Blu-ray/DVD Reviews


Currently showing posts tagged Sexploitation

  • Malibu High (1978) Blu-ray Review

    Malibu High (1978)

    Director: Irvin Berwick

    Starring: Jill Lansing, Katie Johnson, Alex Mann, Tammy Taylor, Stuart Taylor, Wallace Earl Laven, Garth Pillsbury, John Harmon & John Yates

    Released by: Vinegar Syndrome

    Reviewed by Mike Kenny

    Jill Lansing, in her only film appearance, stars as underachieving high school student turned hooker in the sleazily fun Malibu High.  An avalanche of misfortune from flunking classes to getting dumped by her steady beau opens the attractively feisty Kim Bentley’s eyes to a whole new career of opportunity.  Before long, getting horizontal turns her grades around and fills her wallet but her scandalous way of life leads the barely legal teen down a deadly path.  Irvin Berwick (The Monster of Piedras Blancas, Hitch Hike to Hell) directs.

    A true crowning jewel from low-budget purveyors Crown International Pictures, Malibu High sells  a sultry cocktail of sex, crime and murder where putting out for a price comes at a fatal cost.  Tonally shifting from teeny sexploitation hilarity to coldblooded crime shocker, failing high schooler Kim Bentley, who self-medicates her troubles with booze and pot, finds her calling when taking up local drug dealer and smalltime pimp Tony (Alex Mann, I Drink Your Blood) on his offer to start hooking for him.  Wildly sexy, Kim takes to her new profession with ease, racking up a clientele of johns while learning the tricks of the trade to pocket extra cash every opportunity she gets.  Sleeping her way to better grades but, unhappy with her current wage, Kim trades up with crime kingpin Lance (Garth Pillsbury, Mistress of the Apes) who rewards her services in flashy cars and lavish accommodations.  In turn, Kim’s role as a high-end prostitute is morphed into a hit girl, commanded with blowing away Lance’s top competitors…  or else.  Fuming with typical teenage jealousy over her ex-boyfriend’s new girl before flaunting her untanned breasts during several sexual rendezvous and ultimately getting off on the pull of trigger, Jill Lansing commands this drive-in favorite with untamed energy and looks that kill, making her memorably but, all-too-brief film career a whirlwind of what could have been.  Constantly throwing curveballs at its audience culminating in a tragic conclusion that’s a far cry from its scandalously bubbly beginnings, Malibu High is exploitation excellence with the skin and violence to back it up!  

    Newly restored in 2K from the 35mm original camera negative, Vinegar Syndrome works wonders with this beaten to death favorite previously banished to a variety of multi-film budget packs.  Arriving with a gorgeous 1080p transfer, sporting a 1.85:1 aspect ratio, colors are bursting with bright shades seen in such prominent vehicles as an electric blue Mustang and flashy 70s attire.  Additionally, skin tones are natural and sharply detailed while, age-related damage is practically nonexistent in this spectacular handling of one of Crown’s best pictures.  While not a wildly dynamic track, the DTS-HD Master Audio 1.0 mix conveys speech with ease and only fleeting instances of an echoey presence with music inclusions also well supported.  

    Loading the release with a bevy of desirable content, special features include, an Audio Commentary with Producer Lawrence Foldes & Actress Tammy Taylor, Making Malibu High: An Interview with Producer Lawrence Foldes (26:40) is an exceptional sit-down with the producer who made the film at the shocking age of 18 while, sharing stories on the film’s sometimes challenging star, Crown International’s distribution capabilities and his lifelong obsession with films, Playing Annette: An Interview with Actress Tammy Taylor (12:42) catches up with actress who played Kim’s bitter rival in the film and her early desire to act that culminated in early roles in Don’t Go Near the Park and Malibu High while still in college.  Furthermore, Playing the Boss: An Interview with Actor Garth Pillsbury (14:51) finds the actor turned photographer expressing his head-scratching surprise at the film’s continued appeal with fans and recalls his other roles including appearances in two memorable Star Trek episodes, a Q&A from the New Beverly Cinema Screening with Producer Lawrence Foldes, Actress Tammy Taylor & Actor Alex Mann (27:02), Struggle for Israel: A Short Film by Lawrence Foldes (19:57) from 1976, Grandpa & Marika: A Short Film by Lawrence Foldes (11:07) from 1975, the Original Theatrical Trailer (2:17), a Promotional Still Gallery (2:52), DVD edition and a Reversible Cover with slightly modified artwork concluding the impressive slate of extras.

    Fun in the sun where a trigger happy teen hooker makes her living, Malibu High is a wildly different experience than one might expect from its sexploitation teasing poster but, a ride that exceeds itself in all the best ways.  Thriving on its genre-mashing DNA while supplying all the exploitation goods, Vinegar Syndrome’s definitive release does the impossible by urging fans to buy this drive-in staple one last time for its spectacular presentation and stacked supplements, making the release its final statement on home video.  

    RATING: 4.5/5

    Available now from Vinegar Syndrome, Malibu High can be purchased via, and other fine retailers.

  • Felicity (1978) Blu-ray Review

    Felicity (1978)

    Director: John D. Lamond

    Starring: Glory Annen, Christopher Milne, Joni Flynn, Jody Hanson, Marilyn Rodgers, John Michael Howson & Gordon Charles

    Released by: Severin Films

    Reviewed by Mike Kenny

    Presented in its unrated director’s cut, Felicity stars Glory Annen (Spaced Out) as sheltered teen Felicity Robinson who finds herself experiencing a series of changes and sexual curiosities.  Whisked away from her uptight English all-girl school for a holiday in Hong Kong, Felicity engages in the many pleasures the bustling city has to offer in order to quench her voracious appetite for the erotic.  Christopher Milne (Thirst), Penthouse model Joni Flynn, Jody Hanson (The Call of the Wild), Marilyn Rodgers (Patrick), John Michael Howson (Nightmares) and Gordon Charles co-star.

    Erotically charged yet, tantalizingly classy, Felicity centers on the sexual awakening of a shy Catholic schoolgirl whose rapid libido can hardly keep up with her curiously wandering thoughts.  From innocently staring at the evolving bods of her classmates in the showers, Felicity (Annen) is treated when her father arranges her to stay with associates of his in Hong Kong for holiday.  Reading from the not-so-subtle Emmanuelle, the teen finds herself turned on while spying on fellow passengers who have chosen to join the mile high club in their seats.  Arriving in the exotic eastern city to stay with a hip, wealthy couple, Felicity’s desires increase as she peaks on her hosts having intimate sex while pleasuring herself to the sight of their thrusting bodies.  Beautiful and bubbly, Glory Annen, aged 26 at the time, convincingly plays the precocious schoolgirl with ease while her appetizing figure is proudly put on display for much of the film’s runtime.  Following an empowering shopping spree for sexy lingerie, Felicity wines and dines with an older crowd before uncomfortably losing her virginity on the hood of a sports car.  Relishing the Pandora’s box that’s been opened, sexually adventurous Me Ling (Flynn) takes Felicity under her wing where steamy lesbian action takes place before the young woman falls for handsome photographer Miles (Milne) who rescues the damsel from Chinese hoodlums.  Unquestionably exploiting its markedly “barely legal" starlet, Felicity’s intent feels far more sincere than most similarly themed films and presents its hotter sequences with obvious taste and appreciative lightheartedness.  Crowned with genuinely romantic notions, Felicity remains an erotic wonder that made target audiences quiver with lust, continuing to keep its reputation instated today.

    Restored in high-definition for the first time, Severin Films presents Felicity with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Appearing softly with white levels overblown at times, the dreamlike aura of its photography appears to be intentional yet, compromises a more detailed image.  Meanwhile, skin tones are moderately pleasing while, black levels show slight traces of murkiness with only scant instances of dirt and debris spotted throughout its runtime.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is surprisingly crisp while, the film’s catchy song numbers make stronger impacts.  Nicely packed, special features include, an Audio Commentary with Producer/Director John D. Lamond & Star Glory Annen.  In addition, previously available on DVD via Severin’s Intervision sub label, two of Lamond’s other features, 1978’s The ABCs of Love and Sex (1:22:58) and 1975’s Australia After Dark (1:28:08) are included both with optional audio commentaries with Producer/Director John D. Lamond & Not Quite Hollywood Director Mark Hartley.  Finally, Not Quite Hollywood Out-Takes with Actress Glory Annen, Director John D. Lamond and Cinematographer Garry Wapshott (59:03) are joined by a John D. Lamond Trailer Reel (18:24) featuring Nightmares, The ABCs of Love and Sex, Felicity, Pacific Banana, Breakfast in Paris and Sky Pirates.

    Deflowered on high-definition courtesy of Severin Films, Felicity continues to make fans of the erotic sensation shake in glee from its sexually charged exploration of a young woman’s titillating discoveries.  Exceedingly stuffed with two extra features from Lamond’s career and extended interviews from Hartley’s insightful Ozploitation documentary, Felicity’s Blu-ray debut is a treasure trove of sexy Aussie cinema!

    RATING: 3.5/5

    Available now from Severin Films, Felicity can be purchase via, and other fine retailers.

  • Black Mama, White Mama (1973) Blu-ray Review

    Black Mama, White Mama (1973)

    Director: Eddie Romero

    Starring: Margaret Markov, Pam Grier, Sid Haig, Lynn Borden, Zaldy Zshornack & Laurie Burton

    Released by: Arrow Video

    Reviewed by Mike Kenny

    From American International Pictures’ exploitation factory, Black Mama, White Mama centers on badass prostitute Lee (Pam Grier, Coffy) and local liberator Karen (Margaret Markov, Pretty Maids All in a Row) whose personalities immediately clash after being admitted to a dingy women’s prison.  Chained together, a violent ambush ensues allowing the ladies to escape into the jungles where danger awaits at every turn.  While Lee intends to reclaim stolen cash before her true escape, Karen vows to rejoin her fellow revolutionaries making survival for the two all the more complicated.  Sid Haig (House of 1,000 Corpses), Lynn Borden (Hazel), Zaldy Zshornack (The Hot Box) and Laurie Burton (Perfect) co-star.

    With a story notably influenced by 1958’s The Defiant Ones and crafted by Corman hopefuls Joseph Viola (Angels Hard as They Come) and Jonathan Demme (The Silence of the Lambs), Black Mama, White Mama appears at first glance strikingly familiar to previous chicks in chains flicks.  From its seedy barred location to a wicked lesbian warden who pleasures herself to the sight of bathing inmates, Director Eddie Romero’s (The Twilight People) prison break effort switches gears abruptly when the uncomfortably paired whore with a bad attitude (Grier) and blonde freedom fighter (Markov) take off into the heated jungles, shot in the inexpensively had locations of the Philippines.  Far from friends and each with their own agendas, Lee and Karen must mask the chain that binds them together while evading the authorities, a redneck bounty hunter (Haig) and Lee’s drug-pushing pimp (exploitation treasure Vic Diaz, Equalizer 2000) who wants her head for stealing a hefty $40,000 sum.  Disguising themselves as nuns and fending off potential rapists, the contrasting chicks develop mutual respect for one another before Karen’s troops rescue them on the heels of mini war exploding before their eyes.  Littered with tantalizing nudity and topless flashes from its sexy leads, Black Mama, White Mama pushes the WIP formula in new directions outside of its clichéd location with an appetizing cast and a bevy of firepower and bloodshed sprayed across the Filipino jungles.  Memorably topped off with the scar-faced Haig forcing an army captain and his superior to compare man part sizes and an underwear wrestling match with his associates' two daughters, Black Mama, White Mama is a solid link in the chain of great women in prison sexplosions.  

    Arrow Video ushers in Black Mama, White Mama with a 1080p transfer, presented in its original 1.85:1 aspect ratio.  Debuting slightly soft under the sunny exterior jungle foliage, quality immediately perks up with naturally realized flesh tones and crisp detail allowing for the most delicate of facial sweat droplets to be observed.  In addition, colors ranging from the immense greenery and the prisoners’ bright yellow uniforms pop nicely.  Appreciatively filmic looking and lacking any severe anomalies, Arrow Video treats this prisoner gorgeously.  Accompanied with an LPCM 1.0 mix, dialogue is decently handled but occasionally suffers from lower pitches, most likely attributed to less than perfect on-set sound recording.  Commonly packed with assorted extra offerings, supplements here include, an Audio Commentary with Filmmaker & Filipino Film Historian Andrew Leavold, White Mama Unchained with Margaret Markov (14:01), a top-notch, newly produced sit-down with the film’s lead as she traces her early desires to be an actress and her many memorable roles, Sid Haig’s Filipino Adventures (15:51) captures the AIP hall of famer as he reminisces on his many Filipino lensed productions and his loving working relationship with Pam Grier.  In addition, Andrew Leavold’s vintage featurette, The Mad Director of Blood Island!: An Interview with Eddie Romero (14:38) is also included serving as a welcome time capsule of the late director reflecting on his work.  Finally, the film’s Trailer (1:54), a Still Gallery (25 in total), an 18-page booklet featuring a nicely written essay by Chris Poggiali, Reversible Cover Art featuring the original 1-sheet design and a DVD edition of the release round the release’s bonus content.

    Colorful characters, hot bods and machine gun warfare permeate the jungle bound fun of Black Mama, White Mama.  Perfecting the elements of the popular WIP features that came before, American International Pictures’ Filipino lensed sizzler is over-the-top entertainment.  Boasting excellent A/V specs and predictably solid supplements, courtesy of the combined efforts from Edwin Samuelson, Andrew Leavold, Chris Poggiali and Sean Phillips’ beautifully designed new artwork, Arrow Video breaks the chains on yet another exploitation keeper.

    RATING: 4/5

    Available now from Arrow Video, Black Mama, White Mama can be purchased via, and other fine retailers.


  • Some Call It Loving (1973) Blu-ray Review

    Some Call It Loving (1973)

    Director: James B. Harris

    Starring: Zalman King, Carol White, Tisa Farrow, Veronica Anderson & Richard Pryor

    Released by: Etiquette Pictures

    Reviewed by Mike Kenny

    Marking the debut release of Etiquette Pictures, the offbeat subdivision of Vinegar Syndrome, Director James B. Harris’ Some Call It Loving is a modernization of the timeless fairy tale Sleeping Beauty.  After obtaining a most peculiar carnival act from a local barker, lonely jazz musician Robert (Zalman King, Blue Sunshine) brings Jennifer (Tisa Farrow, Zombie), a young girl reawakened after many years of sleep, home to his lavish mansion.  Welcoming his newfound love to his unique world, their relationship is tested when Jennifer desires more than Robert can provide.  Carol White (The Man Who Had Power Over Women), Veronica Anderson (The Horror at 37,000 Feet) and Richard Pryor (Stir Crazy) co-star.

    Based on John Collier’s short story, Some Call It Loving is a surrealistic tale of blind love and self-exploration set in a utopia of sexual fantasy.  Sharing a marvelous castle estate with the beautiful Scarlett (White) and their housemaid Angelica (Anderson), Robert (King) moonlights as a jazz musician while yearning for more in life.  Wandering the trashy threshold of a carnival, Robert discovers a bizarre Sleeping Beauty attraction where for one dollar, men can kiss an attractive girl asleep for many years, in hopes of awakening her.  Equally disgusted and tantalized, Robert purchases Jennifer (Farrow) for a hefty sum and whisks her away to his mansion.  Emerging from her long slumber, the young Jennifer, bursting with jovial curiosity, is a product of a more innocent era that Robert recognizes as his escape from his hapless existence.  Introduced to their peculiar role-playing games, the lines of dreams and reality become heavily blurred for Jennifer as she witnesses tap dancing nuns and crash courses in strict etiquette.  Envious of his carefree, drug-addicted friend Jeff (Pryor) and conflicted by the trappings of his own personal utopia, Robert and Jennifer’s hopeful relationship grows complicated.

    Overwhelmingly dismissed by domestic critics yet, revered in France before being revitalized years later by the now defunct Z Channel, Some Call It Loving is an uncompromised vision of unconventional sexploitation matched with arthouse class, making way for a most unusual effort.  More sexually suggestive than it is revealing, Director James B. Harris (Fast-Walking) weaves his camera like a painter’s brush capturing a dreamlike state that refuses to pass judgement on his relatable yet, flawed characters.  While its core cast including, the shy and reserved King to the charmingly green Farrow all make an impression, Richard Pryor’s scene-stealing turn as the drug addled Jeff will leave viewers aching with sympathy from his junkie ramblings and genuine sadness.  Akin to falling down a rabbit hole of strangeness, Mario Tosi’s (Carrie, The Stunt Man) evocative cinematography and Richard Hazard’s (Nickelodeon) raw score cast a dizzying spell of euphoria.  While its passionate imagery of a hollow utopia pleasantly stupefies, its abstract narrative and complex characters may leave viewers unsure of the film’s intentions.  Unflinching in its execution, Some Call It Loving will most assuredly continue to leave audiences split while, simultaneously invoking a gamut of emotions by its completion.

    Scanned in 2K from the original 35mm camera negative, Etiquette Pictures presents Some Call It Loving with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Glazed in a fog-entranced lighting, colors pop admirably with skin tones projecting naturally pleasing levels.  Natural grain is present, if not slightly overwhelming in several sequences, while black levels contain their fair share of speckling during dimly lit sequences in Robert and Scarlett’s mansion and the smoky jazz club.  Regardless of its occasional anomalies, Some Call It Loving rises above its previous home video releases with its finest presentation to date.  Equipped with a DTS-HD Master Audio 1.0 mix, a mild hiss stakes its claim on the track while dialogue is handled decently.  Amid several instances of cracks and pops, Richard Hazard’s score and most impressively, the jazz club sequences make an impressionable statement.  Special features include, an Audio Commentary with Director James B. Harris moderated by Sam Prime, Some Call It History: Looking Back with James B. Harris (6:52) finds Harris recounting his early years producing his friend Stanley Kubrick’s early efforts before turning to directing.  In addition, A Dream So Real: Mario Tosi in Conversation (8:27), Outtake Footage (15:55) with commentary from Harris and Prime, a 6-page booklet with notable linear notes by Kevin John Bozelka, Reversible Cover Art utilizing the film’s original French artwork and a DVD edition of the release round out the supplemental package.

    Phantasmagorical and emotional, Director James B. Harris’ Some Call It Loving is a unique love story that leaves the viewer and its characters in an inescapable realm between dreams and reality.  From a surreal state of ecstasy to the lowest depths of emptiness, this arthouse fairy tale will leave viewers spinning by its narrative but entranced by its visuals.  In their debut effort, Etiquette Pictures resurrects this largely forgotten opus with a stunning restoration and revealing special features, raising appreciation for the film’s place in independent cinema.  Like so many abstract auteurist efforts, Some Call It Loving will leave audiences divided while, providing an unusually unique viewing experience for all.  With a commitment to preserve experimental independent features, Etiquette Pictures have made a bold first step with increased anticipation for their future endeavors.

    RATING: 3.5/5

    Available now from Etiquette Pictures, Some Call It Loving can be purchased via, and other fine retailers. 

  • Blu-ray/DVD Weekly Wrap-Up #1: Nightmare City, Die, Monster, Die!, Vinegar Syndrome & More!

    This week's installment of the Blu-ray/DVD Weekly Wrap-up #1 includes:

    - Nightmare City (1980)
    Street Date: December 31, 2013
    Raro Video:

    - Die, Monster, Die! (1965)
    Street Date: January 21, 2014
    Scream Factory:

    - Cat People (1982) Collector's Edition
    Street Date: January 21, 2014
    Scream Factory:

    - Judy (1969) / The Night Hustlers (1968)
    Street Date: January 7, 2014
    Vinegar Syndrome:

    - The Beast of Hollow Mountain (1956) / The Neanderthal Man (1953)
    Street Date: January 28, 2014
    Scream Factory:

  • Abduction of an American Playgirl (1975) / Winter Heat (1976) DVD Review

    Abduction of an American Playgirl (1975) / Winter Heat (1976)
    Director(s): Unknown / Claude Goddard
    Starring: Darby Lloyd Rains / Sue Rowan, Helen Madigan, Lisa Young & Jamie Gillis
    Released by: Vinegar Syndrome

    Reviewed by Mike Kenny

    Vinegar Syndrome, the saviors of smut, kick off 2014 with a bang.  Literally!  The first entry in the label’s new “Peekarama” line pairs two scandalous features together that are sure to set fire to your senses.  What are a pair of kidnappers to do when their gorgeous victim gives them more of a sexual run than they anticipated?  Plus, winters can get mighty cold especially when a ruthless pack of delinquents barge into your cabin to light their own sexual fire.  Line up for the big show and witness the sultry excitement right before your eyes...

    Abduction of an American Playgirl finds two lonely men who decide that kidnapping a beautiful woman and subjecting her to their sexual pleasures will cure their anxiousness.  Oddly enough, the would-be victim turns the tables and reveals herself to be a supreme nymphomaniac leaving the men helpless to her demands.  Next up, Winter Heat finds a group of ex-cons intruding on and terrorizing a trio of helpless women in their snowbound cabin.

    Just when you thought you’ve seen it all from Vinegar Syndrome, the indie distributor is ready to surprise you again.  Abduction of an American Playgirl had sleaze written all over it but I was genuinely surprised to find so much humor in the film.  The bumbling kidnappers, one sporting a choice 70s-stache, are hilarious as a a pair of horny bums that are looking to fix their dilemma fast.  Much to their luck, they spot a gorgeous female and hatch a scheme to whisk her away back to their pad and have a wild night of carnal delights.  In addition, the two decide to extort $5,000 (because why get greedy) from the victim’s father in exchange for her safe return.  As the men finally decide to get down to business, the victim shows surprising interest in their “manlier” areas and the party becomes a mutual one.  Sexual positions a plenty invade the next few scenes with everything from oral pleasure to everything in between administered.  Once our kidnappers have had their fill, the victim is far from through.  The duration of the film takes hysterical turns as the men can barely get a moment of sleep let alone finish a cup of coffee before they are forced back into the bedroom.  To make matters worse, the victim’s father laughs off the men’s extortion attempts leaving them in an odyssey of sexual pleasure that they can no longer handle.  Other drifters make their way through the pad getting a taste of the nymphomaniacal victim before throwing in the towel and making their great escape.  Eventually, the father bites on the extortion scheme (for the bargain price of $500) and orders his other daughter to meet the exhausted culprits for the exchange.  Yet again, our victim and her resourceful sister, pull the sheet from under the men and make off with the money and their car!  The energetic sisters crash at a local motel for some incest-filled lovemaking before welcoming an African-American bellboy in for a little threesome action.  Penetrating excitement and a final climax shot wraps the film up with the ladies possibly biting off more than they can even chew.  Abduction of an American Playgirl surprised me with how humorous the actors and their exchanges with one another managed to be.  The film has no shortage of sexually-charged scenes that are sure to please the most devoted adult cinema lover.  
    RATING: 3/5

    There’s no question that Winter Heat was inspired by Wes Craven’s 1972 shocker The Last House on the Left, but how does it differentiate itself?  By turning up the sleaze notch, of course!  This unforgiving roughie, pits a group of ex-cons (three sleazeballs and one chick for good measure) who terrorize and abuse a group of unsuspecting women in a snowbound cabin.  Similar to Abduction of an American Playgirl, Winter Heat opens on a humorous note with the criminals discussing a variety of topics including how one of the men was raped in the rear while serving time plus his near bout with pneumonia.  Of course, conversation can bore some which leads our female henchmen to go down on one of her cronies because why not?  Eventually, the deadbeats make their way to a cabin of women where they force themselves inside for a night of abuse.  Winter Heat is unquestionably one of the sleazier flicks I’ve seen in sometime.  The ex-cons savagely insult and humiliate the women by making them strip, shove mashed potatoes down their throats and force them to perform oral sex.  Oral sex quickly turns into full-fledged rape as climax shots are popping off as early as 10 minutes into the film.  The abuse continues to mount as the rapists trade off girls and the female baddie has her own way with one of the victims.  While, the film doesn’t find the antagonists murdering anyone, they certainly push the sexual angle far more than The Last House on the Left did.  As time goes on, the victims seem to mutually go with the flow and begin to enjoy the company of their new housemates.  While, the sexual nature and shots of penetration are a tad more present here than Abduction of an American Playgirl, Winter Heat is easily the sleazier feature of this collection and will challenge you to take a shower after its viewing.
    RATING: 3/5

    Abduction of an American Playgirl has been scanned in 2K from the 35mm negative and presented in 1.33:1 aspect ratio.  Yet again, Vinegar Syndrome surprises with how well films of this ilk can clean up.  Scratches and debris are present at times but overall colors are quite nice with the film’s imperfections never intruding.  This certainly gets the job done!
    RATING: 3.5/5

    Winter Heat has also been scanned in 2K from a 35mm archival print and presented in 1.33:1 aspect ratio with slightly rougher results.  The opening titles have plenty of scratches before stabilizing to better conditions.  Dirt and pops in the frame appear occasionally but not bad enough that you miss out on any action.  Considering the subject matter, the dirty grindhouse projection is nicely fitting for such a feature.
    RATING: 3/5

    Abduction of an American Playgirl is equipped with a Dolby Digital 2.0 Mono mix that is serviceable with dialogue coming across clear, albeit low at certain moments.  The dips in audio levels occur late in the film and will only require a few raises to your volume button to catch everything.  Overall, this’ll do.
    RATING: 3/5

    Winter Heat also comes with a Dolby Digital 2.0 Mono mix that is on par with the former.  Dialogue is heard clearly with a light hiss appearing at times.  Listening to this film a little louder than normal will benefit the viewing experience.  
    RATING: 3/5


    - Abduction of an American Plowgirl Theatrical Trailer

    RATING: 0.5/5

    Vinegar Syndrome’s latest “Peekarama” offering is a unique bundling of edgier adult entertainment.  Abduction of an American Playgirl plays for laughs while still packing plenty of sexual enjoyment in the form of orgies, oral play and more!  Winter Heat is crowned sleaze king of this collection with its despicable portrayal of brutal ex-cons who have their way with innocent women.  The slimeballs definitely give David Hess and company a run for their money without even murdering any of their victims.  The film makes you feel dirty and succeeds in setting a genuine seedy tone.  Vinegar Syndrome continues to prove their fearlessness with the rare titles they release and their “Peekarama” installment may be one of their most risque to date.  Keep’em coming!
    RATING: 3.5/5