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  • Tales from the Hood (1995) Collector's Edition Blu-ray Review

    Tales from the Hood (1995)

    Director: Rusty Cundieff

    Starring: Corbin Bersen, Rosalind Cash, Rusty Cundieff, David Alan Grier, Anthony Griffith, Wings Hauser, Paula Jai Parker, Joe Torry & Clarence Williams III

    Released by: Scream Factory

    Reviewed by Mike Kenny

    From Executive Producer Spike Lee (Do the Right Thing), Tales from the Hood unspools an anthology of urban frights set against the backdrop of inner city social issues as frightening as the monsters depicted in them.  Nightmares and reality are forever blurred when a trio of hoodlums retrieving a stash of missing drugs from an eerie mortician find themselves subjected to several tales from beyond the grave.

    Released in a dire genre year just ahead of Wes Craven’s postmodern slasher masterpiece rejuvenating audiences thirst, Tales from the Hood stands as one of the few crowning achievements from the lumpish decade that offers genuine frights with effectively delivered messages entwined in their narratives.  Seldom seen during the scatterbrained era but nonetheless serving as one of the best anthology efforts of its day, Tales from the Hood’s urban slant provides a chillingly fresh perspective on a proven formula with its commentary on issues such as, police brutality, domestic abuse and gang violence unfortunately still potent today.  Guiding his trigger-happy guests around his funeral home, Mr. Simms (Clarence Williams III, Mod Squad) weaves a web of ghoulish stories in accordance with their own ethnic environment.  When an African-American rookie cop watches on as a civil rights leader is attacked by corrupt officers, Rogue Cop Revelation finds his lack of action comes at a haunting price while, Boys Do Get Bruised finds a child’s fear of the monster in his closet foreshadowing the real-life domestic abuse he suffers and the power of his own imagination that puts an end to it in this Twilight Zone-esque episode.  Furthermore, KKK Comeuppance centers on former Klansman and running politician Duke Metger (Corbin Bernsen, L.A. Law) learning his former plantation homestead is overrun by vengeful slave dolls brought to life by stop-motion wizardry.  Lastly, gang violence, hate and a failed attempt to rehabilitate a murderous convict in Hard Core Convert strikes genuine fear into the hearts of viewers with its grizzly imagery of real-life lynchings.  While most films of its kind leave audiences cherry-picking their favorite segments, Tales from the Hood continuously tops itself throughout its duration with its seamless blending of terror and gritty, urban realism making it one of the most smartly conceived efforts of the 90s.

    Reportedly thought to have no workable prints to remaster from, Scream Factory comes through to deliver Tales from the Hood with a strong 1080p transfer, sporting a 1.85:1 aspect ratio.  Leaps and bounds better than its nearly decade-old discontinued DVD release, colors are striking while, skin tones are naturally pleasing with black levels, evident during the film’s overwhelming nighttime sequences, looking deeply inky with no intrusions of digital crush.  Scant speckling traces aside, the transfer is a remarkable sight that will leave fans yearning for a trip back to the hood more than pleased with the results.  Equipped with a DTS-HD Master Audio 2.0 mix that handles dialogue sharply and emphasizes its rap soundtrack authoritatively, an Alternate DTS-HD Master Audio 2.0 culled from the film’s LaserDisc release is also included for your listening pleasure.  Joining its place alongside other worthy Collector’s Edition releases, supplemental offerings include, a vintage Audio Commentary with Co-Writer/Director Rusty Cundieff also recycled from its LaserDisc release, the newly-produced and exceptionally well made Welcome to Hell: The Making of Tales from the Hood (56:13) featuring interviews from Cundieff, Co-Writer/Producer Darin Scott and several cast members, a Vintage Featurette (6:04), the Theatrical Trailer (1:41), TV Spots (3:26), a Photo Gallery (9:46) and Reversible Cover Art bearing the original 1-sheet.

    Retrieved from Universal’s vaults after rampant requests from fans, Tales from the Hood is an underrated gem from a decade largely considered in peril with few redeeming genre efforts.  A horrific journey of eerie episodes with much more on its mind than simply scaring its audiences, this socially conscious and wickedly fun frightfest is urban horror at its finest.  Bestowed with new luridly crafted artwork by Joel Robinson (The Vincent Price Collections), Scream Factory’s Collector’s Edition release brings the hood back to life with a sightly high-definition makeover and a quality serving of mostly vintage supplements while, its brand-new, nearly hour-long retrospective doc is the disc’s towering extra.  Gather round the casket and don’t be left out on the streets without this recommended anthology of nightmares!

    RATING: 4/5

    Available April 18th from Scream Factory, Tales from the Hood can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Firestarter (1984) Collector's Edition Blu-ray Review

    Firestarter (1984)

    Director: Mark L. Lester

    Starring: David Keith, Drew Barrymore, Freddie Jones, Heather Locklear, Martin Sheen, George C. Scott, Art Carney & Louise Fletcher

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Sandwiched between several other Stephen King adaptations from Producer Dino De Laurentiis (Cat’s Eye, Silver Bullet), Firestarter may have failed to ignite explosive box-office returns, yet stands as an above average retelling of the best-selling novel with a top-tier cast and spellbinding score lighting the way.  Shortly after partaking in a paid medical study, Andy McGee (David Keith, White of the Eye) and his future wife Vicky (Heather Locklear, T.J. Hooker) develop the unique abilities to read and overtake others’ minds.  Raising their young daughter Charlie (Drew Barrymore, E.T.: The Extra-Terrestrial) who has developed her own abilities to ignite fires and foresee future events, a secret government agency, known as The Shop, intent on capturing the child for their own weaponizing needs, murders Vicky, forcing the widowed Andy and Charlie to permanently outrun their seekers.  Relentless in their search, the head of The Shop, Captain Hollister (Martin Sheen, Apocalypse Now), hires the methodically unhinged Agent John Rainbird (George C. Scott, Patton) to retrieve the little girl with her destruction being his sole consolation.  Fighting tooth and nail to remain with her father at all odds, Charlie is eventually pushed to her boiling point and must rely on her repressed powers to fight back.  

    Featuring brief appearances from Art Carney (The Honeymooners) and Louise Fletcher (One Flew Over the Cuckoo’s Nest) as trustworthy old-timers, Firestarter is an affectionately faithful adaptation that rises above the genre-laden capabilities of its leads with their onscreen chemistry as father and daughter reflected best.  The film’s all-star cast from the fresh faced Barrymore to the Oscar winning Scott, in a deliciously underrated role, all bring their A-game while, Director Mark L. Lester’s (Class of 1984, Commando) graduation to studio pictures is a solid progression from his much loved drive-in fare.  Concluding with an inferno of effects-work akin to the finale of King’s debut novel, Firestarter is hardly the pinnacle of the Master of Horror’s cinematic responses, yet deserves more credit for its survivalist tale of struggle and Tangerine Dream’s (Thief, Legend) synth-inducing score that ranks amongst their best.

    Boasting a new 2K scan from the interpositive, Scream Factory presents Firestarter with a 1080p transfer, sporting a 2.35:1 aspect ratio.  Eviscerating Universal Studios’ previous and heavily DNRed transfer from 2014, the King adaptation maintains a gorgeously filmic appearance with vibrant greenery on display during exterior sequences while, the skin tones of all actors are natural and exceptionally detailed, making way for the crispest of clarity in observing Barrymore’s rolling tears and Keith’s delicate nosebleed streams.  Although insignificant speckles are occasionally spotted, Firestarter’s latest hi-def outing is nothing short of definitive.  Equipped with a respectable DTS-HD Master Audio 2.0 mix that handles dialogue efficiently, the surprisingly light on sound effects track offers little to bite into while, the fiery blasts and thuds of the unfortunate souls in Charlie’s path offer their best punch.  Without question, Tangerine Dream’s hypnotic score is the best dish on the menu.

    A solid entry into the boutique label’s Collector’s Edition banner, newly conceived special features include, an Audio Commentary with Director Mark L. Lester, Playing with Fire: The Making of Firestarter (52:40) that hosts Lester recalling John Carpenter’s original role in the production before earning himself directorial duties, praise for De Laurentiis’ sound advice and other intriguing anecdotes such as Drew Barrymore beating Poltergeist’s Heather O’Rourke for the lead role.  Actors Drew Snyder, Freddie Jones, Dick Warlock and Tangerine Dream’s Johannes Schmoelling also offer their own unique insights to working on the show in this first-rate featurette.  In addition, Tangerine Dream: Movie Music Memories with Johannes Schmoelling (17:07) catches up with the keyboardist as he recounts the band’s peak decade in the 80s and their work on such films as Michael Mann’s Thief.  Meanwhile, the awesome and self-explanatory Johannes Schmoelling of Tangerine Dream Plays “Charlie’s Theme” (3:43) is the surprise nugget of the release while, Theatrical Trailers (3:43), Radio Spots (4:34), a Still Gallery (69 in total) and Reversible Cover Art featuring the original 1-sheet poster design round out the bonus feature selections.  A worthy King adaptation that unfairly gets lost in the shuffle too often,  Firestarter returns to Blu-ray with a definitive 2K scan upgrade and another juicy offering of featurettes, aptly produced by the tireless Cavetown Pictures, that serve Scream Factory’s Collector Edition moniker proud.  

    RATING: 4/5

    Available now from Scream Factory, Firestarter can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • The Lesson (2015) Blu-ray Review

    The Lesson (2015)

    Director: Ruth Platt

    Starring: Robert Hands, Evan Bendall, Michaela Prchalová, Dolya Gavanski, Tom Cox & Rory Coltart

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Imported from England, The Lesson offers a promisingly taut setup of reprimanded disobedience from first time filmmaker Ruth Platt before shades of familiarity untether its agenda.  When disrespectful students Fin (Evan Bendall and Joel (Rory Coltart) push the limits of their rowdy classroom behavior too far, their English teacher Mr. Gale (Robert Hands, Charlotte Gray) vows to educate them at terrifying costs.  Kidnapped and bound to a table, Mr. Gales’ unorthodox teaching methods subjects the conscious Fin to a rapid-fire scurry of definition searches met with nails impaled through his bloodied hands should time run out.  Waxing intellectual on a variety of topics from Charles Dickens to totalitarianism, Fin’s hallucinations of his deceased mother and a blood splattered Joel assisting his captor clouds his thinking that will be essential to his survival.  Developing commendable character development of the troubled youths including Fin’s broken home situation and lust for his older brother’s girlfriend Mia (Michaela Prchalová), The Lesson’s true tour de force belongs to Robert Hands whose motives may be simplistic and monologues occasionally longwinded, demands the viewers strictest attention like a whip-wielding dictator.  Achieving moments of genuine suspense, The Lesson ultimately feels all too familiar to the tired torture-horror antics popularized in America over a decade ago with only the witty nuttiness of its antagonist truly separating itself from the pack.

    Scream Factory presents The Lesson with a 1080p transfer, preserving its 1.78:1 aspect ratio.  Shot digitally, skin tones are immaculately handled while, tight shots exposing sweat beads, dripping blood and Mr. Gale’s fogged eyeglasses are all sharply detailed.  Although flashbacks presented in black and white are relayed with an expected deepness, instances of digital artifacts creep their way into several sequences that while not deal-breaking, surely make their presence known.  Equipped with a DTS-HD Master Audio 5.1 mix that prioritizes dialogue (with the optional English subtitles coming in handy for some of the actors’ thicker accents), the agonizing screams of the film’s victims to the quieter ambiance at Fin’s home and surrounding neighborhood streets demonstrate the effective ranges of the track.  In addition, an optional DTS-HD Master Audio 2.0 mix is also included.  Virtually nonexistent, the film’s Trailer (1:38) serves as the sole on-disc special feature while, a Reversible Cover Art is also provided.  Not quite the arthouse shocker it’s hailed as, The Lesson demonstrates the encouraging chops of its maker while, its delivery of imprisoned hooligans subjected to torturous enlightenment grows faint quickly and stands as a reminder of a recycled genre already beaten to death.  Worthy of commendation for Hands’ performance and well-handled development of its youthful characters, The Lesson doesn’t teach anything new but, makes a strong case for respecting educators who are dying to inspire young minds.

    RATING: 3/5

    Available now from Scream Factory, The Lesson can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Deadtime Stories (1986) Blu-ray Review

    Deadtime Stories (1986)

    Director: Jeffrey Delman

    Starring: Scott Valentine, Melissa Leo, Cathryn DePrume, Anne Redfern, Nicole Picard, Matt Mitler, Kathy Fleig & Phyllis Craig

    Released by: Scream Factory

    Reviewed by Mike Kenny

    As imperfect as most horror anthologies go, Deadtime Stories is a mixed bag of mostly tricks and few treats where nightmares and fairy tales converge.  In order to put his monster-fearing nephew to bed, a disgruntled man retells three beloved bedtime fables with a macabre twist.  With the exception of atmospheric scenery, Peter and the Witches acts as the film’s unfortunate Sandman story where an enslaved boy (Scott Valentine, My Demon Lover) must kidnap a fair maiden for his witch captors to use in a sacrificial ceremony to resurrect their deceased sister.  Featuring effective make-up effects of a gory corpse being reanimated, the chiller’s first chapter is anything but a page turner.  Next up, Little Red Runninghood finds an attractive teen stalked by a ravenous werewolf who blames the sexually curious girl for mistakenly stealing his meds.  A decently modeled beast taken down by a silver cake server during a tense standoff, the second segment remains far from memorable but, a modest improvement over its predecessor.  Lastly, the final and most enjoyable of the trio, Goldi Lox and the Three Baers finds Mama (future Academy Award winner Melissa Leo, The Fighter) breaking her criminally insane husband and son from the loony bin only to learn their shady residence has been taken over by the homicidally telekinetic Goldi Lox (Cathryn De Prume, Wild).  Turning the absurdity into overdrive with over the top performances so intentionally bad, they’re a hoot, the closing tale is the true saving grace in this otherwise lackluster anthology of not-so-many frights.

    Boasting a new HD transfer culled from the original camera negative, Scream Factory presents Deadtime Stores with a solid 1080p transfer, sporting a 1.85:1 aspect ratio that puts to shame previous bargain bin releases sourced from grainy and barely watchable VHS prints.  Retaining a natural grain structure and robust colors, the film has never seen better days.  Joined by a respectable DTS-HD Master Audio 2.0 mix that delivers dialogue and music, most notably the goofy opening song by Taj, solidly, the track satisfies fine.  Kicking off with a newly recorded Audio Commentary with Co-Writer/Director Jeffrey Delman, additional special features include, I Like the Grotesque: A Conversation with Jef Delman (15:42) that finds the filmmaker discussing everything from shooting in Westchester County, NY and the difficulty in selling an anthology picture to the special effects, casting, locations and music of the film.  Furthermore, A Band of Gypsies: The Making of Deadtime Stories (15:35) catches up with Cathryn DePrune (Goldi Lox), Melissa Leo (“Mama” Baer) and Scott Valentine (Peter) as they reminisce on their clique at the time of the movie’s making and their warm regards for the project’s loyal following.  Lastly, The Black Forest (29:49), the original short film version of the Peter and the Witches segment with an introduction by Delman, Deleted Scenes (2:32) also prefaced by Delman, Theatrical Trailers (3:12), a Photo Gallery (4:14) and DVD Edition wrap up the release’s bonus features.  Offering sporadic bursts of intentional and not-so intentional ridiculousness, Deadtime Stories may have its followers but, its trifecta of tales do little to terrify and much to disappoint.  Thankfully for fans, Scream Factory have rescued the film from tape-sourced hell with a new high-definition makeover and a modest spread of supplements that demonstrate the class of Academy Award winners humbly unashamed of their earliest beginnings.  Cautiously recommended to horror anthology curiosos.  

    RATING: 2.5/5 

    Available now from Scream Factory, Deadtime Stories can be purchased via ShoutFactory.com, Amazom.com and other fine retailers.

  • Poltergeist II: The Other Side (1986) / Poltergeist III (1988) Blu-ray Reviews

    Poltergeist II: The Other Side (1986) / Poltergeist III (1988)

    Director(s): Brian Gibson / Gary Sherman

    Starring: JoBeth Williams, Craig T. Nelson, Heather O’Rourke, Oliver Robins, Julian Beck, Zelda Rubinstein, Will Sampson & Geraldine Fitzgerald / Tom Skerritt, Nancy Allen, Heather O’Rourke & Zelda Rubinstein

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Haunting high-definition once more in new Collector’s Edition form, Scream Factory, the horror/cult subsidiary of Shout! Factory, welcomes the continued terrorization of the Freeling family to their catalog of frights!  Following the traumatic events of the original film, Poltergeist II: The Other Side finds the Freeling’s attempting to revert back to a normal existence until the forces of darkness, led by the chilling Henry Kane, pursue their clairvoyant daughter Carol Anne with ungodly vengeance.  Next up, from the suburbs to the big city of Chicago, Poltergeist III sees the young Carol Anne living with her aunt and uncle when the restless Reverend Kane weaves his devilish powers upon their daunting high-rise.  

    They’re back as suburban scares persist in the supernatural followup to Steven Spielberg’s original ghostly production of 1982.  Struggling financially in the wake of their house’s frightening decimation, Steven and Diane Freeling (Craig T. Nelson, Coach and JoBeth Williams, Kramer vs. Kramer respectively), along with their children Robbie (Oliver Robbins, Airplane II: The Sequel) and Carol Anne (Heather O’Rourke, Happy Days) (sans older sister Dana (played originally by Dominique Dunne who was tragically killed following production on the original film)), attempt to start anew in the house of Diane’s elderly mother.  Retaining her clairvoyant touch, it doesn’t take long before the spirits thought left behind in Cuesta Verde emerge once more to claim Carol Anne for themselves.  Discovering an underground tomb located deeper beneath the Freeling’s former home, trusted psychic Tangina Barrons (Zelda Rubinstein, Sixteen Candles) and Native American shaman Taylor (Will Sampson, One Flew Over the Cuckoo’s Nest) sense the greater danger that now targets the evading family.  Stalked by the chilling and skeletal-looking Reverend Henry Kane (Julian Beck, The Cotton Club), Taylor rushes to the Freelings’ aide in order to prepare them for the dark battle that awaits.  Demonstrating impressively refined special effects that can’t be understated with Native American mysticism and a disturbingly memorable villain, Poltergeist II: The Other Side admirably balances what made the original a suspenseful success while, instilling its own chilling parameters that stand on their own.  Topped with Jerry Goldsmith’s score that blends innocence and dread effortlessly, climactic seat-jumpers featuring nightmarish braces gone wild, floating chainsaws (originally intended for 3-D effectiveness), an unforgettable regurgitated monster worm and a final showdown into the ghostly netherworld all make this sequel a respectably fun and grossly underrated followup to its pitch perfect predecessor.

    Inspired by Lewis Carrol’s own fantastical continuation Through the-Looking Glass, Poltergeist III ditches small-town frights and much of its original cast for a towering continuation of lofty ideas that struggle to land their mark.  Relocating to Chicago for placement in a school for gifted children, Carol Anne, cared for by her Aunt Trisch (Allen), Uncle Bruce (Skerritt) and teenage cousin Donna (Lara Flynn Boyle, Wayne’s World), finds herself frightened by reoccurring images of Reverend Kane (played by Flowers in the Attic’s Nathan Davis following the passing of original actor Julian Beck after wrapping production on its sequel) from beyond the grave.  Sensing Kane’s return and his pursuit of Carol Anne, faithful psychic Tangina (Rubinstein returning once more) seeks to stop the evildoer once and for all.  Jeopardized by budgetary limitations and a personal black cloud of despair following O’Rourke’s untimely passing during the film’s post-production phase, Poltergeist III’s skyscraper setting lends an intriguing visual change of pace for the series that ultimately falls second best to the familiarity of safe suburbia.  In addition, although Skerritt and Allen’s chemistry feels genuine together, Aunt Trisch’s random spouts of disdain for her troubled niece feels uncomfortably out of touch for a character that audiences should see as more maternally understanding.  Furthermore, while the return of Tangina is most welcome, Zelda Rubinstein appears particularly fatigued in the role, further underlining the fumes the franchise is running on.  Passionately directed by genre helmer Gary Sherman (Raw Meat, Dead & Buried), Poltergeist III conveys several worthy concepts through terrifying reflections, demonic doppelgängers, possessed teenagers and Kane’s hellish wrath literally freezing over the high-rise building.  Unavoidably imperfect given its tragic history, Poltergeist III, although busting at the box-office and ranking lowest on the franchise totem pole, delivers just enough light from the other side to draw the curious into its vortex for a brief time.        

    Boasting new 2K scans from their interpositives, Scream Factory presents both sequels with 1080p transfers, preserving their respective 2.35:1 (Poltergeist II: The Other Side) and 1.85:1 (Poltergeist III) aspect ratios.  While both films received above average debuts on the format in years past, their latest outings are that much cleaner, washing away the slight hints of softness found previously with strong skin tones, vibrant color grades, deep black levels and otherwise graciously filmic appearances on hand, leaving both films in their best conditions to date.  Equipped with DTS-HD Master Audio 5.1 mixes that captures crisp dialogue levels and energetic stabs during supernatural attacks, the film’s scores are excellently handled adding necessary emphasis to their quieter moments and rise to their thrilling tempos.  In addition, both films are accompanied with optional DTS-HD Master Audio 2.0 mixes for your listening pleasure.

    Supplements pertaining to Poltergeist II: The Other Side include, an Audio Commentary with Writer/Producer Michael Grais and an Audio Commentary with Poltergeist II Webmaster David Furtney, both of which are newly recorded for this release.  Additionally, Robbie’s Return with Oliver Robins (14:25) catches up with the middle Freeling child today as he commends Director Brian Gibson’s vision for the film, the fun atmosphere making a feature as a child and the sequel’s special effects sequences.  Meanwhile, The Spirit World (22:09) is a first-rate featurette catching up with Special Creature Effects Artists Steve Johnson & Screaming Mad George as well as Special Effects Supervisor Richard Edlund to discuss the many memorable monsters and apparitions that separated the film from the original.  Furthermore, Ghosts of Giger (21:02) takes a look back at the iconic H.R. Giger’s contributions to the film through slideshows and interviews with Steve Johnson and Giger’s agent Les Barany.  Lastly, vintage offerings consisting of They’re Back: The Making of Poltergeist II (6:15), Monster Shop (2:45), Ghost Makers: The Magic of Poltergeist II (6:28), the Theatrical Trailer (1:22) and TV Spots (2:04) are on hand while, a Still Gallery (73 in total), the Poltergeist II Script and Reversible Cover Art retaining the film’s original 1-sheet poster conclude the bonus features.

    Bonus features found on Poltergeist III include, an Audio Commentary with Co-Screenwriter/Director Gary Sherman and an Audio Commentary with Poltergeist III Webmaster David Furtney, both newly recorded.  In addition, High Spirits with Co-Screenwriter Brian Taggert (16:02) finds the writer sharing warm memories of his collaborative relationship with Sherman, the film’s budget cuts, O’Rourke’s passing and his friendship with the wise and occasionally feisty Rubinstein.  Reflections with Actress Nancy Allen (12:15) sits down with the star who commends Sherman’s approach to the project, O’Rourke’s old soul personality and her unforgettably sad funeral plus, her working relationship with Skerritt who notes is the only actor she had an argument with in her career.  Furthermore, Mirror Images with Special Make-Up Effects Creator John Caglione, Jr. (12:47), an Alternate Ending (2:50) that lacks audio with dialogue from the original script added in as subtitles, the Theatrical Trailer (1:04), TV Spots (2:06), a Still Gallery (77 in total) and the Poltergeist III Script are also on hand.  Lastly, Reversible Cover Art featuring the original 1-sheet imagery completes the release’s supplements.

    Topping the television fuzz and tree attacking terror of the original classic may be no easy feat but, the combined efforts of Poltergeist II: The Other Side and Poltergeist III make strong cases for followups of underrated merit.  While, Reverend Kane’s initial attack on the Freeling family is by far the superior sequel, Poltergeist III, although ranking in last place, still maintains a mild charm that continues to persevere through its many setbacks.  Honoring both features with wonderful new scans, a plentiful sum of bonus features exploring the film’s makings and frighteningly fantastic new artwork by Justin Osbourn, Scream Factory welcomes fans back to the ghostly netherworld where your house will be all the cleaner with both Collector’s Edition sequels in them.

    Poltergeist II: The Other Side RATING: 4/5

    Poltergeist III RATING: 3.5/5

    Available January 31st from Scream Factory, Poltergeist II: The Other Side and Poltergeist III can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Black Christmas (1974) Collector's Edition Blu-ray Review

    Black Christmas (1974)

    Director: Bob Clark

    Starring: Olivia Hussey, Keir Dullea, Margot Kidder & John Saxon 

    Released by: Scream Factory

    Reviewed by Mike Kenny

    From Director Bob Clark (Children Shouldn’t Play with Dead Things, A Christmas Story), Black Christmas finds a houseful of sorority sisters stalked by a menacing stranger.  Harassed with obscene phone calls and violently picked off by the mysterious killer, fear and panic overwhelms the friends when their assailant proves to be closer than they thought.  Olivia Hussey (Romeo and Juliet), Keir Dullea (2001: A Space Odyssey), Margot Kidder (The Amityville Horror) and John Saxon (A Nightmare on Elm Street) star.

    Hailing from the chilly Canadian north and predating John Carpenter’s 1978 trick-or-treating opus, Black Christmas, largely overlooked for its impact within the genre casts a masterfully suspenseful tone that continues to cut like a sharp icicle over four decades later.  Set within the bustling college town of Bedford, the ladies of the Pi Kappa Sigma house are prepping for their holiday getaways from school when terror strikes.  Disturbingly vulgar phone calls quickly turns into murder leaving the remaining sorority sisters scared for their own lives.  Brought to life by a diverse cast of local talent and thriving domestic stars, the house residents quickly gain the admiration of audiences for their naturalness and their unique character developments that find them struggling with alcoholism and relationship woes.  Unsettled by the murder of a young child and disappearance of their dwindling housemates, an investigation, led by Lt. Kenneth Fuller (Saxon), turns up more questions than answers related to the true culprit.  Incorporating POV footage from the killer long before its use became commonplace and encasing the film in a suffocating grip of dread eased only by well-injected touches of light humor, Black Christmas excels in its methodical plotting that although, slower-paced, serves the pre-slasher effort increasingly well.  Successfully tripping viewers up with several red herrings, tightly edited death scenes juxtaposed with Christmas caroling children and a strong “less is more” approach to its macabre narrative, Black Christmas remains one of the finest slices of holiday horror with twists not seen coming and a frightening finale that lives up to its cheeky tagline.

    Boasting a new 2K scan from the original negative, Disc 1 features Black Christmas with a 1080p transfer, sporting the director’s preferred 1.85:1 aspect ratio.  In order to temper expectations, Scream Factory appreciatively alerted viewers of inherent damage to the negative that remains present although, not hopefully intrusive.  True to their word and free of any digital noise, skin tones are natural-looking while, contrast is nicely more boosted than previous releases with colors in costume textures and patterns appearing lively.  Instances of speckling remain on display throughout the film but remain noticeably more cleaned up than before while, black levels also even out nicely with passing moments of murkiness observed.  Amidst its age-related anomalies, presentation is filmic as can be earning Black Christmas its best HD outing to date.  For completists, Disc 2 includes the equally adequate 2006 Critical Mass HD Master, screened in a 1.78:1 aspect ratio for those who fancy it.  Equipped with a serviceable DTS-HD Master Audio 5.1 mix that hones pleasing exchanges of dialogue, blowing winds and creaky floorboard ambiance in the sorority house, controversy has emerged regarding the track’s uses of substituted sound effects and drowned out lines while, its accompanying audio options (DTS-HD Master Audio 2.0 Stereo and Mono mixes, namely the latter) suffers from substantial cracks and pops.  Although an internal investigation appears to be underway for the tracks, the 5.1 mix remains the most effective listening option.

    Predominately packaged with recycled extras on top of a few new exclusives, Disc 1’s special features consist of three vintage Audio Commentary tracks.  The first including Director Bob Clark, the second featuring Actors John Saxon & Keir Dullea and lastly, one from “Billy”.  In addition, an Audio Interview with Director Bob Clark, lasting roughly 30 minutes, can also be listened to while observing the feature.

    Meanwhile, Disc 2’s bonus feature packed offerings include, the newly captured Film and Furs: Remembering Black Christmas with Art Hindle (26:11) and Victims and Virgins: Remembering Black Christmas with Lynne Griffin (26:35), both of which dig deep into the thespians respective careers and their time making Bob Clark’s Christmastime shocker.  Vintage additions cover, Black Christmas Legacy (40:22), a 40th Anniversary Panel at FanExpo 2014 (18:02), On Screen!: Black Christmas (48:41), 12 Days of Black Christmas (19:48), Black Christmas Revisited (36:25), Archival Interviews with Olivia Hussey, Art Hindle, Margot Kidder, Bob Clark & John Saxon (1:41:30), a Midnight Screening Q&A with John Saxon, Bob Clark & Carl Zittrer (20:21) and Two Scenes with a new soundtrack (3:04).  Finally, English and French Theatrical Trailers (8:16), Original TV and Radio Spots (3:09), an Alternate Title Sequence (2:47) utilizing the film’s Silent Night, Evil Night moniker and a Photo Gallery (53 in total) conclude the on-disc treats while, Reversible Cover Art featuring the original 1-sheet poster is also provided.

    A genre staple that made way for the masked madman antics of the 1980s, Black Christmas has endured due to its chilling tone and strangulating suspense that makes it one of the scariest gift wrapped features to revisit during the jolliest time of year.  Early reports and ongoing speculation into the release’s audio issues aside, Scream Factory’s new 2K transfer makes for an early Christmas miracle that should easily satisfy dedicated fans while, the release’s few new extras and Joel Robinson’s cover artwork nicely compliment the hefty sum of repurposed supplements.  While its technical merits have rightly been questioned with a hopefully pleasing resolution to follow, Black Christmas remains highly recommend for the trailblazing shocker it is. 

    RATING: 4/5

    Available December 13th from Scream Factory, Black Christmas can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Assault on New Releases #11 - Halloween Edition: Count Dracula's Great Love (1973), Child's Play (1988) Collector's Edition, Burial Ground (1980), Waxwork (1988) / Waxwork II: Lost in Time (1991) & Lady in White (1988) Blu-ray Reviews

    Count Dracula’s Great Love (1973)

    Director: Javier Aguirre

    Starring: Paul Naschy, Rosanna Yanni, Haydée Politoff, Mirta Miller, Ingrid Garbo, Álvaro de Luna de Luma & José Manuel Martin

    Released by: Vinegar Syndrome

    Reviewed by Mike Kenny

    Starring Spain’s premiere horror star Paul Naschy (Night of the Werewolf), Count Dracula’s Great Love finds a carriage of travelers derailed and kindly taken in by the handsome Dr. Marlow (Naschy).  Secretly harboring his true identity as the Prince of Darkness, Marlow stalks and seduces his way to the necks of his gorgeous guests, transforming them into bloodthirsty slaves while, shy virginal Karen (Haydée Politoff, Queens of Evil) becomes the apple of his eye and essential to his much grander plan.  Boasting gothic ambiance, full moons and eroticism, Javier Aguirre (Hunchback of the Morgue) directs with elegance in this atmospheric tale that presents a memorable interpretation of Dracula who is quick to whip and axe his victims as commonly as sink his fangs into them.  Weaving a narrative of originality and rich complexity, Count Dracula’s Great Love remains effective for Naschy’s understated performance and the film’s blood ritual used to resurrect Dracula’s deceased daughter, concluding in lovesick tragedy.

    Beautifully scanned and restored in 2K from the 35mm internegative, Vinegar Syndrome presents Count Dracula’s Great Love with a 1080p transfer, sporting a 1.85:1 aspect ratio.  While minor intrusions from scratches and cigarette burns are evident, the Spanish feature has never looked better.  Bringing vibrant life to skin tones and the colorful costume choices of its actresses, detail is crisp preserving the fog-entranced tone while, black levels seen in Count Dracula’s cape, casket and dark dwellings are exceptionally inky.  Equipped with a DTS-HD Master Audio 2.0 mix, the film’s English dub track may register t’s and s sounds too sharply but, overwhelmingly exudes clean and audible dialogue levels while, cracks and pop are minimal and of little to no notice.  Presenting both its uncut U.S. edition and its original Spanish language version, viewers are informed that the latter, lacking proper elements from its licensor (and missing shots due to content that are only found in its English counterpart), is presented from lesser quality video sources and a Dolby Digital 2.0 mix in order to appreciatively appease fans yearning for both cuts.  Meanwhile, special features include, a never before released Audio Commentary with Director Javier Aguirre & Actor Paul Naschy featuring optional subtitles in both English and Spanish plus, a newly captured Video Interview with Actress Mirta Miller (8:22) with optional English subtitles.  Furthermore, the U.S. Theatrical Trailer (3:04), a Still Gallery (2:16) and a 6-page booklet featuring an informative essay from Mirek Lipinski are also included alongside a DVD edition of the release and Reversible Cover Art.  Fans of horror’s more gothic and erotic outings will take pleasure sinking their fangs into this significant Spanish offering, splendidly brought to high-definition by Vinegar Syndrome for the first time ever!

    RATING: 4/5

    Available now from Vinegar Syndrome, Count Dracula’s Great Love can be purchased via VinegarSyndrome.com, Amazon.com and other fine retailers.

    Child’s Play (1988)

    Director: Tom Holland

    Starring: Catherine Hicks, Chris Sarandon, Alex Vincent & Brad Dourif

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Instilling a new titan for modern horror and ushering in a frightening franchise of sequels each varying in quality, the original Child’s Play still reigns as the most effective and chilling of Chucky’s many chapters.  When innocent six-year-old Andy Barclay (Alex Vincent, Wait Until Spring, Bandini) is presented with a Good Guy doll on his birthday, strange occurrences and the death of his babysitter raise questions of responsibility in their wake.  Unsuccessfully convincing his single mother and a homicide detective that his doll is alive and behind the recent string of murders, Andy finds himself pursued by the tiny terror in order to take over his soul.  Before the bodycount pictures its later entries would become with the foul-mouthed killer serving as their marketing mascot, Child’s Play’s less is more approach keeps viewers questioning the validity of Andy’s claims more so than blindly assuming his doll is truly possessed.  Wrapped in mystery and edge of your seat suspense with an oftentimes forgotten voodoo subplot, Child’s Play holds up strongly with a believable blend of special effects wizardry, an urban Chicago setting and top-notch performances with Dourif’s shrieking voice as the crazed Chucky leaving an indelible mark on the nightmares of viewers for years to come.

    Newly scanned in 2K from the interpositive, Scream Factory presents Child’s Play with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Casting a darker yet, more natural appearance during nighttime sequences, skin tones are accurate and nicely detailed while, colors found in Chucky’s red-striped and denim attire along with the neon-lit signage of the toy store in the film’s opening pop well.  Scuffs and other blemishes appear to be absent while, softness during daytime exteriors and inside the Barclay’s apartment look similar to its previous release.  Admittedly modest in its improvements, Scream Factory’s latest stab at Child’s Play unquestionably ranks as its best looking.  Equipped with a DTS-HD Master Audio 5.1 mix that projects solid dialogue and booming displays of authority during thunderstorms and Joe Renzetti’s (Poltergeist III) creepy score, sound quality is superior.  In addition, an optional DTS-HD Master Audio 2.0 mix has also been included.  Impressively packed with new and old offerings, Disc 1 features a new Audio Commentary with Director Tom Holland plus, a repurposed Audio Commentary with Actors Alex Vincent, Catherine Hicks & “Chucky” Designer Kevin Yagher.  Furthermore, another vintage Audio Commentary with Producer David Kirschner & Screenwriter Don Mancini along with hilarious Chucky Commentaries on select scenes are also included.

    Kicking off Disc 2, Behind-the-Scenes Special Effects Footage (1:00:08), Howard Berger: Your Special Effects Friend ‘Till the End (40:53) and Life Behind the Mask: Being Chucky with Ed Gale (40:02) comprise the release’s newest and highly fascinating featurettes while, Evil Comes in Small Packages (24:49), Chucky: Building a Nightmare (10:05), A Monster Convention (5:26), Introducing Chucky: The Making of Child’s Play (6:15) and a Vintage Featurette (4:54) from MGM’s previous release are ported over.  In addition, a TV Spot (0:17), Theatrical Trailer (2:02), a Behind-the-Scenes Photo Gallery (37 in total), a Posters & Lobby Cards Photo Gallery (20 in total) and Reversible Cover Art featuring the original 1-sheet poster conclude the all encompassing slate of extras.  A frightening sophomore followup from Director Tom Holland (Fright Night), Child’s Play maintains its reputation as one of the better supernatural slashers of the 80s while, Scream Factory’s Collector’s Edition, sprawling with bounds of extras, is nothing short of a gift from the mighty Damballa himself.

    RATING: 4.5/5

    Available now from Scream Factory, Child’s Play can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

    Burial Ground (1980)

    Director: Andrea Bianchi

    Starring: Mariangela Giordano, Karin Well, Gianluigi Chirizzi, Peter Bark & Roberto Caporali

    Released by: Severin Films

    Reviewed by Mike Kenny

    Presented under its alternate The Nights of Terror title, Burial Ground hosts a smorgasbord of guts and bloody depravity when a country getaway for several couples quickly turns into a fight for their lives against reanimated corpses.  Preoccupied with their own sexual appetite when a scientist’s tinkering with evil forces unleashes hell’s hungriest zombies, the couples struggle to defend themselves while keeping the rotting forces from gaining entry into the mansion.  A wall-to-wall bonkers example of Italian exploitation at its finest, Burial Ground’s plot may be paper thin but, graciously overcompensates with gallons of gore and some of the genre’s most memorable zombie designs befit with gaping facial holes, horrific skeletal features and squirming maggots oozing from their pores.  Weaponizing themselves with pickaxes, scythes and other garden tools, the ravenous undead decapitate the help and repeatedly feast on the torn out organs of their prey.  Perhaps even more memorable than the zombie’s persistent attacks, Burial Ground’s bizarro meter soars when Michael (Peter Bark, Arrivano i gatti), the peculiar-looking son of Karen, grows oddly attracted to his mother and makes an incestuous pass at her in the heat of zombiepalooza.  With options running low and escape unlikely, nothing can prepare viewers for Burial Ground’s absurd mouthful of a finale that draws its line in the sand as one of the great “what the…” moments of splatter cinema.

    Gorgeously restored in 2K from pristine elements, Severin Films presents Burial Ground with a 1080p transfer, sporting a 1.66:1 aspect ratio.  True to its description, this newly struck scan is leaps and bounds superior to past releases with a blemish-free appearance, strong facial tones and impressive detail bringing out the intricacies of the many zombie makeup designs and their intendedly heinous features.  Furthermore, the film’s plethora of blood pops loudly while, black levels, even during the film’s more dimly lit sequences, are effectively inky, allowing viewers to fully appreciate all that is occurring.  Definitive as can be, Severin Films deserves the utmost praise for their esteemed handling of this Italian gorefest.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is perfectly audible throughout without any static or pops detected.  In addition, a separate Dolby Digital 2.0 Italian mix is included with optional English subtitles.  Bonus offerings include, Villa Parisi - Legacy of Terror (15:47) where Movie Historian Fabio Melelli revisits the filming locations that date back to the 17th century and have been utilized by Italian film productions beginning in the 1960s through the present.  Meanwhile, Peter Still Lives: Festival Q&A with Actor Peter Bark (7:35), Just for the Money: Interview with Actor Simone Mattioli (8:57) and The Smell of Death: Interviews with Producer Gabriele Crisanti & Actress Mariangela Giordano (9:20) are joined by Deleted/Extended Scenes/Shots (10:24), the Theatrical Trailer (3:31) and Reversible Cover Art.  Lastly, limited to the first 3,000 units, an exclusive slipcover featuring new artwork by Wes Benscoter is also included.  Riding high on a profoundly successful 2016, Severin Films continues to spoil exploitation enthusiasts with their treatment of Burial Ground, so definitive that the opening of hell’s gates can be the only justification for quality of this caliber.

    RATING: 4/5

    Available now from Severin Films, Burial Ground can be purchased via Severin-Films.com, Amazon.com and other fine retailers.

    Waxwork (1988) / Waxwork II: Lost in Time (1991)

    Director: Anthony Hickox

    Starring: Zach Galligan, Deborah Foreman, Michelle Johnson, Dana Ashbrook, Michah Grant, Eric Brown, Clare Carey, Patrick Macnee & David Warner / Zach Galligan, Monkia Schnarre, Alexander Godunov, Martin Kemp & Bruce Campbell 

    Released by: Lionsgate

    Reviewed by Mike Kenny

    Melding the humorously wacky with the horrific, Waxwork finds a group of collegiate friends who stumble upon a mysterious wax museum displaying the most vile monsters, madmen and psychos albeit without victims.  Before long, their innocent tour lures them into its dark magic to become permanent members of the establishments morbid offerings.  Starring Zach Galligan (Gremlins) and Deborah Foreman (Valley Girl) with appearances from distinguished Englishmen and talented thespians Patrick Macnee (The Avengers) and David Warner (Tron) as the villainous museum owner, Waxwork’s greatest strength lies in its animated displays that honor the classic monsters of yesteryear and submerging would-be victims into their appropriately themed worlds.  Transforming into mini films within a film, the high maintenance China (Michelle Johnson, Death Becomes Her) finds herself immersed within Count Dracula’s gothic castle and forced to duel against his bloodthirsty brides while, the chain-smoking Tony (Dana Ashbrook, Twin Peaks) stumbles into the full moon lit backwoods where the beastly Wolfman (John-Rhys Davies, Raiders of the Lost Ark) hunts.  While the rather busy narrative throws touches of black magic, evil trinkets, freakish butlers and interdimensional realms to the forefront that occasionally scatterbrains the proceedings, Waxwork’s free-for-all conclusion pitting the likes of Marquis de Sade and zombies against the privileged Mark (Galligan) and his wheelchair-bound godfather right the ship in this clever sendup of classic chills under the guise of 80s video age eye-candy.

    Surviving the fiery events of the original film, Mark and Sarah (replaced by Monkia Schnarre, The Peacekeeper) return in Waxwork II: Lost in Time when a resilient zombie hand from the wax museum murders Sarah’s stepfather, pinning the blame on her.  Determined to prove her innocence, the two recover a magical compass enabling them to time travel through dimensions in order to gather the proper evidence to clear Sarah’s name.  Far more fantasy based than its predecessor with the characters winding up in medieval times to combat a black magic wielding sorcerer, Waxwork II: Lost in Time, using Lewis Carrol’s Through the Looking-Glass as a loose template, makes greater use of hilariously parodying genre films than properly traveling through historical events.  Making stops at Victor Frankenstein’s laboratory and the streets of London during Jack the Ripper’s reign of terror, Alien, The Haunting and Godzilla among other films all find their way cheekily homaged in this more refined sequel.  Graced with brief roles from B-movie legends Bruce Campbell (Evil Dead) and David Carradine (Death Race 2000), Waxwork II: Lost in Time widens its universe even more so, delivering a followup with more comedic oomph that surprisingly exceeds its originator by a narrow margin.

    Digitally restored, Lionsgate, under their Vestron Video Collector’s Series imprint, presents both Waxwork and Waxwork II: Lost in Time with 1080p transfers, sporting 1.85:1 aspect ratios.  Bearing generally clean appearances with scant scratches and slight speckling during darker sequences, colors pop effectively with skin tones reading nicely although, softness is not wholly uncommon or overly unpleasant.  Furthermore, its sequel noticeably improves during its extended black and white sequences mocking The Haunting that shine more sharply than the first film.  Respectable upgrades on both features will leave the overwhelming majority of fans more than pleased with the results.  Equipped with DTS-HD Master Audio 2.0 mixes, dialogue is admirably conveyed while occasional moments during the first film find character lines at odds with other dominating sound factors.  Otherwise making solid use of their respective musical scores, both tracks strongly live up to expectations.  

    Providing each film on their own Blu-ray disc, special features on Waxwork’s Disc 1 include, an Audio Commentary with Director Anthony Hickox & Actor Zach Galligan and an Isolated Score & Audio Interview with Composer Roger Bellon.  Additionally, The Waxwork Chronicles (1:22:17), another first-rate Red Shirt Pictures production divided into six parts, explores the development and making of both films with newly captured interviews from Writer/Director Anthony Hickox, Editor Christopher Cibelli, Producer Staffon Ahrenberg, Special Make-Up Effects Supervisor Bob Keen, Actors Zach Galligan, Monika Schnarre and many others covering everything Waxwork related fans would ever want to know.  Also included, a vintage The Making of Waxwork (24:06) featurette, the Theatrical Trailer (2:02) and a Still Gallery (7:55) conclude the disc’s helpings.  Next up, Waxwork II: Lost in Time’s Disc 2 opens with another Audio Commentary with Director Anthony Hickox & Actor Zach Galligan, an Isolated Score & Audio Interview with Composer Steve Schiff, a Music Video (3:50), Theatrical Trailer (3:03), Still Gallery (7:17) and a Reversible Cover Art capping off the double feature’s supplemental package.  Nostalgia will surely ring loudly for viewers raised on both Waxwork features during the heyday of video rental.  A clever and unique injection of horror and comedy during the slasher prominent decade, both films, with its 1991 sequel having a slight advantage, are enjoyable excursions into silliness that have been passionately peppered with ample bonus features to continue making the legacy of Vestron Pictures proud.

    RATING: 3.5/5

    Available now from Lionsgate, Waxwork / Waxwork II: Lost in Time can be purchased via LionsgateShop.com, Amazon.com and other fine retailers.

    Lady in White (1988)

    Director: Frank LaLoggia

    Starring: Lukas Haas, Len Cariou, Alex Rocco & Katherine Helmond

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Set in the wholesome suburb of Willowpoint Falls circa 1962, Lady in White centers on monster kid Frankie Scarlatti (Lukas Haas, Mars Attacks!) who narrowly escapes death at the hands of a mysterious child murderer.  Aided by the first victim’s ghost, Frankie vows to bring the elusive killer to justice who may be closer than he knows.  Capturing the virtually lost magic of small-town Americana and shot on location in the picturesque region of Upstate New York, Lady in White weaves its atmospheric tale of local legends, ghosts and cold-blooded murder with expert direction and grounded performances that shine with pure naturalism.  Following Frankie’s supernatural encounter, the neighborhood myth of the lady in white searching for her fallen child ties into the picture’s larger story with the very real threat of her assailant still at large injecting a genuine undercurrent of thrills.  Reminiscent of Stephen King’s best coming of age fables, Lady in White’s acute capturing of simpler times while, injecting deeply rooted themes of family, facing fears and discrimination come from a creative voice of passion and experience that Writer/Director Frank LaLoggia (Fear No Evil) conveys in earnest.  An underrated masterwork with an innate connection to the heart and mystery of childhood, Lady in White remains as riveting as ever, eclipsing its reputation as one of the finest ghost stories of its kind.

    Debuting on high-definition with 2 Discs featuring the Director’s Cut (1:57:49, Disc 1), Theatrical Version (1:53:34, Disc 2) and the preferred Extended Director’s Cut (2:06:52, Disc 2), Scream Factory presents Lady in White with 1080p transfers, sporting 1.85:1 aspect ratios.  Utilizing the film’s interpositive and an archived film print to assemble the never-before-released lengthier director’s cut, the inherently soft photography is perfectly maintained while, fall leaves and seasonally appropriate greenery are lively looking.  Seamlessly blending its two elements for a first-rate restoration, the director’s intended cut looks excellent whereas the film’s alternate versions are of equal merit.  Equipped with a DTS-HD Master Audio 5.1 mix that forewarns hiss and pops that are hardly noticeable on its extended version, dialogue is never inaudible with the subtle ambiance of howling winds and crashing waves complimenting the proceedings nicely while, the film’s beautiful music selections, handled also by its Writer/Director, perform most effectively.  In addition an optional DTS-HD Master Audio 2.0 mix has also been included.  However unfortunate that no new supplements were produced for the release, vintage bonus features found entirely on Disc 1 include, an Introduction with Frank LaLoggia (0:46), an Audio Commentary with Writer/Director Frank LaLoggia (Director’s Cut only), Behind-the-Scenes Footage with Introduction by Frank LaLoggia (16:21) and optional commentary from its creator.  Furthermore, Deleted Scenes with Introduction by Frank LaLoggia (36:13) and optional commentary, a Promotional Short Film (7:18), the Theatrical Trailer (1:57), Alternate Trailers (7:10), TV Spots (1:34), Radio Spots (2:21), a Behind-the-Scenes Photo Montage (28 in total) and an Extended Photo Gallery (21 in total) wrap up the on-disc extras while, a Reversible Cover Art is also included.  An evocative coming of age chiller ripe for rediscovery and annual viewing, Lady in White is a prime ghostly offering for the Halloween season that stands out for its relatable themes and haunting narrative worthy of the deepest respect.  

    RATING: 4.5/5

    Available now from Scream Factory, Lady in White can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

     

  • Carrie (1976) Collector's Edition Blu-ray Review

    Carrie (1976)

    Director: Brian De Palma

    Starring: Sissy Spacek, John Travolta, Nancy Allen, William Katt, P.J. Soles, Amy Irving, Betty Buckley & Piper Laurie

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Based on Stephen King’s esteemed debut novel, Carrie centers on teenage outcast Carrie White (Sissy Spacek, Coal Miner’s Daughter) who quietly discovers powers of telekinesis.  Abused by her religious mother and tormented by sadistic classmates, the shy introvert exacts her revenge during the student body’s most anticipated evening.  John Travolta (Saturday Night Fever), Nancy Allen (RoboCop), William Katt (The Greatest American Hero), P.J. Soles (Halloween), Amy Irving (Voices), Betty Buckley (Eight Is Enough) and Piper Laurie (The Hustler) costar.

    Marking the first of many adaptations based on the works of horror maestro Stephen King, Carrie expertly melds relatable teen angst with supernatural suspense under the stylish direction of Hitchcock devotee Brian De Palma (Dressed to Kill).  Awkward and friendless, Carrie White’s desires to fit in amongst her peers are consistently shattered when cruel classmates take delight in making her life a living hell.  Following her first unexpected period in the girl’s locker room, Carrie suffers emotionally shattering and embarrassing abuse when her fellow students manically laugh at her traumatic meltdown and respond by piling the bleeding teen with tampons.  From the damaging hallways of high school to her mentally destructive home life soured by her religiously unhinged mother (Laurie), Carrie’s tidal wave of emotions allows her to channel telekinetic abilities.  While her tormentors are punished for their actions, lead heel Chris Hargensen (Allen) rebels, costing her entry to the much anticipated senior prom and making vengeance against Carrie her main priority.  Developing sincere regret for her part during Carrie’s incident, Sue Snell (Irving) is determined to make peace by excusing herself from the prom and urging her popular boyfriend Tommy Ross (Katt) to take the shy Carrie instead.  Experiencing an evening of dreams come true after being crowned prom queen, unparalleled resentment and hate for the introverted teen creates another scarring moment in her life of endless torment.  Unrestrained and empowered by revenge, supernatural occurrences and a fiery inferno turns the once magical evening into a hellish nightmare.

    Brought to life by a cast of relative newcomers who fully embody their onscreen counterparts, Carrie’s simplicity and timeless approach in capturing the harsh struggles of teenage survival is key to its success.  Perfectly cast as the film’s tragic protagonist, Sissy Spacek, nominated by the Academy for her performance, channels the introvert in all of us while demonstrating a wide range of emotions in her pursuit for happiness and eventually fatal revenge.  In addition, Piper Laurie, also nominated for her equally stunning performance as the crazed Ms. White, issues genuine chills of terror while, Nancy Allen delivers one of cinema’s finest villainous roles as high school hell raiser Chris Hargensen making hating her an audience’s pleasure.  Matched with dreamlike cinematography by Mario Tosi (The Stunt Man), an evocative score by Pino Donaggio (Blow Out) and tight cutting by Editor Paul Hirsch (Star Wars: Episode V - The Empire Strikes Back), Carrie maintains its suspenseful build through use of nail biting slo-mo and screen splitting chaos during the film’s fire breathing finale.  Mesmerizingly haunting and easily one of De Palma’s finest hours, Carrie, much like its literary masterpiece, continues to live on as a gold standard example of horror cinema.

    Newly scanned in 4K from the original camera negative, Scream Factory proudly presents Carrie with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Improving on its dated past release, Brian De Palma’s supernatural shocker arrives with natural film grain firmly intact throughout while, skin tones are warmly inviting and nicely detailed.  Furthermore, dirt and debris are virtually absent paving the way for an exceptionally clean presentation.  The surreal, softer focus of Mario Posi’s cinematography demonstrated during sunny exterior sequences are preserved while, black levels cast appreciatively inky levels and bold colors spotted during the iconic pig’s blood poured on Carrie and the prom’s variety of spotlights pop quite nicely.  Without question, Carrie has made her definitive statement with this wholly impressive transfer.  Equipped with a DTS-HD Master Audio 5.1 mix, the film’s soundscape has never been regarded for its dynamics yet, dialogue is consummately produced with Pino Donaggio’s exceptional score fully encompassing sequences.  In addition, chaotic screams and destruction of the high school gymnasium offer notable rise.  An optional DTS-HD Master Audio 2.0 mix has also been included for your listening pleasure.

    Spread across two Blu-ray discs, special features located on Disc 1 include, the Theatrical Trailer (2:06) and a Carrie Franchise Trailer Gallery (4:12).  Continuing on Disc 2, newly recorded supplements include, Writing Carrie: An Interview with Screenwriter Lawrence Cohen (29:07), Shooting Carrie: An Interview with Director of Photography Mario Tosi (15:22) and Cutting Carrie: An Interview with Casting Director Harriet B. Helberg (16:03).  The repurposed Acting Carrie (42:42) is also joined by the new More Acting Carrie: Featuring Interviews with Nancy Allen, Betty Buckley, William Katt, Piper Laurie, Edie McClurg & P.J. Soles (20:19).  Additionally, the vintage Visualizing Carrie: From Words to Images (41:33) and a brand new featurette, Bucket of Blood (23:53), interviewing the Italian speaking Composer Pino Donaggio about his experiences is included with English subtitles.  Furthermore, Horror’s Hallowed Grounds (11:25), hosted by Sean Clark as he visits the shooting locations today and Carrie, The Musical: Singing Carrie (6:23) continue the bonus feature packed release with TV Spots (3:11), Radio Spots (1:29), a Still Gallery - Rare Behind-the-Scenes (59 in total), followed by another Still Gallery - Posters and Lobby Cards (47 in total), Stephen King and the Evolution of Carrie Text Gallery (13 in total) and a Reversible Cover Art boasting the original 1-sheet design concluding the nearly endless supply of content.  

    Celebrating its 40th anniversary, Carrie continues to shock viewers with its supernatural scares while effectively tapping into the real-life and arguably more frightening torment outcast teenagers continue to face.  Treasuring De Palma’s adaptation for the classic it is, Scream Factory’s gorgeous 4K transfer, joined by its Collector’s Edition level of new and vintage supplements delivers the home video release of Carrie fans have been clamoring for.

    RATING: 5/5

    Available now from Scream Factory, Carrie can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Fender Bender (2016) Blu-ray Review

    Fender Bender (2016)

    Director: Mark Pavia

    Starring: Makenzie Vega, Dre Davis, Cassidy Freeman, Kesley Leos Montoya, Harrison Sim & Bill Sage

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Set in a New Mexican town, Fender Bender finds teenage Hilary (Makenzie Vega, The Good Wife) experiencing the downside of being a newly licensed driver after suffering her first accident.  Unharmed yet rattled, Hilary innocently exchanges information with her striker only to be grounded for the accidental damage later that evening.  Home alone during a violent storm, Hilary’s friends stop by only for the unsuspecting trio to be terrorized by a masked maniac.  Dre Davis (Pretty Little Liars), Cassidy Freeman (Longmire), Kesley Leos Montoya (The Guest), Harrison Sim (Pizza Girl Massacre) and Bill Sage (We Are What We Are) co-star.

    In the suspenseful spirit of slasherfests from yesteryear, Fender Bender takes the fun yet consistently recycled subgenre and finds a uniquely relatable occurrence to construct its contemporary chiller.  Modern in its setting, Makenzie Vega leads the cast as the diversely selected Hispanic heroine whose day of catching her cheating boyfriend in the act goes from bad to worse after being rear ended in her mother’s new car.  After a briefly awkward exchange of personal information with the fellow driver, Hilary is reprimand by her parents and forced to stay home alone for the night.  Spooked by the loneliness and harshness of a brewing storm, Hilary is further unsettled by texts from her mysterious acquaintance and other questionable events.  Relieved by the arrival of her best friends, Hilary’s night of terror is only just beginning when a leather-masked madman crashes the party, intent on sharply cutting the small guest list.  Marking the return of long absent Writer/Director Mark Pavia (The Night Flier), Fender Bender plays to its strengths with classic tropes of an innocent teen in peril and a stranger in the house with genuine conviction, sparing viewers any self-referential nods that have become commonplace in similar films influenced by previous decades.  While its dialogue is cheesily delivered, a satisfying bodycount and a rather bleak showdown between Hilary and her masked assailant in the final act provides ample entertainment for horror hounds yearning for modern mayhem with inner retro workings.  Enhanced by an evocative, Carpenter-esque score by Night Runner, Fender Bender is a competently constructed slasher that although not perfect, manages to inject a breath of originality into the genre that likeminded viewers will greatly appreciate.

    Scream Factory presents Fender Bender with a 1080p transfer, sporting a 2.35:1 aspect ratio.  Shot digitally, this modern day slasher boasts sharp contrast and strong colors most noticeably in exterior foliage while, skin tones read naturally and well-defined.  Scratch free with only fleeting moments of digital noise during dimly lit sequences, black levels are generally strong with the leather texture of the killer’s mask shimmering nicely.  Equipped with a DTS-HD Master Audio 5.1 mix that plays strongly to the film’s synth score and suspenseful moments, dialogue is rightly prioritized while, sound effects of varying degrees all make commendable strides.  Special features include, a Retro VHS Version viewing option that perfectly brings audiences back to the nostalgic-fueled days of rewinding with accurately cheesy bumpers and tracking lines prevalent throughout the film’s runtime.  In addition, an Audio Commentary with Director Mark Pavia and a second Audio Commentary with Co-Producers Joshua Bunting, Carl Lucas, Jordan Fields & Gus Krieger who deliver information of substance while hilariously playing a drinking game with onscreen actions is also included.  Furthermore, a Behind-the-Scenes Featurette (9:16), a “Slashback” Trailer Reel (38:39) promoting many other Scream Factory releases, the Original Trailer & TV Spot (2:07) and a Reversible Cover Art featuring a commissioned design by Justin Osbourn alongside a Digital HD code conclude the supplemental offerings.        

    After years of preserving cult favorites and introducing viewers to horror’s newest nightmares, Scream Factory’s first originally produced effort, in association with Chiller Films, is a suspenseful treat with surprisingly relatable themes and a heavily 80s-influenced score that will transport fans back to the days of video rental stores and big hair.  Making a sound transition to high-definition, Director Mark Pavia’s long-awaited return to horror treats viewers with several supplements and a most enjoyable Retro VHS viewing option.  A conservative blend of new school meets old school, Fender Bender burns rubber and sends Scream Factory off on a strong start in their latest and hopefully enduring new endeavor of crafting original scares for today’s audiences.

    RATING: 4/5

    Available now from Scream Factory, Fender Bender can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Metalstorm: The Destruction of Jared-Syn 3D (1983) Blu-ray Review

    Metalstorm: The Destruction of Jared-Syn 3D (1983)

    Director: Charles Band

    Starring: Jeffrey Byron, Mike Preston, Tim Thomerson, Kelly Preston & Richard Moll

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Set on the desert planet of Lemuria, Metalstorm: The Destruction of Jared-Syn 3D finds a miner and his daughter Dhyana (Kelly Preston, Death Sentence) caught in the crossfire of the titular warlord.  Joining forces with brave space ranger Dogen (Jeffrey Byron, The Dungeonmaster) after the murder of her father, the peacekeepers seek to stop Syn and his crusade to enslave the Cyclopian race.  Mike Preston (Mad Max 2: The Road Warrior), Tim Thomerson (Trancers), R. David Smith (Fletch Lives) and Richard Moll (Night Court) costar.

    Melding the post-apocalyptic with a fantastical science fiction flair, Metalstorm: The Destruction of Jared-Syn 3D memorably blasts space-age action with in-your-face depth at the cusp of 3D’s short-lived return.  Otherworldly and futuristic, Cyclop warriors, intergalactic wizardry and wasteland armored vehicles permeate this wild west sendup set amongst the stars.  As the human population of Lemuria struggle to survive, crystals become the sole item of value to the mining community of scavengers.  As the evil Jared-Syn (Preston), aided by his half-cyborg son Baal (Smith), break a sacred treaty and wage war for power, Syn’s life draining crystals help further his control on the weak.  Combining their efforts after the death of her father, Dhyana and savior Dogen seek justice when Baal’s dangerous green acid submerges Dogen into a nightmarish state, allowing Dhyana to be captured.  Determined to save her, the lone warrior travels to Zhor and reconnects with grizzled warrior Rhodes (Thomerson).  Risking their lives on a journey to the Cyclopian mainland to recover a sacred mask to aid them in their battle, leader of the pack Hurok (Moll) confronts the duo, prompting a hellish battle for survival that proves invaluable on their road to defeating Syn.  Enlightening the Cyclopian people of Syn’s true motives, a climactic battle between good and evil takes place before a laser-blasting skybike chase between Dogan and Syn through the mountainous landscape transpires.  

    Although sporting memorable moments of action-geared fun and impressive mutant design work, Metalstorm: The Destruction of Jared-Syn 3D struggles to fully live up to its imaginative poster art, remaining in first gear for much of its runtime.  Achieving a considerable amount of eye candy on its limited budget, Director Charles Band’s (Pulse Pounders, Doctor Mordrid) second 3D effort following 1982’s Parasite lifts off on a shaky screenplay that never catches up with its nonstop visual agenda.  An imperfect genre smash set at the end of the universe, Metalstorm: The Destruction of Jared-Syn 3D may not achieve all it hoped yet, remains a mildly entertaining B-grade space adventure with intentions of more installments that never came to fruition.

    Newly remastered in both 3D and 2D, Scream Factory presents Metalstorm: The Destruction of Jared-Syn with a 1080p transfer, sporting a 2.35:1 aspect ratio.  In their first 3D-related release since Amityville 3-D, the horror/cult subdivision of Shout! Factory supplies each version of the film on their own Blu-ray disc.  Kindly alerting viewers of unresolvable issues on the source material for its 3D form, depth reaching attempts from Baal lunging with his cyborg arm and laser blasts whizzing towards the screen work nicely while, occasional out of focus photography creates hazier outlines around characters that can be sometimes dizzying to the eye.  Additionally, and true to Scream Factory’s disclaimer, darker smudges in corners of the frame arise throughout the film that although unpleasant, are understandable given the state of the vault materials.  A retro serving of antiquated 3D effects work, Metalstorm: The Destruction of Jared-Syn is hardly reference quality for the format but, still offers several moments of depth-filled goofiness that may or may not rattle your vision.  More preferable for obvious reasons, the 2D version has healthy layers of film grain that only occasionally teeter into murky waters given the film’s desert-like location.  Otherwise, skin tones are pleasing, detail is revealing in Moll’s Cyclops makeup and print damage is largely infrequent.  Equipped with a DTS-HD Master Audio 5.1 mix, the track is very middle of the road offering audible dialogue levels while, more action-oriented sequences and accompanying sound effects fail to make stronger impacts.  In addition, an optional DTS-HD Master Audio 2.0 mix of comparable quality is also included.  

    Special features (located on the 2D disc version) include, Ballyhoo Motion Pictures’ latest featurette High Noon at the End of Universe: The Making of Metalstorm (42:13).  Catching up with a multitude of talking heads including, Director/Producer Charles Band, Actors Jeffrey Byron, Richard Moll, Tim Thomerson, Screenwriter/Co-Producer Alan J. Adler and former Fangoria Editor-in-Chief Michael Gingold, Daniel Griffith’s excellently edited and nicely constructed effort is an enjoyably interesting watch.  Also included, a Still & Promotional Gallery (10:26), the Theatrical Trailer (1:23) and a Radio Spot (0:30).

    Concluding on an open-ended note that was never explored again, Metalstorm: The Destruction of Jared-Syn 3D may not be nearly as cool as its advertisements built up but, achieves a vast array of special effects and nifty creature designs that can be enjoyed by all ages.  A welcome and overdue return to hi-def 3D, Scream Factory rolls the dice on this science fiction fantasy from Empire Pictures founder Charles Band that although plagued with inherent issues, appreciatively provides viewers with both 2D/3D options.  Joined by Daniel Griffith’s wonderful new retrospective that’s worth the price of admission alone, Metalstorm: The Destruction of Jared-Syn 3D’s mileage will vary by viewer but, will be a no-brainer for lifelong fans of Band’s illustrious career in the world of cult cinema.

    RATING: 3/5

    Available now from Scream Factory, Metalstorm: The Destruction of Jared-Syn 3D can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • The Dead Room (2015) Blu-ray Review

    The Dead Room (2015)

    Director: Jason Stutter

    Starring: Jed Brophy, Jeffrey Thomas & Laura Petersen

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Set in New Zealand, The Dead Room centers on a trio of ghost hunters as they investigate strange happenings at an abandoned farmhouse.  Before long, skepticism morphs into full-blown fear when supernatural forces make their presence known to the unwanted visitors.

    Inspired by the local legend of Central Otago, New Zealand, the contrasting methods of science and faith converge to uncover the unsettling truths behind a haunted home in this slow-build snoozer.  Descending upon the forsaken abode, two technologically savvy and scientifically minded paranormal investigators (Jed Brophy, The Hobbit: An Unexpected Journey and Jeffrey Thomas, The Light Between Oceans respectively) joined by twentysomething medium Holly (Laura Petersen, Shopping) waste little time rigging their equipment in hopes of capturing evidence of the otherworldly to no such avail.  With little exposition and minimal character development, The Dead Room crawls at a snail’s pace before yawn-inducing bumps in the night and howling winds finally signal the trio’s cameras and nerves into believing ghostly apparitions are near.  While Holly intuitively senses her intrusion upon the homestead, uneasy techie Liam is urged by his scientific superior Scott to remain together until conclusive evidence can be obtained of their supposed haunting.  Swinging doors and thrown furniture continue the parlor tricks of the entity as onscreen fear fails to convert restless viewers.  With a promising setup and breezy runtime, The Dead Room attempts to desperately possess audiences in its fleeting moments with the discovery of an unexpected guest and a ghostly twist that feels far too rushed and questionably unexpected to make any redeeming impact.  Establishing little to no emotional connection to its characters and making sluggish strides in suspense, The Dead Room is unfortunately all bark and no bite.

    Scream Factory presents The Dead Room with a 1080p transfer, sporting a 2.40:1 aspect ratio.  Reading expectedly sharp for a feature of its era, skin tones from Holly’s pale-pigment to the aging lines of lead scientist Scott are natural and well-defined.  Meanwhile, textures in the green and purple wall paint of the haunted home are strongly relayed with black levels appearing generally inky with no heavy instances of crush with only minimal splotchiness in facial features during the film’s basement set climax.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue is effortlessly handled with the creaky floors, glass breaking and door slamming sound effects of the specter making excellent motions on the track.  In addition, an optional DTS-HD Master Audio 2.0 mix has also been provided.  Lastly, the disc’s sole supplement is the film’s Trailer (1:43).

    Exhaustively sedate and gapingly monotonous, The Dead Room strives to use its slow-pace and less is more approach to its strengths while, colorless character development and uneventful occurrences sacrifice its true potential.  Shortchanging its runtime and concluding on a go for broke jump scare, the Kiwi-based production gravely disappoints whereas its high-def presentation at least makes worthwhile strides in its crisp photography and effective soundscape.

    RATING: 2.5/5

    Available now from Scream Factory, The Dead Room can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Assault on New Releases #10 - Scream Factory Edition: The Boy Who Cried Werewolf (1973), Invasion of the Body Snatchers (1978) Collector's Edition & Bite (2015) Blu-ray Reviews

    The Boy Who Cried Werewolf (1973)

    Director: Nathan Juran

    Starring: Kerwin Mathews, Elaine Devry, Scott Sealey & Robert J. Wilke

    Released by: Scream Factory

    Reviewed by Mike Kenny

    After a father-son camping excursion results in dear old dad getting bit by a bloodthirsty beast, The Boy Who Cried Werewolf focuses on curly-haired son Richie (Scott Sealey, Emergency!) and his unsuccessful attempts to prove to the local townsfolk that his father will morph into a turtleneck wearing hairy savage at the next full moon.  In his final directorial effort, Nathan Juran (Attack of the 50 Foot Woman, The 7th Voyage of Sinbad) reteams with leading man Kerwin Mathews for this rather bland, modern day retelling of the famous folktale.  Highlighting the sign of the times with Richie’s parents being divorced and turning to child psychology for answers to their son’s manic stories, The Boy Who Cried Werewolf exudes a TV movie atmosphere that struggles to scare while, unintentionally bringing smirks to viewers’ faces courtesy of the film’s enjoyably dated werewolf design.  As Richie’s pleas go unanswered, secondary characters including, a camper humping couple, a monster believing psychologist (George Gaynes, Police Academy) and most hilariously, a bible hugging cult of hippies led by a Jerry Garcia looking messiah cross paths with the beast, few leaving with their lives.  Concluding uneventfully with a setup to a sequel that was not meant to be, this harmless PG rated opus mildly charms with its yesteryear plotting during such an artistically groundbreaking decade while, remaining largely forgettable for its bygone approach.  Paired with the snake-slithering shocker Sssssss throughout its drive-in heyday, The Boy Who Cried Werewolf earnestly howls for suspense but, unfortunately comes up scareless.

    Never before available, Scream Factory presents The Boy Who Cried Werewolf with a new 1080p transfer, sporting a 1.78:1 aspect ratio.  Amid instances of minimal speckling, occasional cigarette burns and sporadic nighttime scenes possessing overly grainy appearances, the film’s color scheme is strong and vibrant with detail looking pleasingly sharp.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is efficiently relayed while, werewolf howls and the film’s few music cues make decent, if not limited, impacts on the otherwise basic track.  Unsurprisingly limited, special features include, a Photo Gallery (3:32) and the film’s Original Theatrical Trailer (2:24).  However lackluster the tame, fang-toothed feature is, horror/cult saviors Scream Factory must be graciously thanked for rescuing and presenting, for the first time on home video, a cobweb invested picture such as The Boy Who Cried Werewolf for horror enthusiasts to experience in noteworthy quality.

    RATING: 2.5/5

    Available now from Scream Factory, The Boy Who Cried Werewolf can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

    Invasion of the Body Snatchers (1978)

    Director: Philip Kaufman

    Starring: Donald Sutherland, Brooke Adams, Leonard Nimoy, Jeff Goldblum & Veronica Cartwright

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Kickstarting a movement of science fiction makeovers for golden age classics that would permeate the following decade, Invasion of the Body Snatchers takes place in San Francisco where Department of Health associates Matthew (Donald Sutherland, Don’t Look Now) and Elizabeth (Brooke Adams, The Dead Zone) discover a dark phenomenon of mysterious pods cloning the population and discarding the human originals.  Plagued by fear and paranoia, the silent overtaking of the planet increases aggressively as the desperate duo and their equally frantic friends rush to save the human race.  Impressively hailed by audiences and critics alike for its gloomy tone and nail biting suspense, Director Philip Kaufman’s (The Right Stuff) modernization earns the rare honor of taking a revered concept and pollinating it with unique touches that both adheres and expands upon its foundation.  Featuring an eclectic pool of talent from Sutherland and Adams to genre legend Leonard Nimoy (Star Trek), Veronica Cartwright (The Birds) and an early appearance from a youthfully scrawny Jeff Goldblum (Jurassic Park) as a failed poet, all are perfectly in synch while, original Body Snatchers star Kevin McCarthy returns for a glorified cameo as a frightened civilian forewarning the danger coming.  Seeped in a cloud of dread that the cast admirably conveys through their frightened performances, Invasion of the Body Snatchers impresses doubly with its gooey special effects work that spotlights unsettling reproductions of the cast being birthed via pods.  In addition, a crossbred dog possessing its human owners face stands as yet another unforgettable snippet of disturbing imagery that enhances the film’s fear inducing aura.  While Jack Finney’s novel has inspired two more adaptations in the wake of Kaufman’s slow-building box-office favorite, 1978’s Invasion of the Body Snatchers is a championed chiller that will leaves audiences in a state of hypnotic fear all the way to its shocking conclusion.

    Scream Factory presents Invasion of the Body Snatchers with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Appreciatively scanned in 2K from the interpositive, the pod people redo looks refreshingly crisper than previous releases with a filmic quality throughout and colors respectfully leveled to more natural appearances.  Furthermore, detail is most impressive during pod birthing scenes allowing viewers to marvel at the intricate cob-like effects work on the bodies.  While the atmospherically dark cinematography still possesses moderate levels of noise speckling, Scream Factory’s handsome new transfer is a breath of preferable fresh air that should easily appease viewers.  Equipped with a perfectly satisfactory DTS-HD Master Audio 5.1 mix that relays dialogue and startling sound effects effortlessly, an optional DTS-HD Master Audio 2.0 mix has also been included.  Entered into the label’s esteemed Collector’s Edition series, bonus features include, an Audio Commentary with Author/Film Historian Steve Haberman plus, a second vintage Audio Commentary with Director Philip Kaufman.  Other newly recorded supplements courtesy of the relentlessly talented Cavetown Pictures include, Star-Crossed in the Invasion with Brooke Adams (9:06) where the leading lady recounts her working relationship with Kaufman who allowed her to write her own scene in the film as well as her reservations appearing nude on screen.  Next up, Leading the Invasion with Art Hindle (25:04) who portrayed Adams’ quickly overtaken beau recalls his lifelong obsession with science fiction in this chatty featurette while, Re-Creating the Invasion with W.D. Richter (15:43) finds the writer discussing the San Francisco setting of the film and his original intentions and ultimate alterations that occurred throughout the film’s making.  In addition, Scoring the Invasion with Denny Zeitlin (15:34) explores the composer’s sole film credit and his unique approaches to the material.

    Ported over from MGM’s previous Blu-ray release, Re-Visitors from Outer Space, or How I Learned to Stop Worrying and Love the Pod (16:14) features insight from Kaufman, Sutherland, Richter, Cartwright and others on the film’s enduring impact.  Practical Magic: The Special Effects Pod (4:38) allows SFX Artist Howard Preston to detail the creation of the film’s impressive opening sequence while, The Man Behind the Scream: The Sound Effects Pod (12:47) and The Invasion Will Be Televised: The Cinematography Pod (5:24) explores the film’s evocative sounds and camerawork respectively.  Lastly, the Theatrical Trailer (2:13), TV Spots (1:02), Radio Spots (4:46), a Photo Gallery (74 in total) and a bonus episode of Science Fiction Theatre’s “Time Is Just A Place” (25:53) based on Finney’s short story and directed by Jack Arnold (The Creature from the Black Lagoon) is also included.  Beautifully packaged bearing Justin Osbourn’s newly rendered artwork, a Reversible Cover Art featuring the film’s original 1-sheet poster concludes the stacked supplemental offerings.  At the risk of pumping a dry well by upgrading a previously available favorite, Scream Factory has made the decision a no-brainer with a new top-notch 2K transfer, a pod sized offering of new and vintage extra features and an exceptional new cover design that trumps the original poster art.  If the seed hasn't been planted more firmly, Invasion of the Body Snatchers Collector’s Edition easily earns a spot in your growing collection of cult gems.

    RATING: 4/5

    Available August 2nd from Scream Factory, Invasion of the Body Snatchers can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

    Bite (2015)

    Director: Chad Archibald

    Starring: Elma Begovic, Annette Wozniak, Denise Yuen, Jordan Gray & Lawrence Denkers

    Released by: Scream Factory

    Reviewed by Mike Kenny

    After returning from a Dominican Republic getaway, Bite centers on uncertain bachelorette Casey (Elma Begovic, Save Yourself) as she succumbs to an infected bug bite that grossly alters her both physically and mentally.  Introducing viewers to a trio of girlfriends through the lens of their shaky camera as alcohol consumption, self-doubt and infidelity paint the portrait of their tropical vacation, Bite spares viewers further found footage style filming as the narrative thankfully reverts to traditional means.  Nursing an itchy insect bite received abroad, Casey’s case of marital cold feet and guilty conscience weighs heavily on the soon-to-be bride as she contemplates her true desires.  Disdained by her fiancé’s mother who disapproves of premarital sex, Casey’s uncertainty of her future increases as her health rapidly declines in the days to come.  Developing hypersensitive hearing and an endless urge to purge, Casey’s metamorphosis into a yellow-eyed, larva spewing insectoid with a killer instinct breeds creepy carnage for those who cross her path.  Embraced by audiences at Montreal’s Fantasia International Film Festival, Bite suffers from subpar acting, indubitably caused by its shaky screenplay that lacks meat on its bones.  While Casey’s troubling martial woes and dramatics brought upon by her jealous best friend are established if not, secondary to the film’s anticipated moments of gooey nastiness, Bite’s true saving grace is found in star Elma Begovic’s bold performance that strips away her attractive looks for the benefit of becoming a snarling, bug-eyed creature.  Much like Casey’s husband is forced to wait on consummating, viewers are tasked with settling for a mediocre tale until the anti-hero spews acidic vile upon her mother-in-law from hell and engages in a fatal girl on girl smooch while, a head crunchingly awesome blow befalls the creature formally known as Casey.  An impressive showcase of modern day special effects magic with minimal CG enhancements, Bite may not infest in all the right ways but, excels when living up to its creature feature markings.  

    Scream Factory presents Bite with a 1080p transfer, sporting a 2.35:1 aspect ratio.  While early POV footage ranks as some of the more crisper moments of the film, the remainder casts a colder, intentionally shadowier appearance that boasts respectable black levels yet, lacking continuous streams of detail.  Free of any unsightly anomalies, Bite looks as pleasing as can be.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue is relayed with sterling clarity while, the slimy sound effects of Casey’s ever-changing body equally impresses.  In addition, an optional DTS-HD Master Audio 2.0 mix has also been included for your listening pleasure.  Special features include, an Audio Commentary with Writer/Director Producer Chad Archibald and Co-Producers Cody Calahan & Christopher Giroux.  Furthermore, five behind-the-scenes featurettes consisting of Makeup (5:42), On Set (6:02), Fantasia (5:53), Chad’s Wedding (5:16) and Dominican (5:30) are also joined by the film’s Theatrical Trailer (1:23) plus, a Reversible Cover Art.  Enjoyably revolting when it wants to be, Bite may make viewers wait for its more larva discharging moments but, thankfully makes the ride worth it in this commendable creepy crawly feature.

    RATING: 3/5

    Available August 2nd from Scream Factory, Bite can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Hellhole (1985) Blu-ray Review

    Hellhole (1985)

    Director: Pierre De Moro

    Starring: Ray Sharkey, Judy Landers, Marjoe Gortner, Edy Williams, Terry Moore & Mary Woronov 

    Released by: Scream Factory

    Reviewed by Mike Kenny

    After witnessing the brutal death of her mother and harboring incriminating evidence against her attacker, Hellhole finds amnesiac teen Susan (Judy Lander, Dr. Alien) recovering in Ashland Sanitarium where her assailant continues to stalk her.  Making matters worse, sanitarium head Dr. Fletcher (Mary Woronov, Rock ’n’ Roll High School) carries out shocking lobotomy experimentations in a dingy lab with Susan targeted as her next subject.  Ray Sharkey (The Idolmaker), Marjoe Gortner (Bobbie Jo and the Outlaw), Edy Williams (Bad Girls from Mars) and Terry Moore (Mighty Joe Young) co-star.

    Cut from the same cloth as other incarcerated women pictures, Hellhole devises a slightly unique setup to compliment its dependably sleazy tropes.  Surviving an attack that left her mother dead, blonde beauty Susan wakes up with no memory in a sanitarium for mentally troubled females.  Disguised as an orderly, Silk (Sharkey), the leather-clad murderer with a penchant for nursery rhymes, monitors the teen in hopes of finishing what he started before Susan can regain her memory.  Assisted by caring hospital staffer Ron (Richard Cox, Cruising) who believes the sanitarium is harboring its own secrets, Susan finds herself caught in the web of the deranged Dr. Fletcher whose sexual desires and ungodly experimentations on the inmates spell certain doom for those who cross her path.  Struggling to survive and expose the hellish torture chambers on property, Susan and Ron must combat the depraved and homicidal abusers before they become permanent guinea pigs of the nightmarish institution.  

    Appropriately supplied with seedy characters, shower brawls, lesbian fueled mud baths and titillating levels of nudity, Hellhole makes good on its marketed ingredients while, the cat and mouse pursuit of a murderer and its big-haired starlet provide a suspenseful twist to the tantalizing T&A festivities.  Led by a cult curated roster of talent including, Ray Sharkey as the leather-daddy thug and Mary Woronov as the film’s prototypical wicked warden figure who administers syringes into the heads of her victims, fellow genre stars Robert Z’Dar (Maniac Cop), Cliff Emmich (Halloween II) and Dyanne Thorne (Ilsa: She Wolf of the SS) as a delusional inmate also make welcome appearances.  Approved by drive-in cinema connoisseur Joe Bob Briggs, Hellhole melds scantly clad women, psychotic experimentations and a murder plot to deliver an admirable and just unique enough installment into the women behind bars subgenre, well worth spending time in solitary confinement with.

    Scream Factory presents Hellhole with a 1080p transfer, sporting a 1.78:1 aspect ratio.  Alerting viewers that the utilized interpositive was missing scenes, a 35mm print of the film was incorporated to present the feature in its complete form.  Boasting pleasing skin tones that only occasionally favor pinkish hues, black levels are strongly supported with a generally inky appearance and minimal instances of muddiness.  Matching the look of the higher quality interpositive to the best of their abilities, the change in elements is minimal with only fleeting notices of vertical lines spotted.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is adequately handled with only minor pops heard during reel changes.  Meanwhile special features include, a newly recored Interview with Mary Woronov (4:54).  Although brief, Woronov is spirited throughout her sit-down and recalls having a ball on the set of a film she thought no one would ever remember.  In addition, the Theatrical Trailer (1:54) and a DVD edition of the release is also included.

    After countless delays and two years of searching for sufficient elements, Hellhole makes its long-awaited HD debut much to the glee of cult cinema addicts.  With over the top performances peppered throughout and remaining true to its sleazy tropes while, injecting a welcome murderous subplot more in tune with traditional horror fare, Hellhole deserves honorable mention in the pantheons of chicks in chains cinema.  Refusing to throw in the towel during their endless pursuit, Scream Factory rightly deserves praise for ensuring this forgotten trashfest saw the light of day once more.

    RATING: 3/5

    Available now from Scream Factory, Hellhole can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • The Return of the Living Dead (1985) Collector's Edition Blu-ray Review

    The Return of the Living Dead (1985)

    Director: Dan O’Bannon

    Starring: Clu Gulager, James Karen, Don Calfa, Thom Mathews, Beverly Randolph, John Philbin, Jewel Shepard, Miguel Núñez, Brian Peck, Linnea Quigley & Mark Venturini

    Released by: Scream Factory

    Reviewed by Mike Kenny

    When an employee’s rookie mistake at a medical supply warehouse releases a toxic gas, The Return of the Living Dead finds corpses reanimating from a nearby cemetery with an undying hunger for human brains.  While a hard-partying pack of punks rage the night away, the ravenously deceased intend to make the tough-looking teens their main course.  Featuring a diverse cast from Clu Gulager (The Last Picture Show) and James Karen (Wall Street) to Thom Mathews (Friday the 13th Part VI: Jason Lives) and scream queen Linnea Quigley (Night of the Demons), this beloved horror-comedy proudly declares it’s party time!

    Cheekily proclaiming itself to be based on true events, The Return of the Living Dead is a brain-chomping romp that seamlessly blends the frightening takeover of zombies with the comedic knee-jerk reactions of those caught within its grasp.  Shortly after warehouse foreman Frank (Karen) introduces new employee Freddy (Mathews) to a decrepit military tank containing a reanimated corpse, faulty craftsmanship unloads a toxic gas into the air jumpstarting their Fourth of July weekend for the worse.  Uncontrollably hacking from the fumes and panicking over the disappearance of the bottled body, the two nervous nellies call warehouse superior Burt (Gulager) after a previously frozen cadaver grows energetically impatient in the meat locker.  While the trio attempt to hack and slash their problems to pieces, Freddy’s girlfriend Tina and his gang of leather-clad punker pals kill time in the graffiti-laden cemetery near the medical supply warehouse.  After several failed attempts to return the cadaver to its quieter state, the blue-collar workers swing by the local mortuary hoping to coax undertaker Ernie (Calfa) to incinerate the chopped up limbs, unknowingly unleashing the fumes into the rainy exterior to bring life to the cemeteries longterm residents who return with an appetite for brains.  Surrounded by hundreds of flesh-eating zombies, the middle-aged adults and punks find themselves combining their efforts to keep the undead far from their noggins.   

    From a story co-conceived by John Russo (Night of the Living Dead), Dan O’Bannon’s directorial debut aptly separates itself from George A. Romero’s groundbreaking, if not grimmer, series of zombie features with a refreshing take that keeps its tongue steadfast to its cheek.  Featuring two universally different groups of characters that work hard for the money while, partying and zero responsibility define the younger rebels, The Return of the Living Dead, exemplified by its teased hairstyles and punktastic soundtrack featuring such acts as 45 Grave, The Cramps and The Flesh Eaters affirms itself as the definitive zombie feature for the 80s.  Showered with knee-slapping one liners, topnotch makeup effects and a career making striptease atop a tombstone from the vivacious Linnea Quigley who remains in her birthday suit for the duration of the film, The Return of the Living Dead has endured and entertainingly corrupted more brains than imagined proving this genre-blending cocktail is more than a statement, it’s a bloody fun lifestyle!

    Boasting a new 2K scan from the inter-positive, Scream Factory presents The Return of the Living Dead with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Supporting a noticeable boost in contrast with skin tones appearing more natural than ever before, colors found in the punks’ loud ensembles and the gooey zombie designs are of particular mention, easily trumping previous releases more subdued appearances.  Meanwhile, black levels are strongly handled crowning Scream Factory’s presentation as the definitive go-to transfer for the cult feature.  Equipped with the film’s Original DTS-HD Master Audio 2.0 Mono mix, fans will be pleased to hear the zombies original dialogue on the track while, The Damned’s “Dead Beat Dance” remains MIA but not for the lack of trying on Scream Factory’s behalf.  Joined by a sizably impressive DTS-HD Master Audio 5.1 mix that relays dialogue with ease and ups the ante on the film’s punk soundtrack, an additional DTS-HD Master Audio 2.0 Stereo mix has also been included for your listening pleasure.  Easily Scream Factory’s most packed Collector’s Edition release to date, the multitude of bonus content spans two discs with Disc 1 featuring a new Audio Commentary with Author Gary Smart and Chris Griffiths, along with a second newly-produced Audio Commentary with Actors Thom Mathews, John Philbin & Make-Up Effects Artist Tony Gardner.  Furthermore, two vintage Audio Commentaries featuring Director Dan O’Bannon and Production Designer William Stout along with a Cast and Crew edition hosting Production Designer William Stout and Actors Don Calfa, Linnea Quigley, Brian Peck, Beverly Randolph & Allan Trautman are also included.  Ported over from the previous MGM release, The Decade of Darkness (23:23) is a thoroughly impressive featurette on ‘80s horror cinema with such talking heads as Joe Dante (The Howling), Stuart Gordon (Dolls), Elvira, John Landis (An American Werewolf in London) and others featured plus, Theatrical Trailers (8:31), TV Spots (5:22), a Still Gallery (86 in total) showcasing Posters, Lobby Cards, Movie Stills and other Behind-the-Scenes materials whereas a second Still Gallery (23 in total) displays photos from Special Make-Up Effects Artist Kenny Myers’ personal collection.  Finally, Zombie Subtitles for the film and In Their Own Words - The Zombies Speak where onscreen descriptions for what the brain eaters are thinking round out the disc’s supplements.

    Continuing the onslaught of special features, Disc 2 hosts the phenomenal More Brains: A Return to the Living Dead (1:59:43) documentary from 2011, The FX of the Living Dead (32:49) where Production Designer William Stout, Special Effects Make-Up Artists William Munns, Tony Gardner, Actor Brian Peck and others discuss the development and designs of the film’s undead characters while, Party Time!: The Music of Return of the Living Dead (29:31) catches up with Music Consultants Budd Carr, Steve Pross, Dinah Cancer of 45 Grave, Chris D of The Flesh Eaters, Greg Hetson of The Circle Jerks and many more on how the building of the soundtrack on a limited budget was achieved.  Next up, Horror’s Hallowed Grounds (10:15) finds host Sean Clark as he revisits many of the film’s shooting locations today, A Conversation with Dan O’Bannon: The Final Interview (28:32) is a candid and at times tearjerking sit-down with the film’s writer/director as he discusses the many challenges and rewards that came with making the film while, The Origins of Return of the Living Dead (15:12) interviews John A. Russo.  In addition, The Dead Have Risen (20:34) interviews the cast of the film in this vintage yet, highly entertaining featurette, Designing the Dead (13:39) hosts Writer/Director Dan O’Bannon and Production Designer William Stout as they chart their early beginnings in the industry and their eventual collaboration.  Lastly, although appearing in rough shape and SD sourced, the Workprint Version of The Return of the Living Dead (1:48:05) offers fans an early, 20 extra minute cut of the film for preservations sake.  Advertised with Graham Humphreys exceptional new cover design, the Reversible Cover Art features the film’s original 1-sheet poster imagery as well.

    Darkly hilarious and carnivorously campy, The Return of the Living Dead remains one of the zombie genres greatest efforts with its party-like atmosphere and punk rock attitude loudly making itself known as the most fun you’ll have evading the undead.  A cult classic in the truest sense, Scream Factory has stepped up to the plate to salute the brain-eating feature with a glorious new 2K transfer, several audio options and their most impressive output of bonus features yet amounting to over 12 whopping hours of content.  As definitive as can be, more brains won’t be necessary as Scream Factory’s Collector’s Edition of The Return of the Living Dead will surely quench the appetites for both the living and the reanimated.  It’s party time!!!

    RATING: 5/5

    Available July 19th from Scream Factory, The Return of the Living Dead can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Bad Moon (1996) Blu-ray Review

    Bad Moon (1996)

    Director: Eric Red

    Starring: Mariel Hemingway, Michael Paré & Mason Gamble

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Shortly after suffering an attack during an exotic expedition, Bad Moon finds Ted Harrison (Michael Paré, Streets of Fire) attempting to conceal his curse of transforming into a savage werewolf from his older sister Janet (Mariel Hemingway, Manhattan) and young nephew Brett (Mason Gamble, Dennis the Menace).  As local bodies being turning up around their isolated community, Ted strives to pass the blame onto his sister’s loyal German Shepherd who is acutely aware of the true monster at work.

    Adapted from Wayne Smith’s novel Thor, Writer/Director Eric Red’s (Cohen and Tate) lycanthropic feature casts a full moon of shocks and bloodshed against a family driven tale centered around a boy and his dog.  Opening in Nepal, photojournalist Ted Harrison is disrupted from a passionate lovemaking session in his tent when a towering, fanged wolf tears his lay to shreds, leaving him gashed and barely alive.  Shortly after returning home, Ted is harboring a dark ailment he believes can only be cured by the company of his loved ones.  Crashing with his older sister Janet and blonde-haired, blue-eyed nephew Brett proves hazardous as local hikers and drifters are found brutally murdered, reportedly believed to be the work of a wild animal.  While his owners are startled yet never second guess the events, Janet and Brett’s protective German Shepherd Thor picks up a suspicious scent from Uncle Ted that can’t be shaken.  Consumed by his curse and selfishly attempting to pawn his bloodthirsty deeds off on the K9, Thor is hauled off by Animal Control leaving his distraught owners to fend for themselves against the true terror waiting in their own wilderness.  

    With the exception of the fangtastic werewolf design courtesy of special effects wiz Steve Johnson (A Nightmare on Elm Street 4: Dream Warriors) and a generous helping of throat-ripping and face-slashing gore, Bad Moon is fairly straightforward during its tightly-constructed 79 minute runtime while its performances never fully resonate.  Signing off on a strong note with a suspenseful showdown between wolf and mutt plus, a last-minute jump scare for good measure, Bad Moon, although not overwhelmingly memorable, is a commendable inclusion into the beastly subgenre that was all but banished to hibernation by the time of its release.

    Scream Factory presents Bad Moon with a 1080p transfer, sporting a 2.40:1 aspect ratio.  Capturing strong skin tones that only occasionally favor a redder pigment, well-balanced black levels and a presentation free of discouraging scuffs or scratches, Bad Moon makes a striking debut on high-definition.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue is perfectly audible while the shrieking howls of the wolf, gunshots and Thor’s bark make for a most effectively trembling listen.  An optional DTS-HD Master Audio 2.0 mix has also been included.  In addition to presenting Eric Red’s approved Director’s Cut (1:19:25) that merely exorcises the rather dated CG werewolf transformation and the Original Theatrical Cut (1:19:51), special features include, a newly recorded Audio Commentary with Writer/Director Eric Red on his preferred cut plus, an additional Audio Commentary with Writer/Director Eric Red & Actor Michael Paré on the latter version.  Furthermore, the first-rate Nature of the Beast: Making Bad Moon (35:17) looks back on the development and impact of the film with new interviews from Writer/Director Eric Red, Actors Michael Paré and Mason Gamble plus, Special Effects Make-Up Artist Steve Johnson among others.  Also included, the VHS sourced Unrated Opening Scene from the Director’s First Cut (6:07), the Original Theatrical Trailer (1:06) and Transformation Sequence Storyboards (6:30), Thor/Werewolf Fight Storyboards (9:40) and Thor Stares Down Uncle Ted Storyboards (4:15) wraps up the surprisingly loaded sum of supplements.

    Hardly as memorable as its werewolf brethren from a decade earlier, Bad Moon supplies ample entertainment in the splatter department while Steve Johnson’s more grayed design work of the monster is call for applause.  Arriving technically sharp-looking and fluid sounding, Scream Factory celebrates this mid-‘90s howlfest in style that although not credited under their illustrious Collector’s Edition banner, acts the part in the quality and quantity of its bonus features.

    RATING: 3.5/5

    Available July 19th from Scream Factory, Bad Moon can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Slasher: Season One Blu-ray Review

    Slasher: Season One 

    Director: Craig David Wallace

    Starring: Katie McGrath, Brandon Jay McLaren, Steve Byers, Dean McDermott & Wendy Crewson

    Released by: Scream Factory

    Reviewed by Mike Kenny

    30 years after her parents were brutally slain, Slasher finds Sarah Bennett (Katie McGrath, Jurassic World) and her husband Dylan (Brandon Jay McLaren, Tucker and Dale vs. Evil) returning to her hometown of Waterbury when a series of copycat murders begin occurring.  With each victim’s death centered around one of the seven deadly sins, the identity of The Executioner comes into question as the original killer remains behind bars.  With the sleepy community’s body count rising, dark secrets of those closest to Sarah are brought to light making everyone a potential suspect.

    Descending from the northern region that bred such classics as My Bloody Valentine and Prom Night, Slasher rewards fans of body count pictures with a contemporary model that adheres to the beloved tropes of its influences while taking advantage of its episodic narrative to concoct a mysteriously geared plot and multi-layered characters.  Headlined by rising newcomer Katie McGrath whose Irish accent sneaks its way into many a episodes, Sarah Bennett’s return to her hometown of Waterbury is met with promise before slowly unraveling when a new series of murders takes place modeled after the seven deadly sins.  Racially and sexually diverse, Sarah’s friends and fellow townspeople including gay couple Justin (Mark Ghanimé, Helix) and Robin (Christopher Jacot, Rogue), her husband’s boss and publisher of the Waterbury Bulletin Alison Sutherland (Mayko Nguyen, Cracked) and the incarcerated Tom Winston (Patrick Garrow, Poltergeist) responsible for the murder of Sarah’s parents all become targets of the blade-wielding Executioner.  Shortly after surviving her own brush with the masked murderer, Sarah’s investigation into her past reveals unsavory secrets and deeply buried skeletons in the closet that paint a disturbing picture of the parents she never knew.  Determined to learn the truth regarding her parents and insight into who may be responsible for the new killings, Sarah relies on visits with Tom Winston to pave the way to answers.  Meanwhile, Sarah’s husband Dylan, serving as editor-in-chief of the local paper is conflicted when his own journalistic drive for a career making story unveils a series of lies pertaining to his relationship with his wife.  

    Notably influenced by John Carpenter’s Halloween and modern cult favorite It Follows, Slasher boasts a sometimes overabundant cast of characters, each with their own dark secrets that luckily all pay off with unexpected plot twists, intensely graphic demises or both.  Starring a cast of predominant Canucks, Dean McDermott (Power Play), impressively bouncing back from reality television hogwash, appears as Waterbury’s corrupt police chief and delivers the standout performance of the series showcasing the Toronto native’s diverse chops.  Creatively overseen by Creator/Writer Aaron Martin (The Best Years) and Director Craig David Wallace (Todd and the Book of Pure Evil), Slasher’s quality standards are evident in its plotting and suspense-driven jolts that never shy from cutting limbs off victims or showcasing a particularly unsettling drug overdose to make their violent points yet, gore never remains the primary focus for this tightly crafted whodunit.  Marking the Chiller Network’s first original program, Slasher may be horror’s closest answer to HBO’s True Detective with its small-town murder spree revived decades later where characters, many of whom corrupted by various factors, are hardly what they appear to be.  A fine melding of mystery, scandal and murder, Slasher may have minor setbacks namely its killer’s motivations but, its pros strongly outweigh its cons.

    Scream Factory presents Slasher with 1080p transfers, sporting 1.78:1 aspect ratios.  Presenting its eight episode debut season across two discs, black levels appear soundly inky with detail sharply evident in The Executioner’s leather hood while, skin tones look lush and natural.  Meanwhile, colors found in wardrobe choices and the show’s many blood splattering moments pop exceptionally well allowing for a respectably solid high-definition presentation for a modern series of its ilk.  Equipped with DTS-HD Master Audio 5.1 mixes, dialogue never suffers and is consummately projected with the series’ more climactic areas involving stalking sequences, frightened screams, gunshots and police sirens making effective statements.  In addition, optional DTS-HD Master Audio 2.0 mixes are also provided on each episode.  Although brief, the sole Behind the Scenes (14:59) featurette provides a decent general overview of the series’ making with the majority of the headlining cast on hand for interviews plus, Creator Aaron Martin and Series Director Craig David Wallace discuss the show’s influences ranging from John Carpenter and Brian De Palma to Dario Argento.

    Hitting a home run with their first slice of original content, Chiller Network’s Slasher takes obvious cues from its 70s and 80s influences while spearheading a modern mystery brought to life by a diverse pool of onscreen talent and ripe with some of television’s most grisly gore.  Basking in an era of top-quality, small screen frights, Slasher may be the new killer on the block but cuts to the point with its terrifying and scandalous turns leaving viewers glued.  In only their second television series acquisition to date, Scream Factory has made a razor-sharp call adding this acclaimed newcomer to their ever-growing catalog, one that horror hounds will surely find much to chomp into.

    RATING: 4/5

    Available July 12th from Scream Factory, Slasher: Season One can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • The Pack (2015) Blu-ray Review

    The Pack (2015)

    Director: Nick Robertson

    Starring: Jack Campbell, Anna Lise Phillips, Katie Moore & Hamish Phillips

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Set in the Australian Outback, The Pack centers on a struggling family whose secluded farmhouse is targeted by a swarm of bloodthirsty wild dogs.  Short on ammunition and largely outnumbered, the frightened family must outwit their predators to survive before becoming a serving of flesh for the four-legged attackers.

    Reviving the nature run amuck genre with the burgeoning home invasion thriller, The Pack is a tensely crafted achievement from first time director Nick Robertson that sinks its teeth into viewers’ jugulars and refuses to let go.  Threatened by loaners to foreclose on their home while struggling to pay their bills, sheep rancher Adam (Jack Campbell, Gabriel) and his veterinarian wife Carla (Anna Lise Phillips, Animal Kingdom), along with their two children, find themselves confronted with worse problems when their sprawling Australian farmland is overrun by flesh-eating wild dogs.  Camouflaged by the night, the pack of fang-toothed savages ferociously charge through windows to reach the appetizing skin of their victims while, the blue-collar family unsuccessfully attempt to shield entryways into their home.  When reaching out to the authorities proves graphically fatal for the cavalry, the family finds themselves on their own against the hairy beasts who manage to take generous bites out of Adam during several escape attempts.  With options running low, the physically drained family use the shadows and their delicate movements to navigate to safety before being forced to defend themselves with only a butcher knife, a tire iron and a handful of bullets. 

    Enforced by pulsating suspense and grisly depictions of the ravenous dogs feasting upon humans, The Pack operates predominately on dread while, allowing viewers to greatly sympathize for the family in peril and root for their survival.  Possessing a rabid-like madness with exceptional hunting skills at their disposal, the devil dogs strike genuine fear into each frame that will leave viewers howling in relief as the sun rises following the film’s never-ending night of terror.  An ozceptional effort from the Aussie shores, The Pack brings healthy doses of bloodshed and a nightmarish view of man’s best friend to the genre.

    Scream Factory presents The Pack with a 1080p transfer, sporting a 2.35:1 aspect ratio.  Shot predominately under the foreboding night skies, black levels are handsomely relayed allowing for facial details and the blood dripping fangs of the pack to be captured with ease.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue, although scant and secondary to the onscreen action, is audible while shrieking cues of window smashes, rifle shots and dog barks come across with impressive authority.  In addition, an optional DTS-HD Master Audio 2.0 mix has also been included.  Bonus features include, The Making of The Pack (7:57), a fairly standard and brief EPK featurette along with the Theatrical Trailer (1:49) and Reversible Cover Art.

    Joining the ranks of their more celebrated contemporary genre acquisitions, The Pack is a nail- biting, canine attacking thriller with an expert sense of suspense crafted by a first time filmmaker.  In conjunction with IFC Midnight, Scream Factory graciously shares this Aussie achievement with domestic audiences sure to be impressed by its unrelenting bite.

    RATING: 3.5/5

    Available July 5th from Scream Factory, The Pack can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • The Crush (1993) Blu-ray Review

    The Crush (1993)

    Director: Alan Shapiro

    Starring: Carly Elwes, Alicia Silverstone, Jennifer Rubin & Kurtwood Smith

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Forbidden love and obsession reign supreme in The Crush when writer Nick Eliot (Cary Elwes, Saw) catches the attention of his landlady’s young daughter Adrian (Alicia Silverstone, Clueless).  After respectfully being turned down by her older crush, Adrian will stop at nothing to turn Nick’s life into a living nightmare.  Jennifer Rubin (A Nightmare on Elm Street 3: Dream Warriors) and Kurtwood Smith (RoboCop) co-star.

    In the vein of Fatal Attraction, The Crush caters its tale of scandalous romance and unsettling revenge for a teenage demographic with many landing their own crush for young star Alicia Silverstone in her breakout performance.  Wise beyond her years, 14-year-old Adrian falls head over heels for houseguest occupant Nick whose flattery and ultimate rejection of the teen beauty alters his life for the worse.  Intruding on his personal space before forcefully kissing her wishful beau, Adrian’s persistence after being shunned takes a darker turn when Nick’s blossoming writing career is jeopardized, his car vandalized and his new girlfriend (Rubin) is hospitalized.  Fearing for his life and unable to escape from Adrian’s hold, Nick is delivered a devastating blow when the menacing minor accuses him of sexual assault, potentially destroying the writer’s life.  With fleeting options and publicly viewed as guilty, Nick’s efforts to definitively break his crush’s heart and clear his own name can only come at a violent cost.  Earning the former Aerosmith music video starlet two MTV Movie Award’s including Best Villain, The Crush may be best and rightly remembered for Silverstone’s seductively skitzo performance while, the true story inspired narrative does admirable work maintaining suspense throughout its rather violently tame plot.  Enjoyably simplistic with evenly applied thrills, The Crush sits handsomely next to other psychotic lovesick pictures of the era with Gen Xers’ nostalgia-fueled appreciation earning its cult credibility.

    Marking its Blu-ray debut, Scream Factory proudly presents The Crush with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Appearing clear and particularly lush in the green surroundings of the film’s central location, colors are strongly reproduced with skin tones always looking natural.  Lacking any overwhelming instances of dirt or debris, black levels are satisfactory while, its presentation is filmic and exceedingly pleasing to the eye.  Presented with a disclaimer alerting viewers of phasing issues present on previous releases that have been unfortunately carried over due to lack of better materials, the film’s DTS-HD Master Audio 5.1 mix suffers only mildly with dialogue registering slightly lower yet, audibly than anticipated.  Far from deal-breaking and with expectations appropriately adjusted, the mix is perfectly sufficient.  An optional DTS-HD Master Audio 2.0 mix with identical phasing issues is also included.  Meanwhile, special features include, a newly recorded Audio Commentary with Writer/Director Alan Shapiro, moderated by Nathaniel Thompson.  In addition, The Doting Father with Kurtwood Smith (9:59) finds the former That ‘70s Show star reminiscing on his brief but, enjoyable experience on the film, praising its cinematography and recalling Silverstone’s 16th birthday celebration on set.  Furthermore, Stung by Love with Jennifer Rubin (13:19) catches up with the genre appreciated actress as she discusses how her modeling days and handiness with a camera aided her performance on top of praising the acting abilities of co-stars Elwes and Silverstone.  Finally, the film’s Theatrical Trailer (2:03) and TV Spot (0:17) conclude the disc’s supplemental offerings.

    A seductive thriller fashioned for the MTV generation, The Crush’s greatest claim to fame remains its cinematic introduction to Silverstone who steals the show with her unhinged performance as a lovestruck teen gone psycho.  With an equally strong performance from Elwes, The Crush delivers its taste of suspense commendably, making it a worthy date night thriller.  Rewinding back to the days when UB40 and “Informer” blared across the radio waves, Scream Factory’s high-definition presentation and compact bonus features treats diehard fans with a cult favorite unworthy of breaking up with.

    RATING: 3/5

    Available June 21st from Scream Factory, The Crush can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Jeepers Creepers (2001) / Jeepers Creepers 2 (2003) Collector's Editions Blu-ray Reviews

    Jeepers Creepers (2001) / Jeepers Creepers 2 (2003)

    Director: Victor Salva

    Starring: Gina Philips, Justin Long, Jonathan Breck & Eileen Brennan / Ray Wise, Jonathan Breck, Eric Nenninger, Nicki Aycox & Luke Edwards 

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Knowing precisely what’s eating horror fans, Scream Factory, the horror/cult offshoot of Shout! Factory, presents the definitive home video releases of Director Victor Salva’s (Powder) modern monster features!  In Jeepers Creepers, siblings Trish (Gina Philips, Chained) and Darry (Justin Long, Tusk) are nearly ran off a desolate highway road only to later investigate what they believe are bodies being disposed of down a sewer pipe.  Literally biting off more than they can chew, the terrified teens find themselves targeted by a mysterious monster with a scent for fear.  Next up, Jeepers Creepers 2 centers on a broken down school bus transporting a team of high school athletes who have just become the Creeper’s newest course of flesh.  Testing their fears and own loyalty to one another, the team must stick together in order to survive the final night of the monster’s feeding cycle.   

    Debuting at the tail end of the waining slasher movie cycle, Jeepers Creepers is a consummately constructed ode to the monster movies of yesteryear with an antagonist that appropriately remains shrouded in the shadows and free of a deconstructive backstory.  Headlined by up and comers Gina Philips and Justin Long, the rural set shriekfest wisely makes the leads brother and sister in order to shatter the predictable lovers in peril scenario with the film’s focus prominently placed on their fear of what’s stalking them.  From a tense road game between the traveling teens and an eerie high-speed truck, Jeepers Creepers submerges viewers into the grim underworld of its monster as Trish and Darry foolishly investigate their attackers homestead only to discover a mausoleum of death.  Seeking salvation from the proper authorities, the unsuspecting officers are no match for what awaits them, ultimately leaving the siblings to fend for themselves.  Excellently performed by Jonathan Breck (Everybody Wants Some!!) while doused in impressive makeup design work, the mysterious otherworldly creature packs a sufficiently scary presence with only its computer-generated wingspan showing its age.  Sniffing out the desirable scent of fear, the film’s climax at a blacked-out police station welcomes several opportunities for jump scares and a tense conclusion that surprisingly doesn’t include a celebratory moment of relief for its survivors.  A box-office smash during its original release, Jeepers Creepers was a refreshing jolt of fear during a time when the genre found itself scatterbrained yet again.  Aging gracefully with a simplistic story that makes terror its central priority, Jeepers Creepers still entertains accordingly.

    Emerging two years after its predecessors instant success and downward slide following the September 11th attacks, Jeepers Creepers 2 returns to the scene with its terrorizing monster hungry for seconds.  Following the attack and abduction of his young son, Jack Taggart Sr. (Ray Wise, RoboCop), vows to take vengeance on the winged creature responsible.  Juxtaposing to the final day of the creature’s last eating cycle for the next 23 years, a school bus of athletes are stranded on a backcountry highway with jealousy, racial tension and homophobia tearing them apart.  As nightfall comes, the Creeper sets his sights on the tattered bus, sniffing out his potential victims in what proves to be the longest night of the students’ young lives.  With a larger budget and a bigger cast, Jeepers Creepers 2 follows common sequel tropes by increasing the body count and action set pieces yet, lacking the more intimate punch of its originator.  In addition, although Justin Long returns in a ghostly dream sequence warning clairvoyant cheerleader Minxie (Nicki Aycox, Joy Ride 2: Dead Ahead) of the doom awaiting her friends, the lack of former lead Gina Philips also returning greatly disappoints while, the current crop of characters are mostly unlikeable and almost always out for themselves.  Fortunately, the Creeper is far more high-powered in his latest outing, taking to the skies more frequently and serving up an especially fun decapitation via wing.  Restraining the cast to the enclosed school bus for the bulk of its runtime backfires as the thrills decrease with each passing minute while, Ray Wise’s revenge plot, awesomely carried out by a makeshift harpoon, arrives much later than anticipated.  Exceeding the box-office performance of the original film, Jeepers Creepers 2 proved there was more bite left in the franchise with plans for a third movie still being touted.  While the Creeper truly comes into greater form in the sequel and allows for a larger playing field for its action, Jeepers Creepers 2 ultimately lacks the tighter eeriness of its first effort.            

    Previously released in high-definition by MGM, Scream Factory presents both films with 1080p transfers, sporting 1.85:1 and 2.35:1 aspect ratios respectively.  With the original film bearing a new 2K scan of the interpositive, the sunny, rural exteriors appear even more lush than before while, skin tones are topnotch and black levels appear sharply inky with only fleeting instances of speckling.  Meanwhile, its sequel, presumably carrying its originally released transfer, remains equally as pleasing.  Equipped with DTS-HD Master Audio 5.1 mixes, each film makes dialogue prioritized for maximum clarity while, the films suspenseful scores and emphasis on gunshots and expected screams give tremendous rise to their designated sequences.  Furthermore, both film comes equipped with optional DTS-HD Master Audio 2.0 mixes as well.  

    Joining the ranks of Scream Factory’s lauded Collector’s Editions, Jeepers Creepers arrives with a new Audio Commentary with Writer/Director Victor Salva and Stars Gina Philips & Justin Long plus, a vintage Audio Commentary with Writer/Director Victor Salva.  Located on the original film’s second disc, Jeepers Creepers: Then and Now (36:45) is a newly recorded look back at the film, its making and continued impact with new insight from Writer/Director Victor Salva, Producer Barry Opper, Director of Photography Don FauntLeRoy, Editor Ed Marx and Actor Tom Tarantini.  Also included, From Critters to Creepers with Barry Opper (19:38) sits down with the film’s producer as he discusses his career highlights leading up to Salva’s monster movie including work on Android and the Critters franchise.  Next up, The Town Psychic with Patricia Belcher (16:34) catches up with the film’s clairvoyant character and how she landed the role while, Behind the Peepers: The Making of Jeepers Creepers (59:02) is ported over from its previous release alongside Deleted Scenes (17:13), a Photo Gallery (7:56), the Theatrical Trailer (1:54), a Radio Spot (1:00) and Reversible Cover Art featuring the film’s original 1-sheet design rounding the abundance of special features.

    Surprisingly more packed than the previous film, Jeepers Creepers 2 kicks off disc 1 with an Audio Commentary with Writer/Director Victor Salva and Stars Eric Nenninger, Josh Hammon, Nicki Lynn Aycox, Marieh Delfino, Garikayi Mutambirwa & Shaun Fleming.  In addition, a second Audio Commentary with Actor Jonathan Breck, Production Illustrator Brad Parker & Special Effects Makeup Artist Brian Penikas is also included.  Located on its second disc, Jeepers Creepers 2: Then and Now (22:34) finds Writer/Director Victor Salva, Producer Barry Opper, Director of Photography Don FauntLeRoy, Editor Ed Marx and Actor Tom Tarantin returning to discuss the success of the original film and the steps to produce a sequel of equal worth.  Next up, A Father’s Revenge with Ray Wise (15:20) captures a newly recorded sit-down with Wise on his involvement in the project and his love for horror while, Don’t Get off the Bus! (20:52) finds Actors Tom Tarantini, Thom Gossom Jr. and Diane Delano also reminiscing on their experiences.  Vintage supplements ported over include, A Day in Hell: A Look at the Filming of Jeepers Creepers 2 (26:43), Light, Camera, Creeper: The Making of Jeepers Creepers 2 (14:23), Creeper Creation (11:29), Jeepers Creepers 2: The Orphanage Visual Effects Reel (5:23) and Creeper Composer (9:26) featuring interviews with Composer Bennett Salvay and Writer/Director Victor Salva.  Finally, Storyboards (5:35), Deleted Scenes (15:51), two Photo Galleries (15:37), the Theatrical Trailer (2:13) and a Reversible Cover Art sporting the original 1-sheet design concludes the extensive bonus features.

    Separating the art and scandal of its creator, Writer/Director Victor Salva’s twosome of creepy efforts gave modern audiences a new and effectively realized monster of their own.  While the original Jeepers Creepers may be imperfect in its own right, its smaller-scale and mysterious aura of its antagonist makes it the preferred feature to its bigger budgeted and increasingly tiresome sequel.  Making previously available releases virtually unneeded, Scream Factory’s Collector’s Editions are a treasure trove of high quality with their expansive special features requiring two discs to be contained.  Topped off with phenomenal new cover designs by fan-favorite artist Justin Osbourn (Phantom of the Paradise), both releases will surely fill up hungry horror fans.

    Jeepers Creepers RATING: 4/5

    Jeepers Creepers 2 RATING: 3.5/5

    Available June 14th from Scream Factory, Jeepers Creepers and Jeepers Creepers 2 can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • The Funhouse Massacre (2015) Blu-ray Review

    The Funhouse Massacre (2015)

    Director: Andy Palmer

    Starring: Jere Burns, Scottie Thompson, Clint Howard, Courtney Gains & Robert Englund

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Set on Halloween night, The Funhouse Massacre centers on a group of the most heinous serial killers in the country as they escape from their secluded asylum.  Descending upon a funhouse attraction themed to their very own murderous exploits, the homicidal lunatics continue their reign of terror on the unsuspecting guests.  In a last ditch effort to save their own lives, a group of college students, a bumbling deputy and a tough sheriff must band together to stop the crazed murderers.  Genre icons Clint Howard (Evilspeak), Courtney Gains (Children of the Corn) and Robert England (A Nightmare on Elm Street) comprise the film’s impressive supporting cast.

    Incapable of taking itself seriously much to the enjoyment of viewers, The Funhouse Massacre uses its over the top violence and familiar faces from the genre to lure viewers into its modern splatterfest of mayhem.  Shortly after breaking out of Statesville Asylum, an insane troop of serial murderers, led by Mental Manny (Jere Burns, Angie Tribeca), target a local horror-themed funhouse to kickstart their old habits.  Joined by a monstrously strong clown, an eerie doll-like vixen with a talent for knives, a bulbous cannibal, a demented dentist and a twisted taxidermist, a racially diverse group of college pals find themselves caught in the crosshairs of the Halloween killings.  Hilariously poking fun at the stereotypical roles in the film, The Funhouse Massacre makes light of the sole Hispanic character and his desire to emulate Danny Trejo’s Machete in a shtick that runs through the film’s bloodier moments.  While the fresh-faced talent carry the film well with a fine handling of its comedy, the film’s boasting of fan favorite horror stars falls short with only Robert Englund’s brief performance as the asylum’s warden being of worthy mention while, Clint Howard and Courtney Gains are reduced to little more than glorified cameos.  Earning itself the award for Best Special Effects (and Best Film) at Horrorhound Weekend Convention’s Film Festival, The Funhouse Massacre’s practical approach to its gory carnage of decapitated heads, knife slashes and body puncturing bullet shots is easily the indie efforts strongest attribute that purists will revel in.  Although not wildly original, The Funhouse Massacre is a decent horror-comedy that delivers several solid laughs and even more impressive effects work that warrants a watch.

    Scream Factory presents The Funhouse Massacre with a 1080p transfer, sporting a 2.35:1 aspect ratio.  Relaying nicely balanced colors and strong black levels, this modern feature looks as good as can be expected.  Joined by a DTS-HD Master Audio 5.1 mix, dialogue is generally strong with only Robert Englund’s descriptions of each inmate occasionally being drowned out by music effects.  Otherwise crisply captured with wailing screams and ammunition blasts making the most prominent marks on the track, sound quality is efficient.  In addition, an optional DTS-HD Master Audio 2.0 mix has also been included for your listening pleasure.  Meanwhile, special features include, an Audio Commentary with Director Andy Palmer, Producer Warner Davis and Actors Clint Howard & Courtney Gains, Production Diaries (5:35), A Day on the Set (3:15), Popcorn Talk’s Video Commentary with Director Andy Palmer and Co-Writers/Co-Stars Ben Begley and Renne Dorian (1:33:34) (exclusive to Blu-ray).  Finally, the Theatrical Trailer (2:20) and a Reversible Cover Art conclude the disc’s bonus content.

    Treading the familiar territory of a funhouse centered murder show, The Funhouse Massacre never dares to be too different yet, satisfies audiences with its handling of laughs and bloodshed.  Although its final product may only be of mediocre quality, there’s no denying the exceedingly well-crafted special effects that brings the film’s gorier moments to life.  Furthermore, Scream Factory’s presentation serves the film solidly with several helpings of special features for homicidal carnies in training to cut into.

    RATING: 3/5

    Available now from Scream Factory, The Funhouse Massacre can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Fender Bender (2016) Review

    Fender Bender (2016)

    Director: Mark Pavia

    Starring: Makenzie Vega, Dre Davis, Cassidy Freeman, Kesley Leos Montoya, Harrison Sim & Bill Sage

    Reviewed by Mike Kenny

    Set in a New Mexican town, Fender Bender finds teenage Hilary (Makenzie Vega, The Good Wife) experiencing the downside of being a newly licensed driver after suffering her first accident.  Unharmed yet rattled, Hilary innocently exchanges information with her striker only to be grounded for the accidental damage later that evening.  Home alone during a violent storm, Hilary’s friends stop by only for the unsuspecting trio to be terrorized by a masked maniac.  Dre Davis (Pretty Little Liars), Cassidy Freeman (Longmire), Kesley Leos Montoya (The Guest), Harrison Sim (Pizza Girl Massacre) and Bill Sage (We Are What We Are) co-star.

    In the suspenseful spirit of slasherfests from yesteryear, Fender Bender takes the fun yet consistently recycled subgenre and finds a uniquely relatable occurrence to construct its contemporary chiller.  Modern in its setting, Makenzie Vega leads the cast as the diversely selected Hispanic heroine whose day of catching her cheating boyfriend in the act goes from bad to worse after being rear ended in her mother’s new car.  After a briefly awkward exchange of personal information with the fellow driver, Hilary is reprimand by her parents and forced to stay home alone for the night.  Spooked by the loneliness and harshness of a brewing storm, Hilary is further unsettled by texts from her mysterious acquaintance and other questionable events.  Relieved by the arrival of her best friends, Hilary’s night of terror is only just beginning when a leather-masked madman crashes the party, intent on sharply cutting the small guest list.  Marking the return of long absent Writer/Director Mark Pavia (The Night Flier), Fender Bender plays to its strengths with classic tropes of an innocent teen in peril and a stranger in the house with genuine conviction, sparing viewers any self-referential nods that have become commonplace in similar films influenced by previous decades.  While its dialogue is cheesily delivered, a satisfying bodycount and a rather bleak showdown between Hilary and her masked assailant in the final act provides ample entertainment for horror hounds yearning for modern mayhem with inner retro workings.  Enhanced by an evocative, Carpenter-esque score by Night Runner, Fender Bender is a competently constructed slasher that although not perfect, manages to inject a breath of originality into the genre that likeminded viewers will greatly appreciate.

    After years of preserving cult favorites and introducing viewers to horror’s newest nightmares, Scream Factory’s first originally produced effort, in association with Chiller Films, is a suspenseful treat with surprisingly relatable themes and a heavily 80s-influenced score that will transport fans back to the days of video rental stores and big hair.  A conservative blend of new school meets old school, Fender Bender burns rubber and sends Scream Factory off on a strong start in their latest and hopefully enduring new endeavor of crafting original scares for today’s audiences.

    Premiering Friday, June 3rd at 9PM on Chiller, Fender Bender will be available on home video later this year by Scream Factory.

  • Death Becomes Her (1992) Collector's Edition Blu-ray Review

    Death Becomes Her (1992)

    Director: Robert Zemeckis

    Starring: Goldie Hawn, Bruce Willis & Meryl Streep

    Release by: Scream Factory

    Reviewed by Mike Kenny

    When two bitter rivals obsessed with their appearances discover a potion to keep them forever young, Death Becomes Her finds the cutthroat divas’ rivalry hilariously intensifying to heights beyond human law.  Academy Award winners Meryl Streep (Doubt), Goldie Hawn (Shampoo) and Golden Globe winner Bruce Willis (Unbreakable) star.

    Hanging up his saddle from the wild west of Hill Valley in exchange for a mad scientist’s lab coat, Director Robert Zemeckis (Back to the Future, Forrest Gump) concocts a darkly comical creation centered on fading good looks and madcap hijinks.  After selfishly marrying her bookish best friend’s fiancé, Hollywood star Madeline Ashton (Streep) takes great pleasure in her lavish lifestyle and fawned over looks until the years reveal themselves in her appearance.  Incensed by the sight of her old pal Helen Sharp’s (Hawn) youthful beauty, Madeline discovers a mysterious potion promising the return of her former self.  Further angered by Helen’s advances on her bumbling husband Dr. Ernest Menville (Willis), Madeline ingests the pink substance, returning the fading actresses beauty and increasing her desire to get even with her best friend and worst enemy.  Bowled over by Helen’s newfound interest in him, Dr. Menville and his former flame devise a way to knock off Madeline only to discover that both ladies have been sipping from the same vial, leading to a series of wickedly funny confrontations that demonstrate the immortal effects of their curious youth juice.

    Dazzling viewers with their hypnotic beauty, Streep and Hawn, in one of her last headlining roles, craft hilarious chemistry with one another while, Willis playing against type, surprises in his role as the nerdy, alcoholic surgeon who barely keeps his cool as the loves of his life roam his mansion with their necks twisted and chests blasted by a shotgun.  True to Zemeckis’ desire to experiment with technical advancements, Death Becomes Her memorably shines due to the film’s impressive computer generated effects that bring life to its many head turning and limb twisting touches to its lead actresses.  Although a commercial success, Death Becomes Her slightly dawdles in its final act, nearly exhausting the film’s snappily crafted schtick of Beverly Hills beauties battling for immortal sexiness.  Handsomely winning an Academy Award for Best Visual Effects, Death Becomes Her may be flawed and often overlooked yet, stands as one Zemeckis’ more underrated efforts and certainly his quirkiest.

    Scream Factory presents Death Becomes Her with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Sporting healthy skin tones with occasional softness, prominent colors found in Helen’s red ensembles and the potion’s pink glow impress.  Background detail in Madeline and Dr. Menville’s mansion are pleasing while, natural grain is present throughout.  Culled from what appears to be a dated master, Death Becomes Her is not always strikingly sharp but unquestionably is a vast improvement from its standard definition presentation.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue is consistently clear while, Composer Alan Silvestri’s (The Walk) score accentuates the film’s over the top tone.  In addition, a DTS-HD Master Audio 2.0 mix has also been included.  Although not as vast as other Collector’s Edition releases, special features include, The Making of Death Becomes Her (25:03) featuring new interviews with Director Robert Zemeckis, Production Designer Rick Carter, Co-Screenwriter David Koepp, Producer Steve Starkey, Cinematographer Dean Cundey and others.  In addition, a Vintage Behind-the-Scenes Featurette (8:58), a Photo Gallery (46 in total), the Original Theatrical Trailer (2:05) and a Reversible Cover Art featuring the film’s original 1-sheet poster design wraps up the satisfying lineup of supplements.

    An unsung oddity in the vast array of Zemeckis classics, Death Becomes Her showcases the kookier sides of its three leads engaged in a premise doused in black comedy and masterful visual effects.  Co-scripted by David Koepp (Jurassic Park, The Shadow), this often neglected slice of outrageousness outweighs its flaws with its many creative charms.  Accompanied with a respectable high-definition upgrade, supplements may not be as vast as other Collector’s Editions yet makes up for it in quality.  Injecting more laughs into their series of nightmares, Scream Factory’s addition of the underrated Death Becomes Her is essential for Zemeckis devotees.

    RATING: 3.5/5

    Available now from Scream Factory, Death Becomes Her can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • The Texas Chainsaw Massacre 2 (1986) Collector's Edition Blu-ray Review

    The Texas Chainsaw Massacre 2 (1986)

    Director: Tobe Hooper

    Starring: Dennis Hopper, Caroline Williams, Bill Johnson, Bill Moseley & Jim Siedow

    Released by: Scream Factory

    Reviewed by Mike Kenny

    In the decade since the original massacre, Texas Ranger Lefty Enright (Dennis Hopper, Easy Rider) seeks revenge for his slain kin at the hands of the crazed, cannibalistic Sawyer family.  Joined by local radio DJ Stretch Brock (Caroline Williams, Stepfather II), The Texas Chainsaw Massacre Part 2 finds Lefty discovering the Sawyers’ underground death dungeons where a revving, gas-powered war is waged.  Bill Johnson (Paramedics), Bill Moseley (House of 1,000 Corpses) and Jim Siedow (The Texas Chain Saw Massacre) co-star in Tobe Hooper’s campy followup to his frightening masterwork.

    Concluding his third and final association with low-budget mavericks Cannon Films, Director Tobe Hooper (Lifeforce, Invaders from Mars) would return to the dusty Texas backroads for a new chapter in man-eating debauchery.  In a tonally peculiar departure from the original film, The Texas Chainsaw Massacre 2 marinates its horror with an abundance of wacky black comedy and far more blood than its first serving.  As the saw-wielding Sawyer family make their presence known again, vengeful Texas Ranger Lefty Enright (Hopper) seeks to make the twisted cannibals finally pay for their reign of terror.  Capturing and replaying the recording of the Sawyers’ latest murder victims to help aid the investigation, local disc jockey Stretch Brock (Williams) finds herself caught in the crosshairs of Leatherface and his demented kin when she finds herself trapped in their underground labyrinth of cannibalism.  Spouting the holy word and armored with his own artillery of chainsaws, Lefty crashes the festivities for an over the top display of southern justice.

    Largely balked at for its extreme emphasis on dark comedy before being rechristened as a bonafide cult classic, The Texas Chainsaw Massacre 2 makes no apologies for its campiness that lights up the screen like a murderous game show thriving on excess.  Emerging from a publicized stint in drug rehabilitation, Dennis Hopper, although later disavowing his association with the film, delivers a wildly entertaining turn as an unhinged Texas Ranger that sits handsomely with the thespians other more oddball roles.  In addition, Caroline Williams, adorned in Daisy Dukes, gives viewers the ideal final girl to latch onto with a powerfully shrieking scream for the books.  While Leatherface finds himself bewitched by the alluring looks of Stretch and winds himself up into several comical hissy fits, Bill Moseley’s Chop-Top steals the picture with his lurid make-up design and hilarious dialogue (“lick my plate, you dog dick!”).  In addition, the return of Jim Siedow’s The Cook gives the film an added dose of laughs with his authentic quirkiness.  Greatly enhanced by festering tunnels and the Sawyers’ skeletally constructed dwellings ably conceived by Production Designer Cary White (Gettysburg), The Texas Chainsaw Massacre 2 is an unconventional followup that left many scratching their heads with a clothes hanger yet, has achieved its proper due for its relentless dedication in seeing viewers laugh as loud as they scream.

    Scream Factory presents The Texas Chainsaw Massacre 2 with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Located on disc one and newly mastered in 2K from the inter-positive film element, the film looks impressively vibrant with warmer skin tones, stronger black levels and an enhanced filmic quality over previous releases.  Equipped with a DTS-HD Master Audio 5.1 mix, sound is solid throughout with audible dialogue and powerfully relayed chainsaw motors and screams sharpening the film’s climactic moments.  In addition, a DTS-HD Master Audio 2.0 mix has also been included.  Sprawled across two separate discs, special features on disc 1 include, a newly recorded Audio Commentary with Director of Photography Richard Kooris, Production Designer Cary White, Script Supervisor Laura Kooris and Property Master Michael Sullivan, while vintage tracks include, an Audio Commentary with Director Tobe Hooper and an Audio Commentary with Actors Bill Moseley, Caroline Williams and Special Make-Up Effects Creator Tom Savini.  Furthermore, Extended Outtakes from It Runs in the Family (29:37) featuring never before seen interviews with deceased Screenwriter L.M. Kit Carson and the late Lou Perryman who played L.G, several Still Galleries (301 in total), Theatrical Trailers (2:04), TV Spots (3:29), a new Behind-the-Scenes Footage Compilation from Tom Savini’s Archives (43:35), an Alternate Opening Credit Sequence (1:56) and Deleted Scenes (10:57) offer the impressive release’s first servings.

    Disc 2 includes MGM’s Original HD Master of the film with color correction supervision by Director of Photography Richard Kooris (1080p, 1.85:1), boasting both DTS-HD Master Audio 5.1 and 2.0 mixes.  Further packed with additional supplements, newly created featurettes include, House of Pain: The Special Make-Up Effects of The Texas Chainsaw Massacre 2 (42:32) with interviews from make-up effects artists Bart Mixon, Gabe Bartalos, Gino Crognale and John Vulich.  Yuppie Meat with Chris Douridas and Barry Kinyon (18:59) sits down with the film’s first two casualties as they share their colorful experiences on set.  In addition, Cutting Moments with Editor Alain Jakubowicz (17:19), Behind the Mask with Bob Elmore (13:48) who shares his account as a stuntman and fellow Leatherface performer on the shoot and Horror’s Hallowed Grounds (24:33) where host Sean Clark resists the original Austin shooting locations as they are today.  Finally, the beloved 2006 It Runs in the Family (1:21:41) documentary from Red Shirt Pictures and a Reversible Cover Art utilizing the film’s Breakfast Club parody poster completes the smorgasbord of bonus features.

    Previously released domestically with overseas counterparts including a bevy of their own supplements, Scream Factory’s The Texas Chainsaw Massacre 2 Collector’s Edition makes the definitive statement for the cannibal horror-comedy with two noteworthy HD transfers and hours of newly produced and vintage bonus features.  Topped with Joel Robinson’s colorful collage style cover art, the saw remains family with Scream Factory’s latest edition ranking as one of their prized members!

    RATING: 5/5

    Available April 19th from Scream Factory, The Texas Chainsaw Massacre 2 can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Destroyer (1988) / Edge of Sanity (1989) Blu-ray Review

    Destroyer (1988) / Edge of Sanity (1989)

    Director(s): Robert Kirk / Gérard Kikoïne

    Starring: Deborah Foreman, Clayton Rohner, Lyle Alzado & Anthony Perkins / Anthony Perkins, Glynis Barber, Sarah Maur Thorp & David Lodge

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Uniquely paired, Scream Factory, the horror/cult offshoot of Shout! Factory, presents a double helping of frights starring everyone’s favorite psycho.  After muscular madman Ivan Moser (football legend Lyle Alzado, Ernest Goes to Camp) is sentenced to the electric chair, Destroyer finds a film crew setting up shop in the same prison where Moser unexplainably disappeared eighteen months earlier.  Before long, the crew find themselves trapped inside the abandoned penitentiary with the thought to be dead murderer making his own casting cuts.  Familiar 80s faces Deborah Foreman (Valley Girl), Clayton Rohner (Just One of the Guys) and of course, Anthony Perkins (Psycho II) star.  Next up, presented in its uncut form, Edge of Sanity stars Anthony Perkins as the respected Dr. Henry Jekyll who after a lab experiment gone wrong undergoes a horrific transformation into the murderous Jack Hyde.  Unleashing a wave of mutilated prostitutes in his wake, Jekyll’s battle for his sanity is severely tested with no certainty if it will be reclaimed.   

    Bearing its original Shadow of Death title, Destroyer wastes little time establishing its hulkish antagonist, serial killer Ivan Moser (Alzado), before failing to electrically execute the inmate.  Suffering a jolting shock before a power outage causes a prison riot, Moser, suspected dead, disappears without a trace as the prison shuts its doors permanently shortly after.  Attempting to capitalize on its production value, an exploitation film crew, headed by its director (Perkins), descend on the abandoned location while, spiky haired screenwriter David Harris (Rohner) is hellbent on learning more behind the riot that occurred.  Haunted by disturbing nightmares set in the prison, David’s stuntwoman girlfriend Susan Malone (Foreman) attempts to keep it cool until the “half-alive” Moser begins his killing spree once again.  Outside of painting a pointless link to Moser’s father and helping hand on his path of destruction, Destroyer has fun within its simplistic borders of behind the bars mayhem.  While Perkins has little to do outside of being comically frustrated with his B-movie lead actress, Foreman and Rohner give appreciable performances with Alzado’s over the top energy taking the cake.  Mindlessly entertaining, bloody high points include, a corrupt warden being torched, a fellow officer being introduced to a jackhammer and Perkins’ director being eye-poppingly electrocuted.  Scant on exposition, Destroyer lives for cheeky absurdity and generally succeeds when piling on the body count.

    Beautifully photographed with lavish production design displayed, Edge of Sanity combines the tall tale of Jekyll & Hyde with the infamous murder spree of Jack the Ripper for a uniquely styled shocker.  Appearing in one of his final film roles, Anthony Perkins fits naturally into his character’s dual personality with a keen balance of derangement and normalcy.  Following a lab accident amongst chemicals, Dr. Henry Jekyll’s personality alters into the depraved Jack Hyde.  Stalking the London streets for women of the night, Hyde lures the promiscuous beauties into the shadows where his sexual urges are overpowered by homicidal rage.  Erotically charged, Hyde’s interest in local whore Susannah (Sarah Maur Thorp, River of Death), who bears a striking resemblance to a prostitute Jekyll encountered as a child, becomes his obsession as he indulges her with his addictive substance in order to carry out his murderous deeds.  A British production, Edge of Sanity maintains an air of class amongst its more brutal set pieces with its performances and surrealistic touches raising its quality over many of the decade’s attempts at atmospheric horror.  Criminally underrated and one of Perkins’ more undervalued roles, Edge of Sanity is an effective opus with one foot in timeless literature and the other seeped in the mystery of real world terror.    

    Both films arrive with 1080p transfers, screened in their respective 1.78:1 (Destroyer) and 1.85:1 (Edge of Sanity) aspect ratios.  Newly mastered from the only surviving elements, Destroyer appears noticeably soft at times with skin tones reading infrequently oversaturated.  Meanwhile, colors found in Foreman’s bright attire and Alzado’s burnt make-up effects are nicely balanced while, black levels are generally pleasing with only mild speckling on display.  Furthermore, Edge of Sanity excels as a sharper transfer all around with little to no anomalies, excellent detail and an overall filmic appearance.  Equipped with DTS-HD Master Audio 2.0 mixes, Destroyer hosts occasional cracks and pops with dialogue never compromised although, range can be moderately subdued.  In addition, Edge of Sanity offers solid audio levels with strong dialogue delivery and Composer Frédéric Talgorn’s (Buried Alive) score authoritatively delivered.  Lastly, the sole supplements included are a Destroyer Trailer (1:03) and an Edge of Insanity Trailer (1:08). 

    Eccentrically billed, Destroyer / Edge of Sanity make for an unusual combination of features, both headlined by the remarkably talented Anthony Perkins.  While Destroyer is a harmlessly fun romp that boasts an eccentric killer and even wilder death sequences, Edge of Sanity is unquestionably the better made feature with frightening surrealism and an underrated performance from Perkins.  Inviting more appreciation to these overlooked efforts, Scream Factory’s latest double feature may be a bit mad but, we wouldn’t have it any other way.

    RATING: 3.5/5

    Available April 12th from Scream Factory, Destroyer / Edge of Sanity can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Village of the Damned (1995) Collector's Edition Blu-ray Review

    Village of the Damned (1995)

    Director: John Carpenter

    Starring: Christopher Reeve, Kirstie Alley, Linda Kozlowski, Michael Paré, Mark Hamill & Meredith Salenger

    Released by: Scream Factory

    Reviewed by Mike Kenny

    In Director John Carpenter’s (Halloween, The Thing) modernization of the 1960 British feature, Village of the Damned finds the small village of Midwich interrupted by unseen forces, leaving ten of the town’s women mysteriously pregnant.  Joining together to uncover the truth behind the phenomenon, local physician Dr. Alan Chaffee (Christopher Reeve, Superman) and government scientist Dr. Susan Verner (Kirstie Alley, Look Who’s Talking) realize the birth of the bleach blonde children is only the beginning of Midwich’s troubles.  Linda Kozlowski (Crocodile Dundee), Michael Paré (Eddie and the Cruisers), Mark Hamill (Star Wars) and Meredith Salenger (Lake Placid) co-star.

    Retaining the town’s name but substituting its original British location for northern California, John Carpenter’s Village of the Damned remains relatively close to its source material while, injecting subtle perspective changes through its narrative.  Starring the late Christopher Reeve in his final role before his devastating paralyzation, Carpenter’s remake, unlike that of his reimagining of 1952’s The Thing from Another World, takes little creative risk in crafting a truly unique experience with character development for the film’s adult actors appearing stunted and uneven, indubitably caused by studio interference.  Following Midwich’s bizarre blackout leaving ten women impregnated, the film attempts to shift focus onto single mother Jill McGowan (Kozlowski) and the weight of raising her peculiar newborn son and grieving over the loss of her husband.  An inspired deviation from the original film, Village of the Damned unfortunately never affords the proper time to fully invest in its soon-to-be victims as attention is juxtaposed with scientist Dr. Susan Verner’s (Alley) own interest in the children’s development.  Highly intelligent and appearing intendedly from another era, the blonde-haired younglings finesse their supernatural powers of mind control, prompting an increase of harrowing suicides in the community.  With humanity all but lost on the majority of the sinister children, recently widowed local physician Dr. Alan Chaffee (Reeve) makes the ultimate sacrifice to bring stability to the human race.  

    Pronounced by Carpenter to be more a contractual obligation than a passion project, Village of the Damned offers strong performances from Reeve as Midwich’s good-natured doctor confronted with otherworldly forces while, Lindsey Haun (True Blood) as the clan’s evil leader and Thomas Dekker (Terminator: The Sarah Connor Chronicles) as the only blonde child with a heart deliver both effective and emotional moments.  Surely not as daring as other Carpenter efforts, Village of the Damned has aged better than expected, amid its developmental character struggles, to remain suitably entertaining.

    Scream Factory presents Village of the Damned with a 1080p transfer, sporting a 2.35:1 aspect ratio.  Featuring beautiful photography of its sunny, rural locations, colors are prominent with flesh tones appearing equally lush and finely detailed.  In addition, the blindingly blonde hair of the film’s antagonists pop accordingly with black levels always appearing smooth and balanced.  With no signs of damage and boasting an exceptionally filmic quality, Village of the Damned makes an impactful leap to high-def.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue is always audible while, Carpenter and Dave Davies of The Kinks’ music establish intended levels of eeriness.  Suspenseful sound queues and explosive gunfire in the film’s third act also provide the mix with a strong depth that appropriately enhances the viewing experience.  An optional DTS-HD Master Audio 2.0 mix has also been included.  Rightly earning itself a spot in Scream Factory’s coveted Collector’s Edition series, plentiful special features include, It Takes a Village: The Making of John Carpenter’s Village of the Damned (49:17).  This top-notch featurette finds Director John Carpenter, Producer Sandy King, Special Make Up Effects Artist Greg Nicotero and countless cast members reflecting on their experiences making the troubled film with nothing but warm memories and an overflow of behind-the-scenes info.  In addition, Horror’s Hallowed Grounds (20:58) finds host Sean Clark revisiting the original shooting locations today, The Go To Guy: Peter Jason on John Carpenter (45:13) sits down with the Carpenter regular as he reflects on his many collaborations with the famed director plus, Vintage Interviews and Behind-the-Scenes (24:40), the film’s Theatrical Trailer (1:59), a Behind-the-Scenes Photo Gallery (23 in total) and a Reversible Cover Art utilizing the original 1-sheet poster round out another knockout spread of supplements for the horror sub label.

    While not one of Carpenter’s finest moments but, by no means his worst, Village of the Damned has its setbacks yet, contains sizable levels of fun that likeminded viewers shouldn’t dismiss.  With more studio support, Carpenter’s contractual obligation could have fared far better than originally received although, its final product has aged more gracefully than most modern remakes.  In quite possibly their home video swan song to the director’s filmography, Scream Factory ensures an exceptional high-definition transfer and a glut of bonus features that will surely control viewers minds.  Beware the children cautiously but, resisting Village of the Damned’s Collector’s Edition will be futile!

    RATING: 4/5

    Available April 12th from Scream Factory, Village of the Damned can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Cherry Falls (2000) Blu-ray Review

    Cherry Falls (2000)

    Director: Geoffrey Wright

    Starring: Brittany Murphy, Michael Biehn, Gabriel Mann & Jay Mohr

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Set in a peaceful Virginia suburb, Cherry Falls finds its community turned upside down when its virginal high school population is targeted by a crazed serial killer.  Plotting a wild sexual night of partying to better protect themselves, Jodi (Brittany Murphy, Clueless), the town sheriff’s only daughter, takes matters into her own hands to track the mysterious murderer.  Michael Biehn (The Terminator), Gabriel Mann (Revenge) and Jay Mohr (Jerry Maguire) co-star.

    Injecting a simple yet, unique twist in the revived teen slasher genre, Cherry Falls looks not to punish the promiscuous sluts of high school royalty but, instead target the pure and innocent virgins of its sleepy town.  When local teenagers turn up savagely murdered and displayed in a disturbing fashion, local authorities conclude their culprit is targeting virgins after discovering the word carved into each victims skin.  Combatting her own relationship dilemmas and pressure to sleep with her longtime boyfriend, Jody Marken (Murphy) finds herself lucky to be alive after evading certain death from the long-haired, knife-wielding killer.  While Sheriff Marken (Biehn), Jody’s father, harbors a deep-rooted secret regarding the suspected killer, hypocrisy amongst her parents forces Jody to failingly seduce her boyfriend before seeking comfort from her English teacher Mr. Marliston (Mohr).  As more victims are claimed and fear amongst the town increased, the student body hilariously plans a “Pop Your Cherry Ball” for a night of fornication to better their chances at survival.  As authorities are preoccupied with the biggest rager of the year, Jody and her father find themselves captured by the unhinged killer in a tense, bloody showdown that takes them from the madman’s basement dwelling to the massive teenage orgy happening nearby.

    Falling almost immediately behind schedule during its making, Cherry Falls continued to fight uphill battles when censorship issues halted theatrical distribution resulting in a less than ideal television premiere on the USA Network.  Garnering a small yet, loyal following, the Geoffrey Wright (Romper Stomper) helmed production amply delivers in its bloodier moments regardless of its TV movie constraints while, unsurprisingly lacking levels of skin for a feature peddling a prominent teen orgy.  Headlined by a cast delivering rather air headed performances, Cherry Falls excels in its satirical agenda as its killer with a Psycho complex offers undeniable hilarity that can hardly be taken seriously.  Admittedly imperfect, Cherry Falls may not possess the cleverness of Scream but, offers decent levels of suspense and humor where one would least expect.

    Scream Factory presents Cherry Falls with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Presented in its original telecast version due to obstacles obtaining its uncut edition, skin tones read naturally while, colors and background detail are nicely displayed with no anomalies spotted.  In addition, black levels found in the film’s many nighttime sequences are approvingly inky with a filmic layer of grain present throughout its runtime.  Following the film’s longtime unavailability, its anticipated high-definition upgrade looks excellent.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue is clearly represented while, Composer Walter Werzowa's (Mortal Kombat) score, eerily reminiscent to Scream’s haunting choral arrangements, are effectively delivered.  Decent, if not slightly underwhelming, the film’s mix is quite sufficient.  In addition, an optional DTS-HD Master Audio 2.0 mix has also been included for your listening pleasure.  Special features include, a newly recorded Audio Commentary with Director Geoffrey Wright, Lose It or Die: The Untold Story of Cherry Falls (24:30) featuring interviews with Writer/Co-Executive Producer Ken Selden and Producer Marshall Persinger.  Sharing their unique experiences from crafting the script, the film’s tense shooting schedule and more, Selden and Persinger offer valued insight into the production although, appear a bit scatterbrained at times.  Also included, Cherry Falls Deputy: Amanda Anka (7:40) captures a new interview with the actress who played the heroic Deputy Mina plus, Vintage Interviews with Brittany Murphy, Michael Biehn, Jay Mohr and Director Geoffrey Wright (6:26), Behind the Scenes Footage (4:32), the Original Script (BD-ROM) and the film’s Theatrical Trailer (1:47) round out the assorted supplements.

    Arriving at the tail end of the 90s slasher cycle, Cherry Falls strives to alter the formula with mostly successful results.  Headlined by the late Brittany Murphy, this attack on virgins feature enjoys its fair share of bloodshed and even more laughably entertaining moments courtesy of its high-heeled antagonist.  Making its Blu-ray debut, Scream Factory welcomes this millennial offering into their growing library with pleasing A/V grades, revealing supplements and a newly commissioned cover art by the talented Joel Robinson.  In search of waterfalls that run blood red?  Then, Cherry Falls just might be what you’re looking for.

    RATING: 3/5

    Available now from Scream Factory, Cherry Falls can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • #Horror (2015) Blu-ray Review

    #Horror (2015)

    Director: Tara Subkoff

    Starring: Chloë Sevigny, Timothy Hutton, Natasha Lyonne, Balthazar Getty, Taryn Manning, Stella Schnabel, Sadie Seelert, Hayley Murphy, Bridget McGarry, Blue Lindeberg, Mina Sundwall, Emma Adler, Annabelle Dexter-Jones & Lydia Hearst

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Set in the wealthy backwoods of Connecticut, #Horror follows a group of privileged preteen girls whose obsession with a disturbing online game is tested when the terror becomes real.  Chloë Sevigny (American Psycho), Timothy Hutton (American Crime) and Natasha Lyonne (Orange Is The New Black) star in this contemporary shocker helmed by actress turned director Tara Subkoff (The Cell).

    Stuck up, 12 year-old richies unload their horrendous personalities and mean-spirited cyber shenanigans on one another in a time where online discouragement can be deadly.  Joined together for sleepover, the group of girls enjoy playing dress-up with lavish ensembles and priceless jewelry while, remaining glued to their mobile devices for a macabre, nonsensical game.  Rotten to their cores, the suggested friends take turns tearing each other apart by body-shaming, uploading unflattering pictures of one another to the internet and showing no compassion for the death of their friends own mother.  Juxtaposed with hyperactive imagery of emojis, tagged pictures and blood-filled pools, #Horror lacks focus, appearing as scatterbrained as a tech-obsessed teen.  Containing zero redeeming characters, veteran performers including, Sevigny and Lyonne are merely used for set decoration while, Hutton, admittedly over-the-top, delivers the only mentionable performance in his limited screen time as a hysterical father searching for his missing daughter.  More a showcase of today’s cruel bullying dilemmas than a traditional thriller, #Horror attempts to adhere to slasher standards during its fleeting moments as a masked killer, capturing his/her exploits via smartphone, takes bloody revenge on the heartless girls.  Painfully uninteresting and tackily titled, #Horror’s attempts at capturing the true-life terror of cyberbullying is admirable yet, fatally crashes during its upload.

    Scream Factory presents #Horror with a 1080p transfer, sporting a 2.40:1 aspect ratio.  Relaying natural skin tones with pleasing detail, shadowy moments and black levels during nighttime sequences suffer from crushing issues that result in a noticeable, screen-door effect over the picture.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue is generally strong with occasional instances, noticeably in the film’s opening exchange between two parties in a Ferrari, showing less priority in their delivery while, EMA’s electric music queues offer a more pleasing emphasis.  In addition, an optional DTS-HD Master Audio 2.0 mix has also been included.  Containing only the film’s Trailer (1:42), a Reversible Cover Art rounds out the rather light supplemental offerings.

    Boasting wholly unlikeable characters and uncertain with its identity as a social statement or a teen terrorizer, #Horror greatly fails as the latter while, its depiction of the former is bleak and unentertaining.  Meanwhile, Scream Factory, in conjunction with IFC Midnight, welcomes the modern feature with a decent high-definition presentation although, bonus features are far and few between.  If death is trending as its tagline so cleverly suggests, then unsubscribing from #Horror is vital.

    RATING: 2/5

    Available April 5th from Scream Factory, #Horror can be purchased via ShoutFactory.com, Amazon.com and other fine retailers. 

  • Disturbing Behavior (1998) Blu-ray Review

    Disturbing Behavior (1998)

    Director: David Nutter

    Starring: James Marsden, Katie Holmes, Nick Stahl, Bruce Greenwood & William Sadler

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Following a family tragedy, Steve Clark (James Marsden, X-Men) relocates to the coastal town of Cradle Bay to start anew.  Shortly after arriving at his new high school, Steve suspects something sinister about the popular Blue Ribbons clique who dominate the halls.  Befriended by likeminded outsiders Gavin (Nick Stahl, Sin City) and Rachel (Katie Holmes, Don’t Be Afraid of the Dark), the rebellious trio uncover a frightening truth that puts Cradle Bay and their own lives at risk.  Scripted by Scott Rosenberg (High Fidelity), this teenage response to The Stepford Wives lacks any genuine scares in its science-fiction driven plot with a narrative so tame one questions its own R-rating.  Headlined by a notably fresh-faced cast who would achieve greater success in its wake, Disturbing Behavior merely serves as an uninspired thriller piggybacking off the success of Scream while, never adhering to the same originality or suspense.  Led by the school’s Dr. Calditcott (Bruce Greenwood, Star Trek), misguided teens are brainwashed by his experimental procedure into becoming snobby socialites who unapologetically kill those who resist them.  As Steve and Rachel play Nancy Drew to find answers behind the Blue Ribbons’ peculiar demeanors, an unlikely ally is found in the school’s rat-killing janitor Dorian (William Sadler, Tales from the Crypt presents Demon Knight).  Unsurprisingly predictable, the free-thinking teens combat Cradle Bay’s brainwashed population in an underwhelming finale using noise troubling rat traps as their weapon of choice.  Well-documented for being largely re-edited from the director’s original vision, Disturbing Behavior will hold mild nostalgia for select viewers who raged through years of pant sagging fashion choices and rounds of hacky sack but, ultimately is a far cry from more revered 90s fright flicks.  

    Scream Factory presents Disturbing Behavior with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Appearing clean and free of severe anomalies, skin tones waver from nicely detailed to slightly oversaturated at times.  Meanwhile, black levels are generally strong with occasional hints of murkiness in several sequences.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue delivery is strong while other elements of the film’s mediocre sound design are satisfactory.  In addition, an optional DTS-HD Master Audio 2.0 mix has also been included.  Ported over from its previous DVD release, special features include, an Audio Commentary with Director David Nutter, Deleted Scenes (24:42) with optional audio commentary from Director David Nutter and the film’s Theatrical Trailer (2:31).  

    Admittedly imperfect and largely uneventful, Disturbing Behavior’s cutting room fiasco unquestionably led to its setbacks but, isn’t solely responsible for the film’s overall blandness.  While it may not live up to other teen shockers of the era, fans can take pleasure in Scream Factory’s upgraded HD presentation and the majority of its supplemental package recycled from its past DVD release.

    RATING: 2.5/5

    Available March 22nd from Scream Factory, Disturbing Behavior can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • The Serpent and the Rainbow (1988) Collector's Edition Blu-ray Review

    The Serpent and the Rainbow (1988)

    Director: Wes Craven

    Starring: Bill Pullman, Cathy Tyson, Zakes Moake, Paul Winfield, Brent Jennings, Michael Gough & Dey Young

    Released by: Scream Factory

    Reviewed by Mike Kenny

    From the director A Nightmare on Elm Street, The Serpent and the Rainbow centers on anthropologist Dennis Alan (Bill Pullman, Spaceballs) as he journeys to Haiti to retrieve a mystic powder said to bring life to the dead.  Navigating the dangerous locale, Dennis finds himself involved in the deadly world of voodoo where the undead, possessions and ancient curses reign.  Cathy Tyson (Mona Lisa), Zakes Moake (Waterworld), Paul Winfield (The Terminator), Brent Jennings (Witness), Michael Gough (Batman) and Dey Young (Strange Behavior) co-star.

    Inspired by real life experiences documented in Wade Davis’ book, The Serpent and the Rainbow is a daring exploration of voodoo and the black arts.  Shot partly in the reportedly unsafe Haiti, Director Wes Craven’s nightmare-fueled opus is a noticeable departure from his previous shockers with an emphasis on the island’s factual political turmoil.  After barely surviving an Amazonia search for rare herbs and experiencing a psychedelic episode, anthropologist Dennis Alan (Pullman) is summoned by a domestic drug corporation to investigate a mysterious powder used during voodoo practices in Haiti that supposedly raises the dead.  Aided by doctor Marielle Duchamp (Tyson), Dennis’ encounter with a local zombie who roams cemeteries fuels his desire to locate the substance only to find himself ruffling the feathers of the barbaric authorities, led by Captain Dargent Peytraud (Moake).  Warned but not harmed, Dennis’ search leads him to swindling witch doctor Mozart (Jennings) who makes a deal to show the American how to develop the drug.  Pursued once again by the authorities, Dennis finds himself in dire straits when he is ruthlessly tortured and has his scrotum nailed to a chair, demanding his immediate departure from Haiti.  Riddled with frightening nightmares of rotting corpses and sinister snakes, Dennis’ short-lived return to America where friends are possessed and his concern for Marielle increased, leads him back to the black magic plagued isle.  Upon arrival, Peytraud’s power and influence knows no bounds as people are slaughtered with the resilient doctor learning firsthand the grave danger he is in.

    Although hesitantly considered a horror film, Craven’s cult classic supplies plenty of unsettling nightmare imagery where a serpent emerges from a decomposing body to attack Dennis while, dark forces cause a scorpion to crawl from the mouth of a living man.  In addition, the savage brutality of the Tonton Macoute beheading innocent lives is equally grizzly and not far removed from reality.  Akin to a fever dream of terror that never wanes, The Serpent and the Rainbow is one of Craven’s most progressively daring features that affects viewers on a purely visceral level of fear.  Earning respectable returns at the box-office, The Serpent and the Rainbow is the rare voodoo related feature that lives up to its intent as a supernatural spectacle.

    Scream Factory presents The Serpent and the Rainbow with a newly struck 1080p transfer from the inter-positive film element, sporting a 1.85:1 aspect ratio.  Although appearing occasionally soft in the dilapidated dwellings of the Haitian villages, greenery is noticeably lush and striking throughout.  Skin tones read moderately well and natural with several instances falling on the redder side.  Meanwhile, detail is strong with perspiration glistening on faces and the intricacies of rotting flesh found on the undead looking quiet noticeable.  Psychedelic colors and blood pop nicely while, black levels are inky and clear.  Filmic and hosting very scant scratches, The Serpent and the Rainbow makes a respectable high-definition debut.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is audible and effective while, the bustling sounds of the Haitian streets are lively and appropriately balanced.  Meanwhile, Brad Fiedel’s (Fright Night, Terminator 2: Judgement Day) score makes impressive statements against the shrieking screams of terror.  Welcomed into Scream Factory’s Collector’s Edition series, special features include, an Audio Commentary with Actor Bill Pullman, moderated by Rob Galluzzo.  Although Pullman is only present for less than an hour due to filming commitments, Galluzzo does a remarkable job keeping the conversation interesting with Pullman injecting plenty of anecdotes about the filming experience.  In addition, The Making of The Serpent and the Rainbow (23:57) features new (audio) interviews from Pullman while, Author Wade Davis, Director of Photography John Lindley and Special Makeup Effects Artists Lance Anderson and David Anderson appear on-camera.  Yet another typically informative retrospective that fans will appreciate although, the scholarly insight from the late Craven is sadly lacking.  Furthermore, the Theatrical Trailer (1:23), TV Spot (0:31), a Photo Gallery (60 in total) and a Reversible Cover Art featuring the original 1-sheet artwork conclude the supplemental package.

    In what appears to be their last Craven related release and classily dedicated to his memory, Scream Factory welcomes The Serpent and the Rainbow’s unsettling levels of voodoo terror and nightmarish imagery into their respected line of Collector’s Editions.  Casting a superior looking curse with its Blu-ray debut, special features, although understandably lighter than past Craven efforts, deliver worthwhile information that fans of this cult classic will surely appreciate.  Hosting another stellar art design by Joel Robinson (Nightbreed, The Vincent Price Collections), The Serpent and the Rainbow will possess you with its frightening twists and turns.

    RATING: 3.5/5

    Available now from Scream Factory, The Serpent and the Rainbow can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • The Vincent Price Collection III: Master of the World (1961), Tower of London (1962), Diary of a Madman (1963), An Evening with Edgar Allan Poe (1970) & Cry of the Banshee (1970) Blu-ray Review

    The Vincent Price Collection III (1961-1970)

    Director(s): Various

    Starring: Various

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Marking their third annual release of chilling tales from the master of horror, Scream Factory, the horror/cult offshoot of Shout! Factory, proudly presents The Vincent Price Collection III.  Comprised of five more efforts across four Blu-ray’s, each bursting with bonus content, legendary star Vincent Price (The Pit and the Pendulum, House on Haunted Hill) makes headlining turns in Master of the World (1961), Tower of London (1962), Diary of a Madman (1963), An Evening of Edgar Allan Poe (1970) and Cry of the Banshee (1970), presented with both its Director’s Cut and the commonly known American International Theatrical cut.

    Based on the novels by Jules Verne, Vincent Price stars as the God-complex suffering Robur in Master of the World.  Set in the 19th century and riding the skies above in his indestructible airship known as the Albatross, Robur takes capture of four individuals including, government agent John Strock (Charles Bronson, Death Wish) as he details his desire to bring peace to the world through intimidation tactics with the Albatross.  Countries resistant to surrender their militaries suffer the explosive wrath of Robur’s powerful creation, forcing the abducted prisoners to devise a way to overthrow the captain and destroy his destructive weapon.  Although portraying the film’s conflicted antagonist, Master of the World is hardly in the same vein as Price’s lauded frightful features but, more an adventurous tale with fantastical elements.  Commonly compared to similar efforts such as 20,000 Leagues Under the Sea, Master of the World is an exciting detour for the horror thespian who delivers another delightful performance as he wickedly drops bombs atop of warships and hangs his prisoners above the clouds via rope.  While taking expected shortcuts through use of stock footage and other such techniques, American International Pictures delivered their most expensive picture to date with its Verne adaptation with the results paying off handsomely onscreen.  Scripted by the brilliant Richard Matheson (The Twilight Zone, Tales of Terror) and hosting one of Les Baxter’s (X: The Man with the X-Ray Eyes) most impactful scores, Master of the World is a high-flying adventure with Price ably steering its ship.

    Blending history with gothic horror, Tower of London reunites Director Roger Corman once again with Vincent Price during the height of their popular Edgar Allan Poe series.  Retelling a reasonably accurate yet, still rightly fictionalized account of King Richard III’s rise to the throne and ultimate downfall, Price headlines as the dastardly Duke of Gloucester as he pays respects to his terminally ill brother King Edward IV before greed and the temptation of power consumes him.  Secretly murdering his other respected brother with the support of his equally vile wife Anne (Joan Camden, Gunfight at the O.K. Corral), Richard weaves his influence around the kingdom by sending others who may threaten his plans to the torture chamber and deceiving his own nephews their birthright to the throne.  Expunging all who challenge him, Richard’s control of the kingdom comes at the cost of his own sanity as the ghosts of those slain return to haunt him.  Lacking the colorful composition of their Poe efforts, Tower of London’s black and white photography establishes its own moody ambiance that suits the film’s period setting.  Classically trained in theater, Price brings gravitas to his tragic hunchbacked role while, mixing the mad entertaining glee common to his other horror-oriented performances.  While not quite as applauded as their other collaborations, The Tower of London is an underrated feast with gorgeous camerawork by Archie R. Dalzell (The Addams Family) and an outlet for Price to proudly showcase his Shakespearean chops onscreen.

    Taking liberties with the tales of Guy de Maupassant, Diary of a Madman finds itself working backwards as onlookers gather at the funeral of Magistrate Simon Cordier (Price).  As close friends gather to read from Cordier’s locked diary, the truth of his fate is slowly revealed.  After witnessing a troubled murderer’s accidental death, Cordier finds himself consumed by the entity that forced the deceased’s hand to kill.  Known only as the horla, the respected judge, grieving for years after the death of his chid and suicide of his wife, attempts to counter the wicked voices in his head by embracing his artistic abilities and falling for the attractive Odette Mallotte (Nancy Kovack, Jason and the Argonauts).  Disrupted by the revelation that Odette is legally married to another and his intended bride-to-be favors his wealth over his love, the forceful nature of the horla compels Cordier to handle them accordingly.  Helmed by Reginald Le Borg (The Black Sleep), Diary of a Madman, although visually lavish in its design, tends to drag in several areas with its psychologically driving narrative growing monotonous.  Although Price is unsurprisingly charming and notably comes alive when possessed to stab his lover to death, Nancy Kovack stands as one of the horror maestro’s most intoxicatingly beautiful starlets and delivers a sound performance.  While it may not be Price’s most memorable feature, Diary of a Madman remains worthy of a watch on a preferably rainy evening.

    In this made for television special, An Evening of Edgar Allan Poe spotlights Vincent Price, with minimal set dressing and few props, as he eloquently narrates four of Poe’s chilling works.  All told in the first person, The Tell-Tale Heart, The Sphinx, The Case of Amontillado and The Pit and the Pendulum come to life courtesy of Price’s intense conviction as he makes quoting Poe as effortless as breathing.  Well directed by Kenneth Johnson (The Bionic Woman), An Evening of Edgar Allan Poe may not be feature length worthy entertainment but, serves as an exceptional showcase for the classically trained Price who makes Poe’s haunting tales even more effective than reading them independently under the blanket of darkness.  Longtime appreciators of the star’s many Poe adaptations will take delight at how ingrained the gothic poet’s works were installed in his vocabulary, greatly enriching their legacy in the process.

    Although prefaced by a passage from Edgar Allan Poe, Cry of the Banshee holds no correlation to the Corman/Price adaptations previously produced by American International Pictures.  Helmed instead by fellow Price collaborator Gordon Hessler (The Oblong Box, Scream and Scream Again), Cry of the Banshee focuses on vile witch hunter Lord Edward Whitman (Price) who uses his influence to exterminate those of the slightest suspicion of devil worship.  Murdering accused teenagers during a dinner party and ordering others to torturous whippings, Edward and his sons ambush a worshipping coven, resulting in several deaths before being cursed by its leader Oona (Elizabeth Bergner, As You Like It).  Summoning the beastly sidhe to rid the Whitman clan, the estate’s gypsy servant Roderick (Patrick Mower, The Devil Rides Out), who is also madly in love with Edwards’ daughter Maureen (Hilary Heath, Witchfinder General), becomes possessed and periodically morphs into the monster to bring death to the Whitman’s family line.  Sporting a colorfully animated title sequence by a young Terry Gilliam (Monty Python and the Holy Grail) and injecting far more nudity (within its Director’s Cut) than most Price features, Cry of the Banshee suffers from an overloaded cast and largely detestable characters.  Juxtaposing from Price, who arguably takes a backseat for portions of the film, to his sons’ individual paths, his daughter and Rodrick’s forbidden romance, the coven of witches and its local villagers, the film struggles to streamline its focus while, Price, who delivers a respectable performance albeit grossly seedy and only second to his turn in Michael Reeves’ Witchfinder General.  Achieving success during its original release, Hessler contends Cry of the Banshee to be his most uninteresting AIP feature which is respectfully agreed.       

    Culled from a variety of sources including, inter-positives (Master of the World, Diary of a Madman and Cry of the Banshee), a fine grain film print (Tower of London) and even original tape masters (An Evening of Edgar Allan Poe), each feature is presented with 1080p transfers with the exception of the standard-def, televised Poe effort.  Sporting 1.85:1 (Master of the World, Cry of the Banshee), 1:66:1 (Tower of London, Diary of a Madman) and 1:33:1 (An Evening of Edgar Allan Poe) aspect ratios, each film contains varying degrees of scratches and scuffs, all of which never greatly deter from the viewing experience.  From their striking color schemes, Master of the World and Diary of a Madman greatly impress while, Tower of London begins with rough around the edges before nicely improving, demonstrating pleasing black levels in its monochrome photography.  With expectations at bay regarding the sole SD feature included, An Evening of Edgar Allan Poe looks as good as can be expected with only one minor coloring hiccup spotted.  In addition, Cry of the Banshee arrives in a virtually blemish free presentation that is both filmic and natural.  Given the fleeting state of materials for many elder features, Scream Factory has once again worked wonders in preserving several more of Price’s pictures.  Equipped with DTS-HD Master Audio 2.0 mixes with Master of the World also boasting a newly created Stereo mix from the original 4-track mag, each film satisfies in delivering audible dialogue levels and worthy reproductions of their respective scores.  Admittedly, Diary of a Madman retains a mild hiss of little consequence on its track while, Tower of London has occasional cracks and pops heard throughout.  Unquestionably, Master of the World’s Stereo mix is the most effective of the bunch with Les Baxter’s thunderous score leaving lasting impressions.  

    With a variety of newly produced and vintage supplements, special features on Master of the World’s disc 1 include a new Audio Commentary with Actor David Frankham, an extended cut of Richard Matheson: Storyteller (1:12:05), the film’s Theatrical Trailer (2:28), Photo Gallery (2:18) and Photo Gallery II (1:59).  Disc 2’s Tower of London hosts a new Interview with Director Roger Corman (7:11), Producing Tower of London featuring interviews with Corman and his brother and fellow producer Gene Corman (14:04).  In addition to a Photo Gallery (4:31), two standard definition episodes of Science Fiction Theatre starring Vincent Price, “One Thousand Eyes” (26:09) and “Operation Flypaper” (26:05), supply fans with even more Priceless small screen entertainment.  Furthermore, Diary of a Madman includes a new Audio Commentary with Film Historian and Author Steve Haberman, a Poster Gallery (1:44) and the Theatrical Trailer (3:16) while, An Evening of Edgar Allan Poe (also found on disc 3) includes, another new Audio Commentary with Film Historian and Author Steve Haberman and the newly produced Tales of Vincent Price with Kenneth Johnson (21:26).  In addition to both its Director’s Cut (1:30:49) and American International Theatrical Cut (1:26:37), disc 4’s Cry of the Banshee provides yet another new Audio Commentary with Film Historian and Author Steve Haberman on the Director’s Cut, A Devilish Tale of Poe (17:52) featuring an interview with Director Gordon Hessler with its Theatrical Trailer (2:28), TV Spot (0:58), Radio Spot (0:30) and a Poster Gallery (4:09) rounding out the final batch of on-disc extras.  Lastly, a 12-page booklet featuring rare photos is also included.

    In what appears to be their final curtain call for Mr. Price, Scream Factory’s The Vincent Price Collection III offers fans of gothic horror and atmospheric chills a throughly entertaining quintuple of features from the adventure-filled Master of the World to the witch hunting Cry of the Banshee.  Excellently presented and lovingly complimented with ample bonus content for after-movie consumption, The Vincent Price Collection III is a bittersweet accomplishment for the popular horror label that will easily rank as one of the year’s favored releases.

    RATING: 4/5

    Available now from Scream Factory, The Vincent Price Collection III can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Hellions (2015) Blu-ray Review

    Hellions (2015)

    Director: Bruce McDonald

    Starring: Chloe Rose, Robert Patrick, Rossif Sutherland, Rachel Wilson & Luke Bilyk

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Set on Halloween, Hellions centers on teenage Dora Vogel (Chloe Rose, Degrassi: The Next Generation) who’s forced to defend herself and home against unsavory mischief makers.  Determined to take control of something dear to Dora, the hellacious trick-or-treaters will stop at nothing until they have what they desire.  Robert Patrick (Terminator 2: Judgement Day), Rossif Sutherland (Timeline), Rachel Wilson (Total Drama) and Luke Bilyk (Degrassi: The Next Generation) co-star.

    Establishing an atmospheric Halloween-time spirit, Hellions melds the year’s most sinister season with intense teenage conflict for a uniquely suited horror outing.  After learning she is pregnant, high school senior Dora Vogel (Rose) scrambles to find the way to tell her boyfriend the unexpected news.  Left home alone while getting ready for a Halloween party, Dora is slowly harassed by several vicious trick-or-treaters with knowledge of her unborn child.  Fearing for her life while pregnancy pains increase at an accelerated rate, Dora finds herself in a nightmarish version of her home as the deadly troublemakers multiply and desire her child.  Aided by Dr. Henry (Sutherland) and neighborhood officer Mike Corman (Patrick), Dora must fight for her survival with household appliances and limited firepower to evade being sacrificed to the hellions’ cause.

    Combining supernatural spooks with a home invasion thriller, Hellions demands to be original and generally succeeds.  The emotional conflict of Dora’s unexpected pregnancy raises the film’s suspense levels while, freakish imagery of the final girl’s evil reflection dining on a bloody fetus is an uncomfortable yet, effective moment.  Although the monstrous hell raisers appear visually reminiscent to Michael Dougherty’s Sam character in his Halloween opus Trick ‘r Treat, the designs work nicely.  In addition, as Dora’s pregnancy increases at a rapid pace throughout the film, Director Bruce McDonald’s (Pontypool) shift into a monotone, nightmarish reality sends the Canadian effort into visual pool of dread.  Collecting a minor body count and concluding on a rather open-ended note, Hellions stands as a contemporary chiller that dares to be different, choosing to blend genres and forming its own entertaining personality.

    Scream Factory presents Hellions with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Shot digitally, skin tones are impressively detailed and natural looking while, the suburban setting and greenery of its local pumpkin patches boast impressive colors.  In addition, black levels are generally strong with the few minor imperfections appearing more artistically driven than true technical defects.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue is well handled with only occasional instances of Dora and boyfriend Jace speaking in hushed tones requiring additional volumes boosts.  Otherwise, the hellions’ attack on Dora’s home, shotgun blasts and the fierce weather conditions during Dora’s long night all make strong impressions on the boisterous mix.  In addition, an optional DTS-HD Master Audio 2.0 mix is also included.  Unfortunately scant, special features include, the film’s Trailer (1:48) and a Reversible Cover Art displaying alternate poster imagery.  

    Providing a refreshing spin on the Halloween night of terror formula, Hellions layers its central character with greater stakes uncommon to most final girls while, its injection of supernatural forces gives the film leeway to enter nightmarish realms for one eerily intense standoff.  Marking one of their finest contemporary acquisitions from IFC Midnight, Scream Factory presents their latest spookshow with top-notch technical grades although, special features are wholly lacking.

    RATING: 4/5

    Available now from Scream Factory, Hellions can be purchased via ShoutFactory.com, Amazon.com and other fine retailers. 

  • Jack's Back (1988) Blu-ray Review

    Jack’s Back (1988)

    Director: Rowdy Herrington

    Starring: James Spader, Cynthia Gibb, Jim Haynie, Robert Picardo, Rod Loomis & Rex Ryon

    Released by: Scream Factory

    Reviewed by Mike Kenny

    One hundred years after the brutal slayings of Jack the Ripper, Jack’s Back takes place in modern day Los Angeles where a copycat killer stalks the streets, leaving a trail of victims in his wake.  When intelligent medical student John Wesford (James Spader, Avengers: Age of Ultron) is suspected, the mystery thickens following his own shocking death.  Disturbed by nightmarish visions, John’s estranged twin brother Rick emerges to discover the true culprit.  Cynthia Gibb (Modern Girls), Jim Haynie (The Peacemaker), Robert Picardo (The Howling), Rod Loomis (The Beastmaster) and Rex Ryon (Feds) co-star.

    Marking the directorial debut of Rowdy Herrington (Road House), Jack’s Back is a crafty, murder-mystery whodunit that takes the unsolved legend of Jack the Ripper and transports it to the flashy lights of Los Angeles.  Following a string of copycat murders in the vein of London’s most noteworthy criminal, doctor in training and fellow humanitarian John Wesford (Spader) finds himself in the crosshairs of the supposed killer only to meet a fatal demise.  With evidence linking him to the murders and his own suicide, John’s rough around the edges twin brother Rick is convinced otherwise after experiencing nightmares of his brother’s murder.  Seeking assistance from a hypnotizing psychologist (Picardo) and John’s potential love interest Chris (Gibb), Rick may have bargained for more than he can handle when those close to him are targeted.

    From Paul Saax’s catchy rendition of “Red Harvest” over its opening credits to quintessential 80s saxophone queues throughout, Jack’s Back sets the intended tone of a thriller for its time.  Following his teenage turns in efforts such as Tuff Turf and Pretty in Pink, James Spader graduates to more adult fare as an ace med student and disturbed tough boy, handling both sides of the same coin effectively.  In addition, while coasting the L.A. streets of yesteryear before stumbling upon a seedy peep store for firepower, nostalgic Gen Xers will take comfort as Rick and the attractive Chris pass a neon lit movie house playing Can’t Buy Me Love and La Bamba.  Littered with multiple red herrings and an engaging plot that keeps viewers guessing until its dramatic conclusion, Jack’s Back is far more clever and inventive than credited.

    Boasting a newly struck transfer from the original camera negative, Scream Factory presents Jack’s Back in 1080p, sporting a 1.78:1 aspect ratio.  While black levels found in its opening sequence appear mildly splotchy with other instances possessing hints of noise, skin tones maintain respectable detail.  In addition, interior daytime sequences occasionally suffer from overblown white levels although, the noticeably clean, virtually free of nicks and scratches, transfer sports an overall filmic quality.  Joined by a DTS-HD Master Audio 2.0 mix, dialogue is cleanly relayed with Paul Saax’s opening number and the film’s multiple car chases offering decent, if not mediocre, boosts in authority.  Furthermore, no discernible instances of hiss or pops were detected.  Special features include, an Audio Commentary with Writer/Director Rowdy Herrington,The Making of Jack’s Back (23:51) featuring new interviews with Herrington, Director of Photography Shelly Johnson, Producer Tim Moore and Actress Cynthia Gibb.  Finally, the film’s Theatrical Trailer (0:57) and a DVD edition of the release round out the supplements.

    Suspenseful and smart, Jack’s Back is a well-paced and thrilling showcase for the up and coming Spader before his respected turns in Sex, Lies, and Videotape and Crash.  After a short delay, Scream Factory delivers this underrated effort in a worthy presentation, just in time for its Blu-ray debut.  Joined by a newly recorded commentary and an informative retrospective featurette, Jack’s Back returns for the better.

    RATING: 3/5

    Available now from Scream Factory, Jack’s Back can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Over Your Dead Body (2014) Blu-ray Review

    Over Your Dead Body (2014)

    Director: Takashi Miike

    Starring: Ebizô Ichikawa, Ko Shibasaki, Miho Nakanishi, Maiko, Toshie Negishi, Ikkô Furuya & Hideaki Itô

    Released by: Scream Factory

    Reviewed by Mike Kenny

    From the director of Audition, Over Your Dead Body centers on an accomplished actress (Ko Shibasaki, 47 Ronin) starring in a stage rendition of a legendary ghost story.  After getting her lover cast as the male lead, rehearsals for the play, focusing on a troubled relationship and a supernatural presence, begin taking shape offstage as well.  When the line between reality and fantasy become heavily blurred, the young thespians find themselves consumed by the darkness.  

    Focusing on the exhaustive rehearsal process of a stage play, Over Your Dead Body begins promisingly, inviting viewers into the beautiful and dramatic narrative of its mock production.  Weaving a tale of an abusive relationship, samurais and apparitions, Director Takashi Miike (Ichi the Killer) spends considerable time establishing the characters of his play within a film before revealing their complicated lives offstage.  Successfully landing her lover a leading role in her latest opus, Miyuke’s (Shibasaki) relationship with Kousuke (Ichikawa) is anything but ideal.  Struggling to cope with the heavy subject matter of her role, Miyuke finds her onstage drama suffocating her once loving relationship with her costar.  Meanwhile, Kousuke secretly takes comfort in the sexual company of Miyuke’s understudy as the supernatural elements of the play begin taking hold of the actors’ lives.

    Considerably slow-building, Over Your Dead Body remains fixated on the visual splendor of its faux stage play while, Miyuke and Kousuke’s relationship dilemmas increase and become intertwined with the play’s grim narrative.  In its final act, Over Your Dead Body supplies unsettling footage of Miyuke attempting to claw at her womb with kitchen utensils for a fetus making the scareless first hour nearly forgotten.  In addition, the eerie awakening of a prop baby and Miyuke’s deformed transformation similar to that of her stage character gives the film added chills.  Effortlessly blending the realms of nightmares and reality at the expense of its runtime, Over Your Dead Body may not be Miike’s finest hour, yet successfully achieves a haunting tone by its conclusion.  

    Scream Factory presents Over Your Dead Body with a 1080p transfer, sporting a 1.85:1 aspect ratio.  A product of the digital age, flesh tones appear lively and well-detailed with the dimly lit sets of the film’s play offering healthy black levels.  That said, nighttime sequences of intimacy between Miyuke and Kousuke suffer slightly with foggier appearances and hints of digital noise.  Beyond these minor grievances, Over Your Dead Body makes a spirited debut on high-definition.  Equipped with a DTS-HD Master Audio 5.1 mix, the Japanese dialogue is delivered sharply with moments of hushed tones never suffering.  Meanwhile, the film’s haunting score by Composer Kôji Endô (13 Assassins) and its glass-shattering sound effects are prominently prioritized enhancing scenes of suspense.  In rare Scream Factory form, special features are limited to only the film’s Trailer (2:03).

    Director Takashi Miike’s latest effort takes its time painting a picture of a troubled couple eventually overcome by dark forces.  Although its narrative is intertwined with the drama of its supernatural play, scares and nightmarish imagery are reserved until the film’s rewarding final act.  While its pace and lack of frights can grow tiresome, Over Your Dead Body maintains some of J-horror’s best qualities.  Continuing to expand their horizons to all facets of terror, Scream Factory’s Blu-ray release awards viewers with a strong audio/visual presentation although, supplements are noticeably scant in comparison to past releases.

    RATING: 3/5

    Available now from Scream Factory, Over Your Dead Body can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • The Guardian (1990) Blu-ray Review

    The Guardian (1990)

    Director: William Friedkin

    Starring: Jenny Seagrove, Dwier Brown & Carey Lowell

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Based on the novel by Dan Greenburg, The Guardian centers on young parents Phil (Dwier Brown, Field of Dreams) and Kate (Carey Lowell, License to Kill) welcoming the arrival of their newborn baby.  Shortly after hiring the ideal live-in babysitter, Phil and Kate’s worst nightmare comes true when Camilla’s (Jenny Seagrove, Local Hero) supernatural intentions for their child are revealed.  Brad Hall (Saturday Night Live), Miguel Ferrer (RoboCop), Natalija Nogulich (Hoffa) and Gary Swanson (Vice Squad) co-star.

    Marketed as Academy Award winning director William Friedkin’s (The French Connection, The Exorcist) return to the horror genre, The Guardian modernizes the dark origins of fairy tales with the deep-rooted fears of all parents for a uniquely-suited picture.  Adhering to the ancient druid worship of trees, an evil yet, convincingly caring nanny (Seagrove) connives her way into the lives of unsuspecting parents in order to sacrifice their newborn babies.  Disappearing only to resurface under a new identity as Camilla, Phil (Brown) and Kate (Lowell) hire the charmingly attractive woman to care for their newborn only to find themselves rattled by unsettling nightmares and the declining health of their baby.  While local friends fall victim to Camilla’s wicked ways courtesy of flesh-eating wolves, the couple’s suspicions are validated after a grieving former victim comes forward to warn the couple of the monster living under their roof.  Unsuccessfully convincing the authorities of the supernatural powers at play, Phil and Kate must trek to the source of the evil in order to protect their baby’s soul.

    Previously developed for Director Sam Raimi (The Evil Dead, Spider-Man) before jumping ship to helm Darkman, the project would suffer through several grueling rewrites once Friedkin joined the production.  With the foundation of a solid premise, The Guardian falters due to its noticeably shaky screenplay and Friedkin’s quick-cutting that capsizes any effect the film’s scarier moments intend.  Although sequences of homicidal trees dismembering three deserving thugs make for solid eye-candy, The Guardian’s dark fairy tale tone finds itself largely lost in the woods.  Failing to attract audiences or sizable box-office returns with Friedkin also distancing himself from the project, The Guardian has marginally grown in appreciation amongst cult cinema circles.  Hardly reaching the quality of Friedkin’s devil-possessing 1973 classic, The Guardian, with its occasionally striking moments of grim imagery, is neither entirely forgettable nor remarkably memorable.  

    Scream Factory presents The Guardian with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Amidst several instances of flakes and specks, skin tones appear well saturated and boasting natural appearances.  Meanwhile, colors are strongly enforced with greenery and moments of gore popping most nicely.  With countless sequences shrouded in darkness and shadow, black levels appear inky and well detailed.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is prominently handled with audibility never an issue.  Furthermore, moments of suspenseful intensity including Ned’s savage assault from wolves and Phil’s chainsaw-wielding battle in the film’s final act are sharp and effective.  Packed with a varied assortment of new and vintage supplements, special features include, A Happy Coincidence with Dwier Brown (21:56), From Strasberg to The Guardian with Gary Swanson (10:10), A Mother’s Journey with Natalija Nogulich (11:33), Scoring the Guardian with Jack Hues (6:40) and Tree Woman: The Effects of The Guardian with Matthew Mungle (13:07) all produced by Aine Leicht’s dependable Cavetown Pictures.  Also included, Return to the Genre: An Interview with William Friedkin (17:25), The Nanny: An Interview with Jenny Seagrave (13:19) and Don’t Go in the Woods: An Interview with Stephen Volk (21:00).  Finally, a Still Gallery (1:19) and the film’s Theatrical Trailer (1:34) round out the disc’s bonus content.

    Unfairly compared to one of the genre’s most enduring efforts, The Guardian is all but destined for failure.  That said, judged on its own merits, Friedkin’s grim fairy tale never quite lives up to its full potential with a problematic screenplay and stabs at suspense crumbling.  Although its narrative may appeal to some more than others, Scream Factory’s high-definition upgrade unanimously impresses with its technical grades checking out and its supplemental package being worth the price of admission alone.  Long out of print, Scream Factory’s Blu-ray release is prime for Friedkinphiles and others unfamiliar with the Academy Award winner’s horror followup.

    RATING: 4/5

    Available January 19th from Scream Factory, The Guardian can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Assault on New Releases #9: Count Dracula (1970), Zombie High (1987), Axe (1975) / Kidnapped Coed (1976), Women's Prison Massacre (1983), Corruption (1983) & The Brain That Wouldn't Die (1963) Blu-ray Reviews

    ASSAULT ON NEW RELEASES #9

    Count Dracula (1970)

    Director: Jess Franco

    Starring: Christopher Lee, Klaus Kinski, Herbert Lom, Maria Rohm, Soledad Miranda, Fred Williams & Paul Muller

    Released by: Severin Films

    Reviewed by Mike Kenny

    Intent on crafting the most faithful adaptation of Bram Stoker’s iconic novel, Director Jess Franco (99 Women) would lure Christopher Lee (The Wicker Man) from his fanged appearances for Hammer Films to headline as the Count.  Soaked appreciatively in gothic atmosphere, Franco’s interpretation unfolds faithfully enough before taking several liberties of its own.  Following Jonathan Harker’s (Fred Williams, She Killed in Ecstasy) escape from Castle Dracula, the film dawdles with recuperation and Van Helsing’s (Herbert Lom, Spartacus) convincing of the black arts to several characters permeating the runtime.  Although its narrative proves to be uneventful in several areas, Christopher Lee’s performance is captivating with his bloodshot eyes and graying mustache adding a visual flair to the timeless character.  In addition, Klaus Kinski (Jack the Ripper), perfectly cast as the disturbed Renfield, is grossly underused in a role otherwise tailor made for the thespians eccentric energy.  While lacking a more erotic flair accustomed to other Franco efforts, Count Dracula achieves moments of glory with Lee’s engrossing performance and the film’s grandiose locations yet, never overcomes its monotonous attempts at plot development.  

    Presented in its original 1.33:1 aspect ratio, Severin Films presents Count Dracula with a 1080p transfer capturing natural skin tones and boldly represented colors, best appreciated in the film’s period costume choices.  With the exception of one reinstated sequence of scratchier quality, the transfer is virtually free of any wear and tear while, black levels are satisfactory with only occasional murkiness on display.  Equipped with an LPCM 2.0 mix, dialogue is perfectly audible with the film’s chilling score effectively relayed throughout.  Accompanied with a five-star spread of supplements, Severin Films includes the expressionistic feature Cuadecuc, Vampir (1:06:18), an Audio Commentary with Horror Historian David Del Valle and Actress Maria Rohm, Beloved Count (26:24) featuring an interview with Director Jess Franco, A Conversation with Jack Taylor (10:00) and Handsome Harker (26:14) with Actor Fred Williams interviewed.  In addition, French Director Christophe Gans hosts an appreciation of Jess Franco’s Count Dracula in Stake Holders (7:32) while, Christopher Lee Reads Bram Stoker’s Dracula (1:24:08) plus, the German, French, Italian & Spanish Alternate Title Sequences (1:36) are also included alongside the film’s German Trailer (3:08).  

    RATING: 4/5

    Available now from Severin Films, Count Dracula can be purchased via Severin-Films.com, Amazon.com and other fine retailers.

    Zombie High (1987)

    Director: Rob Link

    Starring: Virginia Madsen, Richard Cox, James Wilder, Sherilyn Fenn, Paul Feig & Kay E. Kuter

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Shot entirely at the University of Southern California, Zombie High stars Virginia Madsen (Candyman) as the bright Andrea Miller.  After accepting a scholarship to the prestigious Ettinger boarding school, Andrea takes notice of the unusual drone-like behavior of her fellow students.  Before long, a deep rooted secret amongst the school faculty is revealed leading Andrea and her boyfriend Barry (James Wilder, Delta Phi) to fend for their lives.  Scripted by no less than three writers, Zombie High was the brainchild of USC film stockroom handler Aziz Ghazal who, under a unique circumstance with producers, offered the school’s facilities and equipment in exchange for students to intern on a professional film set.  With the exception of its cast and several behind-the-scenes crew members, Zombie High is an impressive accomplishment yet, not one of renowned quality.  Devoid of any scares whatsoever, Director Rob Mink’s sole feature consists of a cast of talented up and comers including, the future Academy Award nominated Madsen, Sherilyn Fenn (Twin Peaks) and future Bridesmaids director Paul Feig delivering a poor man’s Duckie.  While the vibrant young thespians give earnest performances, the dull storyline and two-dimensionality of their characters suffocate the film.  Although professionally produced under its student film-like circumstances, Zombie High is painfully uneventful and seemingly forgets to include its titular creatures until its final fleeting moments.  

    Scream Factory presents Zombie High with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Inherently soft at times, remnants of digital noise can be spotted in the film’s first half during dormitory scenes and dimly lit moments that thankfully subsides later on.  While flesh tones appear decently and bolder colors found in Madsen’s bright sweaters pop best, the transfer is satisfactory given its unconventional history.  Equipped with a disappointing DTS-HD Master Audio 2.0 mix, dialogue registers overwhelmingly low with volume increases essential during viewing.  In addition, the film’s generic rock soundtrack, while providing decent boosts in quality, does so at the expense of drowning out more dialogue.  Limited with its offerings, special features include the film’s Trailer (1:05), uncredited liner notes found on the reverse wrap and a DVD edition of the release.

    RATING: 2/5

    Available now from Scream Factory, Zombie High can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

    Axe (1975) / Kidnapped Coed (1976)

    Director: Frederick R. Friedel

    Starring: Leslie Lee, Jack Canon, Ray Greene & Frederick R. Friedel / Jack Canon, Leslie Rivers, Gladys Lavitam & Larry Lambeth

    Released by: Severin Films

    Reviewed by Mike Kenny

    Restored from their original negatives, Severin Films proudly presents the early efforts of Director Frederick R. Friedel on Blu-ray for the first time ever!  Marking his directorial debut, Axe centers on three murderous criminals who seek refuge at an isolated farmhouse occupied by a withdrawn teenager and her paralyzed grandfather.  Shot inexpensively and running barely an hour, Axe is an unsettling tale that presents its characters with little to no exposition yet, never compromising their chilling believability.  Following the murder of a gay man and dehumanizing target practice with a market clerk, the chain-smoking Steele (Jack Canon, Maximum Overdrive), Lomax (Ray Greene) and younger, more hesitant Billy (Frederick R. Friedel) invade a desolate farmhouse to evade capture.  The beautiful Leslie Lee plays the emotionally stunted Lisa as she calmly premeditates her brutal revenge against her unwanted guests.  Contemplating suicide before savagely fighting back, Lisa’s actions are equally warranted and alarming.  Unfairly included on the U.K.’s banned list of video nasties, Axe oozes rural dread with exceptional style and effective editing that increases its artistic quality more than its grindhouse reputation suggests.

    Next up, Kidnapped Coed, billed as The Kidnap Lover, finds money hungry crook Eddie (Canon once again) kidnapping red-headed richie Sandra (Leslie Rivers, Reform School Girls) only to have his hostage form an unusual attraction for her abductor.  Canon excels as the heavy determined to kill if his ransom isn’t delivered with the timid Rivers playing nicely off of him.  Encountering several unsavory characters that arguably rival Eddie’s own demeanor, the cigarette-puffing crook slowly opens up to his victim, igniting an unlikely romance between characters from different tracks of life.  Nicely developed and crafting a well-executed tonal change, Kidnapped Coed is a fitting followup to Friedel’s previous effort in terror that although briefly timed, plays exceedingly well.  

    Severin Films presents Axe and Kidnapped Coed with 1080p transfers, sporting 1.85:1 aspect ratios.  Although speckles and instances of cigarette burns are apparent, both films admirably shine with noticeably filmic representations while, appreciative detail, natural skin tones and boldly presented blood pop nicely in both features.  Equipped with DTS-HD Master Audio 2.0 mixes, dialogue is audibly satisfactory with mild instances of hiss and static occasionally detected.  Although Kidnapped Coed serves as the stronger audio candidate, both films get the job done.  In addition, each film contains an optional German audio track.  Rightly saluting both films with numerous bonus features, Severin Films provides Audio Commentaries on both with Writer/Director Frederick R. Friedel, Production Manager Phil Smoot & Makeup Artist Worth Keeter.  In addition, Friedel’s intriguing hybrid cut of both films entitled Bloody Brothers (1:29:11) is also included with an introduction by Friedel and an Audio Commentary with Nightmare USA Author Stephen Thrower.  Furthermore, At Last…  Total Terror!: The Amazing True Story of the Making of Axe & Kidnapped Coed (1:01:40) is a newly produced retrospective work featuring interviews with key talent and visits to the original shooting locations.  Also included, Moose Magic: The George Newman Shaw & John Willhelm Story (38:35) traces the history of the films’ talented musicians while, Stephen Thrower waxes intellectual on Axe & Kidnapped Coed (9:15) with a selection of Trailers, TV Spots & Radio Spots (8:31) rounding out the disc’s supplemental content.  Finally, located on a separate compact disc, both films’ original soundtracks are included with 7 bonus tracks from Shaw & Willhelm.

    RATING: 4/5

    Available now from Severin Films, Axe / Kidnapped Coed can be purchased via Severin-Films.com, Amazon.com and other fine retailers.

    Women’s Prison Massacre (1983)

    Director: Bruno Mattei

    Starring: Laura Gemser, Gabriele Tinti, Ursula Flores, Maria Romano, Raul Cabrera & Antonella Giacomini

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Repurposing much of the same cast and filmed back to back with 1982’s Violence in a Women’s Prison, Director Bruno Mattei’s (Hell of the Living Dead, Rats: Night of Terror) Women’s Prison Massacre continues the sleazy tradition of scantly clad females doing hard time.  When reporter Emanuelle (Laura Gemser, Black Emanuelle) is framed for drug smuggling and sentenced to prison, she is confronted with unspeakable violence from fellow inmates and guards.  While attempting to maintain her sanity, a deadly pack of arriving male prisoners invade the prison as Emanuelle and her trusting cellmates seek to regain control.  Gabriele Tinti (Rider on the Rain), Ursula Flores (Violence in a Women’s Prison), Maria Romano (Thor the Conqueror), Raul Cabrera (Allonsanfan) and Antonella Giacomini (The Seven Magnificent Gladiators) co-star.  A genre staple of grindhouse cinemas and drive-in theaters during the 70s and 80s, Women’s Prison Massacre takes the familiar tropes of attractive females, inhumane violence, corruption and nudity to steer its own exercise in exploitation.  Hypnotically beautiful, Laura Gemser headlines as the wrongly imprisoned Emanuelle who vows to expose the corrupt politician responsible for her incarceration.  In addition to defending her life against pale-skinned inmate Albina (Flores) and mistreatment from guards, Women’s Prison Massacre injects healthy doses of lesbianism for good measure.  Although the arrival of the male prisoners increases the action and exploitation including sequences of rape and a twisted game of Russian roulette, their inclusion feels slightly out of character for a traditional WIP film and steals attention away from Gemser and her supporting players.  Unquestionably cut from the same cloth as other films of its ilk, Women’s Prison Massacre is not nearly as impressive as other efforts although, its hilarious dubbing and jaw-droppingly funny dialogue provide plenty of entertainment.

    Scream Factory presents Women’s Prison Massacre with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Possessing a fairly soft appearance, the film is free of any scratches or other extremely undesirable blemishes while, skin tones are modestly pleasing.  In addition, black levels found in the dirty and dimly lit prison appear generally hazy at times yet, never overwhelm ones viewing.  Equipped with a DTS-HD Master Audio 2.0 mix, the poorly dubbed dialogue is efficient although never overly impressive.  Scoring queues, gunshots and screams show signs of increased authority while remaining generally restrained.  Furthermore, no unfavorable levels of hiss or static were detected.  Surprisingly, no special features have been included on this release.

    RATING: 2/5

    Available now from Scream Factory, Women’s Prison Massacre can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

    Corruption (1983)

    Director: Roger Watkins

    Starring: Jamie Gillis, Kelly Nichols, Tiffany Clark, Tanya Lawson, Tish Ambrose & Vanessa Del Rio

    Released by: Vinegar Syndrome

    Reviewed by Mike Kenny

    The desire for power becomes more than one man bargained for in Director Roger Watkins’ Corruption.  Unsure if he can repay a debt owed, Williams (Jamie Gillis, Dracula Sucks) finds his life controlled by his lenders only to have his associate betray him in exchange for his own sense of power.  Following the kidnapping of his sister-in-law, Williams is caught in a deranged sexual underworld with his unsavory half-brother as his guide and unlikely only hope for a way out.  An all-star ensemble of porn royalty including, Kelly Nichols (Dixie Ray Hollywood Star), Tiffany Clark (Hot Dreams), Tanya Lawson (Kinky Business), Tish Ambrose (Streetstar) and Vanessa Del Rio (Lips) co-star.  Although narratively vague in its storytelling, Corruption is undoubtedly a visual splendor, courtesy of valued Cinematographer Larry Revene (Deranged, Doom Asylum) whose lighting and camerawork intoxicates the frames with genuine atmosphere.  Juxtaposed with heavy doses of tantalizing sex sequences ranging from lesbianism and bondage to deep throated decadence and surreal necrophilia, Corruption may not gel with those left questioning its darkly surreal tone yet, deserves utmost appreciation for its rich photography and steamier moments brought to life by some of the eras most favored performers.

    Restored in 2K from the 35mm original camera negative, Vinegar Syndrome’s efforts are nothing short of exceptional.  With skin tones looking lively, detail in textures and closeups greatly impressing plus, striking colors found in sexy lingerie making admirable pops, Corruption spoils viewers with its near impeccability.  While black levels seen in a dimly lit bar scene and a sexual encounter in a black room showcase instances of flakes and noticeable digital noise, Vinegar Syndrome has treated the film with an expected level of care leaving it in better shape than ever.  Equipped with a DTS-HD Master Audio 1.0 mix, crackling is occasionally heard but, never interferes in the delivery of dialogue while, the eclectic score of sexy saxophone themes, wailing electric guitars and synthesized beats sound terrific.  Special features include, Through the Lens: Larry Revene & Corruption (12:25) where the talented DP reminisces on the productions charming cast and Watkins’ acute eye and talented abilities as a writer and director.  In addition, the Theatrical Trailer (3:18), Pressbook Gallery (0:53) and DVD edition of the release are also included.  Furthermore, Vinegar Syndrome has included the profound easter egg of Roger Watkins’ nasty 1977 shocker The Last House on Dead End Street (77:58) on disc.  Although a Blu-ray edition of the film is currently being prepped, this sample course is in fact uncut yet, far from what the finished release will look like.  Finally, a Reverse Cover Art utilizing Corruption’s original 1-sheet poster concludes the supplemental offerings.

    RATING: 3.5/5

    Available now from Vinegar Syndrome, Corruption can be purchased via VinegarSyndrome.com.

    The Brain That Wouldn’t Die (1962)

    Director: Joseph Green

    Starring: Herb Evers, Virginia Leith & Leslie Daniel

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Distributed by independent mavericks American International Pictures, The Brain That Wouldn’t Die centers on Dr. Bill Cortner (Herb Evers, Escape from the Planet of the Apes) who after losing his future bride in an accident, swears to resurrect her through medical experimentations.  Salvaging her head while feverishly scouring for a suitable body replacement, the conscience Jan (Virginia Leith, Violent Saturday) begins losing her mind while planning her revenge on the man who unethically kept her alive.  Cheaply produced for less than $70,000, The Brain That Wouldn’t Die laid dormant following its completion in 1959 before being acquired by AIP several years later.  Pushing its mad scientist agenda of absurdist surgeries and eerie experiments, The Brain That Wouldn’t Die relies equally on buxom beauties and curvy strippers to attract attention.  Following Dr. Bill Cortner’s desperate mission to locate a proper body to attach to the head of his lover, Cortner attends smoky bars and bikini modeling shows for prime candidates.  Busty broads and floor pummeling catfights add to the film’s sexual sleaziness that largely separates it from other Z-grade sci-fi pictures of the time.  Longing to be put out of her misery, Jan befriends an imprisoned creature in Bill’s laboratory to assist in her revenge scheme.  Tearing the arm off of the good doctor’s assistant, the concealed monster (played by noted Israeli circus performer Eddie Carmel a.k.a. “The Jewish Giant”) surprisingly lives up to expectations when his facially deformed, pinheaded self is revealed in the film’s final moments.  Undeniably bizarre and equally entertaining, The Brain That Wouldn’t Die follows the familiar path of a scientist with a god complex while, its inclusion of seductive pinups sells the film even more.

    Scream Factory presents The Brain That Wouldn’t Die with a 1080p transfer, sporting a 1.66:1 aspect ratio.  Newly restored from its negative, this uncut presentation contains mild instances of speckles and cigarette burns while, its black and white photography largely impresses with admirable detail in closeups and wardrobe.  In addition, black levels appearing in Dr. Cortner’s vehicle and the bloody aftermath of Kurt’s arm being removed look refreshingly inky.  With filmic grain present throughout its entirety, The Brain That Wouldn’t Die lives on looking better than ever!  Equipped with a DTS-HD Master Audio 2.0 mix, several cracks and pops arise without sacrificing any dialogue along the way.  Otherwise presented cleanly, speaking bits and the film’s score come through nicely.  Special features include, an Audio Commentary with Film Historian Steve Haberman and Author Tony Sasso with Haberman offering plenty of informative anecdotes along the way while, Sasso relies on pointing out the obvious onscreen.  In addition, the Mystery Science Theater 3000 Episode of the film (presented in standard definition) is included alongside, Alternate Model Footage (1:26).  Culled from the international cut and lacking sound, this brief sequence showcases the beautiful Adele Lamont posing nude for photographers.  Finally, a Photo Gallery (3:46) and the film’s Theatrical Trailer (1:54) conclude the disc’s bonus content.

    RATING: 3.5/5

    Available now from Scream Factory, The Brain That Wouldn’t Die can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • The Garbage Pail Kids Movie (1987) Collector's Edition Blu-ray Review

    The Garbage Pail Kids Movie (1987)

    Director: Rod Amateau 

    Starring: Anthony Newley, Mackenzie Astin & Katie Barberi

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Based on the popular Topps trading card series, The Garbage Pail Kids Movie centers on bullied teenager Dodger (Mackenzie Astin, The Facts of Life) who befriends the Kids after accidentally unleashing them from their magical trash can.  In addition to causing mayhem and helping Dodger woo the fashionably feisty Tangerine (Katie Barberi, Every Witch Way), the Kids find themselves imprisoned at the State Home for the Ugly with Dodger and the crafty Captain Manzini (Anthony Newley, Oliver Twist) as their only hope.

    Created to disgustingly parody the Cabbage Patch Kids phenomenon of the era, The Garbage Pail Kids Movie continues the vile hijinks of Ali Gator, Greaser Greg, Valerie Vomit, Foul Phil and the rest of the gang in their first and only big-screen leap.  Performed by dwarf actors in bizarrely designed costumes, the Kids find themselves free from their trash can detention as they let loose of their manners and hygiene in their new environment.  Following noisy shenanigans at the movies and drunken bar room brawls, the messy misfits look to help their teenage friend Dodger impress the “too cool for school” Tangerine with his fashion sensibilities while, getting even with his bully Juice.  Attracting too much unwanted attention, the Kids find themselves admitted to the State Home for the Ugly alongside fellow inmates Santa Claus and Abraham Lincoln.  Although marketed for children, The Garbage Pail Kids Movie left parents even more perplexed by the characters’ caca and poo poo humor that popularized the controversial cards.

    Although devastatingly panned and tanking at the box-office, The Garbage Pail Kids Movie has resurfaced as a bonafide cult classic, enjoyed for its gross-out kiddie humor and over the top, paper thin narrative.  While its abnormally constructed costume designs appear poor, their crude, unnatural appearance give the film its unusually appealing charm.  Considered by many to be as tasteless as a stick of bubblegum, The Garbage Pail Kids Movie is unquestionably one of the weirder efforts to emerge from the gaudy 80s yet, signifies a compelling time where hilariously fun dreck of its kind was ushered into theaters for the enjoyment of children.

    Scream Factory presents The Garbage Pail Kids Movie with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Appearing relatively soft, skin tones emerge naturally while select colors including, outdoor greenery and the eye-catching fashion choices of Tangerine and the Kids popping better than others.  Faint specks and occasional vertical lines are noted while, black levels appear hazy and lacking an inkier presence.  Meanwhile, detail is most pleasing in closeups of the off-putting Kids capturing their acne and snot infested faces nicely.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is serviceable with no noticeable interferences while, bar sequences and music inclusions offer mild boosts in quality.  Crowned a Collector’s Edition, special features include, The Effects of the Garbage Pail Kids Movie (11:46) with new interviews from Special Makeup Effects Creator John Carl Buechler and Makeup Effects Artist Gino Crognale.  In addition, On Set with 1st AD Thomas A. Irvine (6:22), The Artful Dodger: An Interview with Mackenzie Astin (27:16) and The Kids Aren’t All Right (21:21) with insight from Garbage Pail Kids performers Arturo Gil and Kevin Thompson are also included.  Finally, the Theatrical Trailer (2:02) and a reversible cover art utilizing the original 1-sheet poster conclude the supplemental package.

    Universally trashed since its debut, The Garbage Pail Kids Movie serves the appetites of B-movie purists who find enjoyment in its many quirks and unintentional head-shaking hilarity.  Making suitable leaps from its standard definition days, Scream Factory treats this belch-inducing blunder like the gross gold it is with its supplemental package from Aine Leicht’s Cavetown Pictures being the major sell.  Don’t let your uncontrollable body functions go to waste without the messiness of The Garbage Pail Kids Movie by your side!

    RATING: 3/5

    Available now from Scream Factory, The Garbage Pail Kids Movie can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • 2015 Holiday Gift Guide

    presents

    THE 2015 HOLIDAY GIFT

    • The Original Christmas Classics Anniversary Collector’s Edition: While the tikes of today rightly associate the artistry of stop-motion animation with the works of Tim Burton (The Nightmare Before Christmas, Frankenweenie) and Laika Studios (Coraline, Paranorman), The Original Christmas Classics Anniversary Collector’s Edition presents viewers of all ages with timeless holiday entertainment from the influential Rankin/Bass Productions.  With such Christmas cartoon classics as UPA’s Mr. Magoo’s Christmas Carol, Cricket on the Hearth, Frosty the Snowman and Frosty Returns, this must-have collection also includes Rankin/Bass’ most beloved holiday-themed specials including, Rudolph the Red-Nosed Reindeer, The Little Drummer Boy and Santa Claus is Comin’ to Town.  Joined by additional special features such as sing-alongs and how-to tutorials on drawing your own Rudolph or Frosty, The Original Christmas Classics Anniversary Collector’s Edition comes highly recommended and will undoubtedly enjoy heavy rotation by viewers this holiday season.  Available now!

    • Home Alone 25th Anniversary Ultimate Collector’s Edition: Celebrating its unbelievable 25th anniversary, the original John Hughes produced classic returns to Blu-ray boasting a new superior-looking 4K restoration.  Collected in a paint can familiar to fans of the films, this excellently timed collector’s edition includes other treats such as, a collectible ornament, rubber spider, Battle Plan reproduction and a Wanted poster looking for the Wet Bandits.  While its equally beloved sequel, Home Alone 2: Lost in New York, is also included on Blu-ray, purists will be slightly disappointed that later installments, Home Alone 3, Home Alone: Taking Back the House and Home Alone: The Holiday Heist arrive only on DVD.  Although the lack of a complete high-definition collection is unfortunate, the original film’s highly improved transfer and conversation starting packaging makes Home Alone’s 25th Anniversary Ultimate Collector’s Edition well worth upgrading this Christmas.  Available now! 

    • National Lampoon’s Christmas Vacation: Similar to Home Alone’s previous outings on high-definition, National Lampoon’s Christmas Vacation has been the victim of dated masters leaving viewers with more to be visually desired.  Thankfully, Warner Bros. have heard fans’ calls and appropriately rescanned this Chevy Chase favorite in 2K from a brand-new interpositive.  Boasting a more filmic appearance and stronger skin tones, National Lampoon’s Christmas Vacation, carrying all previous supplements from its past releases, finally arrives in the presentation fans of the Griswolds rightfully deserve.  Available now!

    • Back to the Future 30th Anniversary Trilogy: Marking Marty and Doc’s infamous journey into the distant future of 2015, Universal Studios proudly celebrates the occasion with an exceptional high-definition repackaging of the historic time traveling trilogy.  With all three films looking and sounding stellar, the Back to the Future 30th Anniversary Trilogy comes overwhelmingly packed with vintage supplements as well as other goodies including, Doc Brown Saves the World! with Christopher Lloyd reprising his role as Doctor Emmett Brown in this newly-produced short film.  In addition, diehard fans will be overjoyed with Universal Studios’ alternate limited edition release of Back to the Future: The Complete Adventures.  Housed in a light-up faux flux capacitor, this must-have set contains the film trilogy, a 64-page collectible booklet and all 26 episodes of the short-lived Saturday morning cartoon on DVD for the first time ever.  Hailed as one of the greatest franchises of all time, Christmas morning won’t be complete without journeying into the past with these ageless adventures.  Available now!

     

    • Mission: Impossible - Rogue Nation: Continuing the popular exploits of IMF Agent Ethan Hunt, Tom Cruise (Oblivion, Edge of Tomorrow) returns to the explosive franchise for his most dangerous mission yet.  When the IMF is shut down by the CIA, a dangerous network known as the Syndicate, comprised of former agents gone rogue, threatens the safety of the globe.  Wanted by their own government, Ethan and his loyal team, along with a mysterious double agent (Rebecca Ferguson, Hercules), must combine their limited efforts to bring the Syndicate down and restore their names.  Helmed by Christopher McQuarrie (Jack Reacher), Mission: Impossible - Rogue Nation combines death-deifying stunts, intense action and a suspenseful narrative that stands proudly with Ghost Protocol’s universally hailed installment.  Arriving with reference worthy high-definition specs and countless special features including, an Audio Commentary with Director Christopher McQuarrie and Star Tom Cruise plus, several making-of featurettes, the fifth installment of Cruise’s exciting series is a mission all viewers should choose to accept this holiday season.  Available December 15th!

     

    • The Purple Rose of Cairo: Limited to just 3,000 units, Writer/Director Woody Allen’s (Annie Hall, Manhattan) love letter to cinema is an achingly moving achievement comprised of magic and romance.  Perfectly casted, Mia Farrow (Rosemary’s Baby) and Jeff Daniels (The Newsroom) star in this Great Depression-set tale about a movie obsessed dreamer enchanted by the arrival of her movie star crush who leaps off the screen to woo her.  A bonafide gem in Allen’s rich catalog of classics, The Purple Rose of Cairo casts an enchanting spell on viewers while, Film Historian Julie Kirgo’s enthralling liner notes increase ones appreciation for the content.  Available now!

    • The End of the Tour: Based on David Lipsky’s best-seller, this probing character study of Lipsky’s journalistic road-trip interviewing Author David Foster Wallace in the wake of his successful novel is one of the year’s smartest and genuine features.  Jason Segel (The Muppets) and Jesse Eisenberg (The Social Network) are excellently matched as two intelligent creatives, butting heads as they explore fame and the desire for normalcy on a journey of unexpected friendship and understanding.  Humorous and heartbreaking, this indie favorite arrives with an Audio Commentary, Deleted Scenes, a Conversation with Composer Danny Elfman and more.  Critically applauded, The End of the Tour is a moving piece of drama well worth taking the journey with.  Available now! 

    • Inside Out 3D Ultimate Collector’s Edition: From the creative minds of Pixar, Inside Out marks their most unique tale to date centering on the many emotions of an 11-year-old girl as she copes with her unexpected move to San Francisco.  Starring an eclectically hilarious voice cast including, Amy Poehler (Parks and Recreation), Phyllis Smith (The Office), Bill Hader (Trainwreck), Lewis Black (The Daily Show) and Mindy Kaling (The Mindy Project), Director Pete Docter’s (Monsters Inc., Up) deeply personal exploration of the mind is endlessly charming with audiences young and old finding themselves profoundly moved by its  conclusion.  Presented with immersive 3D and countless bonus features, Inside Out is the animated gem of the year perfect for acquisition this holiday season.  Available now!

     

    • Aladdin Diamond Edition: Highly anticipated and finally unleashed from the Disney vault, Aladdin makes its domestic high-definition debut with jaw-droppingly colorful clarity and countless special features including, the desirable and never-before-seen Genie outtakes performed by the late Robin Williams.  A magical tour de force, Aladdin remains one of Disney’s most beloved features and a wish come true for all street rats and riff raffs this Christmas.  Available now!   

    • Minions 3D: In Illumination Entertainment’s Despicable Me prequel, the yellow colored tribe find themselves deeply depressed following the accidental losses of their last several evil leaders.  Set in the progressive 1960s and determined to find their next kingpin, optimistic Minion Kevin, along with Stuart and Bob, road trip to Villain Con International to join forces with evil diva Scarlett Overkill.  After traveling to England to overthrow the Queen, the Minions must devise a way to correct their deeds in order to save their fellow friends and the world.  Accompanied by vocal work from Academy Award winner Sandra Bullock (The Blind Side), Jon Hamm (Mad Men), Michael Keaton (Toy Story 3) and Geoffrey Rush (the Pirates of the Caribbean franchise), Minions slapstick scenarios and soundtrack of rockin’ hits from The Rolling Stones, The Doors, The Kinks and Jimi Hendrix make for a thoroughly entertaining ride.  Packed with eye-popping 3D and three brand-new mini movies, Minions is the animated release making audiences go bananas.  Available December 8th! 

    • Cinderella: Continuing their successful string of live-action features based on their esteemed animated classics, Disney brings the whimsy of Cinderella to a new generation.  Bursting with magic and elegance, Director Kenneth Branagh’s (Hamlet, Thor) modernization pays homage while, surpassing its 1950 counterpart with its grandiose production design and exceptional performances from Lily James (Downton Abbey) in the titular role and Cate Blanchett (The Curious Case of Benjamin Button) as her wicked stepmother.  One of the finest films of the year, Disney’s Cinderella is the glass slipper that should be under everyone’s Christmas tree this year.  Available now!

    • 101 Dalmatians Diamond Edition: Although unhappy with the film’s visual outcome, Walt Disney’s dazzling London-based tale has long been cherished by adoring audiences since its debut in 1961.  Stylistically unique to the delicate precision of other Disney efforts, 101 Dalmatians offers an adventurous tale accompanied by memorable songs and one of Disney’s most beloved antagonists Cruella De Vil.  Shining brighter than ever on Blu-ray, reasons for scooping up 101 Dalmatians Diamond Edition this season far exceeds the number of its lovable polka-dotted puppies.  Available now! 

    • Mr. Bean - The Whole Bean 25th Anniversary Collection: A quarter century since its debut, Rowan Atkinson’s hilariously dimwitted character returns with all 14 episodes of his memorable television show.  Presented by Fabulous Films, in association with Shout! Factory, Mr. Bean - The Whole Bean 25th Anniversary Collection provides viewers with suitable supplemental content while, the sheer silliness and physical hijinks of Atkinson’s predominately mum character in all his timeless sketches will most definitely tickle the funny bones of all viewers.  Available now! 

    • Star Wars Rebels - Complete Season One: With less than a month before Star Wars: The Force Awakens takes hold of audiences worldwide, Disney’s first attempts at reestablishing the brand ensures that the Force is in very capable hands.  Taking place before the events of the original film, Star Wars Rebels centers on a ragtag crew of do-gooders determined to take down the Galactic Empire.  With guest appearances from Star Wars alumni such as, Darth Vader, C-3PO, R2-D2 and Yoda, this computer-generated Disney XD series packs high-octane action and exciting new characters that have quickly become fan favorites.  With season two airing now, catching up with the crew of the Ghost in their first 15 adventures is the perfect training for young Padawans and Jedi Masters alike.  Available now! 

    • Manimal - The Complete Series: Airing for only a short-lived eight episodes, Fabulous Films and Shout! Factory welcome the animalistic adventures of Manimal: The Complete Series to DVD for the first time ever in the U.S.!  Centering on the wealthy and dashing Dr. Jonathan Chase (Simon MacCorkindale, Jaws 3-D), Manimal finds Chase using his abilities to morph into any animal of his choosing to aid the authorities in solving crimes.  Scheduled against the soap opera titan Dallas, Manimal found itself quickly extinct due to low ratings but, has maintained a cult appeal for its over the top premise and impressive transformation sequences.  Wickedly fun, Manimal: The Complete Series also arrives with an interview with Series Creator Co-Creator Glen A. Larson (Knight Rider, Magnum, P.I.), Concept & Production Notes, an episode booklet and more.  With Will Ferrel (Elf) and Adam McKay (Step Brothers) actively developing a film version, reliving its goofy originator this holiday season will serve as an ideal journey down memory lane.  Available now!

    • Automan - The Complete Series: From the creative minds behind Tron and Knight Rider, Automan unashamedly melds the two contrasting concepts for this long lost gem of Generation X.  Including all 13 episodes and countless bonus content including, an all-new 42 minute retrospective, Automan centers on computer nerd Walter Nebicher (Desi Arnez Jr., House of the Long Shadows) as he minds his desk work at the local police department.  Using his programming skills, Walter develops an artificial hologram that can exist in the real world.  Accompanied by the computer engineered Automan and a small droid, Walter hits the streets to battle crime.  Cancelled prematurely, Automan: The Complete Series is a sci-fi spectacle of 80s technology and street crime that has thankfully resurfaced in its entirety for the first time in America.  Available now!

    • Agent Carter - The Complete First Season: Reprising her role from Captain America: The First Avenger, Hayley Atwell stars as secret agent Peggy Carter as she attempts to cope with the loss of Steve Rogers and juggle her position in the male-dominated workforce of the 1940s.  After learning her friend Howard Stark (Dominic Cooper, Abraham Lincoln: Vampire Hunter) has been framed for supplying weapons to the enemy, Agent Carter must fight to clear his name and recover the stolen goods.  Delivering one of television’s stronger and well-written female characters, Marvel’s Agent Carter is an engaging, tightly paced mini-series that  fans of Marvel’s Cinematic Universe will find themselves instantly hooked on.  Available now!

    • Blood and Lace: Long desired and finally available for the first time on home video, Blood and Lace serves as a bizarre precursor to what would become the slasher boom of the late 70s and early 80s.  Following the grizzly murder of her prostituting mother, Ellie Masters (Melody Patterson, F Troop) is placed in an orphanage, fearful that she will become the next target of her mother’s hammer-wielding assailant.  With orphanage head Mrs. Deere (Gloria Grahame, It’s a Wonderful Life) and her seedy handyman concealing their share of disturbing secrets, Ellie’s safety becomes even more uncertain.  Filled with an uncomfortable atmosphere and a disturbing twist ending, Blood and Lace is joined by an expert Audio Commentary with Film Historian Richard Harland Smith, an alternate opening title, its theatrical trailer and reversible cover art.  In a year of seemingly endless titles from Scream Factory, Blood and Lace stands out as one of their most coveted.  Available now! 

    • The Car: Powered by high-octane evil, this cult classic from Director Elliot Silverstein (Nightmare Honeymoon) stars James Brolin (The Amityville Horror) as a newly appointed sheriff in a desert town disturbed by a devilish automobile hellbent on destroying anyone in its path.  Joined by new interviews with its director and Actors Melody Thomas Scott and Geraldine Keams, a theatrical trailer, a newly designed cover art by Scream Factory favorite Justin Osbourn and more, The Car races to Blu-ray just in time for viewers to hitch a ride this Christmas.  Available December 15th! 

    • Eaten Alive: Continuing to impress domestic audiences with their diverse output, Arrow Video delivers another first-rate effort with Tobe Hooper’s (The Texas Chain Saw Massacre) Eaten Alive.  Set in the Louisiana wetlands at the seedy Starlight Hotel, owner Judd’s (Neville Brand, The Police Connection) homicidal tendencies run amuck as he feeds unsuspecting guests to his hungry alligator.  Bloody and bizarre, Hooper’s underrated gem arrives restored in 2K from the OCN while, bonus content runs deep with endless featurettes and an impressive 22-page booklet.  As if anymore bait were needed to lure viewers, Eaten Alive is one of the exploitation genres top releases of the year.  Available now!

    • Ghost Story: Based on the novel by Peter Straub, four elderly friends are haunted by a ghostly apparition in their wintry New England town.  Headlined by seasoned icons including, Fred Astaire (Swing Time), Melvyn Douglas (Ninotchka), Douglas Fairbanks, Jr. (Little Caesar) and John Houseman (Rollerball), Ghost Story oozes atmosphere and supernatural tension.  Marking its Blu-ray debut, Scream Factory delivers this perfectly timed release with a filmic presentation and a slew of special features from an Audio Commentary with Director John Irvin and new interviews with key cast and crew to vintage trailers and a spooky reversible cover art.  Chilling and stylistically paced, Ghost Story makes for a frightening addition into your horror library this winter season.  Available now!

    • Goodnight Mommy: Hailing from Austria, twin brothers Elias and Lukas are troubled when their mother returns home from surgery, heavily bandaged and acting differently.  Growing more unconvinced of the woman who claims to be their mother, the twins take drastic measures to uncover the terrifying truth.  Similar to an unnerving fever dream, Goodnight Mommy seeps under viewers’ skin with an unsettling tone and an even more frightening finale.  Accompanied with a conversational interview with Directors Veronika Franz and Severin Fiala, Goodnight Mommy is a shocking slice of foreign cinema that easily stands as one of the year’s standout contemporary horror releases.  Available now!

    • White of the Eye: All is not as it seems in 1987’s White of the Eye when an attractive woman falls victims to a demented killer of housewives who uses Indian rituals in his murders.  Helmed by Donald Cammell (Performance, Demon Seed) and starring David Keith (Firestarter) and Cathy Moriarty (Raging Bull), this suspenseful thriller will keep viewers’ blood thoroughly chilled.  Repurposing U.K. distributor Arrow Video’s superb transfer, Scream Factory compliments its release with an Audio Commentary with Director Donald Cammell and Biographer Sam Umland, deleted scenes, an interview with Actor Alan Rosenberg, reversible cover art and more.  Available now!

    • Society: Nightmarish and bold, Brian Yuzna’s (Bride of Re-Animator) directorial debut arrives in a definitive high-definition release from Arrow Video.  Suspecting his wealth family and privileged peers are hiding sinister secrets, paranoid teen Bill Whitney (Billy Warlock, Days of Our Lives) uncovers a twisted subculture for the richies of Beverly Hills.  Sporting a virtually flawless presentation bursting with bold colors and exceptional clarity, Society comes dripping with newly crafted bonus content that leaves no stone left unturned.  Although its original flesh-covered packaging edition has since sold out, Arrow Video’s standard release of Society is unquestionably one of the best horror releases of 2015!  Available now!

    • Pinocchio: The Making of the Disney Epic by J.B. Kaufman: Celebrating its 75th anniversary, J.B. Kaufman’s definitive overview of Walt Disney’s animated followup to Snow White and the Seven Dwarfs is a marvel to behold.  Containing over 200 pieces of art and culled from various interviews and recorded conferences, Kaufman’s expertly researched achievement is the finest of its kind and stands as our book of the year!  Available now! 

    • Back to the Future: The Ultimate Visual History by Michael Klastorin with Randal Atamaniuk: Complimenting the 30th anniversary re-release of the famed trilogy, Klastorin and Atamniuk’s literary companion is a treasure trove for dedicated fans.  Packed with overwhelming insight into each film’s extensive shooting schedule and incredible imagery of production art, Back to the Future: The Ultimate Visual History also treats readers to several removable posters and reproduction pieces.  Further documenting Back to the Future’s short-lived Saturday morning cartoon and their exciting attraction at Universal Studios’ theme parks, Klastorin and Atamaniuk’s passion project is essential reading for all Back to the Future devotees.  Available now!

    • John Hughes: A Life in Film by Kirk Honeycutt: Highlighting the eternally youthful enthusiasm of Writer/Director John Hughes, Honeycutt’s career spanning work contains interviews with Hughes collaborators including, Matthew Broderick (Ferris Buller’s Day Off), Ally Sheedy (The Breakfast Club), Judd Nelson (The Breakfast Club), Steve Martin (Planes, Trains and Automobiles) and more.  Providing insight into Hughes’ family life and heartwarming friendship with the late John Candy, Honeycutt’s humanizing and photograph-filled coverage of Hughes is one you won’t soon forget.  Available now!

    • The Art and Making of The Peanuts Movie by Jerry Schmitz: Making their cinematic return this year, Charles Schulz’s Peanuts gang comes alive in their first CG-animated 3D feature.  Adapting the simplistic yet, treasured designs and wit of Schulz’s beloved creations was no easy task as covered in Schmitz’s enthralling read.  With a foreword by Director Steve Martino, The Art and Making of The Peanuts Movie describes the painstaking detail in bringing Charlie Brown and friends into a 3D realm while, cracking a story that would faithfully honor their 50-plus year legacy.  Unquestionably one of the year’s best making-of books, The Art and Making of The Peanuts Movie is an invaluable resource for one of the year’s finest films.  Available now!

    • Fantastic Planets, Forbidden Zones, and Lost Continents - The 100 Greatest Science-Fiction Films by Douglas Brode: Chronologically ordered, Brode’s historical journey through science-fiction’s latest and greatest cinematic achievements are compiled in one passionate collection.  From 1927’s influential Metropolis to the many gems consisting of Ray Harryhausen’s stop-motion wizardry, Brode’s analysis also awards George Lucas’ Star Wars saga, E.T. the Extra-Terrestrial, Pixar’s Wall-E and Marvel Studio’s most recent Guardians of the Galaxy as sci-fi’s most remarkable efforts.  Accompanied with rare photographs, ratings and background information on each production, Fantastic Planets, Forbidden Zones, and Lost Continents - The 100 Greatest Science-Fiction Films will make a suitable stocking-stuffer for all sci-fi fans.  Available now!

    • Crimson Peak: The Art of Darkness by Mark Salisbury: Considered one of our favorite films of the year, Mark Salisbury’s stunning look into Guillermo del Toro’s gothic romance is breathtaking.  With inspired production art and intriguing character bios, Crimson Peak: The Art of Darkness also explores the practical and digital means in bringing the film’s ghostly creations to life.  With several takeaway items including, a miniature film poster, Salisbury’s guide to one of the year’s most eerily seductive films is an exceptional entryway into del Toro’s fantastical imagination.  Available now!

    • Before Ever After: The Lost Lectures of Walt Disney’s Animation Studio by Don Hahn and Tracey Miller-Zarneke: As Walt Disney looked beyond the success of his short films to the future of animated features, the educational efforts to perfect his artists’ abilities were increased.  Dormant for nearly 80 years, Hahn and Miller-Zarneke’s latest effort resurrects the countless lectures and transcribed classes Disney’s artists were educated in leading up to the production of Snow White and the Seven Dwarfs.  Animation enthusiasts will be fascinated by its indispensable lessons and extraordinary artwork making it one of Disney Editions’ most outstanding gems of the year.  Available now!

    • Star Wars: The Original Topps Trading Cards Volume One with Commentary by Gary Gerani and Robert V. Conte: Serving as a bonafide nostalgia trip, Abrams Comicarts compiles all five collectible sets and stickers of Topps’ original Star Wars trading cards.  Presented in their entirety, first generation fans will be delighted to own the entire run in this wonderfully presented hardcover.  With welcome commentary from original cards editor Gary Gerani and four bonus trading cards included, Star Wars: The Original Topps Trading Cards Volume One will return fans back to a childhood from a galaxy far, far away.  Available now!

    • Ghostbusters: The Ultimate Visual History by Daniel Wallace: Akin to Harper Design’s Back to the Future: The Ultimate Visual History, Insight Editions’ 30 year overview of the Ghostbusters franchise is a rewarding read that traces the pop culture phenomenon of the original two films, their animated television shows plus, the endless merchandise that exploded in their wake.  With interviews from key talent and filled with behind-the-scenes photos and other specialty items, bustin’ will make you feel good after reading Ghostbusters: The Ultimate Visual HistoryAvailable now!

     

     

  • Troll (1986) / Troll 2 (1990) Blu-ray Reviews

    Troll (1986) / Troll 2 (1990)

    Director(s): John Carl Buechler / Claudio Fragasso

    Starring: Noah Hathaway, Michael Moriarty, Shelley Hack, Phil Fondacaro & June Lockhart / Michael Stephenson, George Hardy, Margo Prey, Connie Young, Robert Ormsby & Deborah Reed

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Casting a spell of fantastical frights, Scream Factory, the horror/cult offshoot of Shout! Factory, presents a pair of knee-high cult favorites!  Shortly after moving into their new apartment building, Troll finds big brother Harry Potter Jr. (Noah Hathaway, The NeverEnding Story) recognizing dramatic changes in his little sister’s behavior.  With a mischievous troll behind the trouble, the mythical monster begins transforming the apartments into gardens of evil and their tenants into disgusting hobgoblins with Harry serving as their only hope.  Next up, the vastly unrelated Troll 2 finds a family of four taking a lengthy vacation in a desolate farm community.  Upon arrival, the unsuspecting visitors find themselves as the main course for the town’s human-morphing tribe of goblins.     

    Shot in Italy at the height of Empire Pictures’ success, Troll continues the decade’s trend of dark fantasy family-oriented efforts, albeit on a significantly lower budget.  Boasting one of Empire’s more impressive casts including, prominent child actor Noah Hathaway and Phil Fondacaro (Willow), performing dual roles as Torok the Troll and the heartwarming Professor Malcolm Mallory, to the film debut of Julia Louis-Dreyfus (Veep) and the curious casting of Sonny Bono as a hilarious swinging tenant, Troll hosts an eclectic range of thespians for such a modestly produced effort.  Sporting impressive creature designs crafted by its director John Carl Buechler (Friday the 13th Part VII: The New Blood), this special-effects cheapie, although slowly paced, offers plenty of adolescent fun as Harry Potter Jr. treks into Torok’s vast gardens to retrieve his sister and confront a snarling giant monster.  A bonafide smash on home video that may have influenced a certain student of Hogwarts, Troll has remained a cult favorite for its fairy tale atmosphere and charming effects work.

    Capitalizing on the minor success of 1986’s Troll and helmed by an Italian-speaking crew, Troll 2  serves no connection to its family-fantasy predecessor yet, would develop an unexpected following like no other.  Shot on location in Utah and utilizing local talent, Troll 2, partly plagued by communication breakdowns between cast and crew, is a nonsensical disaster that welcomes more unintended laughter than genuine scares.  Substituting trolls for goblins and witches, the film’s poorly designed monster effects and stilted acting of its inexperienced performers demands how a film of such hilariously poor quality could be crafted.  Traveling to the not so cleverly named town of Nilbog, a vacationing family find themselves encouraged to eat brightly colored green food in order for the local goblin community to better feast upon their flesh.  Young Joshua Waits (Michael Stephenson, Beyond Darkness), aided by the spirit of his deceased grandfather, must protect his family at all costs by urinating on their tainted food or devouring a double-stacked bologna sandwich to ward off the vegan-preferred goblins.  Horribly received upon its short-lived release and embarrassingly repressed by most of its creators, Troll 2 would be resurrected as one of the most infamous “bad” movies of all time where it has garnered massive appreciation by devoted cult cinema aficionados.  Uncontrollably funny and reeking of poor quality, Troll 2 remains one of the most entertaining romps for fans of “so bad, they’re good” cinema.  

    Scream Factory presents both Troll and Troll 2 with 1080p transfers, sporting 1.85:1 aspect ratios.  Possessing filmic levels of grain, the original film’s moments of effects work can become noticeably more grainy while, skin tones are generally pleasing and detail nicely brings out the impressive creature designs of John Carl Buechler.  Meanwhile, its sequel appears in slightly better condition, sharing the same appearance as its previous Blu-ray release by MGM in 2010.  Clarity is sharp with the film’s brightly colored emphasis on green liquid popping nicely while, detail in the less than effective monster effects pleases with skin tones of the human cast appearing quite naturally.  Equipped with DTS-HD Master Audio 2.0 mixes, dialogue in both films are well handled and prominently prioritized while, sound effects and the sequel’s oddly contrasting synth soundtrack delivers excellent depth.  Special features include, a typically great Scream Factory featurette with Troll Empire: The Making of Troll (50:07) featuring new interviews with Producer Charles Band, Director John Carl Buechler, Writer Ed Naha and many more.  In addition, the Theatrical Trailer (2:47) and a Photo Gallery (1:27) are included.  Furthermore, its sequel arrives with a newly recorded Audio Commentary with Actors George Hardy & Deborah Reed and its Theatrical Trailer (2:21).  Finally, included on DVD, albeit only the first 5,000 units of the release, is 2010’s Best Worst Movie.  Helmed by Troll 2’s Michael Stephenson, this heartfelt and enthralling documentary takes a retrospective look at the disaster of Troll 2 with interviews from its cast and its delusional director Claudio Fragasso who still hails the film as a work of quality.

    Providing viewers with a double dose of fantasy-filled scares and unintended comedy, Scream Factory’s packaging of Director John Carl Buechler’s low-budget charmer with its misleadingly titled catastrophe of a sequel make for solid inclusions into the labels eclectic lineup.  Joined by the wonderfully conceived documentary Best Worst Movie and other newly produced bonus features, this collection of cult favorites is one worth being afraid of for all the right reasons.

    RATING: 3.5/5

    Available now from Scream Factory, Troll / Troll 2 can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Assault on New Releases #8: Army of Darkness Collector's Edition (1993), Pixels (2015) & Get Mean (1975) Blu-ray Reviews

     

    ASSAULT ON NEW RELEASES #8

    Army of Darkness (1993)

    Director: Sam Raimi

    Starring: Bruce Campbell, Embeth Davidtz, Marcus Gilbert, Ian Abercrombie & Richard Grove

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Marking the conclusion of The Evil Dead trilogy, Bruce Campbell (Maniac Cop) headlines Army of Darkness as the chainsaw-wielding Ash, whisked away to the Dark Ages by demons.  Forced to recover the Necronomicon in order to return home, Ash must first lead a castle of knights against an undead army and save his medieval lover (Embeth Davidtz, Matilda) from a devilish version of himself.  Much like its predecessor, Army of Darkness reinterprets its simplistic backstory to offer a uniquely fitted tale without compromising the charms and quirks of its headlining hero.  Transported to the year 1300, Ash finds himself out of his element amongst chivalry until the all too familiar demons of his recent past make their presence known once again.  Using his offbeat charm, Ash woos the beautiful Sheila before awakening an army of skeletons following his own buffoonish missteps in reclaiming the Book of the Dead.  Preserving the horror and comedy of its previous entries, Army of Darkness increases the silliness with slapstick gags at every turn and action-packed sword battles.  Inspired by Jason and the Argonauts, the film’s exciting finale finds our heroes doing battle against a siege of skeletons, impressively brought to life by stop-motion artistry.  In addition, the horrific Deadites, excellently designed by KNB’s Greg Nicotero (The Walking Dead) and Howard Berger (A Nightmare on Elm Street 4: The Dream Master), mark a series high for the franchise.  Absurdly entertaining and lovingly over the top, Army of Darkness is arguably the grooviest of The Evil Dead three with a grander scale of charming effects work and Campbell’s dependable charisma packing a shotguns worth of fun.

    Marking its definitive release, Scream Factory proudly presents Army of Darkness’ multiple cuts across a sprawling three discs.  Bearing 1080p transfers, the film’s Theatrical Version (1.85:1, Disc 1), Director’s Cut (1.78:1, Disc 2) and International Cut (1.78:1, Disc 3) arrive with varying pros and cons.  Although a brief omission of footage located in the Theatrical Version has been recognized by the distributor with corrective measures taking place, all three transfers range from respectable to excellent with healthy filmic appearances.  Admittedly, the Director’s Cut, although decently presented, boasts moments of inherent dirt and debris with occasionally splotchy black levels while, the International Cut, sourced from a new 4K scan from the inter-positive, packs the cleanest punch.  Although slight imperfections are noted in each varying transfer, Scream Factory’s efforts have unquestionably surpassed previous releases for the better.  Equipped with DTS-HD Master Audio 5.1 mixes and optional DTS-HD Master Audio 2.0 mixes, dialogue is efficient and robust while, the film’s goofy sound effects and sword clattering battle sequences ring appreciatively loud.  

    Practically possessed with extensive special features, the well deserved Collector’s Edition release offers on Disc 1, Red Shirt Pictures’ latest and possibly greatest retrospective Medieval Times: The Making of Army of Darkness (1:36:35), the Original Ending (4:37), an Alternate Opening with Commentary by Director Sam Raimi & Actor Bruce Campbell (2:58), Deleted Scenes with Commentary by Director Sam Raimi & Actor Bruce Campbell (11:06), Theatrical Trailer (2:05), TV Spots (1:56) and a U.S. Video Promo (0:32).  In addition, Disc 2 boasts an Audio Commentary with Director Sam Raimi, Actor Bruce Campbell and Co-Writer Ivan Raimi, On-Set Video Footage Compilation (4:40), Creating the Deadities (21:29) where KNB’s Greg Nicotero and Howard Berger showcase how the film’s memorable monsters were concocted, Behind the Scenes Footage from KNB Effects (53:54), Vintage Making of Featurette (4:51) and Extended Interview Clips (5:02).  Furthermore, Disc 3 contains the film’s TV Cut (presented in 1080i, Fullscreen 1:33:1 with a Dolby Digital 2.0 mix), the International Theatrical Trailer (2:08), Still Galleries with Rare Behind-the-Scenes Photos (28:16), Still Gallery of Props and Rare Photos (4:05), Storyboards (7:37) and The Men Behind the Army featurette (18:58).  Lastly, a Reversible Cover Art including the film’s 1-sheet poster is also included on Scream Factory’s prominently packed release of this cult treasure.  

    RATING: 4/5

    Available now from Scream Factory, Army of Darkness can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

    Pixels (2015)

    Director: Chris Columbus

    Starring: Adam Sandler, Kevin James, Michelle Monaghan, Peter Dinklage & Josh Gad

    Released by: Sony Pictures Home Entertainment

    Reviewed by Mike Kenny

    Based on the 2010 short film by Director Patrick Jean, Pixels finds a decades old video feed misinterpreted by alien lifeforms as a declaration of war.  Utilizing popular characters from 1980s video games to attack Earth, President Will Cooper (Kevin James, Paul Blart: Mall Cop) calls on best friend and former video game champion Sam Brenner (Adam Sandler, Hotel Transylvania) and his fellow cronies to use their unique skills to save the planet.  Marking yet another box-office success in Sandler’s long history of triumphs, Pixels blends arcade nostalgia with cutting-edge visuals for a spirited execution in humor and planet destructing action.  Joined by a supporting trio including Michelle Monaghan (True Detective), Peter Dinklage (X-Men: Days of Future Past) and Josh Gad (Frozen), Director Chris Columbus (Home Alone, Harry Potter and the Sorcerer’s Stone) finds a playful middle ground allowing him to harken back to his earliest experiences at Amblin Entertainment while, effortlessly catering to Sandler’s comedic sensibilities.  With notable appearances from video game titans such as Pac-Man, Donkey Kong, Centipede, Qbert and more, Pixels keeps laughs fully stocked and our heroes’ colorfully pixelated brawls with extraterrestrials thoroughly entertaining.  Proving to be one of Sandler’s more unique family entertainment offerings in recent years, Pixels is unashamedly fun and fit for unpretentious viewers.

    Sony Pictures Home Entertainment presents Pixels with a 1080p transfer, sporting a 2.40:1 aspect ratio.  Exceptionally crisp and vibrant, colors leap off the screen with the film’s video game antagonists greatly impressing with their bigger than life appearances.  In addition, skin tones appear natural and excellently detailed while, black levels during climactic battle sequences are consistently inky and excused of any digital disturbances.  Equipped with a Dolby TrueHD 7.1 mix, dialogue is generally strong and authoritative while, the film’s many action sequences serve the track its highest merits.  From car crashes and laser blasts to the iconic sound effects of its 8-bit characters, depth and impressive volume levels never disappoint.  Meanwhile, special features include, the cast and crew discussing the appearances and creations of Pac-Man (4:32), Donkey Kong (4:07), Centipede (3:36), Galaga (3:33), Dojo Quest (4:20) and Qbert (2:32).  In addition, God of the Machine (1:36) finds Pac-Man Creator Toru Iwatani discussing his cameo as an arcade repairman while, a “Game On” Music Video by Waka Flocka featuring Good Charlotte (3:59), The Space Invader (1:40) and a Photo Gallery (42 in total) are also included.  Finally, Previews for Goosebumps (2:32), Paul Blart: Mall Cop 2 (2:30), Aloha (2:41), Ricki and the Flash (2:40) and Hotel Transylvania 2 (1:52) are joined by a Digital HD Code and a Pixels Play Along Game App Code.

    RATING: 4/5

    Available now from Sony Pictures Home Entertainment, Pixels can be purchased via Amazon.com and other fine retailers.

    Get Mean (1975)

    Director: Ferdinando Baldi

    Starring: Tony Anthony, Lloyd Battista, Raf Baldassarre, Diana Lorys & David Dreyer

    Released by: Blue Underground

    Reviewed by Mike Kenny

    In the final adventure of the popular Stranger saga, Get Mean finds the mysterious drifter (Tony Anthony, Blindman) approached by a pack of gypsies to escort their princess (Diana Lorys, The Awful Dr. Orlof) back to their native Spain.  Promised a handsome reward upon her safe return, the Stranger finds himself entangled in a war between brutal barbarians and the Moors leading to an explosive showdown of violence.  Unquestionably kooky in comparison to standard spaghetti western fare, Get Mean finds our wild west hero defying time and space on a distant journey to a war-torn Spain littered with hotheaded barbarians.  In hopes of securing a large fortune for the return of Princess Elizabeth Maria De Burgos, the Stranger is confronted with the gloriously over the top barbarian leader Diego (Raf Baldassarre, Thor the Conqueror), his hilariously feminine advisor Alfonso (David Dreyer, Fuzz) and the consistently backstabbing hunchback Sombra (Lloyd Battista, Last Plane Out).  Shot on location in Spain, Get Mean serves as a bizarre time traveling western where historical inaccuracies reign supreme and astounding production value meets shotgun blasting, sword wielding action.  In addition to armies of fur decorated musclemen, the Stranger finds himself briefly overcome by wolflike characteristics at the hands of supernatural forces.  While its tone is intendedly eccentric, Get Mean is rarely uninteresting with a dependable finale that finds our hero taking on the cavalry with the assistance of a fearsome shotgun and a pair of poisonous scorpions.  

    Making its domestic Blu-ray debut, Blue Underground presents Get Mean with a 1080p transfer, sporting a 2.35:1 aspect ratio.  Featuring a brand new high-definition upgrade, colors appear strong with skin tones registering naturally.  Possessing a noticeably filmic appearance throughout its runtime with scratches virtually nonexistent, Get Mean makes its sprawling desert sequences and Spanish castles pop accordingly with rewarding detail found in costume choices.  In addition, black levels are generally strong with only mild hints of crush during several occasions.  While previous spaghetti western releases have been met with questionable results, Get Mean stands as one of Blue Underground’s crowning achievements.  Equipped with a DTS-HD Master Audio 1.0 mix, dialogue is efficiently delivered while music and the abundance of explosions and gunshots make a greater impact.  Joined by a generous supply of extras, special features include, an Audio Commentary with Producer/Star Tony Anthony, Co-Writer/Star Lloyd Battista & Executive Producer Ronald J. Schneider, The Story of the Stranger (23:12) finds Anthony recalling the history of his enduring character, Looking for Richard (11:33) sits down with Battista as he reminisces on the filmmaking experience and his longtime friendship with Anthony.  Also included, Beating a Dead Horse (9:50) where Executive Producer Ronald J. Schneider shares his experiences, Tony & I (8:19) with Director Ferdinando Baldi discussing his onset relationship with Anthony, Deleted Scenes (8:28), a Theatrical Trailer (3:23), French Trailer (3:21), Radio Spots (2:00) and a Poster & Still Gallery (56 in total).  Finally, a 16-page Booklet with an engaging essay by Spaghetti Western expert Howard Hughes and a DVD edition of the release conclude the supplemental package.

    RATING: 4/5

    Available now from Blue Underground in a limited edition release, Get Mean can be purchased via Amazon.com and other fine retailers.

  • Assault on New Releases #7: Tales from the Crypt presents Demon Knight Collector's Edition (1995), Pay the Ghost (2015) & Tales from the Crypt presents Bordello of Blood Collector's Edition (1996) Blu-ray Reviews

     

    ASSAULT ON NEW RELEASES #7

    Tales from the Crypt presents Demon Knight (1995)

    Director: Ernest Dickerson

    Starring: Billy Zane, William Sadler, Jada Pinkett, Brenda Bakke, CCH Pounder, Thomas Haden Church & Dick Miller

    Released by: Scream Factory

    Reviewed by Mike Kenny

    From small screen frights to Hollywood haunts, Tales from the Crypt presents Demon Knight finds mysterious drifter Brayker (William Sadler, The Green Mile) protecting the last of seven biblical keys containing the power to abolish all evil.  Intent on reclaiming the sacred relic, the demonic Collector (Billy Zane, Titanic), along with his vile minions, track Brayker to an unsightly motel where the key’s protector and a motley crew of misfits must defend themselves against the forces of darkness.  Starring an eclectic mix of up and comers (Jada Pinkett, Madagascar), future Academy Award nominees (Thomas Haden Church, Sideways) and B-movie legends (Dick Miller, Gremlins), Demon Knight maintains the entertainingly dark humor and suspenseful scares best known to its popular HBO series.  Introduced by its ghoulish host The Crypt Keeper (infamously voiced by John Kassir) on set of his own directorial effort, Demon Knight provides ample fun as its cast of unlikely heroes do battle against several ghoulish creatures during an endless night of terror and fully stocked ammunition.  Complimented by impressive visual effects and an effectively 90s soundtrack including hits from Filter, Pantera and Megadeth, Demon Knight douses viewers in neon green gore and countless possessions while, crafting a big-screen romp that proudly carries on the shocks established by EC Comics’ forefathers.

    Scream Factory, the horror offshoot of Shout! Factory, proudly presents Demon Knight with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Following a rather grainy introduction well known to its television audience, colors, although sparse, pop nicely while skin tones are rich and natural under the film’s dim lighting.  Meanwhile, detail is quite sharp in facial features with black levels greatly impressing with no discernible instances of crushing.  In addition to maintaining a pleasing filmic appearance, the use of neon green in the demons blood and their electric responses to harm offer an effective contrast to the film’s dark ambience.  Marking its Blu-ray debut, Demon Knight makes a most satisfyingly spooky splash in high-definition.  Equipped with a DTS-HD Master Audio 5.1, dialogue is robust with intense moments of demonic anarchy and explosive carnage giving the mix a thrilling rumble.  In addition, an optional DTS-HD Master Audio 2.0 mix has also been included for your listening pleasure.  Joining the ranks of Scream Factory’s respected Collector’s Editions, special features for Demon Knight include, an Audio Commentary with Director Ernest Dickerson and an Audio Commentary with Special Effects Creator Todd Masters, Visual Effects Supervisor John Van Vilet, Special Effects Coordinator Thomas Bellissimo and Demon Performer Walter Phelan.  In addition, an Egyptian Theater Q&A Session (9:46), Under Siege: The Making of Demon Knight (39:12) marking another first-class retrospective from Red Shirt Pictures featuring new interviews with many of the cast and crew, a Still Gallery (66 in total), Theatrical Trailer (2:01) and Reversible Cover Art round out the disc’s scary supplements.

    RATING: 4/5

    Available now from Scream Factory, Tales from the Crypt presents Demon Knight can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

    Pay the Ghost (2015)

    Director: Uli Edel

    Starring: Nicolas Cage, Sarah Wayne Callies, Veronica Ferres, Lyriq Bent & Jack Fulton

    Released by: RLJ Entertainment

    Reviewed by Mike Kenny

    Academy Award winner Nicolas Cage (Matchstick Men) headlines Pay the Ghost as college professor Mike Lawford who finds himself childless following the disappearance of his son on Halloween night.  One tragic year later and estranged from his wife (Sarah Wayne Callies, The Walking Dead), Mike is haunted by unexplainable events that lead him to a startling link between the city’s missing children and the occult.  Based on the novella by Tim Lebbon and realized by Director Uli Edel (Christiane F.), Pay the Ghost weaves a unique yarn of supernatural occurrences and a parent’s worst fears for an intriguing mystery thriller.  After his young son vanishes at a Halloween carnival, Mike Lawford (Cage) desperately searches for answers when an ancient Celtic myth and a ghostly being are found responsible for the abduction.  As Mike’s investigation deepens, haunting imagery of his son and the possession of his wife occur, further proving the supernatural abilities of the entity.  While Cage musters up a halfway decent performance as a grieving father hellbent on retrieving his only child, the film’s lackluster visual effects and attempts at suspense largely fall flat.  Boasting a refreshingly original premise, Pay the Ghost never quite reaches above mediocrity even with its full-blown descent into the supernatural realm during its final act.  With a tightened script and an increased budget, Nicolas Cage’s latest indie effort may have achieved greater results but as is, Pay the Ghost is not an entirely wasted investment.

    RLJ Entertainment presents Pay the Ghost with a 1080p transfer, sporting a 2.35:1 aspect ratio.  Lacking a broad color scheme, city streets and interior locations appear rather drab while, skin tones read decently given the soft lighting choices of the film.  Meanwhile, nighttime sequences, most appreciatively during the Halloween carnival, offer admirable black levels although the blemish free transfer tends to highlight the film’s rather unimpressive CG effects.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue projects on the lower end requiring an ample increase in volume.  With minimal music and few instances of potent sound effects, the mix does little to overly impress.  In addition, no special features have been included.

    RATING: 3/5

    Available November 10th from RLJ Entertainment, Pay the Ghost can be purchased via Amazon.com and other fine retailers.

    Tales from the Crypt presents Bordello of Blood (1996)

    Director: Gilbert Adler

    Starring: Dennis Miller, Erika Eleniak, Angie Everhart, Chris Sarandon & Corey Feldman

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Culled from a story by Back to the Future’s Bob Gale and Robert Zemeckis, Tales from the Crypt presents Bordello of Blood centers on sarcastic private eye Rafe Guttman (Dennis Miller, Joe Dirt) after being hired by the attractive Catherine Verdoux (Erika Eleniak, Baywatch) to locate her missing delinquent brother.  As the investigation leads to a seductive brothel headed by Madam Lilith (Angie Everhart, Jade), Rafe uncovers their vampiric alter egos and must do battle with the seductive bloodsuckers.  Debuting shortly after the cancellation of the HBO series, Bordello of Blood lacks the overall excitement of its predecessor but, substitutes its shortcomings with eye-popping gore effects and healthy doses of female flesh.  With Miller’s hilariously dry humor coursing through the film, Chris Sarandon (Child’s Play) makes a welcome appearance as an over the top, electric guitar wielding preacher while, 80s icon Corey Feldman (The Lost Boys) gives fans his last prominent role for several years as nose-pierced horndog Caleb Verdoux.  With a familiar relic making an appearance, Bordello of Blood hits its stride when Guttman and Reverend Current invade the bloodthirsty brothel equipped with holy water contained Super Soakers, laying to rest the scantily clad vampiresses.  Although critically dismissed, Bordello of Blood has earned itself a cult reputation by fans who revel in its blatant outrageousness.  Lacking the bite of its first cinematic outing, Bordello of Blood is still worthy of a one night fling that luckily never takes itself seriously.

    Scream Factory presents Bordello of Blood with a 1080p transfer, sporting a 1.85:1 aspect ratio.  With occasional softness and mild speckling on display, skin tones are consistent and well-detailed while, the colors of supermodel Angie Everhart’s red hair and even bolder gore sequences pop nicely.  Meanwhile, black levels are generally pleasing with no alarming imperfections on display.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue is always audible and prioritized while, the film’s rocking soundtrack including hits like Sweet’s “Ballroom Blitz” give effective boosts when applied.  In addition, an optional DTS-HD Master Audio 2.0 mix has also been included.  Also joining the Collector’s Edition ranks, special features for Bordello of Blood include, an Audio Commentary with Co-Screenwriter/Co-Producer A.L. Katz, Tainted Blood: The Making of Bordello of Blood (36:08) has Red Shirt Pictures once again delivering another worthy retrospective as the majority of the cast and crew hail the film as an embarrassment.  Furthermore, a Video Promo (3:12), Still Gallery (65 in total), Theatrical Trailer (1:42) and Reversible Cover Art wrap up the disc’s bonus content.  

    RATING: 3.5/5

    Available now from Scream Factory, Tales from the Crypt presents Bordello of Blood can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Assault on New Releases #5: Nightmare Weekend (1985), Gravy (2015) & Eaten Alive (1976) Blu-ray Reviews

         

    ASSAULT ON NEW RELEASES #5

    Nightmare Weekend (1985)

    Director: Henri Sala

    Starring: Debbie Laster, Dale Midkiff, Debra Hunter, Lori Lewis, Andrea Thompson & Robert Burke

    Released by: Vinegar Syndrome

    Reviewed by Mike Kenny

    Filmed on location in Florida by a crew of French filmmakers, Nightmare Weekend is a bizarre blending of horror and softcore sex plagued by a blatant communication breakdown during its making.  When a brilliant scientist with the ability to alter personalities allows a fellow specialist to test the experiment on a group of hard-partying females, chaos erupts when they are turned into bloodthirsty savages.  Comprised of a young and inexperienced cast, including Dale Midkiff (Pet Sematary) and Robert Burke (Robocop 3), Nightmare Weekend is a nonsensical head spinner that continues to live up to its moniker as one of the odder offerings of the 1980s.  Loaded with surprisingly impressive make-up effects by Dean Gates (Maximum Overdrive, Star Trek: Deep Space Nine), an eye-raising hand puppet named George, a quintessentially 80s aerobics sequence, sex atop a pinball machine and hilariously dubbed dialogue, Nightmare Weekend baffles the senses while charming the appetites of oddball cinema enthusiasts.

    Vinegar Syndrome presents Nightmare Weekend with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Presented uncut for the first time ever, colors appear refreshingly vivid with skin tones relayed naturally and nicely detailed.  A filmic layer of grain is apparent with occasional instances of scratches and vertical lines sneaking their way into the otherwise impressive transfer.  Meanwhile, black levels are satisfactory while the warm Floridian setting looks lively.  Licensed from Troma Entertainment following less than desirable releases of the film, Vinegar Syndrome restores Nightmare Weekend to top-notch quality.  Equipped with a DTS-HD Master Audio 1.0 mix, the dubbed dialogue is fairly clear with only a hint of hiss detected.  Music and other potent sound effects offer moderate enhancements that compliment the mix nicely.  Special features include, Thanks God It’s Monday: Surviving Nightmare Weekend with Dean Gates (22:54) has Make-Up Effects Artists Gates sitting down for a detailed and lengthy interview as he recalls the shooting of the film, the occasional difficulties working with a mostly non-English speaking crew and the constraints of creating on a low-budget.  In addition, Killer Weekend: An Interview with Marc Gottlieb (12:50), Alternate “R Rated” Edits (7:47), the Original Theatrical Trailer (2:26), Reversible Cover Art and a DVD edition round out the supplemental package.

    RATING: 4/5

    Available now from Vinegar Syndrome, Nightmare Weekend can be purchased via VinegarSyndrome.com, Amazon.com and other fine retailers.

    Gravy (2015)

    Director: James Roday

    Starring: Michael Weston, Jimmi Simpson, Sutton Foster, Gabourey Sidibe & Sarah Silverman

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Complimenting their steady diet of cult favorites, Scream Factory, the horror offshoot of Shout! Factory, craves a little Gravy.  Set on Halloween night, a motley crew of bar workers are caught off guard when a trio of costumed cannibals invade their Mexican cantina and add them to their personal menu.  Starring a diverse cast including Michael Weston (Cherry Falls), Jimmi Simpson (Zodiac), Academy Award nominee Gabourey Sidibe (Precious) and Sarah Silverman (Wreck-It Ralph), Gravy crafts a hilarious concoction of home invasion terrors meets cannibalism with its tongue never leaving its cheek.  As the witty yet deranged trio with a craving for flesh hold an entire bar staff captive, a fatal game of Six Degrees of Kevin Bacon ensues while the bar’s accomplished chef is forced to turn his friends into ravishing meals.  For all its suggestive gory scenarios expertly realized by legends Greg Nicotero (The Walking Dead) and Howard Berger (Drag Me to Hell), Gravy keeps its sense of humor prominently prioritized allowing viewers to be more tickled pink than repulsed.  Accompanied by choice soundtrack cuts from Cutting Crew, Katrina and the Wave and Los Lobos, Gravy nicely balances the frightening and funnier aspects of its narrative with amusing performances from the entire cast.  Marking the film debut of Director James Roday (Psych), Gravy is a horrific hoot that unexpectedly stands as one of Scream Factory’s most refreshing contemporary offerings.  

    Scream Factory presents Gravy with a 1080p transfer, sporting a 2.35:1 aspect ratio.  Shot digitally, colors are bright and nicely saturated in costumes and bloodspraying moments while skin tones read naturally.  The dimly lit, windowless bar setting is wonderfully presented with detail never losing consistency.  In addition, black levels are always inky and free of any anomalies allowing for a most pleasing picture.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue is clearly presented with occasional moments being overwhelmed only by loud bursts of music.  Sound effects of shattering bottles, bar brawls and shrieks of terror come across effectively with memorable songs such as “(I Just) Died In Your Arms” gracing the mix with an authoritative presence.  In addition, an optional DTS-HD Master Audio 2.0 mix has also been included.  Finally, special features include, an Audio Commentary with Co-Writer/Director James Roday and Actors Sutton Foster & Jimmi Simpson, a humorous What is Gravy? (5:56) featurette, an EPK (6:23), Trailer (2:16) and Reversible Cover Art.

    RATING: 4/5

    Available October 6th from Scream Factory, Gravy can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

    Eaten Alive (1976)

    Director: Tobe Hooper

    Starring: Neville Brand, Mel Ferrer, Marilyn Burns, William Finley, Kyle Richards & Robert Englund

    Released by: Arrow Video

    Reviewed by Mike Kenny

    Following the breakout success of The Texas Chain Saw Massacre, Director Tobe Hooper would look to the humid south once again to stage his next effort in terror.  Shot completely on Hollywood soundstages, Eaten Alive takes place in the Louisiana wetlands at the dreary Starlight Hotel, ran solely by the peculiar Judd (Neville Brand, The Police Connection).  Originally seen as odd yet harmless, Judd’s over the top temper and sheer insanity is revealed when a former prostitute rents a room prompting the elder owner to make his guest food for his enormous alligator.  As more patrons including, a family with a young daughter and a desperate man in search of his runaway daughter rent rooms at the Starlight Hotel, Judd’s homicidal behavior increases making a scythe his weapon of choice.  While murdering the handicapped in his shocking directorial debut kept viewers on the edge of their seats, all bets are off in Hooper’s followup as an adorable puppy falls prey to the film’s reptilian monster and a heart-pounding game of cat and mouse between Judd and effective child actor Kyle Richards takes place under the hotel.  In addition, Robert Englund (A Nightmare on Elm Street) makes a most seedy appearance as scene stealing scumbag Buck, nicely complimenting another bizarro performance from co-star William Finley (Phantom of the Paradise).  Admirably capturing an uneasy atmosphere courtesy of the film’s claustrophobic production design, Neville Brand’s deranged performance is the glorified stamp on the film making Eaten Alive one of Hooper’s best and often underrated gems.

    Restored in 2K from the film’s original camera negative, Arrow Video presents Eaten Alive with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Bearing the approval of Director Tobe Hooper, colors are bold and defined with skin tones looking warm and natural.  While a softer appearance is occasionally spotted during Buck’s first encounter with runaway prostitute Clara, dirt, debris or other such blemishes are virtually nonexistent in this impressively cleaned up transfer.  In addition, detail is strikingly sharp with the Starlight Hotel’s dim lighting being of no issue as wallpaper stains and other intentional imperfections are spotted clearly.  Continuing to make great strides in the U.S. market, Arrow Video have treated viewers with the definitive presentation of this exploitation favorite.  Accompanied with an LPCM 1.0 mix, dialogue is strongly relayed while the screams of child actor Kyle Richards and the film’s unique score are excellently balanced.  Overflowing with content, special features include, an Introduction with Director Tobe Hooper (0:20), an Audio Commentary with Co-Writer/Producer Mardi Rustam, Actors Roberta Collins, William Finley & Kyle Richards and Make-Up Artist Craig Reardon.  In addition, newly recorded interviews featuring Blood on the Bayou: An Interview with Tobe Hooper (14:03), Gator Bait: An Interview with Janus Blythe (11:38) and Monsters and Metaphors: An Interview with Craig Reardon (11:25) are also included.  Furthermore, The Gator Creator with Tobe Hooper (19:38), My Name is Buck: A Look Back at Eaten Alive (15:05) and 5ive Minutes with Marilyn (5:18) have been ported over from Dark Sky Films’ previous home video release.  Additionally, The Butcher of Elmendorf: The Legend of Joe Ball (23:05), Theatrical Trailers (13:35), TV and Radio Spots (2:52), Alternate Credits (1:05), a Behind the Scenes Slideshow (8:09), Stills and Promo Material Gallery (1:02) and Comment Cards Gallery (0:33) are provided while, a 22-page booklet featuring an essay from Brad Stevens, Reversible Cover Art utilizing the film’s original 1-sheet poster and a DVD Edition of the release conclude the film’s first-rate supplemental package.

    RATING: 4.5/5

    Available now from Arrow Video, Eaten Alive can be purchased via ArrowFilms.co.uk, Amazon.com and other fine retailers.

  • The Sentinel (1977) Blu-ray Review

    The Sentinel (1977)

    Director: Michael Winner

    Starring: Chris Sarandon, Cristina Raines, Ava Gardner, Burgess Meredith & John Carradine

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Following the death of her father and an urgent desire for independence, beautiful model Alison Parker (Cristina Raines, The Duellists) moves into a spacious New York brownstone unaware of the danger that awaits her.  Haunted by nightmarish memories and riddled by her peculiar neighbors, Alison learns her once desirable new residence is a gateway to hell.  Chris Sarandon (Child’s Play), Ava Gardner (The Killers), John Carradine (House of Frankenstein), Burgess Meredith (Rocky), Beverly D’Angelo (National Lampoon’s Vacation), Jerry Orbach (Law & Order), Jeff Goldblum (Jurassic Park), Eli Wallach (The Magnificent Seven) and Christopher Walken (The Deer Hunter) co-star.

    Based on the novel by Jeffrey Konvitz, Director Michael Winner (Death Wish) returns to the city that never sleeps for his controversial religious shocker.  Shot on location in Brooklyn Heights, Alison Parker (Raines) moves into the ideal New York brownstone, inhabited by a blind reclusive priest on the building’s top floor.  Shortly after settling in, Alison develops a series of medical drawbacks while becoming acquainted with her eccentric new neighbors.  Unsettled by reoccurring dreams of her recently deceased father and her own previous suicide attempts, Alison’s sanity comes into question after learning she, along with Father Halliran (Carradine), are the only occupants of the apartment complex.  Aided by her boyfriend Michael Lerman (Sarandon), Alison discovers her new home is a gateway to hell that the Catholic Church assign guardians to protect.  While the ailing Father Halliran upholds his duty, Alison has been selected as the next Sentinel for a chance at redemption for her previous sins.  As the demons’ influence take greater hold, Alison’s faith and will to fight back are mankind’s only hope against the forces of darkness.

    Boasting one of the most eclectic casts in 70s horror, The Sentinel continues to tap the hot-button subgenre of religious terror during a time when satan gripped audiences attention.  Matched with underrated makeup effects by Dick Smith (The Exorcist) and bizarre imagery of ballet dancing lesbians fondling themselves, The Sentinel packs a visual identity not soon forgotten.  Considered wildly offensive during its original release for the casting of actors with real-life deformities, Director Michael Winner’s sole horror feature achieves an authentic level of eeriness separating itself from other Catholic based dives into the supernatural.  While generally viewed as a mediocre effort, The Sentinel has rightfully developed an increased appreciation over the decades.  Guided by worthy performances from Raines and Sarandon, along with a scene-stealing Meredith, The Sentinel has kept its hellish inferno burning for viewers to rediscover its chilling charm.

    Scream Factory presents The Sentinel with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Boasting a noticeably filmic appearance, skin tones are generally natural looking with colors of the apartment’s greenery and the film’s bloodier moments popping nicely.  Aside from inherent age-related issues of mild scratches and scuffs, detail remains strikingly stable with Dick Smith’s frightening effects better appreciated while, black levels reveal no glaring crushing issues.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is always audible and free of any intruding distortion.  Meanwhile, sound effects and Gil Melle’s (Blood Beach) moody tunes come across effectively.  Special features include, an Audio Commentary with Writer/Producer Jeffrey Konvitz, Audio Commentary with Writer/Producer/Director Michael Winner and Audio Commentary with Actress Cristina Raines.  In addition, Working with Winner: The Making of The Sentinel (23:56) finds Second Assistant Director Ralph S. Singleton discussing his early starts in the industry and his working relationship with the often tough but respected Winner in this engaging featurette.  Furthermore, a Theatrical Trailer (2:35), TV Spots (1:39), Movie Stills (2:47), B&W Press Photos (2:30) and Lobby Cards and Posters (2:34) Photo Galleries round out the supplements.

    Nicely complimenting Scream Factory’s other resurrected religious frightener The Legacy, The Sentinel packs an impressively diverse cast with enough disturbing imagery to cement itself in horror lovers’ subconscious.  Graduating to high-definition with noticeably improved technical merits and a generous supply of bonus content for such an unsung feature, Scream Factory lures you to the hellish underworld with The Sentinel as your ideal host.

    RATING: 4/5

    Available September 22nd from Scream Factory, The Sentinel can be purchased via ShoutFactory.com, Amazon.com and other fine retailers. 

  • The Legacy (1978) Blu-ray Review

    The Legacy (1978)

    Director: Richard Marquand

    Starring: Katharine Ross, Sam Elliot, John Standing, Margaret Tyzack & Roger Daltrey

    Released by: Scream Factory

    Reviewed by Mike Kenny

    From Director Richard Marquand (Star Wars: Episode VI - Return of the Jedi), The Legacy centers on Maggie (Katharine Ross, The Stepford Wives), along with boyfriend Pete (Sam Elliot, Mask), on business in the English countryside.  After being involved in a car accident, the couple are invited back to the fellow driver’s lavish estate only to be surprised by other guests expecting them.  With an uneasiness filling the air, the houseguests begin unexpectedly dying as supernatural forces are suspected.  John Standing (The Elephant Man), Margaret Tyzack (2001: A Space Odyssey), Ian Hogg (Rasputin), Charles Gray (The Devil Rides Out) and Roger Daltrey (Tommy) co-star.

    Invited overseas by a mystery client, interior decorator Maggie Walsh (Ross) and hunky boyfriend Pete Danner (Elliot) travel to the English countryside only to be sidetracked by a car accident.  Safe with the exception of Pete’s motorcycle, the couple are graciously invited back to their fellow driver Jason Mountolive’s (Standing) extravagant mansion.  Greeted by several houseguests already expecting them, Maggie and Pete are introduced to their powerful new acquaintances as Jason’s declining health is the basis for their visit.  Summoned to his death bed, Maggie is bestowed with a sinister ring also worn by her fellow guests that refuses to leave her finger.  As Maggie and Pete’s desire to leave the estate are slyly denied, the possibility of black magic being conducted turns frighteningly real as the visitors meet fatal ends under questionable circumstances.  A disturbing drowning, chicken bone choking, fiery inferno and shattered mirror shards claim Jason’s unsavory business partners as the couple discover a shocking lineage between witchcraft and Jason’s family line.  Imperative that Jason’s legacy lives on and seduced by the satanic allure of power, Maggie’s fate becomes sealed.

    Slow-building yet increasingly tense, The Legacy carries the torch for satanic frights popularized earlier in the decade by The Exorcist and The Omen.  While not hardly as praised as its predecessors, Director Richard Marquand’s black magic opus weaves an intriguing, character driven tale with an eclectic cast and eerie imagery of a gothic mansion and creepy cats.  Although plot holes can sometimes be glaring and its narrative explanations slightly overindulgent, the film’s minimal but effective death sequences and dark conclusion easily make up for most of its shortcomings.  Critically divided and commercially unsuccessful, The Legacy remains an underappreciated occult tale forgotten in the wake of the burgeoning slasher movement.

    Boasting a new high-definition transfer, Scream Factory presents The Legacy in 1080p with a 1.85:1 aspect ratio.  With the exception of modest levels of speckling, the picture is noticeably sharp with a natural grain layer and impressive detail in facial features giving way to the slightest wrinkles surrounding Ross’ eyes.  Skin tones are inviting while dual colors of a particular white cat’s eyes and the film’s blood dripping deaths pop exceptionally well.  Meanwhile, black levels are decently inky with only moderate instances of flakes apparent in more dimly lit moments.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is predominately clear with an occasion of hushed tones requiring an increase in volume.  Kiki Dee’s main title song and more striking sound effects including, gunshots ring loudly sans distortion.  Special features include, Anne V. Coates: An Editing Legacy (13:47) where the charmingly elder editor discuss her first introduction to cinema seeing Wuthering Heights and her admiration for the late Richard Marquand.  In addition, The Make-Up Effects of The Legacy: Robin Grantham (10:46), TV Spot (0:32), Radio Spot (0:29), Theatrical Trailer (1:43), Photo Gallery (2:32) and a Reversible Cover Art round out the supplemental package.

    Commonly forgotten in the annals of 70s horror cinema, The Legacy compliments satanic pictures before it with its unorthodox plot and diverse cast including, a brief but effective appearance by The Who’s Roger Daltrey.  With several murders, Sam Elliot showcasing his bare asset and supernatural happenings at every turn, The Legacy is casting a spell to be resurrected by curious viewers.  Graced with a newly struck transfer, Scream Factory ushers the film into a new era looking better than ever.  Accompanied with newly produced bonus features compliments of the consistently talented Aine Leicht, The Legacy is devilishly worth dancing with.

    RATING: 4/5

    Available September 15th from Scream Factory, The Legacy can be purchased via ShoutFactory.com, Amazon.com and other fine retailers. 

  • Shocker (1989) Collector's Edition Blu-ray Review

    Shocker (1989)

    Director: Wes Craven

    Starring: Peter Berg, Michael Murphy, Cami Cooper & Mitch Pileggi

    Released by: Scream Factory

    Reviewed by Mike Kenny

    From the director of A Nightmare on Elm Street, Shocker centers on demented mass murderer Horace Pinker (Mitch Pileggi, The X-Files) who after being sentenced to the death, harnesses electricity to return from the grave to continue his reign of terror.  Connected to Pinker through a series of surreal dreams, college football star Jonathan Parker (Peter Berg, Collateral) is the only one that can turn Pinker’s abilities against him.  Michael Murphy (Count Yorga, Vampire), Cami Cooper (Meet the Applegates), Sam Scarber (Over the Top), Richard Brooks (The Crow: City of Angels) and Ted Raimi (Darkman) co-star.

    Long considered a lesser effort in Director Wes Craven’s filmography and made unashamedly by its creator to recapture the success of his popular 1984 dream slasher, Shocker injects electrifying volts of hokey carnage.  Starring future director Peter Berg (The Kingdom, Lone Survivor) as fostered football star Jonathan Parker who loses his family and girlfriend to a murderous crimewave, Jonathan experiences a wave of preemptive dreams alerting him of the killer’s identity and where he will strike next.  With his surviving adoptive father Lt. Don Parker (Murphy) heading the investigation, TV repairman and black magic worshipper Horace Pinker (Pileggi) is captured and sentenced to death by electricity for his brutal crimes.  Harnessing the powerful volts, Pinker takes his revenge by body jumping into several different victims to continue his murder spree and wipe out Jonathan once and for all.  Blending memorable special effects with somewhat antiquated yet nostalgic video technology, Shocker visually pleases while delivering gory set pieces of mouth to mouth resuscitation gone terribly wrong and several slit throats.

    Although plot holes run aplenty along with a slightly overambitious runtime, Shocker has aged well emerging as a bonafide campfest best enjoyed for its over the top antagonist and hard rocking soundtrack comprised of Megadeth, The Dude of Wrath and Bonfire.  Intended to launch a new horror franchise, dismal box-office performance and lackluster interest from audiences halted any such plans.  While Craven enthusiasts remain split, Shocker is more fun than credited and ripe for a jolting rediscovery.

    Scream Factory presents Shocker with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Free of any discernible aging artifacts, colors found in costume choices and blood-splattered murder sequences burst off the screen.  Meanwhile, skin tones appear natural and nicely detailed while black levels are excellently inky and absent of any crushing.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue is robust and clear with electrical explosions and the film’s impressive rock soundtrack making a thunderous impact.  An optional DTS-HD Master Audio 2.0 mix is also included for your listening pleasure.  Worthy of its collector’s edition banner, special features include, an Audio Commentary with Writer/Director Wes Craven, Audio Commentary with Director of Photography Jacques Haitkin, Producer Robert Engelman and Composer William Goldstein.  In addition, Cable Guy with Mitch Pileggi (17:36), Alison’s Adventures with Camille Cooper (17:12), It’s Alive! with Shep Gordon (11:57) and No More Mr. Nice Guy: The Music of Shocker (26:13) with insight from Music Supervisor Desmond Child, Jason McMaster (Dangerous Toys), David Ellefson (Megadeth) and Kane Roberts (Alice Cooper) is also included.  Finally, Trailer & TV Spots (2:32), Radio Spots (1:09), Vintage Making Of (8:48), Storyboard Gallery (8:55), Still Gallery (77 in total) and Reversible Cover Art utilizing the film’s original one-sheet artwork round out the disc’s hefty supplements.

    RATING: 4.5/5

    Available September 8th from Scream Factory, Shocker can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Dark Summer (2015) / Alien Outpost (2015) Blu-ray Reviews

    Dark Summer (2015) / Alien Outpost (2015)

    Director(s): Paul Solet / Jabbar Raisani

    Starring: Keir Gilchrist, Stella Maeve, Maestro Harrell, Grace Phipps & Peter Stormare / Joe Reegan, Reiley McClendon, Scott Miller, Matthew Holmes, Rick Ravanello & Doug Tait

    Released by: Scream Factory

    Reviewed by Mike Kenny

    In conjunction with IFC Midnight, Scream Factory, the horror/cult offshoot of Shout! Factory, delivers two contemporary offerings of ghosts and extraterrestrials.  First up, from the director of Grace, Dark Summer centers on 17-year-old Daniel Williamson (Keir Gilchrist, It Follows) under house for invading the cyber privacy of a female classmate.  Consumed by loneliness and yearning to reconnect with her, Mona (Grace Phipps, Fright Night) shocks Daniel with a chilling message, rattling the teen’s senses.  A prisoner to his own house, Daniel becomes convinced an evil presence is stalking him to make him pay for his actions.  Stella Maeve (Chicago P.D.), Maestro Harrell (The Wire) and Peter Stormare (8MM) co-star. Next up, Alien Outpost takes place in the years following the near invasion of Earth by a race of aliens known as the Heavies.  With a series of bases established around the globe to ward off future attacks, a documentary crew captures the daily life of soldiers stationed in Outpost 37, the deadliest on Earth.  But when a catastrophic ambush occurs and a soldier goes missing, the understaffed squad attempt to rescue him only to discover a bigger threat at large. 

    Kicking off with intimidating probation officer Stokes (Stormare) installing a house arrest band, 17-year-old Daniel Williamson (Gilchrist) is forbidden from accessing social media or the internet following his cyber invasion of introverted classmate Mona (Phipps).  With his mother away on business, Daniel struggles with his urge to reach out to his victim only to regrettably accept an unexpected video call from her.  Shocked by what he has witnessed, Daniel is consumed with guilt, medicating his pain with alcohol and meds to no avail.  Comforted by his friends Abby (Maeve) and Kevin (Harrell), Daniel begins experiencing nightmarish images of Mona convincing him that supernatural forces are at play.  The more time spent in his own personal prison, Daniel begins to lose focus of reality, leaning on his friends to help him combat the ghostly presence that is after him.  Similar and even referenced by the film’s characters to Disturbia, Dark Summer takes the claustrophobic tone of the latter and melds it with a uniquely conceived contemporary ghost story.  Slow-building and capturing genuine moments of dread, Director Paul Solet’s followup to Grace introduces sound performances from its young stars and a brief but, effective appearance from veteran actor Peter Stormare.  While the film would have benefited by toying with the psychology of Daniel’s mental state more before revealing a true apparition at the helm, Dark Summer ultimately muddles itself with one too many supernatural explanations by its final act.  With infatuation spells, possession and more thrown at the viewer in the film’s fleeting moments, Dark Summer loses the mysterious aura established early on, chalking the film up to only mediocre levels.

    Following Earth’s invasion of the extraterrestrials known as the Heavies in 2021, Alien Outpost transitions to 2033 where a documentary crew are recording the lives of soldiers stationed at Outpost 37.  Originally created to safeguard the planet from remaining Heavies, the years following the First Earth War have led to many outposts being discontinued and less than adequately staffed.  Positioned in the humid Middle East, Outpost 37 remains the most dangerous base with enemy attacks and upheavals from locals on a daily basis.  Juxtaposing from the documentary footage and retrospective interviews with the surviving soldiers, Alien Outpost takes noticeable cues of alien activity set against the backdrop of realistic war zones from 2009’s District 9.  After one of their own is kidnapped following combat, the remaining soldiers attempt to retrieve him only to discover the second coming of the Heavies is on the horizon.  Battling brainwashed locals and losing more soldiers as their unsanctioned rescue mission continues, the troops of Outpost 37 are Earth’s only hope at survival.  From the visual effects realm of Game of Thrones, Director Jabbar Raisani’s feature-length debut demonstrates impressive effects sequences on a limited budget that arguably rivals most Hollywood blockbusters.  Unfortunately, the film’s premise feels far too generic and reminiscent of Director Neil Blomkamp’s recent sci-fi efforts while, the bloated and underdeveloped cast does little to evoke an emotional response from the viewer.  In addition, the uniquely designed Heavies give the film mild hope at redemption only to disappoint with their seldom seen appearances.  Attempting to blend the shaky-camera perspective of Cloverfield with high-stakes military action, Alien Outpost fails to make its landing count.    

    Presented with a 1080p transfer and sporting a 1.78:1 aspect ratio, Dark Summer is a product of the digital age projecting an image free of any dirt or debris.  Skin tones are mostly pleasing with suitable detail captured in closeups.  While muddier appearances are evident in swooping camera movements, black levels are encouraging with inky levels in the film’s more dimly lit sequences.  Equipped with a DTS-HD Master Audio 5.1 mix, Dark Summer’s quiet soundscape is well preserved with dialogue levels crisp and authoritative while, the ambiance of crickets and ghostly sound effects are delicately placed for the proper effect.  In addition, an optional DTS-HD Master Audio 2.0 has also been provided.  Special features include, an Audio Commentary with Director Paul Solet, a Director Paul Solet Featurette (2:15), A Conversation with Peter Stormare (15:52), The Kids - Cast Interviews (2:04), Atmosphere and Style Featurette (1:57), The Art of Dark Summer (13:38), The Music of Dark Summer (8:37) and a Theatrical Trailer (1:58).

    Alien Outpost arrives with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Also shot digitally, this contemporary sci-fi effort exudes sharp detail and healthy contrast with strong black levels, evident in the film’s many interview sequences, projecting a welcomingly inky appearance.  While the constant handheld cinematography may overstay its welcome to some, the occasional digital hiccups during heavier movement are intentional and not a flaw in the transfer.  For such a rapidly moving film, Alien Outpost’s presentation is still a crowdpleaser.  Joined by an impressive DTS-HD Master Audio 7.1 mix, the film delivers exceptional dialogue levels with no distortion heard.  In addition, the film’s combat sequences of explosives, machine guns and other heavy artillery give the mix a run for its money that will leave listeners impressed with its efforts.  An optional DTS-HD Master Audio 2.0 mix is also included.  Bonus contents include, an Audio Commentary with Co-Writer/Director Jabbar Raisani and Director of Photography/Co-Writer Blake Clifton, Interviews with Cast and Crew (16:23), Deleted Scenes (3:22), two Theatrical Trailers (3:40) and a Reversible Cover Art.

    In the wake of their well-received release of IFC Midnight’s The Babadook, Scream Factory continues their partnership with two recent servings of haunts and alien invaders.  While Dark Summer has slightly more to offer with an intriguing buildup that only loses composure in its final act, Alien Outpost is an utter disappointment that fails to deliver characters worth caring for and a premise too closely compared to other contemporary science fiction features.  Considering their age and digitally shot roots, both films arrive with A/V treatments that range from solid to downright outstanding with a decent spread of special features to explore.  Overall, Dark Summer and Alien Outpost are both competently conceived films but, many of their ideas and executions fail to hit their mark.

    Dark Summer RATING: 3/5

    Alien Outpost RATING: 2.5/5

    Available now from Scream Factory, Dark Summer and Alien Outpost can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Robot Jox (1990) Blu-ray Review

    Robot Jox (1990)

    Director: Stuart Gordon

    Starring: Gary Graham, Anne-Marie Johnson, Paul Koslo, Danny Kamekona & Michael Alldredge

    Released by: Scream Factory

    Reviewed by Mike Kenny

    From Director Stuart Gordon (Re-Animator, Dolls), Robot Jox takes place in a futuristic world where wars are outlawed and international differences are settled via human-controlled robot battles.  When a catastrophic disaster strikes an integral match, the undefeated warrior Achilles (Gary Graham, Alien Nation) must decide to either retire or face off against his reckless nemesis Alexander (Paul Koslo, The Omega Man) once more.  Anne-Marie Johnson (In the Heat of the Night), Danny Kamekona (The Karate Kid, Part II) and Michael Alldredge (The Entity) co-star.

    Continuing their successful working relationship, Director Stuart Gordon and Charles Band’s Empire Pictures would seek to recapture the Kaiju entertainment of yesteryear with their post-apocalyptic tale of giant robots.  Years after a nuclear holocaust decimates the planet, war has been ostracized with international disputes settled via bot vs. bot battles.  With fan favorite pilot Achilles (Graham) embarking on his final fight against Alexander (Koslo), tensions are running high to maintain control of Alaska.  Supported by the guidance of Dr. Matsumoto (Kamekona) and mentor Tex Conway (Alldredge), Achilles heroically attempts to protect civilians from a missile only for his robot to topple and crush hundreds.  Overwhelmed with guilt and the judges ordering a rematch, Achilles finds no reason to continue his career as a robot jox.  When the genetically created Athena (Johnson) is selected as Achilles’ replacement, a web of conspiracy and betrayal is exposed prompting Achilles to redeem himself and defeat Alexander once and for all.  Deemed the most expensive film produced by Empire Pictures, Robot Jox ultimately suffers from an unstable tone that can never decide what it wants to be.  Unsurprisingly, Director Stuart Gordon and Writer Joe Haldeman consistently clashed over the film’s direction resulting in a mishmash of kid-friendly shenanigans and overly serious moments.  While the stop-motion techniques used to create the robot battles are engaging, they are far and few between to keep interest afloat.  Wrapping production in 1987, Robot Jox would gather dust as Empire Pictures confronted bankruptcy woes before being released to unfavorable notices and disappointing box-office returns in 1990.  Developing a minor cult following in the years since its release, Robot Jox is a bland effort that greatly pales in comparison to Gordon’s Lovecraftian excursions.

    Making its Blu-ray debut, Scream Factory presents Robot Jox with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Boasting a filmic appearance, minor flakes and speckles are not uncommon while skin tones are warm and lifelike.  Understandably, the robot battle sequences project a slightly softer focus with bright colors found in the robot jox’s red uniforms popping beautifully.  Nicely detailed and natural looking, Robot Jox has never looked better on home video.  Equipped with a DTS-HD Master Audio 2.0, dialogue is audible if not slightly underwhelming at times while the clashing of metal and laser blasts give more depth to their battle sequences.  Serviceable but far from stupendous, Robot Jox sounds as good as can be expected.  Meanwhile, special features include, a newly recorded Audio Commentary with Director Stuart Gordon plus, a new Audio Commentary with Associate Effects Director Paul Gentry, Mechanical Effects Artist Mark Rapport and Stop-Motion Animator Paul Jessel.  In addition, A Look Back at Robot Jox with Paul Koslo (10:14) finds the film’s antagonist reminiscing about the experience and his co-stars while, Archival Interviews with Director Stuart Gordon (7:27), Pyrotechnic Supervisor Joe Viskocil (7:57), Associate Effects Director Paul Gentry (7:14), Stop-Motion Animator Paul Jessel (7:48), Animation & Visual Effects’ Chris Endicott & Mark McGee (9:29) are also included.  Lastly, Behind the Scenes Footage (14:16), a Theatrical Trailer (1:25), TV Spot (0:31), Still Galleries for On Location (7:00) and Illustrations (3:40) plus, a Reversible Cover Art round out the generous supplements.

    Well intended but, falling short of expectations, Robot Jox suffers from a scatterbrained tone and minimal robot battles that regrettably only bookend the film.  While Director Stuart Gordon’s futuristic opus of robowars has its admirers, Robot Jox remains one of his weakest efforts.  Luckily, Scream Factory’s Blu-ray presents the film with an excellent transfer, adequate sound and a sizable assortment of new and vintage special features for this non-Collector’s Edition release.  Although meant to battle to the death, Robot Jox ends in a draw with its film disappointing but, its presentation satisfying.

    RATING: 3/5

    Available now from Scream Factory, Robot Jox can be purchased via ShoutFactory.com, Amazon.com and other fine retailers. 

  • Ghosthouse (1988) / Witchery (1988) Blu-ray Review

    Ghosthouse (1988) / Witchery (1988)

    Director(s): Umberto Lenzi / Fabrizio Laurenti

    Starring: Lara Wendel, Greg Scott, Mary Sellers, Ron Houck & Martin Jay / David Hasselhoff, Linda Blair, Catherine Hickland, Annie Ross & Hildegard Knef 

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Released in their home country of Italy as part of the La Casa series, Scream Factory, the horror/cult offshoot of Shout! Factory, invites viewers to a ghostly pairing of terror.  First up, Ghosthouse centers on a group of visitors exploring a deserted house with a dark past.  Before long, the unsuspecting friends find themselves at the mercy of a disturbing little girl and her possessed clown doll.  Next up, Witchery finds an assortment of people stranded on an island resort during a dangerous storm.  With no contact to the mainland, an evil witch begins weaving her dark practices on the unwanted visitors.  David Hasselhoff (Knight Rider), Linda Blair (The Exorcist), Catherine Hickland (One Life to Live), Annie Ross (Pump Up the Volume) and Hildegard Knef (Fedora) star.  

    From Director Umberto Lenzi (Spasmo, Cannibal Ferox) (using the pseudonym Humphrey Humbert), Ghosthouse opens on the deadly tragedy of a couple at the hands of their young daughter.  20 years later, Paul (Greg Scott) and his girlfriend Martha (Lara Wendel, Tenebre) receive a disturbing radio frequency that is traced back to the location of the murders, prompting the couple to investigate.  Upon their arrival, Paul and Martha  meet a group of vacationers who have made the abandoned house their temporary residence.  As supernatural evidence becomes more apparent, the friends are haunted by the ghostly apparition of the murderous little girl and her demonic clown doll.  Predominately consisting of first and only time performers, Ghosthouse suffers from laughable performances and eye-rolling dialogue that overshadows any intended sense of fear.  In addition, while the group is confronted by a series of frightening elements including, a homicidal caretaker, a ferocious Doberman and a severed head in a washing machine, the film fails to use them to its narrative advantage.  As the hauntings begin claiming victims, Paul and Martha rush to uncover the true history behind the house leading to an absurdly nonsensical ending.  While its premise and intriguing poster art fail to live up to their full potential, Ghosthouse still retains a splash of fun rooted in its charmingly awful characters and bizarrely funky score that will viewers bopping their head instead of covering their eyes.

    Utilizing its alternate Witchcraft (Evil Encounters) title, Witchery finds Leslie (Leslie Cumming), along with photographer boyfriend Gary (David Hasselhoff), investigating an abandoned island resort for her upcoming book on witchcraft.  Shortly after, a family of prospective buyers for the property, including the pregnant Jane (Linda Blair), board the island just as the tide grows dangerous.  Stranded, the two groups are forced to remain at the eerie location just as nightmarish visions and the arrival of an evil witch take hold.  While the film tends to overcomplicate its simple plot in favor of more sinister sequences, Witchery excels with its murder set pieces including, a mouth being sewn shut, a neck puncture via stuffed swordfish and a grizzly crucification.  Headlined by notable faces, Hasselhoff and Blair feel nearly wasted as the Knight Rider star spends the bulk of the runtime failing at devirginizing his girlfriend while, Blair is left to endlessly faint before a cash-in possession scene during the film’s fleeting moments.  As the witch’s complicated process of being reincarnated comes full circle, Witchery’s attempts at plot development are too little, too late with its nightmarish imagery serving as the film’s true saving grace.

    Scream Factory presents both Ghosthouse and Witchery with 1080p transfers, sporting 1.66:1 aspect ratios.  Appearing slightly soft with occasional instances of waxy complexions, both films arrive free of any discernible scratches or scuffs making way for  a remarkably clean picture.  In addition, colors are pleasing while black levels are well-handled and visible in more dimly lit scenes.  Equipped with DTS-HD Master Audio 2.0 mixes, both films project dialogue clearly with their respective scores and sound effects decently relayed but never overly impressive.  Finally, special features include, a Ghosthouse Trailer (2:53) and a Witchery Trailer (3:01).

    Continuing their pairing of appropriately themed fright flicks, Scream Factory treats fans to a generous helping of Italian horror with help from possessed clowns, witchcraft and a sexually frustrated Hoff.  While Ghosthouse is a hilarious mess that can be appreciated for its unintentionally funny performances and lack of logic, Witchery ranks as the preferred feature with its death sequences outshining its more prominent cast members.  Meanwhile, Scream Factory delivers both films with appreciable bumps in quality that surpass previous home video releases.  Different strokes for different folks, Ghosthouse / Witchery may not be perfect but, both have their merits worth discovering.

    RATING: 3/5

    Available June 30th from Scream Factory, Ghosthouse / Witchery can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Dog Soldiers (2002) Collector's Edition Blu-ray Review

    Dog Soldiers (2002)

    Director: Neil Marshall

    Starring: Kevin McKidd, Sean Pertwee, Emma Cleasby & Liam Cunningham

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Marking the directorial debut of Neil Marshall (The Descent, Game of Thrones), Dog Soldiers focuses on a team of soldiers dispatched to the Scottish Highlands for routine training.  After discovering Captain Ryan, the lone survivor of a Special Ops team who were savagely torn to shreds, the soldiers realize the same bloodthirsty creatures are still lurking in the forest.  When a local girl guides them to a desolate farmhouse for shelter, the same pack of deadly werewolves track them leading to a tense standoff.  Kevin McKidd (Grey’s Anatomy), Sean Pertwee (Gotham), Emma Cleasby (Doomsday) and Liam Cunningham (Game of Thrones) star.

    Considered one of the finest werewolf pictures of the 21st century, Dog Soldiers is an adrenaline-fueled experience, leaving little room to catch your breath.  Overflowing with chilling suspense and terrifying with its effective creature designs, Neil Marshall’s feature-length debut casts a hypnotic spell that will leave viewers on the edge of their seats.  After being dispatched to the Scottish Highlands for training procedures, a band of soldiers find themselves in a fight for their lives against a pack of ravenous werewolves.  Filled with likable characters exchanging naturalistic chemistry, the soldiers never shy from humorously heaving obscenities at one another and expressing their disappointment at missing a football game for this uneventful training mission.  After discovering Captain Ryan and the bloody remains of his Special Ops team, the soldiers quickly realize the dire situation they have entered.  Struggling to hold their ground in the forest, a local girl rescues the team and ushers them to a secluded farmhouse to battle the deadly werewolves.  With ammunition and men running low, the surviving soldiers must get creative in order to stay alive through the night.  Opting for a traditional approach, Dog Soldiers utilizes animatronics and costumed performers for its hairy antagonists that breathes an authentic tone of terror.  Blending high-octane action and atmospheric carnage, Director Neil Marshall’s frightening tale of lycanthropes reinvigorates the subgenre with its accomplished cast and claustrophobic setting, placing the film amongst the finest werewolf efforts of all-time.

    After nearly a year delay, Scream Factory proudly presents Dog Soldiers with a 1080p transfer, bearing a 1.78:1 aspect ratio.  Scanned in 2K with supervision and approval from Director Neil Marshall, Dog Soldiers sports a slightly soft picture credited to its original 16mm roots that were blown up to 35mm for its theatrical distribution.  With occasional instances of scuffs and vertical lines on display, colors are decently relayed with the film’s bloodier moments popping most effectively.  Shrouded mostly in darkness, the film offers sufficiently inky black levels that allow for appropriate clarity and minimal speckling.  Based on previous subpar home video releases and the scarcity of desirable elements, Scream Factory, with the assistance of Marshall, provide fans with the closest representation of the director’s vision.  While viewers may still feel divided, there’s no denying this is the best Dog Soldiers has ever looked on home video.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue is clear and free of distortion while, moments of heavy artillery, explosions and werewolf shredding make a thunderous statement that are balanced accordingly.  In addition, an optional DTS-HD Master Audio 2.0 has also been provided for your listening pleasure.  True to its collector’s edition banner, Scream Factory provides an exuberant amount of special features including, an Audio Commentary with Writer/Director Neil Marshall while, Aine Leicht (Night of the Demons, Class of 1984) delivers another top-notch featurette with Werewolves VS. Soldiers: The Making of Dog Soldiers (1:01:50).  Featuring new interviews from the cast and crew, this lengthy look back ranks as one of Scream Factory’s finest retrospectives and easily the crowning jewel of the disc’s supplemental offerings.  In addition, A Cottage in the Woods: Building the Sets of Dog Soldiers with Simon Bowles (13:26), Trailers (5:02), a Dog Soldiers Photo Gallery (47 in total), Behind the Scenes Photo Gallery (22 in total) and Director Neil Marshall’s early short film Combat (7:37) are also included.  Finally, a reversible cover art and DVD edition of the release wrap up the impressive bonus features.  

    A successful hybrid of intense action and effective frights, Dog Soldiers turns the werewolf subgenre on its head for a unique experience that understands the art of suspense.  Starring an ensemble cast delivering earnest performances and containing noteworthy practical effects, Director Neil Marshall’s bloody excursion through the Scottish Highlands is a career highlight that still ranks as one of the most impressive pictures of the genre.  Far from a simple undertaking, Scream Factory delivers Dog Soldiers with its finest home video presentation to date that will easily trump previous releases.  With the original negative lost, Scream Factory and Director Neil Marshall have gone to great lengths to preserve the film’s vision, resulting in a successful outcome that should greatly appease fans.  In addition, Aine Leicht’s impressive array of special features and Nathan Thomas Milliner’s newly crafted artwork treats this collector’s edition like horror royalty that will ultimately leave fans howling at the moon in delight.

    RATING: 4.5/5

    Available June 23rd from Scream Factory, Dog Soldiers can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Tentacles (1977) / Reptilicus (1962) Blu-ray Review

    Tentacles (1977) / Reptilicus (1962)

    Director(s): Ovidio G. Assonitis / Sidney Pink

    Starring: John Huston, Shelley Winters, Bo Hopkins & Henry Fonda / Asbjørn Andersen, Carl Ottosen, Ann Smyrner & Mimi Heinrich

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Scream Factory, the horror/cult offshoot of Shout! Factory, submerges viewers into a terrifying creature double feature of sea monsters and prehistoric catastrophe.  Starring an ensemble cast including John Huston (The African Queen), Shelley Winters (The Night of the Hunter), Bo Hopkins (Midnight Express) and Henry Fonda (12 Angry Men), Tentacles takes place on a small beach town where a giant killer octopus has wrapped its deadly grip.  Next up, Reptilicus focuses on a team of copper miners who uncover the tail of a prehistoric creature.  When scientists are brought in to research the specimen, the creature regenerates back to life to wreck havoc on Denmark.   

    Riding the coattails of Director Steven Spielberg’s seaside shocker, this Italian production, shot on the sunny California shores makes great strides in delivering a suspenseful B-movie counterpart.  Set on the tourist resort of Ocean Beach, Tentacles finds the sleepy community in danger when an enormous octopus begins claiming victims and sucking their skin dry.  With his suspicions raised, veteran reporter Ned Turner (Huston) suspects the construction of the Trojan company’s underwater tunnel to blame, much to the dismay of owner Mr. Whitehead (Fonda).  Combining efforts, Turner and Marine Biologist Will Gleason (Hopkins) discover irregular levels of radio signals as the cause for the octopus‘ deadly behavior.  Under the direction of Ovidio G. Assonitis (using the pseudonym Oliver Hellman), Tentacles surprises with its ability to weave a tense tale while, restraining its monster’s screen time to great effect.  Headlined by an all-star cast, this blatant foreign ripoff is a well-acted affair providing likable characters the audiences grow to care for.  With a tense yacht race pitting children in peril and a final standoff between Gleason and his trained killer whales against the mammoth octopus, Tentacles  makes a splash as one of the best Jaws imitators of its time.

    Infamously known as Denmark’s first and only monster film, Reptilicus was concocted as a Danish-American production that U.S. distributor American International Pictures found unreleasable at the time of its completion.  Resulting in a lawsuit with U.S. Director Sidney Pink (Journey to the Seventh Planet) that was later dropped, Reptilicus stands as a forgettable slice of drive-in junk food.  After the remains of a lizard-like tail are sent to Copenhagen for scientific research, the tail begins to rapidly regenerate forming a full-sized reptilian dinosaur.  As chaos ensues across the country, scientists and the military band together to destroy the colossal creature.  Following the simple yet, entertaining formula of giant monster flicks, Reptilicus suffers from a painfully wooden cast and a hilariously awful looking monster.  Cheaply produced and displaying dreadful optical effects including, a farmer being swallowed by the enormous monster, Reptilicus has few redeeming qualities outside of its campy production values and genius plan to lay the beast to rest with a powerful sedative.        

    Scream Factory presents Tentacles with a 1080p transfer, sporting a 2.35:1 aspect ratio.  With the exception of scant scratches, the film shines in high-definition with prominent colors resulting in lush scenery and warm, natural skin tones.  Detail is also admirable with underwater sequences greatly impressing with their clarity.  Meanwhile, Reptilicus arrives with a 1080p transfer, sporting a 1.66:1 aspect ratio.  Struck from a new HD master, the schlocky monster flick has never looked better.  With the exception of increased scratches during optical effects sequences, Reptilicus awards viewers with bolder colors and appreciated detail lacking in previous home video releases.  Both films come equipped with LPCM 2.0 mixes that project dialogue clearly while music and moments of military gunfire and oceanside screams offer added boosts in quality.  In the special features department, Tentacles arrives with its Theatrical Trailer (1:01), a Photo Gallery (2:01) and Radio Spot (0:58) while, Reptilicus is also joined with its own Theatrical Trailer (1:58), Photo Gallery (2:41) and Radio Spot (1:00).

    Inviting viewers to spine-tingling avenues where multi-legged and prehistoric monsters reside, Scream Factory provides likeminded fans with a complimentary coupling of creature features.  While Tentacles reigns supreme as one of the better Jaws cash-grabs, Reptilicus suffers from an unexciting cast and abysmal effects that simultaneously lend the film its only charm.  Arriving with minimal features, both films have made highly beneficial leaps to HD looking better than ever.  Craving to capture Saturday night B-movie thrills, Scream Factory’s latest double feature is just the solution.  

    RATING: 3.5/5

    Available June 16th from Scream Factory, Tentacles / Reptilicus can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Sleepaway Camp II: Unhappy Campers (1988) Collector's Edition / Sleepaway Camp III: Teenage Wasteland (1989) Collector's Edition Blu-ray Reviews

    Sleepaway Camp II: Unhappy Campers (1988) / Sleepaway Camp III: Teenage Wasteland (1989)

    Director: Michael A. Simpson

    Starring: Pamela Springsteen, Renée Estevez, Brian Patrick Clarke & Walter Gotell / Pamela Springsteen, Tracy Griffith & Michael J. Pollard

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Scream Factory, the horror/cult offshoot of Shout! Factory, invites campers back for a double dose of teenage terror!  Following the events of the original film, Sleepaway Camp II: Unhappy Campers finds Angela (Pamela Springsteen, Modern Girls) taking a counselor position at Camp Rolling Hills.  Overwhelmed with a siege of “bad campers”, it doesn’t take long for Angela to revert back to her homicidal tendencies.  Next up, Pamela Springsteen returns in Sleepaway Camp III: Teenage Wasteland.  Continuing her deadly wrath at Camp New Horizons where an experimental retreat bringing stuck-up rich kids and inner city juveniles together is taking place, Angela finds a new stomping ground to weed out more naughty campers.  

    Unafraid to poke fun at its very own genre, Sleepaway Camp II: Unhappy Campers makes comedy a valued component as much as its bloody carnage.  Taking the role over from Felissa Rose, Pamela Springsteen gives new dimension to the role of sex-changed murderer Angela Baker.  Overly bubbly with a permanent grin on her face, Angela takes a position at Camp Rolling Hills to share her obsessive love of camp songs and wilderness activities with her fellow campers.  Unfortunately, those found  fornicating and dabbling with drugs quickly fall prey to Angela’s deadly tendencies.  With its tongue firmly planted in cheek, Sleepaway Camp II: Unhappy Campers allows viewers to revel in the hilarity of its over the top performances and ridiculous murder set pieces that include tongue removal, battery acid burning and death by outhouse leeches.  Co-starring Renée Estevez (Heathers) as camp goody girl Molly, this slasher sequel also makes light of other modern day monsters like Freddy Krueger, Jason Voorhees and Leatherface while, two prepubescent boys, better known as “the tit patrol”, take pleasure in secretly photographing the naked side of the camp’s female population.  Bursting with a heavy dose of metal and punk tunes from Anvil, Obsession and The Dead Milkmen, Sleepaway Camp II: Unhappy Campers is deliciously cheesy and wickedly funny with its blending of genres proving to be one of the best cocktails slasher fans will sip from.

    Shot back to back with its predecessor, Sleepaway Camp III: Teenage Wasteland kicks off with everyone’s favorite camp murderer Angela (Springsteen) knocking off an inner city youth with a garbage truck.  In order to take her spot in an experimental program hosted by Camp New Horizons, Angela cons her way in as a disadvantaged teen brought together with various kids from different tracks of life.  Hoping to once again capture more harmonious times, Angela is quickly disappointed with her fellow campers and wastes no time taking the trash out yet again.  Joined by fellow genre stars including, Tracy Griffith (The First Power) as final girl Marcia, the quirky Michael J. Pollard (House of 1,000 Corpses) as a horny counselor with a weakness for younger women and Jill Terashita (Night of the Demons) as a rebel rouser, Sleepaway Camp III: Teenage Wasteland slightly suffers from a bloated cast and a runtime that doesn’t support its size.  Still capable of presenting memorable characters such as racist richie Cindy (Kim Wall), Director Michael A. Simpson’s second outing with the franchise delivers the goods in the gore department with Wall’s character being hoisted up a flagpole before Angela drops her to her death.  In addition, a firecracker explosion to a camper’s mouth, an axe decapitation and a lawnmower to a counselor’s face round out the film’s grizzly highlights.  Still hamming it up, Springsteen delivers cheesy one-liners following her deathly accomplishments that would make the wisecracking dream demon Freddy Krueger proud.  Admittedly not as strong as Unhappy CampersSleepaway Camp III: Teenage Wasteland manages to inject genuine moments of fun during the final days of the slasher genre.

    Scream Factory presents both Sleepaway Camp II: Unhappy Campers and Sleepaway Camp III: Teenage Wasteland with 1080p transfers, sporting 1.78:1 aspect ratios.  With only minimal instances of flakes and speckles on display, both films shine magnificently in high-definition with natural skin tones, rich detail and lively colors highlighting campers‘ t-shirts and bloody decadence.  In addition, black levels are handled admirably with no anomalies and visibility easily relayed.  Equipped with DTS-HD Master Audio 2.0 mixes, both films deliver dialogue with clarity and ease while, their rock soundtracks, wilderness ambiance and screams of terror are balanced accordingly and efficiently.  Treating fans to an abundance of features, Sleepaway Camp II: Unhappy Campers arrives with an Audio Commentary with Director Michael A. Simpson and Writer Fritz Gordon, Red Shirt Pictures‘ A Tale of Two Sequels - Part One: Back to Camp (28:06) featuring new interviews with Director Michael A. Simpson, Cinematographer Bill Mills, Editor John David Allen and many more.  Also included, Abandoned - The Filming Locations of Sleepaway Camp II: Unhappy Campers and Sleepaway Camp III: Teenage Wasteland (15:28) featuring a tour of the shooting locations, Behind the Scenes Footage with Commentary from Director Michael A. Simpson (13:21), a Home Video Trailer (2:24), Whatever Happened to Molly Short Film (0:50), Still Gallery (82 in total), DVD edition of the release and Reversible Cover Art round the impressive supplements.  Equally as packed, Sleepaway Camp III: Teenage Wasteland delivers an Audio Commentary with Director Michael A. Simpson and Writer Fritz Gordon, Red Shirt Pictures‘ concluding featurette A Tale of Two Sequels - Part Two: New Victims & New Horizons (26:12) featuring new interviews with Director Michael A. Simpson, Cinematographer Bill Mills, Editor John David Allen, Actors Mark Oliver, Kim Wall and more.  Furthermore, Behind the Scenes Footage with Commentary  from Director Michael A. Simpson (8:28), the Workprint of the film’s Longer Cut (culled from VHS) (1:24:48), Deleted Scenes (18:46), the Home Video Trailer (2:38), Tony Lives! Short Film (1:10), Still Gallery (47 in total), DVD edition of the release and Reversible Cover Art round out the film’s plentiful features.

    Taking a sharp left turn for the franchise, Sleepaway Camp II: Unhappy Campers and Sleepaway Camp III: Teenage Wasteland inject a heavy dose of humor into their DNA as they playfully make fun of their oversaturated genre while, still delivering the gory goods slashers fans have come to expect.  Absurdly entertaining and oozing of retro atmosphere, Unhappy Campers may be the more favored sequel although, Teenage Wasteland proves you may not be able to keep a transgendered killer down but, still have a hell of a time.  Scream Factory affectionately rolls out the blood red carpet for both films with gorgeous technical achievements and a plethora of rich bonus content, courtesy of the always reliable Red Shirt Pictures, that will leave fans the happiest of campers just in time for the ideal slasher season.

    Sleepaway Camp II: Unhappy Campers RATING: 4.5/5

    Sleepaway Camp III: Teenage Wasteland RATING: 4/5

    Available June 9th from Scream FactorySleepaway Camp II: Unhappy Campers and Sleepaway Camp III: Teenage Wasteland can be purchased via ShoutFactory.comAmazon.com and other fine retailers.

  • Scarecrows (1988) Blu-ray Review

    Scarecrows (1988)

    Director: William Wesley

    Starring: Ted Vernon, Michael Simms & Richard Vidan

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Centering on a band of ex-military criminals, Scarecrows finds the team pulling off a multi-million dollar heist and boarding a getaway plane for Mexico.  Taking hostage a civilian pilot and his teenage daughter, one of their own betrays the group leading to a ground search through a desolate area of farmland.  As night sets in, the heavily armed group find themselves confronted with a nightmarish array of deadly scarecrows.

    Blending the realms of action and horror seemed a novel idea during a decade of much testosterone-induced debauchery.  Unfortunately, Scarecrows never rises above its unique concept to be anything more than mediocre.  Substituting horny teenagers for military criminals, a betrayal by one to keep millions for himself sends his former cronies hunting for him in backwoods country, eerily surrounded by a heavy dose of scarecrows.  Armed to the teeth and with an innocent pilot’s daughter held hostage, the criminals set their new course to locate their backstabber and reclaim their fortune.  While the scarecrow designs, compliments of Special Make-Up Effects Creator Norman Cabrera (Drag Me to Hell) are impressive, the film dawdles for most of its runtime following the criminals’ endless hunt while genuine scares and thrills are kept to a bare minimum.  Admittedly, chemistry between the thugs is apparent and lends itself to moments of humor while machine gun shootouts are plentiful in this unlikely hybrid.  With its true horror colors reserved for its final act where the haunting antagonists finally take center stage, Scarecrows makes a valiant attempt to test new waters but, ultimately suffers from bland characters and overly emphasizing one subgenre over another leading to an uneven tone.

    Scream Factory presents Scarecrows with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Although shrouded in darkness, black levels appear welcomingly inky with no crushing levels even if visibility, attributed to the dimly lit production, isn’t always ideal.  In addition, detail shines through most effectively in Cabrera’s scarecrow designs with skin tones generally pleasing.  Equipped with a DTS-HD Master Audio 5.1 mix, dialogue is always audible with moments of gunfire and Composer Terry Plumeri’s (Sometimes They Come Back) chilling score registering nicely.  An optional DTS-HD Master Audio 2.0 mix has also been provided for your listening pleasure.  Stuffed like hay, Scarecrows arrives with a plentiful selection of special features including, an Audio Commentary with Director William Wesley & Producer Cami Winikoff, an Audio Commentary with Co-Screenwriter Richard Jeffries, Director of Photography Peter Deming & Composer Terry Plumeri.  In addition, The Last Straw with Special Make-Up Effects Creator Norman Cabrera (16:35) finds Cabrera recalling the nonprofessional learning ground the production was for him while, Cornfield Commando with Actor Ted Vernon (8:46) finds the mustached musclemen warmly looking back on his role in the film.  Finally, Original Storyboards (3:48), a Still Gallery (60 in total), Theatrical Trailer (1:32) and Reversible Cover Art round out the disc’s supplements.

    Marking its Blu-ray debut, Scarecrows holds a charm for those won over by its action-horror hybrid approach.  While impressing with its make-up designs and awarded for its attempted originality, Scarecrows ultimately procrastinates for much of its run time ditching suspense and scares until its final fleeting act.  Luckily, Scream Factory’s efforts shine with a pleasing technical presentation and a generous helping of quality special features sure to please dedicated fans of this scarecrow stalking cocktail.  

    RATING: 3.5/5

    Available now from Scream Factory, Scarecrows can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

  • Invaders from Mars (1986) Blu-ray Review

    Invaders from Mars (1986)

    Director: Tobe Hooper

    Starring: Karen Black, Hunter Carson, Timothy Bottoms, Louise Fletcher & James Karen

    Released by: Scream Factory

    Reviewed by Mike Kenny

    From Director Tobe Hooper (The Texas Chain Saw Massacre, The Funhouse) Invaders from Mars centers on space obsessed David Gardener (Hunter Carson, Paris, Texas) who witnesses the landing of alien beings in his backyard.  As the invaders begin taking control of his parents and schoolmates, David must find a way to convince those unaffected of the truth before the entire human race is doomed.  Karen Black (House of 1,000 Corpses), Timothy Bottoms (The Last Picture Show), Laraine Newman (Problem Child 2), Louise Fletcher (One Flew Over the Cuckoo’s Nest) and James Karen (The Return of the Living Dead) co-star.

    Sandwiched between his two other Cannon Films collaborations, Lifeforce and The Texas Chain Saw Massacre 2, Director Tobe Hooper’s contemporary remake of the 1953 sci-fi favorite takes full advantage of modern movie magic while, sticking closely to its predecessors blueprints.  Once again told from a child’s point of a view, David Gardener (Carson) is startled to discover the arrival of martians over the hill from his house.  Overwhelmed with fear, David can hardly make sense of what he’s witnessed until his parents fall under the control of the invaders.  Recognizing a scar on the neck’s of those infected, David finds little help at school where his strict teacher Mrs. McKeltch (Fletcher) and fellow classmates have also fallen prey.  By chance, David finds solace in the school nurse, Linda Magnusson (played by Carson’s real-life mother, Karen Black), who finds David’s story horrifyingly true, leading the unlikely duo to seek help.  Relying on the U.S. Marines, headed by General Climet Wilson (James Karen), David and Linda find themselves in the threshold of an underground nightmare where the martians reside.  With time wearing thin and various creatures in their way, the military must use all their might to withstand a worldwide takeover.

    Relying too strongly on the original’s plot and set pieces, Invaders from Mars suffers from never reveling in its 1980s environment therefore, losing a strong sense of personal identity.  In addition, although littered with Academy Award-winning talent and cult icons,  the performances fail to leave a lasting impression on the viewer.  Produced in the heyday of special effects wizardry, Invaders from Mars excels with effective visual effects by John Dykstra (Star Wars) and exceptional creature designs by the late Stan Winston (Aliens, Terminator 2: Judgement Day).  A box-office disappointment better appreciated decades later, Invaders from Mars redresses a mediocre film while, not faring much better due to its lack of risks.  With standout special effects and inherent campiness, Invaders from Mars has its moments but, never manages to fully brainwash earthlings as one would hope.

    Scream Factory presents Invaders from Mars with a 1080p transfer, sporting a 2.35:1 aspect ratio.  Relaying generally warm, if not slightly soft, skin tones, Director Tobe Hooper’s sci-fi remake satisfies with bold colors in wardrobe choices and gooey detail captured in the various creature designs.  Instances of flakes and speckles occur during more dimly lit sequences including, but not limited to, David and Linda evading the martians in the school boiler room.  Generally strong looking, Invaders from Mars makes a satisfying leap to high-definition.  Equipped with DTS-HD Master Audio 5.1 mix, Invaders from Mars relays audible dialogue levels but, registers lower than anticipated prompting several increases in volume.  More climatic sequences of explosions and gunfire fare better but, never overly impress.  An optional DTS-HD Master Audio 2.0 mix has also been included for your listening pleasure.  Accompanied with a generous supply of supplements, Scream Factory presents a newly recorded Audio Commentary with Director Tobe Hooper while, Red Shirt Pictures delivers The Martians Are Coming!: The Making of Invaders of Mars (36:33) with in-depth interviews from Director Tobe Hooper, Actor Hunter Carson, Special Effects Artists Alec Gillis & Gino Crognale and Composer Christopher Young with Gillis and Crognale’s onset memories heavily focused on.  In addition, a Theatrical Trailer (1:28), TV Spot (0:32), Original Production Illustration Gallery with Commentary from Artist William Stout (14:03), Original Storyboards (4:16), Still Gallery (24 in total) and reversible cover art round out the special features.

    Intended for children but failing to capture a box-office audience, Invaders from Mars would be heavily digested on subsequent television airings and home entertainment to carve out its cult appeal.  Laced with a conscience campiness and some marvelous effects work, Director Tobe Hooper’s homage to a childhood favorite feels far too familiar to be overly praised.  Meanwhile, Scream Factory’s Blu-ray stats easily trump previous releases with its assortment of special features being the disc highlight.  While it may be Hooper’s weakest entry in his unofficial Cannon Films trilogy, Invaders from Mars will most assuredly charm viewers who grew up with this B-movie effort from another planet.

    RATING: 3.5/5

    Available April 7th from Scream Factory, Invaders from Mars can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.