Director: Ovidio G. Assonitis
Starring: Trish Everly, Michael Macrae, Dennis Robertson, Morgan Hart, Allison Biggers, Edith Ivey, Richard Baker & Jerry Fujikawa
Released by: Arrow Video
Reviewed by Mike Kenny
Infamously inducted as one of Britain’s prized “video nasties”, Madhouse centers on Julia Sullivan (Trish Everly in her only film role) who continues to try and block out the anguish her cruel twin sister Mary caused her growing up. Suffering from a disfiguring illness and still harboring disdain for her other half, Mary escapes from the hospital, hellbent on delivering Julia a bloody birthday she’ll never forget.
A peculiar blending of Italian hyper violence and America’s burgeoning slasher craze with a dash of gothic ambiance, Madhouse thrives on its uneasy tone that attempts to drown out its more questionable plot devices. Educator to young deaf students, Julia still maintains a fear of her hospitalized twin sister Mary who suffers from a deforming disease and responsible for wrecking havoc on Julia throughout childhood. Maintaining a close relationship with her loving uncle, Father James (Dennis Robertson, Dark Night of the Scarecrow), Julia seeks to make peace with her dying sister only to be met with frightening hostility. Exploding into full-blown terror when Mary escapes from her hospital confines, Julia’s approaching 25th birthday seems less likely to be met as supernatural suspicions, a bloodthirsty Rottweiler and a body count start to take shape. Shot in the suitably atmospheric region of Savannah, Georgia, Madhouse punctuates its proceedings with voyeuristic photography and a certifiably strange soundscape conducted by Riz Ortolani (Cannibal Holocaust, House on the Edge of the Park) to further its descent into darkness.
Charismatic and beautiful, Trish Everly holds the picture together with genuine fear and concern for her life reading clearly in her face and actions while, the supporting cast hams it up with generally over-the-top performances. A noble debut for Everly that would ultimately prove to be her last onscreen, the young actress seemed destined for a career as a future scream queen that was unfortunately not meant to be. Pulling no punches with its violence and never discriminating against adults or young deaf children as its prey, Madhouse’s Rottweiler attacks on the like surely and appreciatively earned its place in “video nasties” history with ravaged jugulars and torn hands on full display. While the film’s final showdown between Julia and her doctor boyfriend against the murderous culprits leave far more questions than answers concerning their motivations, Director Ovidio G. Assonitis (Beyond the Door) perhaps smartly bookends the horror-oddity with a quote to properly chase audiences head-scratching motions.
Scanned in 2K from the original 35mm camera negative, Arrow Video proudly presents Madhouse with a 1080p transfer, sporting its 2.35:1 aspect ratio. A wonderfully filmic-looking offering, grain is healthy and overwhelmingly satisfying to the eye while, skin tones remain natural and clean. Furthermore, the film’s gorier moments paint the screen red with eye popping boldness with black levels also appearing appreciatively deep. Equipped with a DTS-HD Master Audio 5.1 mix that registers dialogue crisply, the track also makes excellent use of Composer Riz Ortolani’s evocatively creepy score and usage of lullabies with no hiccups to speak of. An optional LPCM 2.0 mix has also been provided for your listening pleasure.
Bonus features include, an Audio Commentary with The Hysteria Continues, Running the Madhouse with Edith Ivey (12:40) finds the actress recalling her early days in radio and the transition all actors made moving onto television. Furthermore, Ivey also shares words about her appearance on The Howdy Doody Show, commentating for the Miss USA show for years before landing her role in Madhouse where the director wanted over-the-top performances from his cast. Framing Fear (19:32) catches up with Director of Photography Roberto D’Ettorre Piazzoli in this subtitled interview that traces everything from his first paid job on Arturo’s Island to his many works with Assonitis. Next up, Ovidio Nasty (7:44) chats with the film’s producer/director where he reveals the film’s direct influences to be The Hunchback of Notre Dame, The Cabinet of Dr. Caligari and The Shining. Assonitis also discusses the film’s alternate titles but prefers There Was a Little Girl and praises Savannah, Georgia as being the ideal gothic shooting location. Finally, Alternative Opening Titles (3:01), the Original Trailer (3:04), a 23-page booklet featuring liner notes by John Martin (available only in the release’s first printing), Reversible Cover Art and a DVD edition conclude the supplemental package.
An overlooked effort that samples different styles and subgenres, Madhouse is certifiably odd to the bone with a violent bite from Rottweilers and deformed nutcases alike. Although not one to provide all the answers by its conclusion, Director Ovidio G. Assonitis’ deranged sibling-slasher hybrid makes for a unique late night excursion through horror’s less traveled roads. In their expected fashion, Arrow Video brings the “video nasty” to high-definition with a striking 2K restoration and a modest spread of extras to further educate and enlighten the minds of horror enthusiasts.