reviewed by Mike Kenny

    Starring Spain’s premiere horror star Paul Naschy (Night of the Werewolf), Count Dracula’s Great Love finds a carriage of travelers derailed and kindly taken in by the handsome Dr. Marlow (Naschy).  Secretly harboring his true identity as the Prince of Darkness, Marlow stalks and seduces his way to the necks of his gorgeous guests, transforming them into bloodthirsty slaves while, shy virginal Karen (Haydée Politoff, Queens of Evil) becomes the apple of his eye and essential to his much grander plan.  Boasting gothic ambiance, full moons and eroticism, Javier Aguirre (Hunchback of the Morgue) directs with elegance in this atmospheric tale that presents a memorable interpretation of Dracula who is quick to whip and axe his victims as commonly as sink his fangs into them.  Weaving a narrative of originality and rich complexity, Count Dracula’s Great Love remains effective for Naschy’s understated performance and the film’s blood ritual used to resurrect Dracula’s deceased daughter, concluding in lovesick tragedy.

    Beautifully scanned and restored in 2K from the 35mm internegative, Vinegar Syndrome presents Count Dracula’s Great Love with a 1080p transfer, sporting a 1.85:1 aspect ratio.  While minor intrusions from scratches and cigarette burns are evident, the Spanish feature has never looked better.  Bringing vibrant life to skin tones and the colorful costume choices of its actresses, detail is crisp preserving the fog-entranced tone while, black levels seen in Count Dracula’s cape, casket and dark dwellings are exceptionally inky.  Equipped with a DTS-HD Master Audio 2.0 mix, the film’s English dub track may register t’s and s sounds too sharply but, overwhelmingly exudes clean and audible dialogue levels while, cracks and pop are minimal and of little to no notice.  Presenting both its uncut U.S. edition and its original Spanish language version, viewers are informed that the latter, lacking proper elements from its licensor (and missing shots due to content that are only found in its English counterpart), is presented from lesser quality video sources and a Dolby Digital 2.0 mix in order to appreciatively appease fans yearning for both cuts.  Meanwhile, special features include, a never before released Audio Commentary with Director Javier Aguirre & Actor Paul Naschy featuring optional subtitles in both English and Spanish plus, a newly captured Video Interview with Actress Mirta Miller (8:22) with optional English subtitles.  Furthermore, the U.S. Theatrical Trailer (3:04), a Still Gallery (2:16) and a 6-page booklet featuring an informative essay from Mirek Lipinski are also included alongside a DVD edition of the release and Reversible Cover Art.  Fans of horror’s more gothic and erotic outings will take pleasure sinking their fangs into this significant Spanish offering, splendidly brought to high-definition by Vinegar Syndrome for the first time ever!

    RATING: 4/5

    Available now from Vinegar Syndrome, Count Dracula’s Great Love can be purchased via, and other fine retailers.

    Child’s Play (1988)

    Director: Tom Holland

    Starring: Catherine Hicks, Chris Sarandon, Alex Vincent & Brad Dourif

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Instilling a new titan for modern horror and ushering in a frightening franchise of sequels each varying in quality, the original Child’s Play still reigns as the most effective and chilling of Chucky’s many chapters.  When innocent six-year-old Andy Barclay (Alex Vincent, Wait Until Spring, Bandini) is presented with a Good Guy doll on his birthday, strange occurrences and the death of his babysitter raise questions of responsibility in their wake.  Unsuccessfully convincing his single mother and a homicide detective that his doll is alive and behind the recent string of murders, Andy finds himself pursued by the tiny terror in order to take over his soul.  Before the bodycount pictures its later entries would become with the foul-mouthed killer serving as their marketing mascot, Child’s Play’s less is more approach keeps viewers questioning the validity of Andy’s claims more so than blindly assuming his doll is truly possessed.  Wrapped in mystery and edge of your seat suspense with an oftentimes forgotten voodoo subplot, Child’s Play holds up strongly with a believable blend of special effects wizardry, an urban Chicago setting and top-notch performances with Dourif’s shrieking voice as the crazed Chucky leaving an indelible mark on the nightmares of viewers for years to come.

    Newly scanned in 2K from the interpositive, Scream Factory presents Child’s Play with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Casting a darker yet, more natural appearance during nighttime sequences, skin tones are accurate and nicely detailed while, colors found in Chucky’s red-striped and denim attire along with the neon-lit signage of the toy store in the film’s opening pop well.  Scuffs and other blemishes appear to be absent while, softness during daytime exteriors and inside the Barclay’s apartment look similar to its previous release.  Admittedly modest in its improvements, Scream Factory’s latest stab at Child’s Play unquestionably ranks as its best looking.  Equipped with a DTS-HD Master Audio 5.1 mix that projects solid dialogue and booming displays of authority during thunderstorms and Joe Renzetti’s (Poltergeist III) creepy score, sound quality is superior.  In addition, an optional DTS-HD Master Audio 2.0 mix has also been included.  Impressively packed with new and old offerings, Disc 1 features a new Audio Commentary with Director Tom Holland plus, a repurposed Audio Commentary with Actors Alex Vincent, Catherine Hicks & “Chucky” Designer Kevin Yagher.  Furthermore, another vintage Audio Commentary with Producer David Kirschner & Screenwriter Don Mancini along with hilarious Chucky Commentaries on select scenes are also included.

    Kicking off Disc 2, Behind-the-Scenes Special Effects Footage (1:00:08), Howard Berger: Your Special Effects Friend ‘Till the End (40:53) and Life Behind the Mask: Being Chucky with Ed Gale (40:02) comprise the release’s newest and highly fascinating featurettes while, Evil Comes in Small Packages (24:49), Chucky: Building a Nightmare (10:05), A Monster Convention (5:26), Introducing Chucky: The Making of Child’s Play (6:15) and a Vintage Featurette (4:54) from MGM’s previous release are ported over.  In addition, a TV Spot (0:17), Theatrical Trailer (2:02), a Behind-the-Scenes Photo Gallery (37 in total), a Posters & Lobby Cards Photo Gallery (20 in total) and Reversible Cover Art featuring the original 1-sheet poster conclude the all encompassing slate of extras.  A frightening sophomore followup from Director Tom Holland (Fright Night), Child’s Play maintains its reputation as one of the better supernatural slashers of the 80s while, Scream Factory’s Collector’s Edition, sprawling with bounds of extras, is nothing short of a gift from the mighty Damballa himself.

    RATING: 4.5/5

    Available now from Scream Factory, Child’s Play can be purchased via, and other fine retailers.

    Burial Ground (1980)

    Director: Andrea Bianchi

    Starring: Mariangela Giordano, Karin Well, Gianluigi Chirizzi, Peter Bark & Roberto Caporali

    Released by: Severin Films

    Reviewed by Mike Kenny

    Presented under its alternate The Nights of Terror title, Burial Ground hosts a smorgasbord of guts and bloody depravity when a country getaway for several couples quickly turns into a fight for their lives against reanimated corpses.  Preoccupied with their own sexual appetite when a scientist’s tinkering with evil forces unleashes hell’s hungriest zombies, the couples struggle to defend themselves while keeping the rotting forces from gaining entry into the mansion.  A wall-to-wall bonkers example of Italian exploitation at its finest, Burial Ground’s plot may be paper thin but, graciously overcompensates with gallons of gore and some of the genre’s most memorable zombie designs befit with gaping facial holes, horrific skeletal features and squirming maggots oozing from their pores.  Weaponizing themselves with pickaxes, scythes and other garden tools, the ravenous undead decapitate the help and repeatedly feast on the torn out organs of their prey.  Perhaps even more memorable than the zombie’s persistent attacks, Burial Ground’s bizarro meter soars when Michael (Peter Bark, Arrivano i gatti), the peculiar-looking son of Karen, grows oddly attracted to his mother and makes an incestuous pass at her in the heat of zombiepalooza.  With options running low and escape unlikely, nothing can prepare viewers for Burial Ground’s absurd mouthful of a finale that draws its line in the sand as one of the great “what the…” moments of splatter cinema.

    Gorgeously restored in 2K from pristine elements, Severin Films presents Burial Ground with a 1080p transfer, sporting a 1.66:1 aspect ratio.  True to its description, this newly struck scan is leaps and bounds superior to past releases with a blemish-free appearance, strong facial tones and impressive detail bringing out the intricacies of the many zombie makeup designs and their intendedly heinous features.  Furthermore, the film’s plethora of blood pops loudly while, black levels, even during the film’s more dimly lit sequences, are effectively inky, allowing viewers to fully appreciate all that is occurring.  Definitive as can be, Severin Films deserves the utmost praise for their esteemed handling of this Italian gorefest.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is perfectly audible throughout without any static or pops detected.  In addition, a separate Dolby Digital 2.0 Italian mix is included with optional English subtitles.  Bonus offerings include, Villa Parisi - Legacy of Terror (15:47) where Movie Historian Fabio Melelli revisits the filming locations that date back to the 17th century and have been utilized by Italian film productions beginning in the 1960s through the present.  Meanwhile, Peter Still Lives: Festival Q&A with Actor Peter Bark (7:35), Just for the Money: Interview with Actor Simone Mattioli (8:57) and The Smell of Death: Interviews with Producer Gabriele Crisanti & Actress Mariangela Giordano (9:20) are joined by Deleted/Extended Scenes/Shots (10:24), the Theatrical Trailer (3:31) and Reversible Cover Art.  Lastly, limited to the first 3,000 units, an exclusive slipcover featuring new artwork by Wes Benscoter is also included.  Riding high on a profoundly successful 2016, Severin Films continues to spoil exploitation enthusiasts with their treatment of Burial Ground, so definitive that the opening of hell’s gates can be the only justification for quality of this caliber.

    RATING: 4/5

    Available now from Severin Films, Burial Ground can be purchased via, and other fine retailers.

    Waxwork (1988) / Waxwork II: Lost in Time (1991)

    Director: Anthony Hickox

    Starring: Zach Galligan, Deborah Foreman, Michelle Johnson, Dana Ashbrook, Michah Grant, Eric Brown, Clare Carey, Patrick Macnee & David Warner / Zach Galligan, Monkia Schnarre, Alexander Godunov, Martin Kemp & Bruce Campbell 

    Released by: Lionsgate

    Reviewed by Mike Kenny

    Melding the humorously wacky with the horrific, Waxwork finds a group of collegiate friends who stumble upon a mysterious wax museum displaying the most vile monsters, madmen and psychos albeit without victims.  Before long, their innocent tour lures them into its dark magic to become permanent members of the establishments morbid offerings.  Starring Zach Galligan (Gremlins) and Deborah Foreman (Valley Girl) with appearances from distinguished Englishmen and talented thespians Patrick Macnee (The Avengers) and David Warner (Tron) as the villainous museum owner, Waxwork’s greatest strength lies in its animated displays that honor the classic monsters of yesteryear and submerging would-be victims into their appropriately themed worlds.  Transforming into mini films within a film, the high maintenance China (Michelle Johnson, Death Becomes Her) finds herself immersed within Count Dracula’s gothic castle and forced to duel against his bloodthirsty brides while, the chain-smoking Tony (Dana Ashbrook, Twin Peaks) stumbles into the full moon lit backwoods where the beastly Wolfman (John-Rhys Davies, Raiders of the Lost Ark) hunts.  While the rather busy narrative throws touches of black magic, evil trinkets, freakish butlers and interdimensional realms to the forefront that occasionally scatterbrains the proceedings, Waxwork’s free-for-all conclusion pitting the likes of Marquis de Sade and zombies against the privileged Mark (Galligan) and his wheelchair-bound godfather right the ship in this clever sendup of classic chills under the guise of 80s video age eye-candy.

    Surviving the fiery events of the original film, Mark and Sarah (replaced by Monkia Schnarre, The Peacekeeper) return in Waxwork II: Lost in Time when a resilient zombie hand from the wax museum murders Sarah’s stepfather, pinning the blame on her.  Determined to prove her innocence, the two recover a magical compass enabling them to time travel through dimensions in order to gather the proper evidence to clear Sarah’s name.  Far more fantasy based than its predecessor with the characters winding up in medieval times to combat a black magic wielding sorcerer, Waxwork II: Lost in Time, using Lewis Carrol’s Through the Looking-Glass as a loose template, makes greater use of hilariously parodying genre films than properly traveling through historical events.  Making stops at Victor Frankenstein’s laboratory and the streets of London during Jack the Ripper’s reign of terror, Alien, The Haunting and Godzilla among other films all find their way cheekily homaged in this more refined sequel.  Graced with brief roles from B-movie legends Bruce Campbell (Evil Dead) and David Carradine (Death Race 2000), Waxwork II: Lost in Time widens its universe even more so, delivering a followup with more comedic oomph that surprisingly exceeds its originator by a narrow margin.

    Digitally restored, Lionsgate, under their Vestron Video Collector’s Series imprint, presents both Waxwork and Waxwork II: Lost in Time with 1080p transfers, sporting 1.85:1 aspect ratios.  Bearing generally clean appearances with scant scratches and slight speckling during darker sequences, colors pop effectively with skin tones reading nicely although, softness is not wholly uncommon or overly unpleasant.  Furthermore, its sequel noticeably improves during its extended black and white sequences mocking The Haunting that shine more sharply than the first film.  Respectable upgrades on both features will leave the overwhelming majority of fans more than pleased with the results.  Equipped with DTS-HD Master Audio 2.0 mixes, dialogue is admirably conveyed while occasional moments during the first film find character lines at odds with other dominating sound factors.  Otherwise making solid use of their respective musical scores, both tracks strongly live up to expectations.  

    Providing each film on their own Blu-ray disc, special features on Waxwork’s Disc 1 include, an Audio Commentary with Director Anthony Hickox & Actor Zach Galligan and an Isolated Score & Audio Interview with Composer Roger Bellon.  Additionally, The Waxwork Chronicles (1:22:17), another first-rate Red Shirt Pictures production divided into six parts, explores the development and making of both films with newly captured interviews from Writer/Director Anthony Hickox, Editor Christopher Cibelli, Producer Staffon Ahrenberg, Special Make-Up Effects Supervisor Bob Keen, Actors Zach Galligan, Monika Schnarre and many others covering everything Waxwork related fans would ever want to know.  Also included, a vintage The Making of Waxwork (24:06) featurette, the Theatrical Trailer (2:02) and a Still Gallery (7:55) conclude the disc’s helpings.  Next up, Waxwork II: Lost in Time’s Disc 2 opens with another Audio Commentary with Director Anthony Hickox & Actor Zach Galligan, an Isolated Score & Audio Interview with Composer Steve Schiff, a Music Video (3:50), Theatrical Trailer (3:03), Still Gallery (7:17) and a Reversible Cover Art capping off the double feature’s supplemental package.  Nostalgia will surely ring loudly for viewers raised on both Waxwork features during the heyday of video rental.  A clever and unique injection of horror and comedy during the slasher prominent decade, both films, with its 1991 sequel having a slight advantage, are enjoyable excursions into silliness that have been passionately peppered with ample bonus features to continue making the legacy of Vestron Pictures proud.

    RATING: 3.5/5

    Available now from Lionsgate, Waxwork / Waxwork II: Lost in Time can be purchased via, and other fine retailers.

    Lady in White (1988)

    Director: Frank LaLoggia

    Starring: Lukas Haas, Len Cariou, Alex Rocco & Katherine Helmond

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Set in the wholesome suburb of Willowpoint Falls circa 1962, Lady in White centers on monster kid Frankie Scarlatti (Lukas Haas, Mars Attacks!) who narrowly escapes death at the hands of a mysterious child murderer.  Aided by the first victim’s ghost, Frankie vows to bring the elusive killer to justice who may be closer than he knows.  Capturing the virtually lost magic of small-town Americana and shot on location in the picturesque region of Upstate New York, Lady in White weaves its atmospheric tale of local legends, ghosts and cold-blooded murder with expert direction and grounded performances that shine with pure naturalism.  Following Frankie’s supernatural encounter, the neighborhood myth of the lady in white searching for her fallen child ties into the picture’s larger story with the very real threat of her assailant still at large injecting a genuine undercurrent of thrills.  Reminiscent of Stephen King’s best coming of age fables, Lady in White’s acute capturing of simpler times while, injecting deeply rooted themes of family, facing fears and discrimination come from a creative voice of passion and experience that Writer/Director Frank LaLoggia (Fear No Evil) conveys in earnest.  An underrated masterwork with an innate connection to the heart and mystery of childhood, Lady in White remains as riveting as ever, eclipsing its reputation as one of the finest ghost stories of its kind.

    Debuting on high-definition with 2 Discs featuring the Director’s Cut (1:57:49, Disc 1), Theatrical Version (1:53:34, Disc 2) and the preferred Extended Director’s Cut (2:06:52, Disc 2), Scream Factory presents Lady in White with 1080p transfers, sporting 1.85:1 aspect ratios.  Utilizing the film’s interpositive and an archived film print to assemble the never-before-released lengthier director’s cut, the inherently soft photography is perfectly maintained while, fall leaves and seasonally appropriate greenery are lively looking.  Seamlessly blending its two elements for a first-rate restoration, the director’s intended cut looks excellent whereas the film’s alternate versions are of equal merit.  Equipped with a DTS-HD Master Audio 5.1 mix that forewarns hiss and pops that are hardly noticeable on its extended version, dialogue is never inaudible with the subtle ambiance of howling winds and crashing waves complimenting the proceedings nicely while, the film’s beautiful music selections, handled also by its Writer/Director, perform most effectively.  In addition an optional DTS-HD Master Audio 2.0 mix has also been included.  However unfortunate that no new supplements were produced for the release, vintage bonus features found entirely on Disc 1 include, an Introduction with Frank LaLoggia (0:46), an Audio Commentary with Writer/Director Frank LaLoggia (Director’s Cut only), Behind-the-Scenes Footage with Introduction by Frank LaLoggia (16:21) and optional commentary from its creator.  Furthermore, Deleted Scenes with Introduction by Frank LaLoggia (36:13) and optional commentary, a Promotional Short Film (7:18), the Theatrical Trailer (1:57), Alternate Trailers (7:10), TV Spots (1:34), Radio Spots (2:21), a Behind-the-Scenes Photo Montage (28 in total) and an Extended Photo Gallery (21 in total) wrap up the on-disc extras while, a Reversible Cover Art is also included.  An evocative coming of age chiller ripe for rediscovery and annual viewing, Lady in White is a prime ghostly offering for the Halloween season that stands out for its relatable themes and haunting narrative worthy of the deepest respect.  

    RATING: 4.5/5

    Available now from Scream Factory, Lady in White can be purchased via, and other fine retailers.


  • Joshy (2016) Blu-ray Review

    Joshy (2016)

    Director: Jeff Baena

    Starring: Thomas Middleditch, Adam Pally, Alex Ross Perry, Nick Kroll, Brett Gelman & Jenny Slate

    Released by: Lionsgate 

    Reviewed by Mike Kenny

    Turning tragedy into much needed male bonding, Joshy stars Thomas Middleditch (Silicon Valley) as a former groom to be who, along with a few friends, turn his intended bachelor party into a weekend of debauchery and emotional awakenings in this indie dramedy.  Adam Pally (The Mindy Project), Alex Ross Perry (Happy Life), Nick Kroll (Dinner for Schmucks), Brett Gelman (30 Minutes or Less) and Jenny Slate (Bob’s Burgers) costar.

    Coping with the sudden loss of his fiancé, a tight knit group of friends follow through with a pre-planned bachelor party weekend to drown out the sorrows of their grieving pal only to slowly unveil their own personal dilemmas.  Retreating to the picturesque region of Ojai, California, Joshy brings together several thirty somethings as they initially choose to ignore the purple elephant in the room while, substituting the obvious with forced smiles, alcohol and ample doses of drugs.  As the pain of their own problematic relationships and internal guilt mounts, the friends soon realize that the bromantic bond between them is essential to their ability to face life again.  Mostly improvised, Joshy captures the surreal predicament of losing a loved one and its emotionally draining aftermath with a wildly comedic cast that effortlessly balances both pain and hilarity, much like the best of life’s friends.  Excellently cast, Thomas Middleditch leads the film with introverted complexity and lovable awkwardness while, his drunken brethren, namely Adam Pally as the curly-haired Ari whose flirtatious nature with the local Jodi (Slate) complicates his own situation, offer wonderfully natural and unpretentious performances with heart.  Featuring minor appearances from Jake Johnson (Jurassic World), Aubrey Plaza (Parks and Recreation) and Alison Brie (Community), Joshy may conclude with abrupt open-endedness regarding the character’s emotional state yet, the indie effort crafts a sincere and heartwarming example of male friendship worth celebrating.  

    Lionsgate presents Joshy with a 1080p transfer, sporting a 2.40:1 aspect ratio.  Shot digitally, the film shines most notably during sunny outdoor sequences where the depth of the idyllic location is spotlighted.  Furthermore, skin tones are crisp and exacting while, the majority of the film appears rather bland and occasionally soft.  More than sufficient for the character-driven drama it is, Joshy makes a serviceable bow on high-definition.  Equipped with a DTS-HD Master Audio 5.1 mix that thrives on its strong dialogue levels, the track has little else that stands out as particularly noteworthy but, plays well to its strengths.  Limited in its offerings, special features include, an Audio Commentary with Writer/Director Jeff Baena, Producer/Actor Adam Pally & Actor Thomas Middleditch.  In addition, an Also From Lionsgate (9:05) section offers trailers for Dirty Grandpa, Casual, Life After Beth, Sundown and Natural Born Pranksters with a Digital HD Code concluding the scant special features.  

    While its characters may not be fully developed and its conclusion leaving more to be desired, the realness of their personalities and the film’s central theme of friendship coping with grief make Joshy a worthy standout.  Featuring emotional and comically charged performances from its cast, the indie effort stands in as a solid drinking buddy to drown tears in and have a laugh with.  Meanwhile, Lionsgate brings the Sundance selected feature to high-def with satisfactory, if not, uneventful technical grades.

    RATING: 4/5

    Available now from Lionsgate, Joshy can be purchased via, and other fine retailers.

  • Blood Diner (1987) Blu-ray Review

    Blood Diner (1987)

    Director: Jackie Kong

    Starring: Rick Burks, Carl Crew, LaNette La France, Roger Dauer, Max Morris & Drew Godderis

    Released by: Lionsgate

    Reviewed by Mike Kenny

    Serving up a goofy helping of gore, Lionsgate’s Vestron Video Collector’s Series welcomes Blood Diner to the menu!  When brainwashed brothers Michael (Rich Burks, The Under Achievers) and George (Carl Crew, The Secret Life: Jeffrey Dahmer) Tutman are ordered by their deceased uncle to resurrect the goddess Sheetar, the duo use their successful restaurant to lure scandalous women for their body parts and to sacrifice a pure virgin to complete their black magic ritual.

    Originally intended to be a sequel to Herschell Gordon Lewis’s Blood Feast, the Jackie Kong (Night Patrol) helmed cannibalistic comedy throws everything but an ounce of seriousness into its buffet of blood and over the top absurdity.  20 years after witnessing the death of their serial killing uncle, brothers Michael and George Tutman loyally dig up his remains and have the eyes and brain of Uncle Anwar guide them on their mission to resurrect the powerful Egyptian goddess Sheetar.  Serving the local community with their restaurant’s popular healthy food options containing secret ingredients sure to make the masses barf, Michael and George are ordered to collect multiple body parts from promiscuous female prospects and most importantly, locate a virgin to be presented to the mighty Sheetar during the aptly named blood buffet ceremony.  As butchered bodies begin turning up all over the city, Detectives Mark Shepard (Roger Dauer, My Lovely Monster) and Sheba Jackson (LaNette La France in her only film credit) seek to bring the criminal minds to justice.  

    Boasting unbelievably silly performances, ridiculous dialogue and cartoonish levels of blood splattering violence, Blood Diner had routinely earned the reputation as a “bad movie” and remarkably found itself banned in several countries for its extreme content.  While its low-budget limitations and amateurish nature is evident, Blood Diner remains buckets of gooey fun that commits to its comedic sensibilities and never lets up.  Tonally bizarre with a bevy of personalities ranging from punkers and rockabilly boppers to greasers and Hitler lookalikes, the VHS cult favorite keeps viewers head-scratchingly rocking along to its uniquely selected soundtrack of 50s doo-wop tunes incorporating an added dimension of oddness.  Mixing independent wrestling, nude aerobics and a rock club finale that turns patrons into green, poorly face-painted flesh eaters to the already insane festivities, the highly unusual blend of wackiness and trashiness make Blood Diner an entertaining, freaky feature like few others.

    Newly remastered from the film’s original vault materials, Lionsgate presents Blood Diner fully uncut with a 1080p transfer, sporting 1.85:1 aspect ratio.  Noticeably cleaned up with no troublesome signs of dirt or scratches, the cheaply made feature casts a softer appearance that maintains skin tones nicely while, enriching the bright red, bloody offerings rampant throughout the film.  Furthermore, no digital scrubbing is apparent ensuring a naturally filmic presentation that honors appreciative black levels during the film’s final club sequence and strong details observed in makeup choices and Sheetar’s razor-toothed design work.  Much like the debut installment of the Vestron Video Collector’s Series, Blood Diner appears light years ahead of its grainy tape sourced predecessors.  Although moderately restrained in its projection, the DTS-HD Master Audio 2.0 mix supports audible levels of dialogue and caters to its doo-wop and rockabilly centered track selections nicely.  While the mix may not be wildly dynamic, sound quality is more than efficient.

    Loaded with a smorgasbord of bonus features including, an Audio Commentary with Director Jackie Kong and the top-notch retrospective Killer Cuisine: The Making of Blood Diner (1:04:31).  Produced by Red Shirt Pictures, this impressive five-part featurette hosts interviews with the rarely public Jackie Kong, Screenwriter Michael Sonye, Producer Jimmy Maslon, Creative Consultant Bill Osco and countless cast members covering the film’s origin, its lengthy writing process, the tragic passing of Star Rick Burks and the film’s ongoing appreciation by cult lovers.  In a career of crafting deeply researched retrospectives on B-movie favorites, Killer Cuisine ranks as one of Red Shirt Pictures’ best efforts.  Also included, an Archival Interview with Project Consultant Eric Caidin (8:01) recorded in 2009, Theatrical Trailers (4:49), TV Spots (1:34) and a Still Gallery (5:34).

    In only their sophomore outing, Lionsgate’s Vestron Video Collector’s Series keeps its high-caliber quality in tune for the unbelievable domestic high-def debut of Blood Diner.  As ridiculously loony and uproariously funny as remembered, Director Jackie Kong’s goofy gore show looks splendid and arrives with another wildly impressive serving of delectable extras to chomp into.  Available for a limited time, Blood Diner is one of the best, fully-loaded genre treats to land in dedicated fan’s collections this Halloween season or any other for that matter!

    RATING: 4/5

    Available September 27th from Lionsgate, Blood Diner can be purchased via, and other fine retailers.

  • Chopping Mall (1986) Blu-ray Review

    Chopping Mall (1986)

    Director: Jim Wynorski

    Starring: Kelli Maroney, Tony O’Dell, Russell Todd, Kattie Emerson, Barbara Crampton, Nick Segal, John Terlesky & Suzee Slater

    Released by: Lionsgate

    Reviewed by Mike Kenny

    Kicking off their anticipated Vestron Video Collector’s Series, Lionsgate proudly presents Chopping Mall.  Set in the Park Plaza Mall, Director Jim Wynorski’s (Deathstalker II, Not of This Earth) cult classic finds revolutionary security robots short circuiting and transforming into malfunctioning murderers with sights set on a group of trapped teenagers.  Fresh-faced talent and memorable cult stars including, Paul Bartel (Hollywood Boulevard), Mary Woronov (Rock ’n’ Roll High School), Dick Miller (Gremlins) and Gerrit Graham (Child’s Play 2) appear.

    Also known as Killbots, Chopping Mall turns a sex-filled evening of fun for eight teenagers into a hellish run-in with deadly droids where survival is tougher than a fair deal at the mall.  Shortly after being introduced as the Park Plaza Mall’s newest line of late night security, several bolts of lightning rattles the computer systems of the high-tech robotic protectors turning them into ruthless killers with polite manners.  Simultaneously, four horny couples plan to throw their own after hours party within a furniture storefront where booze and plenty of beds are on hand.  Exterminating several mall employees, the trio of metallic stalkers turn their attention to the scantily clad teens, leaving blood and destruction in their wake.  With escape impossible, the resourceful survivors must combat their enemies with makeshift traps and found weapons in order to see the next business day.  Centering its futuristic madness at the epicenter of every teen’s former recreational haven, Valley Girl meets Westworld in this Roger Corman produced cheapie that celebrates the bubbly blondes and yuppie horndogs of yesteryear whose trespassing earns them laser blast attacks and exploding heads.  Headlined by a youthful cast of thespians including, Kelli Maroney (Night of the Comet), Tony O’Dell (Head of the Class), Russell Todd (Friday the 13th Part 2), Barbara Crampton (Re-Animator) and others, Chopping Mall remains snappily brisk and endlessly fun keeping blood, breasts and bots in steady supply.  

    Self-promoting his own works with visible posters for Sorceress and The Lost Empire on display, Director/Co-Writer Jim Wynorski also honors mentor and producer Roger Corman with several nods including, a Little Shop of Pets storefront and Attack of the Crab Monsters promptly televised for the film’s necking couples.  Predominately shot on location at the Sherman Oaks Galleria in California’s San Fernando Valley, Chopping Mall keeps its action well-paced as the technological terrors utilize tasers and death grips against the dwindling youngsters with Maroney confidently defending herself with a crack shot and crafty ingenuity within a paint shop.  Released the same year as other offbeat, eventual cult favorites including, Night of the Creeps and TerrorVision, Chopping Mall endures as one of the era’s most gleefully silly and finely-tuned sci-fi sideshows that warmly ranks as one, if not, Wynorski’s finest directorial effort in a spectacularly diverse career spanning well over 100 features.

    Newly restored from the original negative materials, Lionsgate’s limited edition release of Chopping Mall arrives with a 1080p transfer, sporting a 1.85:1 aspect ratio.  With the exception of marginal debris and inherent vertical lines during its opening title sequence, the quality of the B-movie favorite is a revelation.  Boasting exceptionally healthy skin tones and crisp detail within background posters and the metallic intricacies of its killers, colors found in the vibrant wardrobe choices of the era pop wonderfully while, the purplish hues of robotic laser blasts satisfy equally.  Miles ahead of ratty-looking bootlegs and fullscreen video sourced editions, Chopping Mall preserves its filmic integrity to look better than ever before!  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is perfectly audible with bustling mall ambiance nicely balanced.  In addition, Chuck Cirino’s (The Return of Swamp Thing) synth/bass heavy score greatly impresses and effectively underscores the onscreen chaos while, the killbots’ fast-turning gears, gasoline explosions and shattering glass make appropriately sharp stakes on the track.  

    Bursting with supplements, an Audio Commentary with Director/Co-Writer Jim Wynorski, Actress Kelli Maroney & Co-Writer/2nd Unit Director Steve Mitchell is joined by a second Audio Commentary with Historians/Authors Nathaniel Thompson of Mondo Digital & Ryan Turek of Shock Till You Drop.  Furthermore, a third Audio Commentary with Director/Co-Writer Jim Wynorski & Co-Writer/2nd Unit Director Steve Mitchell, recorded in 2004, is also included.  With an Isolated Score Track by Chuck Cirino, Newly-crafted featurettes include, Back to the Mall: Interviews with the Victims and Makers (26:29) that explores the entire genesis of the film and its impact with interviews from Wynorski, Mitchell, Maroney, Todd, Crampton and countless others who look back on the experience with fond memories and deep appreciation to the fans who have kept it alive.  Chopping Chopping Mall: A Conversation with Editor Leslie Rosenthal (8:19), Talkin’ About… The Killbots with Robot Creator Robert Short (12:11), Scoring Chopping Mall: A Conversation with Composer Chuck Cirino (11:04) and The Robot Speaks!: Ten Questions with the Killbot (2:12) are also included that bring great insight to the many different behind-the-scenes contributions to the film.  Also included, The Lost Scene (3:01) finds Wynorski and Mitchell prefacing an additional scene with Bartel and Wornov that was never shot before sharing its script pages while, An Army of One: A Visit with Chopping Mall’s Biggest Fan: Carl Sampieri (6:01) who fortunately owns the only surviving bot from the film is also on hand.  Finally, a vintage Chopping Mall: Creating the Killbots (15:41) featurette is carried over with the film’s Trailer (0:50).

    Rooftop pleas by diehard fans have finally been answered with Lionsgate’s newfound commitment to honoring B-movie treasures.  Arguably their most requested title, Chopping Mall makes its far too long awaited Blu-ray debut with jaw-dropping clarity and sonically splendid sound.  Proudly living up to its Collector’s Series banner, hours of newly made bonus features will find killbot enthusiasts enjoyably spending overtime in the mall.  With fans more than eager to offer arms and legs to see Wynroski’s beloved cult classic enter the HD realm for years, Lionsgate’s Vestron Video line has made a laser-blasting debut essential to all genre lovers.

    RATING: 4.5/5

    Available September 27th from Lionsgate, Chopping Mall can be purchased via and other fine retailers.

  • Green Room (2015) Blu-ray Review

    Green Room (2015)

    Director: Jeremy Saulnier

    Starring: Anton Yelchin, Imogen Poots, Alia Shawkat, Joe Cole, Callum Turner & Patrick Stewart

    Released by: Lionsgate

    Reviewed by Mike Kenny

    After witnessing a brutal crime during a tour stop, Green Room finds a young punk rock band confronted with a squad of skinheads and their disciplined club owner (Patrick Stewart, X-Men) who now want them dead.  Fearing for their lives and grossly outnumbered, the band must face the unexpected war head on if they want to survive.  Anton Yelchin (Fright Night), Imogen Poots (Roadies), Alia Shawkat (Whip It), Joe Cole (Secret in Their Eyes) and Callum Turner (Victor Frankenstein) comprise the ensemble cast.

    In a headbanging mashup of genre blending, Green Room turns its amp up to 11 before violently beating it to a pulp, leaving viewers barely breathing by its conclusion.  Traveling the backroads of the Pacific Northwest playing rowdy dive bar gigs, punk band The Ain’t Rights find themselves on the outskirts of Portland to perform at a seedy skinhead joint where heads are shaved and hate is common.  After incensing the crowd before winning them over with their anarchic energy, the band is privy to a murder in the club’s green room making them immediate prisoners of the neo-Nazi ruffians.  Restrained to the cramped quarters while weighing out their limited options, the quartet, also joined by the victim’s friend (Poots), are caught between a rock and a hard place that will be deadlier than any mosh pit experienced before.  Following the arrival of the club’s wicked owner Darcy (Stewart) and his rampant orders to frame them, the punkers are forced to fight fire with fire when bassist Pat’s (Yelchin) wrist is gruesomely severed and they unearth a heroin operation in the basement of the backwoods bar.  Obtaining one handgun and using makeshift weapons, the frightened friends go primeval and face off against the brutes in a tidal wave of pulse-pounding violence ranging from a boxcutter disembowelment, pit bull jugular tears and face exploding shotgun blasts.  Aggressively tense, Green Room sets the stage for one of the great social class rivalries of all-time pitting punks against bootstrapped skinheads in a showdown to end all showdowns.  As hard-hitting as a Misfits verse, Writer/Director Jeremy Saulnier's (Blue Ruin) thriller packs a nasty punch with notable turns from Stewart and the recently deceased Yelchin in one of his final film roles that will blow viewers’ hair back, confirming the young star was merely warming up for a career that guaranteed even more hard-rocking greatness.

    Lionsgate presents Green Room with a 1080p transfer, bearing a 2.40:1 aspect ratio.  Cast in a constant siege of dark ambiance and dingy club lighting, black levels are exceptional allowing for details to be strongly observed within the graffiti laden walls of the film’s central location.  Meanwhile, skin tones are consistently accurate while colors read accordingly although their presence is never wholly eye-popping.  Clean as a whistle, the film arrives with no source damage or unwanted anomalies ensuring a most picturesque viewing experience.  Joined by a DTS-HD Master Audio 5.1 mix, dialogue is well-handled with only the exchanges between the punks and Darcy through a locked door being slightly muffled for understandable reasons.  Blowing the speakers away, the mix does an admirable job relaying the film’s hard-charging, bass heavy punk anthems while, shootouts and bone crushing sound effects make equally strong statements.  Special features include, an Audio Commentary with Writer/Director Jeremy Saulnier, Into the Pit: Making Green Room (9:58) is a typically brief EPK with insight from the film’s makers and cast plus, a firsthand look at the difficult weather conditions that equally plagued the production and helped encourage its tone.  Lastly, Trailers (10:45) for The Witch, The Lobster, Swiss Army Man, Room and Amy are also included alongside a Digital HD Code.

    Hypnotically hardcore, Green Room moshes its way to center stage to unload a brutal battle between punk rockers and homicidal Nazis.  Violent and breathtakingly suspenseful, Stewart delivers a chillingly cold turn as the gang’s Führer while, Yelchin offers fans a supremely badass farewell in one of his final swan song performances.  Meanwhile, Lionsgate’s high-definition treatment is virtually flawless making for a deservedly guitar-smashing viewing experience.  Earning itself the Audience Award at the Austin Fantastic Fest, Green Room is graphic thrills galore with a punk rock energy that will leave you certifiably whiplashed.

    RATING: 4/5

    Available July 12th from Lionsgate, Green Room can be purchased via and other fine retailers.

  • The Witch (2015) Blu-ray Review

    The Witch (2015)

    Director: Robert Eggers

    Starring: Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger & Lucas Dawson

    Released by: Lionsgate

    Reviewed by Mike Kenny

    Set in 17th century New England, The Witch finds a banished Puritan family building a new home for themselves in the peaceful wilderness only to unravel following the mysterious disappearance of their newborn child.  Further tested by the demise of their crops and other questionable occurrences, the family suspects a powerful evil has targeted them.  Marking the impressive directorial debut of Robert Eggers, The Witch is a bleak and occasionally unsettling folktale of a religiously dedicated family come undone by tragedy and accusations.  Hauntingly atmospheric and scripted with historically accurate dialogue, Eggers’ fever dream of rural witchcraft may be slow-building yet, its nightmarish imagery of an elderly witch bathing in the blood of an infant and a crow pecking away at a woman’s breast make for some of the film’s more unnervingly memorable moments.  With rewarding performances all around, newcomers Anya Taylor-Joy (Atlantis) appearing as the film’s oldest daughter Thomasin and Harvey Scrimshaw (Oranges and Sunshine) as her younger brother Caleb give especially strong deliveries, The Witch is at its best the deeper the devil divides the unfortunate family as hope for salivation becomes impossible.  Lushly photographed and booming with remarkable production design, The Witch occasionally suffers from a laborious pace but, demonstrates a bold achievement for Eggers and his keen attention to detail that will undoubtedly serve him well in future efforts.

    Lionsgate presents The Witch with a 1080p transfer, sporting a 1.66:1 aspect ratio.  Excellently preserved, skin tones are sharply detailed while the somber tones of overcast skies are handsomely demonstrated.  In addition, the earth shades found in the film’s setting and period based wardrobe display appreciative sense of textures and fibers with black levels appearing perfectly inky.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue is solidly audible, if not occasionally hard to understand due to the strong accents of the performers while Composer Mark Korven’s (Cube) frightening score makes powerfully effective declarations.  Special features include, an Audio Commentary with Writer/Director Robert Eggers, The Witch: A Primal Folktale (8:28) featuring interviews with Eggers and his cast, a Salem Panel Q&A with Cast and Crew (27:59) plus, a Design Gallery (17 in total).  Finally, Trailers (10:46) for Green Room, The Adderall Diaries, Mojave, Tusk and Ex Machina are included along with a Digital HD Code.  Weaving its own spell on viewers with its hyper realistic foundation and disturbing injections of horror, The Witch takes its time establishing its folktale, equally serving and harming its narrative.  Regardless of its carefully calculated narrative, The Witch is a marvelous directorial debut, ripe for multiple viewings to fully appreciate the capturing of its bygone period.  Furthermore, Lionsgate’s high-definition release excels in its technical areas while its assortment of special features are few yet offer a sizable amount of detail into the film’s making.

    RATING: 4/5

    Available May 17th from Lionsgate, The Witch can be purchased via and other fine retailers.

  • Maggie (2015) Blu-ray Review

    Maggie (2015)

    Director: Henry Hobson

    Starring: Arnold Schwarzenegger, Abigail Breslin, Joely Richardson & Douglas M. Griffin

    Released by: Lionsgate

    Reviewed by Mike Kenny

    Following the outbreak of a deadly epidemic responsible for turning victims into zombies, Maggie centers on infected teenager Maggie Vogel (Academy Award nominee Abigail Breslin, Little Miss Sunshine) as she copes with the effects of the incurable disease.  As her condition worsens, Maggie’s father Wade (Arnold Schwarzenegger, True Lies) vows to protect his daughter at all costs, risking his own safety in the process.  Joely Richardson (The Girl with the Dragon Tattoo) and Douglas M. Griffin (Dallas Buyers Club) co-star in Henry Hobson’s directorial debut.

    In contrast to many of the action-intense, zombie run amok pictures, Maggie quietly turns the increasingly popular subgenre on its head in this strikingly personal first effort from Director Henry Hobson.  Set in the desolate area of rural America months into a nation wide epidemic, an unknown virus is turning citizens into flesh eating zombies as the uninfected attempt to continue their existence.  When Maggie Vogel (Breslin) is bit wandering the city streets, her father Wade (Schwarzenegger) searches high and low for weeks only to finally discover his daughter with a fatal prognosis from medical officials.  Confronted with the reality that Maggie will slowly become a zombie over the coming weeks, Wade must weigh placing his daughter in horrifying quarantine or painfully take her life himself.  Maintaining his promise to his deceased wife and Maggie’s mother, Wade opposes the authorities and anyone else attempting to exterminate his daughter.  Equally heartbreaking and powerful, Maggie finds a weathered Schwarzenegger delivering an exceptional performance of little dialogue but, immense depth that ranks as one of the action hero’s finest efforts.  In addition, Abigail Breslin’s emotional turns and warm chemistry with Schwarzenegger propel the picture to soaring heights amidst its bleak tone.  Far less concerned with actual zombies taking over society, Maggie’s heart is firmly planted in the bond between a loving father and his daughter and the impact this deadly disease weighs on the family unit.  With its screenplay plucked from Hollywood’s favored Black List and produced for less than $5 million, Maggie is a tour de force for Schwarzenegger that demonstrates a range previously unseen by the Total Recall star.  While its generally downbeat aura may be too much for some viewers, Maggie remains an emotional rollercoaster with a satisfyingly somber conclusion that delivers one of the rawest tales of the human condition found within the genre.

    Presented with a 1080p transfer, sporting a 2.40:1 aspect ratio, Maggie appears with an intendedly cloudy picture, accentuating on the film’s somber tone.  With degraded colors and strong detail in facial closeups showcasing the aging wrinkles and greying beard of its star, sharpness may not always jump off the screen at every turn but, shines where it counts.  In addition, retaining the film’s consistent foggy look, black levels can appear less than desirable at certain turns but still satisfy.  Amidst its stylistic choices that fit its narrative, Maggie impresses on high-definition.  Joined by a DTS-HD Master Audio 5.1 mix, this character driven effort handles dialogue flawlessly with Composer David Wingo’s (Mud, Joe) score quietly making its brief appearances known without ever overwhelming the mix.  Special features include, an Audio Commentary with Director Henry Hobson, Making Maggie (18:14), Interviews with the Cast and Crew including, Director Henry Hobson (8:16), Writer John Scott 3 (6:34), Star/Co-Producer Arnold Schwarzenegger (19:48), Co-Star Abigail Breslin (7:19) and Co-Star Joely Richardson (8:10).  Plus, a Deleted Scene (2:15), Maggie Trailer (2:09), Also from Lionsgate (8:17) with promos for Beyond the Reach, The Forger, Reclaim and Dying of the Light and a Digital HD Code round out the supplements.

    Emotionally devastating and superbly acted, Maggie confronts a parent’s worst nightmare of their child in danger with few options at their disposal.  Contrary to its premise, this tale of the undead is virtually zombieless with its emphasis on the painful drama of its two leads and the tear-jerking bond that transpires.  While its repeat value may be limited due to its gloomy tone, Maggie is a powerful first effort from Director Henry Hobson that will leave a lasting impression on viewers.  Meanwhile, Lionsgate delivers the film with a technically rich presentation and a significant amount of special features with insight from its creators and talented cast members.  Unlike any zombie effort from recent years, Maggie casts a heartrending shadow over the commonly gory subgenre, awarding audiences with a deeply human tale.

    RATING: 4/5

    Available now from Lionsgate, Maggie can be purchased via, and other fine retailers.

  • Blu-ray/DVD Weekly Wrap-Up #15: Under the Skin, Last Man Standing, NYPD Blue & More!

    This week's installment of the Blu-ray/DVD Weekly Wrap-Up #15 includes:

    - Last Man Standing Season 1 & 2 (0:36)
    Street Date: May 13, 2014
    20th Century Fox:

    - NYPD Blue Season 6 (7:30)
    Street Date: June 24, 2014
    Shout! Factory:

    - Scavenger Killers (2013) (11:13)
    Street Date: July 1, 2014
    Midnight Releasing:

    - Under the Skin (2013) (17:39)
    Street Date: July 15, 2014

    - Invasion of the Scream Queens (1992) (25:19)
    Street Date: June 17, 2014
    Wild Eye Releasing:

    - Farewells/Sneak Peeks (30:25)

  • Blu-ray/DVD Weekly Wrap-Up #9: Grudge Match, Dead Shadows, Nurse 3D & More!

    This week's installment of the Blu-ray/DVD Weekly Wrap-Up #9 includes:

    - The Dick Van Dyke Show: Classic Mary Tyler Moore Episodes (0:36)
    Street Date: April 1, 2014
    Image Entertainment:

    - Grudge Match (2013) (4:44)
    Street Date: April 8, 2014
    Warner Bros.:

    - Dead Shadows (2012) (10:38)
    Street Date: April 29, 2014
    Scream Factory:

    - Nurse 3D (2013) (17:22)
    Street Date: April 8, 2014

    - Camp Dread (2014) (25:02)
    Street Date: April 15, 2014
    Image Entertainment:

    - Farewells/Sneak Peeks (32:55)

  • Blu-ray/DVD Weekly Wrap-Up #8: Power Rangers, The Swimmer, August: Osage County, Beneath & More!

    This week's installment of the Blu-ray/DVD Weekly Wrap-Up #8 includes:

    - Power Rangers Seasons 13-17 (0:44)
    Street Date: April 1, 2014
    Shout! Factory:

    - The Swimmer (1968) (10:52)
    Street Date: March 25, 2014
    Grindhouse Releasing:

    - No Holds Barred (1989) (18:24)
    Street Date: April 1, 2014
    Image Entertainment:

    - Beneath (2013) (24:23)
    Street Date: March 25, 2014
    Scream Factory:

    - August: Osage County (2013) (31:53)
    Street Date: April 8, 2014
    Anchor Bay Entertainment:

    - Little House on the Prairie Season One (37:47)
    Street Date: March 25, 2014

    - The Jungle Book 2 (2003) (44:38)
    Street Date: March 18, 2014

    - Winnie the Pooh: Springtime with Roo (2004) (50:19)
    Street Date: March 11, 2014

    - Dennis the Menace Volume One (55:51)
    Street Date: March 11, 2014
    Mill Creek Entertainment:

    - Farewells/Sneak Peeks (1:00:44)

  • Blu-ray/DVD Weekly Wrap-Up #2: Danny Phantom, Rewind This!, Robocop, Bullet in the Face and More!

    This week's installment of the Blu-ray/DVD Weekly Wrap-up #2 includes:

    - Bullet in the Face The Complete Series
    Street Date: January 21, 2014
    Shout! Factory:

    - Robocop (1987) Unrated Director's Cut
    Street Date: January 21, 2014

    - NYPD Blue Season 5
    Street Date: January 21, 2014
    Shout! Factory:

    - Danny Phantom The Complete Series
    Street Date: January 28, 2014
    Shout! Factory:

    - Rewind This! (2013)
    Street Date: January 14, 2014
    MPI Home Video:

    - Runner Runner (2013)
    Street Date: January 7, 2014
    20th Century Fox:

    - You're Next (2013)
    Street Date: January 14, 2014