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Currently showing posts tagged Peter Bogdanovich

  • Suspicion (1941) Blu-ray Review

    Suspicion (1941)

    Director: Alfred Hitchcock

    Starring: Cary Grant, Joan Fontaine, Sir Cedric Hardwicke, Nigel Bruce & Dame May Whitty

    Released by: Warner Archive

    Reviewed by Mike Kenny

    From Master of Suspense Alfred Hitchcock (The Man Who Knew Too Much, Strangers on a Train), Suspicion stars Joan Fontaine (Rebecca) as bookish Lina McLaidlaw who’s swept off her feet by the dashing Johnnie Aysgarth (Cary Grant, North by Northwest).  Overwhelmed with affection and married hastily, Lina slowly learns the truths of her new husband’s dishonesty and potentially murderous agenda with the newlywed fearing she may be his next victim.  Sir Cedric Hardwicke (The Ten Commandments), Nigel Bruce (Limelight) and Dame May Whitty (Mrs. Miniver) co-star.

    Adapted from Anthony Berkeley’s (under the pseudonym Francis Illes) novel Before the Fact, Suspicion presents a romantically conceived tale, tensely elevated to soaring heights as a girl in love suspects her one and only is out for blood.  Playing against type, the charismatic Cary Grant slides his way into frame as the worry-free and financially irresponsible Johnnie Aysgarth whose good looks and fast talk only take him so far when shards of his true self are slowly revealed to his hopelessly in love new bride Lina (Fontaine).  Moving into a mammoth estate, Lina learns that not only is Johnnie jobless but gets by routinely borrowing large sums of money in order to gamble his way into actual fortunes that never last.  In order to put his wife’s worries at bay, Johnnie takes employment with his cousin as his loveably buffoonish buddy Beaky (Bruce) visits the couple and innocently informs Lina of Johnnie’s untruthful way with words.  Before long and without Johnnie’s knowledge, Lina learns of his job loss due to embezzlement of funds shortly before a family tragedy strikes.  While Lina grieves over the loss of her father, Johnnie grows frustrated at their dismal inheritance leading a real estate opportunity to bloom with Beaky.  As lies and deceit mount in the wake of yet another questionable death, Lina begins to suspect her husband will do anything to stay financially stable… even murder.

    Rightly earning Joan Fontaine an Academy Award for the only Hitchcock lensed performance to earn such an honor, Suspicion is gracefully directed with Grant and Fontaine’s irresistible love story warming viewers’ hearts.  While Johnnie consistently lies and increasing disappoints Lina, Grant’s wit and obvious infatuation with his onscreen wife make his wrongs forgivable.  Shifting its tone to a tensely orchestrated thriller, Johnnie’s obsession with mystery novels and untraceable poisons convinces Lina that her next glass of milk may be her last.  Rattled by nerves and a heart-pounding, high speed car sequence in its waning moments, Suspicion throws itself through the windshield with a wholly underwhelming conclusion that preaches the cons of wrongly suspecting others instead of delivering a gutsier conclusion found in its original source material.  While its ending may be uneventful, Suspicion captures a cocktail of effective atmosphere, sound performances from its leads and remains as technically polished as anything helmed by Hitchcock during this era.

    Presented in 1080p, screened in its 1.37:1 aspect ratio, Suspicion looks sumptuous with deep blacks and natural grain permeating its runtime.  While the lavish settings and intricacies of set pieces including, Lina’s heirloom chairs, appear nicely detailed, textures in costume choices and the film’s monochrome photography are beautifully communicated.  Accompanied with a DTS-HD Master Audio 2.0 mix, dialogue is wonderfully handled with any signs of crackling distortion absent.  With the exception of Franz Waxman’s (Stalag 17) evocatively simple score, the track is rather simple in its range but, handsomely treated.  Furthermore, special features include, Before the Fact: Suspicious Hitchcock (21:36) which offers a valuable critical analysis of the feature with insight from Author Bill Krohn, Film Historian Robert Osbourne, Filmmaker Peter Bogdanovich and others while, the film’s Theatrical Trailer (1:41) rounds out the supplements.

    In a particularly marvelous decade for the auteur, Alfred Hitchcock’s Suspicion, although suffering from a rather dull finale, ranks highly for its genre blending prowess and award winning turn by Fontaine.  Masterfully restored, Warner Archive treats another of cinema’s greats with the expected quality and care film enthusiasts have come to expect.  

    RATING: 4/5

    Available now from Warner Archive, Suspicion can be purchased via WBShop.com, Amazon.com and other fine retailers.

  • The Wrong Man (1956) Blu-ray Review

    The Wrong Man (1956)

    Director: Alfred Hitchcock

    Starring: Henry Fonda, Vera Miles & Anthony Quayle

    Released by: Warner Archive

    Reviewed by Mike Kenny

    From Master of Suspense Alfred Hitchcock (Strangers on a Train, Rear Window), The Wrong Man centers on blue-collar musician and loving family man Manny Balestrero (Henry Fonda, 12 Angry Men) who is wrongfully accused of robbery.  Emotionally distressed, Manny’s loving wife Rose (Vera Miles, The Searchers) begins losing her sanity while her suspected husband confronts a possible future behind bars.  

    Based on true events, Hitchcock’s influential docudrama is a harrowing depiction of themes commonly depicted in most of the auteurs work including, misidentification and authoritative fear.  Introducing the film in silhouette and barring himself from any distracting cameo appearances, Hitchcock’s final feature for Warner Bros. is composed with the utmost seriousness for its non-fictional source.  Struggling to make ends meet while, his wife requires dental work for the hefty sum of $300, Manny Balestrero (Fonda) seeks to take a loan out against his wife’s insurance policy only to be identified by several office workers as a multiple-offending robber.  Investigated by local detectives, Manny is questioned and whisked away to several businesses where he is accused once more for acts he did not commit.  After a tense interviewing process and a police conducted lineup, Manny is surreally charged and placed behind bars in what appears to be a living nightmare.  Miraculously making bail, Manny is reunited with his loving wife Rose (Miles) as they seek to clear his name by hiring noted attorney Frank O’Connor (Anthony Quayle, Lawrence of Arabia) to take his case.  Faced with the very real possibility of being found guilty, Manny and his wife push forward to establish several alibis before their grim reality takes an emotional tole on Rose forcing her to be hospitalized.  In what seems like impossible odds stacked against him, Manny’s entire livelihood hinges on the capture of his offending doppelgänger.

    Shot on location in New York City at many of the events actual locations including the now defunct Stork Club, The Wrong Man is intensely thrilling and shockingly potent for today’s society where the innocent are increasingly incarcerated under similar circumstances.  Bringing life to the city that never sleeps, Hitchcock’s on-site coverage welcomes an authenticity that highlights its smoke-filled alleyways and bustling energy that would permeate films to come.  Headlined by legendary talents, Henry Fonda and Vera Miles bring acute believability to their roles while, Miles’ emotional breakdown arguably overshadows her leading man at times.  Equally brilliant, the thespians give their all for achievements that rank highly amongst many of the greatest Hitchcock directed performances.  Tensely crafted and demonstrating the psychological strain an accusation places on the human spirit, The Wrong Man is unanimously found guilty of cinematic perfection.  

    Warner Archive presents The Wrong Man with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Gorgeously reproducing its monochrome photography, the film’s intended gritty appearance is left intact without sacrificing viewability with unfavorable levels of muddiness.  Furthermore, facial features are excellently detailed while, black levels are sound and inky with extremely fleeting instances of speckles spotted.  Beautifully handled, Warner Archive have done Hitch proud.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is strongly prioritized with no indication of hiss on hand.  In addition, the partying crowds at the Stork Club and Composer Bernard Herrmann’s (Citizen Kane, Vertigo) jazzy score make impressive statements.  Special features include, Guilt Trip: Hitchcock and The Wrong Man (20:19), this vintage retrospective offers insight on the film from Director Peter Bogdanovich (The Last Picture Show), Historians Robert Osborne & Richard Schickel, Art Director Paul Sylbert, Director Richard Franklin (Psycho II) and more.  Finally, the film’s Original Theatrical Trailer (2:35) is also included.

    Largely impacting Martin Scorsese’s Taxi Driver, The Wrong Man is a deeply gripping examination of being wrongfully accused, heightened by its chilling real world roots.  Henry Fonda and Vera Miles give outstanding turns in their respective roles while, Hitchcock’s own deep-rooted fear of authority accounts for the film’s effectively unsettling atmosphere.  Meanwhile, Warner Archive’s exemplary work continues, leaving another Hitchcock classic in a glorious state.

    RATING: 4/5

    Available now from Warner Archive, The Wrong Man can be purchased via WBShop.com,

    Amazon.com and other fine retailers.