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Currently showing posts tagged Time Travel

  • World Without End (1956) Blu-ray Review

    World Without End (1956)

    Director: Edward Bernds

    Starring: Hugh Marlowe, Nancy Gates, Nelson Leigh, Rod Taylor, Shawn Smith & Lisa Montell

    Released by: Warner Archive

    Reviewed by Mike Kenny

    A cost conscience effort that earnestly takes audiences to infinity and beyond, World Without End, using rocket ship stock footage from 1951’s Flight to Mars as a launchpad, finds four daring astronauts en route back home following a successful mission to Mars when a space warp spirals them centuries ahead into a brooding future.  Crash-landing in the nuclear ravaged Earth of 2508 A.D., our daring explorers are confronted by mutated cyclops-men and overgrown spiders in search of civilization.  Creating a pacifist way of life underground away from the savages, the astronauts are welcomed by a peaceful community of colorful bald cap-wearing men and miniskirted vixens who dare not retake the land above, jeopardizing the existence of mankind’s future generations.  Determined to ensure humanity’s survival, the time traveling outsiders fight back against this Earth’s beastly mutations.  Beautifully shot in CinemaScope (the genre’s very first) and boasting a respectable cast of brave souls including an early appearance from Rod Taylor (The Time Machine, The Birds), World Without End takes what should be a routine saucer men from Mars cheapie and instead delivers a lost in space, time traveling cheapie with commendable style that echoes later genre classics (much to the chagrin of its director who felt ripped off) including, Planet of the Apes.  While not a top-tier sci-fi feature, the film’s vibrant colors, effective but seldomly seen brutes and gorgeous sights of Nancy Gates (Comanche Station) and Lisa Montell (She Gods of Shark Reef) make World Without End an entertaining prime directive from the director of Queen of Outer Space and Return of the Fly.

    Warner Archive welcomes World Without End to high-definition with a 1080p transfer, sporting a 2.35:1 aspect ratio.  Presented with spotless detail, colors are bold and exacting, giving radiance to matte paintings, earthly greenery and flashy costume choices while, black levels are as deep as one could hope for.  Retaining a prominent layer of natural film grain throughout and rosy skin tones, this lesser revered space effort has never looked and surely will ever look better!  Matched with a pleasing DTS-HD Master Audio 2.0 mix that offers crisp dialogue levels with no indications of crack or pops, special features are unfortunately void on this release.  A wonderful bone thrown to space-age baby boomers, World Without End is a fun, adventure-filled journey to a ravaged world with only travelers from the past to save it.  Although absent of any supplemental content, Warner Archive has singlehandedly ensured this B-movie favorite a grandiose Blu-ray debut that makes its Cinemascope photography pop like never before.

    RATING: 4/5

    Available March 28th from Warner Archive, World Without End can be purchased via WBShop.com, Amazon.com and other fine retailers.

  • Assault on New Releases #11 - Halloween Edition: Count Dracula's Great Love (1973), Child's Play (1988) Collector's Edition, Burial Ground (1980), Waxwork (1988) / Waxwork II: Lost in Time (1991) & Lady in White (1988) Blu-ray Reviews

    Count Dracula’s Great Love (1973)

    Director: Javier Aguirre

    Starring: Paul Naschy, Rosanna Yanni, Haydée Politoff, Mirta Miller, Ingrid Garbo, Álvaro de Luna de Luma & José Manuel Martin

    Released by: Vinegar Syndrome

    Reviewed by Mike Kenny

    Starring Spain’s premiere horror star Paul Naschy (Night of the Werewolf), Count Dracula’s Great Love finds a carriage of travelers derailed and kindly taken in by the handsome Dr. Marlow (Naschy).  Secretly harboring his true identity as the Prince of Darkness, Marlow stalks and seduces his way to the necks of his gorgeous guests, transforming them into bloodthirsty slaves while, shy virginal Karen (Haydée Politoff, Queens of Evil) becomes the apple of his eye and essential to his much grander plan.  Boasting gothic ambiance, full moons and eroticism, Javier Aguirre (Hunchback of the Morgue) directs with elegance in this atmospheric tale that presents a memorable interpretation of Dracula who is quick to whip and axe his victims as commonly as sink his fangs into them.  Weaving a narrative of originality and rich complexity, Count Dracula’s Great Love remains effective for Naschy’s understated performance and the film’s blood ritual used to resurrect Dracula’s deceased daughter, concluding in lovesick tragedy.

    Beautifully scanned and restored in 2K from the 35mm internegative, Vinegar Syndrome presents Count Dracula’s Great Love with a 1080p transfer, sporting a 1.85:1 aspect ratio.  While minor intrusions from scratches and cigarette burns are evident, the Spanish feature has never looked better.  Bringing vibrant life to skin tones and the colorful costume choices of its actresses, detail is crisp preserving the fog-entranced tone while, black levels seen in Count Dracula’s cape, casket and dark dwellings are exceptionally inky.  Equipped with a DTS-HD Master Audio 2.0 mix, the film’s English dub track may register t’s and s sounds too sharply but, overwhelmingly exudes clean and audible dialogue levels while, cracks and pop are minimal and of little to no notice.  Presenting both its uncut U.S. edition and its original Spanish language version, viewers are informed that the latter, lacking proper elements from its licensor (and missing shots due to content that are only found in its English counterpart), is presented from lesser quality video sources and a Dolby Digital 2.0 mix in order to appreciatively appease fans yearning for both cuts.  Meanwhile, special features include, a never before released Audio Commentary with Director Javier Aguirre & Actor Paul Naschy featuring optional subtitles in both English and Spanish plus, a newly captured Video Interview with Actress Mirta Miller (8:22) with optional English subtitles.  Furthermore, the U.S. Theatrical Trailer (3:04), a Still Gallery (2:16) and a 6-page booklet featuring an informative essay from Mirek Lipinski are also included alongside a DVD edition of the release and Reversible Cover Art.  Fans of horror’s more gothic and erotic outings will take pleasure sinking their fangs into this significant Spanish offering, splendidly brought to high-definition by Vinegar Syndrome for the first time ever!

    RATING: 4/5

    Available now from Vinegar Syndrome, Count Dracula’s Great Love can be purchased via VinegarSyndrome.com, Amazon.com and other fine retailers.

    Child’s Play (1988)

    Director: Tom Holland

    Starring: Catherine Hicks, Chris Sarandon, Alex Vincent & Brad Dourif

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Instilling a new titan for modern horror and ushering in a frightening franchise of sequels each varying in quality, the original Child’s Play still reigns as the most effective and chilling of Chucky’s many chapters.  When innocent six-year-old Andy Barclay (Alex Vincent, Wait Until Spring, Bandini) is presented with a Good Guy doll on his birthday, strange occurrences and the death of his babysitter raise questions of responsibility in their wake.  Unsuccessfully convincing his single mother and a homicide detective that his doll is alive and behind the recent string of murders, Andy finds himself pursued by the tiny terror in order to take over his soul.  Before the bodycount pictures its later entries would become with the foul-mouthed killer serving as their marketing mascot, Child’s Play’s less is more approach keeps viewers questioning the validity of Andy’s claims more so than blindly assuming his doll is truly possessed.  Wrapped in mystery and edge of your seat suspense with an oftentimes forgotten voodoo subplot, Child’s Play holds up strongly with a believable blend of special effects wizardry, an urban Chicago setting and top-notch performances with Dourif’s shrieking voice as the crazed Chucky leaving an indelible mark on the nightmares of viewers for years to come.

    Newly scanned in 2K from the interpositive, Scream Factory presents Child’s Play with a 1080p transfer, sporting a 1.85:1 aspect ratio.  Casting a darker yet, more natural appearance during nighttime sequences, skin tones are accurate and nicely detailed while, colors found in Chucky’s red-striped and denim attire along with the neon-lit signage of the toy store in the film’s opening pop well.  Scuffs and other blemishes appear to be absent while, softness during daytime exteriors and inside the Barclay’s apartment look similar to its previous release.  Admittedly modest in its improvements, Scream Factory’s latest stab at Child’s Play unquestionably ranks as its best looking.  Equipped with a DTS-HD Master Audio 5.1 mix that projects solid dialogue and booming displays of authority during thunderstorms and Joe Renzetti’s (Poltergeist III) creepy score, sound quality is superior.  In addition, an optional DTS-HD Master Audio 2.0 mix has also been included.  Impressively packed with new and old offerings, Disc 1 features a new Audio Commentary with Director Tom Holland plus, a repurposed Audio Commentary with Actors Alex Vincent, Catherine Hicks & “Chucky” Designer Kevin Yagher.  Furthermore, another vintage Audio Commentary with Producer David Kirschner & Screenwriter Don Mancini along with hilarious Chucky Commentaries on select scenes are also included.

    Kicking off Disc 2, Behind-the-Scenes Special Effects Footage (1:00:08), Howard Berger: Your Special Effects Friend ‘Till the End (40:53) and Life Behind the Mask: Being Chucky with Ed Gale (40:02) comprise the release’s newest and highly fascinating featurettes while, Evil Comes in Small Packages (24:49), Chucky: Building a Nightmare (10:05), A Monster Convention (5:26), Introducing Chucky: The Making of Child’s Play (6:15) and a Vintage Featurette (4:54) from MGM’s previous release are ported over.  In addition, a TV Spot (0:17), Theatrical Trailer (2:02), a Behind-the-Scenes Photo Gallery (37 in total), a Posters & Lobby Cards Photo Gallery (20 in total) and Reversible Cover Art featuring the original 1-sheet poster conclude the all encompassing slate of extras.  A frightening sophomore followup from Director Tom Holland (Fright Night), Child’s Play maintains its reputation as one of the better supernatural slashers of the 80s while, Scream Factory’s Collector’s Edition, sprawling with bounds of extras, is nothing short of a gift from the mighty Damballa himself.

    RATING: 4.5/5

    Available now from Scream Factory, Child’s Play can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

    Burial Ground (1980)

    Director: Andrea Bianchi

    Starring: Mariangela Giordano, Karin Well, Gianluigi Chirizzi, Peter Bark & Roberto Caporali

    Released by: Severin Films

    Reviewed by Mike Kenny

    Presented under its alternate The Nights of Terror title, Burial Ground hosts a smorgasbord of guts and bloody depravity when a country getaway for several couples quickly turns into a fight for their lives against reanimated corpses.  Preoccupied with their own sexual appetite when a scientist’s tinkering with evil forces unleashes hell’s hungriest zombies, the couples struggle to defend themselves while keeping the rotting forces from gaining entry into the mansion.  A wall-to-wall bonkers example of Italian exploitation at its finest, Burial Ground’s plot may be paper thin but, graciously overcompensates with gallons of gore and some of the genre’s most memorable zombie designs befit with gaping facial holes, horrific skeletal features and squirming maggots oozing from their pores.  Weaponizing themselves with pickaxes, scythes and other garden tools, the ravenous undead decapitate the help and repeatedly feast on the torn out organs of their prey.  Perhaps even more memorable than the zombie’s persistent attacks, Burial Ground’s bizarro meter soars when Michael (Peter Bark, Arrivano i gatti), the peculiar-looking son of Karen, grows oddly attracted to his mother and makes an incestuous pass at her in the heat of zombiepalooza.  With options running low and escape unlikely, nothing can prepare viewers for Burial Ground’s absurd mouthful of a finale that draws its line in the sand as one of the great “what the…” moments of splatter cinema.

    Gorgeously restored in 2K from pristine elements, Severin Films presents Burial Ground with a 1080p transfer, sporting a 1.66:1 aspect ratio.  True to its description, this newly struck scan is leaps and bounds superior to past releases with a blemish-free appearance, strong facial tones and impressive detail bringing out the intricacies of the many zombie makeup designs and their intendedly heinous features.  Furthermore, the film’s plethora of blood pops loudly while, black levels, even during the film’s more dimly lit sequences, are effectively inky, allowing viewers to fully appreciate all that is occurring.  Definitive as can be, Severin Films deserves the utmost praise for their esteemed handling of this Italian gorefest.  Equipped with a DTS-HD Master Audio 2.0 mix, dialogue is perfectly audible throughout without any static or pops detected.  In addition, a separate Dolby Digital 2.0 Italian mix is included with optional English subtitles.  Bonus offerings include, Villa Parisi - Legacy of Terror (15:47) where Movie Historian Fabio Melelli revisits the filming locations that date back to the 17th century and have been utilized by Italian film productions beginning in the 1960s through the present.  Meanwhile, Peter Still Lives: Festival Q&A with Actor Peter Bark (7:35), Just for the Money: Interview with Actor Simone Mattioli (8:57) and The Smell of Death: Interviews with Producer Gabriele Crisanti & Actress Mariangela Giordano (9:20) are joined by Deleted/Extended Scenes/Shots (10:24), the Theatrical Trailer (3:31) and Reversible Cover Art.  Lastly, limited to the first 3,000 units, an exclusive slipcover featuring new artwork by Wes Benscoter is also included.  Riding high on a profoundly successful 2016, Severin Films continues to spoil exploitation enthusiasts with their treatment of Burial Ground, so definitive that the opening of hell’s gates can be the only justification for quality of this caliber.

    RATING: 4/5

    Available now from Severin Films, Burial Ground can be purchased via Severin-Films.com, Amazon.com and other fine retailers.

    Waxwork (1988) / Waxwork II: Lost in Time (1991)

    Director: Anthony Hickox

    Starring: Zach Galligan, Deborah Foreman, Michelle Johnson, Dana Ashbrook, Michah Grant, Eric Brown, Clare Carey, Patrick Macnee & David Warner / Zach Galligan, Monkia Schnarre, Alexander Godunov, Martin Kemp & Bruce Campbell 

    Released by: Lionsgate

    Reviewed by Mike Kenny

    Melding the humorously wacky with the horrific, Waxwork finds a group of collegiate friends who stumble upon a mysterious wax museum displaying the most vile monsters, madmen and psychos albeit without victims.  Before long, their innocent tour lures them into its dark magic to become permanent members of the establishments morbid offerings.  Starring Zach Galligan (Gremlins) and Deborah Foreman (Valley Girl) with appearances from distinguished Englishmen and talented thespians Patrick Macnee (The Avengers) and David Warner (Tron) as the villainous museum owner, Waxwork’s greatest strength lies in its animated displays that honor the classic monsters of yesteryear and submerging would-be victims into their appropriately themed worlds.  Transforming into mini films within a film, the high maintenance China (Michelle Johnson, Death Becomes Her) finds herself immersed within Count Dracula’s gothic castle and forced to duel against his bloodthirsty brides while, the chain-smoking Tony (Dana Ashbrook, Twin Peaks) stumbles into the full moon lit backwoods where the beastly Wolfman (John-Rhys Davies, Raiders of the Lost Ark) hunts.  While the rather busy narrative throws touches of black magic, evil trinkets, freakish butlers and interdimensional realms to the forefront that occasionally scatterbrains the proceedings, Waxwork’s free-for-all conclusion pitting the likes of Marquis de Sade and zombies against the privileged Mark (Galligan) and his wheelchair-bound godfather right the ship in this clever sendup of classic chills under the guise of 80s video age eye-candy.

    Surviving the fiery events of the original film, Mark and Sarah (replaced by Monkia Schnarre, The Peacekeeper) return in Waxwork II: Lost in Time when a resilient zombie hand from the wax museum murders Sarah’s stepfather, pinning the blame on her.  Determined to prove her innocence, the two recover a magical compass enabling them to time travel through dimensions in order to gather the proper evidence to clear Sarah’s name.  Far more fantasy based than its predecessor with the characters winding up in medieval times to combat a black magic wielding sorcerer, Waxwork II: Lost in Time, using Lewis Carrol’s Through the Looking-Glass as a loose template, makes greater use of hilariously parodying genre films than properly traveling through historical events.  Making stops at Victor Frankenstein’s laboratory and the streets of London during Jack the Ripper’s reign of terror, Alien, The Haunting and Godzilla among other films all find their way cheekily homaged in this more refined sequel.  Graced with brief roles from B-movie legends Bruce Campbell (Evil Dead) and David Carradine (Death Race 2000), Waxwork II: Lost in Time widens its universe even more so, delivering a followup with more comedic oomph that surprisingly exceeds its originator by a narrow margin.

    Digitally restored, Lionsgate, under their Vestron Video Collector’s Series imprint, presents both Waxwork and Waxwork II: Lost in Time with 1080p transfers, sporting 1.85:1 aspect ratios.  Bearing generally clean appearances with scant scratches and slight speckling during darker sequences, colors pop effectively with skin tones reading nicely although, softness is not wholly uncommon or overly unpleasant.  Furthermore, its sequel noticeably improves during its extended black and white sequences mocking The Haunting that shine more sharply than the first film.  Respectable upgrades on both features will leave the overwhelming majority of fans more than pleased with the results.  Equipped with DTS-HD Master Audio 2.0 mixes, dialogue is admirably conveyed while occasional moments during the first film find character lines at odds with other dominating sound factors.  Otherwise making solid use of their respective musical scores, both tracks strongly live up to expectations.  

    Providing each film on their own Blu-ray disc, special features on Waxwork’s Disc 1 include, an Audio Commentary with Director Anthony Hickox & Actor Zach Galligan and an Isolated Score & Audio Interview with Composer Roger Bellon.  Additionally, The Waxwork Chronicles (1:22:17), another first-rate Red Shirt Pictures production divided into six parts, explores the development and making of both films with newly captured interviews from Writer/Director Anthony Hickox, Editor Christopher Cibelli, Producer Staffon Ahrenberg, Special Make-Up Effects Supervisor Bob Keen, Actors Zach Galligan, Monika Schnarre and many others covering everything Waxwork related fans would ever want to know.  Also included, a vintage The Making of Waxwork (24:06) featurette, the Theatrical Trailer (2:02) and a Still Gallery (7:55) conclude the disc’s helpings.  Next up, Waxwork II: Lost in Time’s Disc 2 opens with another Audio Commentary with Director Anthony Hickox & Actor Zach Galligan, an Isolated Score & Audio Interview with Composer Steve Schiff, a Music Video (3:50), Theatrical Trailer (3:03), Still Gallery (7:17) and a Reversible Cover Art capping off the double feature’s supplemental package.  Nostalgia will surely ring loudly for viewers raised on both Waxwork features during the heyday of video rental.  A clever and unique injection of horror and comedy during the slasher prominent decade, both films, with its 1991 sequel having a slight advantage, are enjoyable excursions into silliness that have been passionately peppered with ample bonus features to continue making the legacy of Vestron Pictures proud.

    RATING: 3.5/5

    Available now from Lionsgate, Waxwork / Waxwork II: Lost in Time can be purchased via LionsgateShop.com, Amazon.com and other fine retailers.

    Lady in White (1988)

    Director: Frank LaLoggia

    Starring: Lukas Haas, Len Cariou, Alex Rocco & Katherine Helmond

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Set in the wholesome suburb of Willowpoint Falls circa 1962, Lady in White centers on monster kid Frankie Scarlatti (Lukas Haas, Mars Attacks!) who narrowly escapes death at the hands of a mysterious child murderer.  Aided by the first victim’s ghost, Frankie vows to bring the elusive killer to justice who may be closer than he knows.  Capturing the virtually lost magic of small-town Americana and shot on location in the picturesque region of Upstate New York, Lady in White weaves its atmospheric tale of local legends, ghosts and cold-blooded murder with expert direction and grounded performances that shine with pure naturalism.  Following Frankie’s supernatural encounter, the neighborhood myth of the lady in white searching for her fallen child ties into the picture’s larger story with the very real threat of her assailant still at large injecting a genuine undercurrent of thrills.  Reminiscent of Stephen King’s best coming of age fables, Lady in White’s acute capturing of simpler times while, injecting deeply rooted themes of family, facing fears and discrimination come from a creative voice of passion and experience that Writer/Director Frank LaLoggia (Fear No Evil) conveys in earnest.  An underrated masterwork with an innate connection to the heart and mystery of childhood, Lady in White remains as riveting as ever, eclipsing its reputation as one of the finest ghost stories of its kind.

    Debuting on high-definition with 2 Discs featuring the Director’s Cut (1:57:49, Disc 1), Theatrical Version (1:53:34, Disc 2) and the preferred Extended Director’s Cut (2:06:52, Disc 2), Scream Factory presents Lady in White with 1080p transfers, sporting 1.85:1 aspect ratios.  Utilizing the film’s interpositive and an archived film print to assemble the never-before-released lengthier director’s cut, the inherently soft photography is perfectly maintained while, fall leaves and seasonally appropriate greenery are lively looking.  Seamlessly blending its two elements for a first-rate restoration, the director’s intended cut looks excellent whereas the film’s alternate versions are of equal merit.  Equipped with a DTS-HD Master Audio 5.1 mix that forewarns hiss and pops that are hardly noticeable on its extended version, dialogue is never inaudible with the subtle ambiance of howling winds and crashing waves complimenting the proceedings nicely while, the film’s beautiful music selections, handled also by its Writer/Director, perform most effectively.  In addition an optional DTS-HD Master Audio 2.0 mix has also been included.  However unfortunate that no new supplements were produced for the release, vintage bonus features found entirely on Disc 1 include, an Introduction with Frank LaLoggia (0:46), an Audio Commentary with Writer/Director Frank LaLoggia (Director’s Cut only), Behind-the-Scenes Footage with Introduction by Frank LaLoggia (16:21) and optional commentary from its creator.  Furthermore, Deleted Scenes with Introduction by Frank LaLoggia (36:13) and optional commentary, a Promotional Short Film (7:18), the Theatrical Trailer (1:57), Alternate Trailers (7:10), TV Spots (1:34), Radio Spots (2:21), a Behind-the-Scenes Photo Montage (28 in total) and an Extended Photo Gallery (21 in total) wrap up the on-disc extras while, a Reversible Cover Art is also included.  An evocative coming of age chiller ripe for rediscovery and annual viewing, Lady in White is a prime ghostly offering for the Halloween season that stands out for its relatable themes and haunting narrative worthy of the deepest respect.  

    RATING: 4.5/5

    Available now from Scream Factory, Lady in White can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

     

  • My Science Project (1985) Blu-ray Review

    My Science Project (1985)

    Director: Jonathan R. Betuel

    Starring: John Stockwell, Danielle von Zerneck, Fisher Stevens & Dennis Hopper

    Released by: Mill Creek Entertainment

    Reviewed by Mike Kenny

    Fearing ineligibility to graduate from high school, My Science Project centers on grease monkey Michael Harlan (John Stockwell, Radioactive Dreams) as he scours for a science project to avoid flunking.  Searching a military junkyard, Michael uncovers an extraterrestrial device that unleashes a dimensional time warp of past, present and future danger upon Michael’s sleepy town.  Faced against unfathomable power, Michael and his friends must devise a way to close the vortex before their world is permanently jeopardized.  Daniella von Zerneck (La Bamba), Fisher Stevens (Short Circuit) and Dennis Hopper (Apocalypse Now) co-star.

    Released in the wake of Robert Zemeckis’ game-changing Delorean starring adventure, My Science Project is the other time-traveling effort of 1985.  Raiding a military junk pile proves fruitful for teenage mechanic Michael Harlan (Stockwell) whose biggest dilemmas are failing to graduate and the embarrassment of other students knowing his wheels broke down.  Desperate to pass anything off that remotely looks scientific for a project, Michael’s encounter with a weirdly illuminated device becomes even odder after electrically frying countless appliances within its reach.  Stumped at its purpose, Michael and his Brooklyn-born buddy Vince Latello (Stockwell) find themselves personally affected after the contraption speeds up time, making the duo miss their final exam.  With nowhere to turn, Michael leans on his hilariously hippie-like science teacher, referred to simply as Bob (Hopper), for help as the globe-shaped instrument unexpectedly reveals its full power.  Opening a dangerous vortex where the past and future can materialize, Michael, along with his bookish love interest Ellie Sawyer (Zerneck), Vince and class nerd Sherman (Raphael Sbarge, Risky Business) must cut the power supply to save humanity.

    Tightly budgeted yet, supplying admirable visual effects for its size, My Science Project is a fun teenage adventure with far less emphasis on its time traveling element than proposed.  Fisher Stevens steals the thunder from the headlining Stockwell with his quotable lines while, Easy Rider’s Dennis Hopper hams up his free love mantra for the MTV generation.  While the film’s MacGuffin creates countless fireworks for the screen, its true harm isn’t fully exposed until the third act when the Viet Cong, post-apocalyptic mutants and dinosaurs go head to head with Michael and his machine gun carrying cohorts.  Although introducing added eye-candy, the historical antagonists’ appearances take place a tad too late and leave a slightly underwhelming effect.  Making groovy pop culture nods with high school hooligans rocking stormtrooper helmets and boob tube cameos from Disney’s 20,000 Leagues Under the Sea and Davy Crockett, My Science Project is a moderately radical time where teenage heroes take on the whirlwind of scientific insanity.

    Mill Creek Entertainment presents My Science Project with a 1080p transfer, sporting a 2.35:1 aspect ratio.  Appearing softer during early 1957 set sequences and visual effects moments before improving slightly, skin tones are average-looking with moderate levels of dirt and debris on hand.  Meanwhile, black levels fall on the grainier side with visibility not impossible yet, largely unimpressive.  Equipped with a Dolby Digital 2.0 mix, dialogue is audible while, its mono presentation underwhelms machine gun fire and soundtrack selections including Scandal’s “The Warrior”, making otherwise more impactful moments sound far too flat for taste.  Expectedly, no special features have been included.

    RATING: 3/5

    Available now from Mill Creek Entertainment, My Science Project can be purchased via MillCreekDirect.com, Amazon.com and other fine retailers.

  • Assault on New Releases #8: Army of Darkness Collector's Edition (1993), Pixels (2015) & Get Mean (1975) Blu-ray Reviews

     

    ASSAULT ON NEW RELEASES #8

    Army of Darkness (1993)

    Director: Sam Raimi

    Starring: Bruce Campbell, Embeth Davidtz, Marcus Gilbert, Ian Abercrombie & Richard Grove

    Released by: Scream Factory

    Reviewed by Mike Kenny

    Marking the conclusion of The Evil Dead trilogy, Bruce Campbell (Maniac Cop) headlines Army of Darkness as the chainsaw-wielding Ash, whisked away to the Dark Ages by demons.  Forced to recover the Necronomicon in order to return home, Ash must first lead a castle of knights against an undead army and save his medieval lover (Embeth Davidtz, Matilda) from a devilish version of himself.  Much like its predecessor, Army of Darkness reinterprets its simplistic backstory to offer a uniquely fitted tale without compromising the charms and quirks of its headlining hero.  Transported to the year 1300, Ash finds himself out of his element amongst chivalry until the all too familiar demons of his recent past make their presence known once again.  Using his offbeat charm, Ash woos the beautiful Sheila before awakening an army of skeletons following his own buffoonish missteps in reclaiming the Book of the Dead.  Preserving the horror and comedy of its previous entries, Army of Darkness increases the silliness with slapstick gags at every turn and action-packed sword battles.  Inspired by Jason and the Argonauts, the film’s exciting finale finds our heroes doing battle against a siege of skeletons, impressively brought to life by stop-motion artistry.  In addition, the horrific Deadites, excellently designed by KNB’s Greg Nicotero (The Walking Dead) and Howard Berger (A Nightmare on Elm Street 4: The Dream Master), mark a series high for the franchise.  Absurdly entertaining and lovingly over the top, Army of Darkness is arguably the grooviest of The Evil Dead three with a grander scale of charming effects work and Campbell’s dependable charisma packing a shotguns worth of fun.

    Marking its definitive release, Scream Factory proudly presents Army of Darkness’ multiple cuts across a sprawling three discs.  Bearing 1080p transfers, the film’s Theatrical Version (1.85:1, Disc 1), Director’s Cut (1.78:1, Disc 2) and International Cut (1.78:1, Disc 3) arrive with varying pros and cons.  Although a brief omission of footage located in the Theatrical Version has been recognized by the distributor with corrective measures taking place, all three transfers range from respectable to excellent with healthy filmic appearances.  Admittedly, the Director’s Cut, although decently presented, boasts moments of inherent dirt and debris with occasionally splotchy black levels while, the International Cut, sourced from a new 4K scan from the inter-positive, packs the cleanest punch.  Although slight imperfections are noted in each varying transfer, Scream Factory’s efforts have unquestionably surpassed previous releases for the better.  Equipped with DTS-HD Master Audio 5.1 mixes and optional DTS-HD Master Audio 2.0 mixes, dialogue is efficient and robust while, the film’s goofy sound effects and sword clattering battle sequences ring appreciatively loud.  

    Practically possessed with extensive special features, the well deserved Collector’s Edition release offers on Disc 1, Red Shirt Pictures’ latest and possibly greatest retrospective Medieval Times: The Making of Army of Darkness (1:36:35), the Original Ending (4:37), an Alternate Opening with Commentary by Director Sam Raimi & Actor Bruce Campbell (2:58), Deleted Scenes with Commentary by Director Sam Raimi & Actor Bruce Campbell (11:06), Theatrical Trailer (2:05), TV Spots (1:56) and a U.S. Video Promo (0:32).  In addition, Disc 2 boasts an Audio Commentary with Director Sam Raimi, Actor Bruce Campbell and Co-Writer Ivan Raimi, On-Set Video Footage Compilation (4:40), Creating the Deadities (21:29) where KNB’s Greg Nicotero and Howard Berger showcase how the film’s memorable monsters were concocted, Behind the Scenes Footage from KNB Effects (53:54), Vintage Making of Featurette (4:51) and Extended Interview Clips (5:02).  Furthermore, Disc 3 contains the film’s TV Cut (presented in 1080i, Fullscreen 1:33:1 with a Dolby Digital 2.0 mix), the International Theatrical Trailer (2:08), Still Galleries with Rare Behind-the-Scenes Photos (28:16), Still Gallery of Props and Rare Photos (4:05), Storyboards (7:37) and The Men Behind the Army featurette (18:58).  Lastly, a Reversible Cover Art including the film’s 1-sheet poster is also included on Scream Factory’s prominently packed release of this cult treasure.  

    RATING: 4/5

    Available now from Scream Factory, Army of Darkness can be purchased via ShoutFactory.com, Amazon.com and other fine retailers.

    Pixels (2015)

    Director: Chris Columbus

    Starring: Adam Sandler, Kevin James, Michelle Monaghan, Peter Dinklage & Josh Gad

    Released by: Sony Pictures Home Entertainment

    Reviewed by Mike Kenny

    Based on the 2010 short film by Director Patrick Jean, Pixels finds a decades old video feed misinterpreted by alien lifeforms as a declaration of war.  Utilizing popular characters from 1980s video games to attack Earth, President Will Cooper (Kevin James, Paul Blart: Mall Cop) calls on best friend and former video game champion Sam Brenner (Adam Sandler, Hotel Transylvania) and his fellow cronies to use their unique skills to save the planet.  Marking yet another box-office success in Sandler’s long history of triumphs, Pixels blends arcade nostalgia with cutting-edge visuals for a spirited execution in humor and planet destructing action.  Joined by a supporting trio including Michelle Monaghan (True Detective), Peter Dinklage (X-Men: Days of Future Past) and Josh Gad (Frozen), Director Chris Columbus (Home Alone, Harry Potter and the Sorcerer’s Stone) finds a playful middle ground allowing him to harken back to his earliest experiences at Amblin Entertainment while, effortlessly catering to Sandler’s comedic sensibilities.  With notable appearances from video game titans such as Pac-Man, Donkey Kong, Centipede, Qbert and more, Pixels keeps laughs fully stocked and our heroes’ colorfully pixelated brawls with extraterrestrials thoroughly entertaining.  Proving to be one of Sandler’s more unique family entertainment offerings in recent years, Pixels is unashamedly fun and fit for unpretentious viewers.

    Sony Pictures Home Entertainment presents Pixels with a 1080p transfer, sporting a 2.40:1 aspect ratio.  Exceptionally crisp and vibrant, colors leap off the screen with the film’s video game antagonists greatly impressing with their bigger than life appearances.  In addition, skin tones appear natural and excellently detailed while, black levels during climactic battle sequences are consistently inky and excused of any digital disturbances.  Equipped with a Dolby TrueHD 7.1 mix, dialogue is generally strong and authoritative while, the film’s many action sequences serve the track its highest merits.  From car crashes and laser blasts to the iconic sound effects of its 8-bit characters, depth and impressive volume levels never disappoint.  Meanwhile, special features include, the cast and crew discussing the appearances and creations of Pac-Man (4:32), Donkey Kong (4:07), Centipede (3:36), Galaga (3:33), Dojo Quest (4:20) and Qbert (2:32).  In addition, God of the Machine (1:36) finds Pac-Man Creator Toru Iwatani discussing his cameo as an arcade repairman while, a “Game On” Music Video by Waka Flocka featuring Good Charlotte (3:59), The Space Invader (1:40) and a Photo Gallery (42 in total) are also included.  Finally, Previews for Goosebumps (2:32), Paul Blart: Mall Cop 2 (2:30), Aloha (2:41), Ricki and the Flash (2:40) and Hotel Transylvania 2 (1:52) are joined by a Digital HD Code and a Pixels Play Along Game App Code.

    RATING: 4/5

    Available now from Sony Pictures Home Entertainment, Pixels can be purchased via Amazon.com and other fine retailers.

    Get Mean (1975)

    Director: Ferdinando Baldi

    Starring: Tony Anthony, Lloyd Battista, Raf Baldassarre, Diana Lorys & David Dreyer

    Released by: Blue Underground

    Reviewed by Mike Kenny

    In the final adventure of the popular Stranger saga, Get Mean finds the mysterious drifter (Tony Anthony, Blindman) approached by a pack of gypsies to escort their princess (Diana Lorys, The Awful Dr. Orlof) back to their native Spain.  Promised a handsome reward upon her safe return, the Stranger finds himself entangled in a war between brutal barbarians and the Moors leading to an explosive showdown of violence.  Unquestionably kooky in comparison to standard spaghetti western fare, Get Mean finds our wild west hero defying time and space on a distant journey to a war-torn Spain littered with hotheaded barbarians.  In hopes of securing a large fortune for the return of Princess Elizabeth Maria De Burgos, the Stranger is confronted with the gloriously over the top barbarian leader Diego (Raf Baldassarre, Thor the Conqueror), his hilariously feminine advisor Alfonso (David Dreyer, Fuzz) and the consistently backstabbing hunchback Sombra (Lloyd Battista, Last Plane Out).  Shot on location in Spain, Get Mean serves as a bizarre time traveling western where historical inaccuracies reign supreme and astounding production value meets shotgun blasting, sword wielding action.  In addition to armies of fur decorated musclemen, the Stranger finds himself briefly overcome by wolflike characteristics at the hands of supernatural forces.  While its tone is intendedly eccentric, Get Mean is rarely uninteresting with a dependable finale that finds our hero taking on the cavalry with the assistance of a fearsome shotgun and a pair of poisonous scorpions.  

    Making its domestic Blu-ray debut, Blue Underground presents Get Mean with a 1080p transfer, sporting a 2.35:1 aspect ratio.  Featuring a brand new high-definition upgrade, colors appear strong with skin tones registering naturally.  Possessing a noticeably filmic appearance throughout its runtime with scratches virtually nonexistent, Get Mean makes its sprawling desert sequences and Spanish castles pop accordingly with rewarding detail found in costume choices.  In addition, black levels are generally strong with only mild hints of crush during several occasions.  While previous spaghetti western releases have been met with questionable results, Get Mean stands as one of Blue Underground’s crowning achievements.  Equipped with a DTS-HD Master Audio 1.0 mix, dialogue is efficiently delivered while music and the abundance of explosions and gunshots make a greater impact.  Joined by a generous supply of extras, special features include, an Audio Commentary with Producer/Star Tony Anthony, Co-Writer/Star Lloyd Battista & Executive Producer Ronald J. Schneider, The Story of the Stranger (23:12) finds Anthony recalling the history of his enduring character, Looking for Richard (11:33) sits down with Battista as he reminisces on the filmmaking experience and his longtime friendship with Anthony.  Also included, Beating a Dead Horse (9:50) where Executive Producer Ronald J. Schneider shares his experiences, Tony & I (8:19) with Director Ferdinando Baldi discussing his onset relationship with Anthony, Deleted Scenes (8:28), a Theatrical Trailer (3:23), French Trailer (3:21), Radio Spots (2:00) and a Poster & Still Gallery (56 in total).  Finally, a 16-page Booklet with an engaging essay by Spaghetti Western expert Howard Hughes and a DVD edition of the release conclude the supplemental package.

    RATING: 4/5

    Available now from Blue Underground in a limited edition release, Get Mean can be purchased via Amazon.com and other fine retailers.