The Candy Tangerine Man (1974) / Lady Cocoa (1975)
Director: Matt Cimber
Starring: John Daniels, Eli Haines, Tom Hankason, Marva Farmer, Richard Kennedy & George “Buck Flower” / Lola Falana, Gene Washington, Alex Dreier, Millie Perkins, “Mean” Joe Greene & James A. Watson, Jr.
Released by: Vinegar Syndrome
Reviewed by Mike Kenny
Featuring a double serving of blaxploitation favorites from Director Matt Cimber (The Black 6), The Candy Tangerine Man centers on cool as ice pimp known as The Baron (John Daniels, Black Shampoo). Hustling the mean streets of Los Angeles from the driver seat of his colorful Rolls Royce, Baron evades the authorities while, combatting local competition seeking to push the player out of the game. Next up, Lady Cocoa finds recently released prisoner Cocoa (Lola Falana, The Klansman) agreeing to testify against her criminal boyfriend only to discover the danger that awaits her on the outside.
Hailed by exploitation connoisseur Quentin Tarantino (Pulp Fiction, The Hateful Eight) and frequent collaborator Samuel L. Jackson, The Candy Tangerine Man brings hard-edged urban style and violence to the dangerous world of pimps and pushers. Doubling as smooth as silk procurer and loving husband/father Ron Lewis in a separate area code, the Black Baron oozes swag on the seedy blocks of Sunset Boulevard, monitoring his clientele of feisty broads from his vibrant head-turning ride. After selflessly winning a new trick during a game of pool to deter her from the life she’s chosen, Baron finds himself targeted by mafia kingpin Vincent Di Nunzio (Zenobia Wittacre, Black Lolita) and fellow, long-nailed pimp Dusty. Consistently hassled by a bumbling duo of coppers, Baron’s operation is uprooted when Di Nunzio’s flunkies savagely slice the breast of one of his women. Never one to retreat, Baron pushes back by introducing said flunkies’ hand to a garbage disposal and pumping other henchmen up with lead from his car’s installed machine guns. Acknowledging the heat on the street, Baron looks to leave his empire behind with a lucrative savings bond hustle only to be double-crossed by his once trustworthy bookkeeper forcing the fedora-wearing pimp to take back what’s rightfully his. Awesomely crediting the actual “hookers” and “blades” of Hollywood’s Sunset Strip, The Candy Tangerine Man spares no jive and supplies bounds of entertainment thanks to the untouchably badass performance of Daniels and his mic-dropping one liners. Further enhanced by generous doses of nudity, nostalgia-fueled footage of exotic clubs from yesteryear and a funky soundtrack provided by Smoke (later known as Blacksmoke), The Candy Tangerine Man may prove that pimpin’ ain’t easy but, its handsome handling of action and supafly attitude make it a sugar rush of blaxploitation bliss.
Shot on location in the gambling state of Nevada, Lady Cocoa promises a feature of revenge-fueled thrills that unfortunately never comes to pass. Released from prison in exchange to testify against her devious mobster beau, Cocoa is carted off to a slot machine filled hotel by Lieutenant Ramsey (Alex Dreier, Chandler) and patrolman Doug Fuller (Gene Washington, Black Gunn) before the crucial arraignment. Bossy and demanding of relaxing service during her limited stay, Cocoa, in an excruciatingly squeaky pitch, sprouts off random facts while, also insistent of a shopping spree and the opportunity to mingle and dance the night away with a fellow couple. Constantly butting heads before developing a flirtatious relationship, Cocoa and Doug get intimate as her criminal ex-lover Eddie (James A. Watson, Jr., The Organization) and his associates spy on with an intent to rub Cocoa out before she can utter a single word under oath. Before its final act that results in a maid getting mistakenly shot, a car chase through a hotel lobby and a corrupt character being exposed, Lady Cocoa is largely uneventful, dragging itself to a boat showdown between baddies and goodies after a prolonged period listening to Cocoa complain in the confines of a hotel room. Bland and monotonous, Lady Cocoa lands itself back in the slammer for such crimes.
Scanned and restored in 2K from 35mm archival prints, Vinegar Syndrome presents both The Candy Tangerine Man and Lady Cocoa with 1080p transfers, sporting 1.85:1 aspect ratios. With the destruction and disposal of their respective negatives, each film bears noticeable grindhouse battle wounds including, varying degrees of scuffs and scratches, vertical lines and moderate to excessive instances of red speckling. Although their conditions may be far from ideal with Lady Cocoa looking best, both features maintain filmic presentations and respectably rich colors with Baron’s bright fedoras and matching ties popping most nicely. Appreciatively working from the best available materials, Vinegar Syndrome have treated fans to the best home video presentations of these Cimber co-features, warts and all. Equipped with DTS-HD Master Audio 1.0 mixes, each film contains their fair share of cracks, pops and an instance or two of dropped audio yet, both features are sufficiently audible given the less than stellar state of their utilized elements. Featuring a Video Introduction by Director Matt Cimber (4:12) for The Candy Tangerine Man, additional special features include, an Audio Commentary with Director Matt Cimber & Director’s Assistant/Actor John Goff on Lady Cocoa, a DVD edition of the release and a Reversible Cover Art spotlighting Cimber’s 1975 co-feature.
From stylish pimps to whiny narcs, Vinegar Syndrome’s blaxploitation double bill from Director Matt Cimber provides viewers with uniquely suited urban tales shot during the glory decade of the 1970s. While The Candy Tangerine Man is wildly fun and ranks highly amongst other well-praised genre efforts, Lady Cocoa lacks the punch of its co-feature and disappoints in its sense of marketed thrills. Although ideal elements for both features no longer exist, Vinegar Syndrome have done their very best to ensure both films stay preserved and primed for consumption.